_Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.

Book review of _The Philosophy of Motion Pictures_ by Noël Carroll.

Thomas Hobbes based his natural philosophy on definitions and general principles of matter in motion, which he refrained from calling “laws of nature.” Across the channel, René Descartes had presented his own account of matter in motion in such a way that laws of nature play a central causal-explanatory role. Despite some notable differences in the two systems of natural philosophy, the content of the three Cartesian laws of nature is shared by Hobbesian principles of (...) class='Hi'>motion. Why is it the case that Hobbes never ‘transferred’ the concept of law of nature from the sphere of civil society to the realm of nature? What is the status of the Hobbesian principles of motion if they are not laws? Answering these questions is the main aim of this article. It is shown that Hobbes made available an importantly different and genuinely original way to do natural philosophy, which renders it free of metaphysics and eschews the need to ground it in anything other than ‘natural reason’. Briefly put, Hobbes took the category of ‘laws of nature’ to involve commitments that cannot be met in the natural world, unless natural philosophy loses its autonomy from theology and metaphysics. (shrink)

As one of the earliest Western physics teachers, Richard Rufus of Cornwall helped transform Western natural philosophy in the 13th century. But despite the importance of Rufus's works, they were effectively lost for 500 years, and the Physics commentary is the first complete work of his ever to be printed. Rufus taught at the Universities of Paris and Oxford from 1231 to 1256, at the very time when exposure to Aristotle's libri naturales was revolutionizing the academic curriculum; indeed Rufus (...) gave the earliest surviving lectures on physics and metaphysics. Rufus's challenges to the views of Aristotle and the commentator Averroes proved to be enormously influential: his accounts of projectile motion, the place of the heavens, and creation, were to be taken up by the likes of Franciscus de Marchia, Roger Bacon, Thomas Aquinas and Bonaventure. (shrink)

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, (...) fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout. (shrink)

Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: Philosophy of Literature: Contemporary and Classic Readings - An Anthology Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 Essential readings in the philosophy of literature are brought together for the first time in this anthology. Contains forty-five substantial and carefully chosen essays and extracts Provides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, (...) interpretation, metaphor, literary value, and the definition and ontology of literature Includes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and Hume Serves as an ideal introduction to the philosophy of literature or the philosophy of art, as well as a handy compilation of contributions to the field by its leading figures Philosophy of Film and Motion Pictures: An Anthology Edited by Noël Carroll and Jinhee Choi ISBN: 9781405120272 Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout. (shrink)

John Granville's first book is unique on several counts. First, it's not simply a history of science, but rather a history of our evolving unerstanding of motion. It's unique in the detailed explanations given to common scientific riddles-explanations aimed to help students avoid catastrophic collisions with these concepts in college. It's unique in that it resents the philosophies on which the major scientific paradigm shifts rest. It's unique in its presentation from Thomas Kuhn's point of view (i.e., his concept (...) of world view and paradigm shifts as presented in his classic work The Structure of Scientific Revolutions). The book begins with an informal discussion of Kuhn's notion of world view, and various concepts relevant to his thesis concerning the nature of scientific revolutions; but, the Discovery of Motion proper begins with ancient Egyptian and Greek preparations for Aristotle (here the dialectic of Parmenides and Plato are given special attention). A survey of Aristotle and his science of motion follows (i.e., his theory of nature and natural philosophy). Included in this part of the book are the works of such notables as Archimedes and Ptolemy. The Copernican revolution, including the works of Galileo, Kepler and Newton is, of course, presented from the viewpoint of Kuhn's paradigm shift. Four chapters concerning Newtonian motion are the highlight of the first half of the book. It is here Granville's original aim, of explaning puzzling scientific phenomena to young students, is realized-but now this material serves another purpose. These chapters not only clarify Newton's world view but expose phenomena that were virtually invisible to the peripatetics...and will eventually expose reasons for the ambivalence and frustration that accompany scientific revolutions. Granville then turns to philosophical developments that led to our modern view of the world. This part of the book covers the evolution of empiricism from Bacon to Hume (with Descartes' rationalism thrown in for contrast). Kant's epistemology concludes this philosophical survey, deliberately leading the plot back toward the classical viewpoint. Finally, developments of the nineteenth century that led to the so-called Second Scientific Revolution are considered. The final chapter is a unique presentation of Einstein's relativity theory, where the incompatibility of this theory with Newtonian physics, and the reason why relativity must take precedence, are discussed. Granville compares the opposition to the Copernican revolution with twentieth century opposition to the Einsteinian revolution. The book reveals that, after building detailed understanding of classical Newtonian phenomena, opposition to a shift of world view is an understandable human reaction. (shrink)

Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series: _ _ Philosophy of Literature_: Contemporary and Classic Readings_ _Edited by Eileen John and Dominic McIver Lopes ISBN: 9781405112086 _ Philosophy of Film and Motion Pictures_: An Anthology _Edited by No ë l Carroll and Jinhee Choi ISBN: 9781405120272.

Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding (...) the viewingof pornography Replete with examples and discussion of moving picturesthroughout. (shrink)

This chapter argues that the standard conception of Spinoza as a fellow-travelling mechanical philosopher and proto-scientific naturalist is misleading. It argues, first, that Spinoza’s account of the proper method for the study of nature presented in the Theological-Political Treatise (TTP) points away from the one commonly associated with the mechanical philosophy. Moreover, throughout his works Spinoza’s views on the very possibility of knowledge of nature are decidedly sceptical (as specified below). Third, in the seventeenth-century debates over proper methods in (...) the sciences, Spinoza sided with those that criticized the aspirations of those (the physico-mathematicians, Galileo, Huygens, Wallis, Wren, etc) who thought the application of mathematics to nature was the way to make progress. In particular, he offers grounds for doubting their confidence in the significance of measurement as well as their piece-meal methodology (see section 2). Along the way, this chapter offers a new interpretation of common notions in the context of treating Spinoza’s account of motion (see section 3). (shrink)

Philosophy -- Entry foundations -- Phenomenology of immediacy -- Polarized braids and little primoridal frames -- Emergence of primordial minkowski frames -- Majorana space-time spinors -- Color braids -- Motion and method -- Envisioned memory.

This book examines the birth of the scientific understanding of motion. It investigates which logical tools and methodological principles had to be in place to give a consistent account of motion, and which mathematical notions were introduced to gain control over conceptual problems of motion. It shows how the idea of motion raised two fundamental problems in the 5th and 4th century BCE: bringing together being and non-being, and bringing together time and space. The first problem (...) leads to the exclusion of motion from the realm of rational investigation in Parmenides, the second to Zeno's paradoxes of motion. Methodological and logical developments reacting to these puzzles are shown to be present implicitly in the atomists, and explicitly in Plato who also employs mathematical structures to make motion intelligible. With Aristotle we finally see the first outline of the fundamental framework with which we conceptualise motion today. (shrink)

This paper examines explanations that turn on non-local geometrical facts about the space of possible configurations a system can occupy. I argue that it makes sense to contrast such explanations from "geometry of motion" with causal explanations. I also explore how my analysis of these explanations cuts across the distinction between kinematics and dynamics.

This paper examines explanations that turn on non-local geometrical facts about the space of possible configurations a system can occupy. I argue that it makes sense to contrast such explanations from ‘geometry of motion’ with causal explanations. I also explore how my analysis of these explanations cuts across the distinction between kinematics and dynamics.

This paper examines explanations that turn on non-local geometrical facts about the space of possible configurations a system can occupy. I argue that it makes sense to contrast such explanations from “geometry of motion” with causal explanations. I also explore how my analysis of these explanations cuts across the distinction between kinematics and dynamics.

The Cartesian concept of nature, which has determined modern thinking until the present time, has become obsolete. It shall be shown that Hegel's objective-idealistic conception of nature discloses, in comparison to that of Descartes, new perspectives for the comprehension of nature and that this, in turn, results in possibilities of actualizing Hegel's philosophy of nature. If the argumentation concerning philosophy of nature is intended to catch up with the concrete Being-of-nature and to meet it in its concretion, then (...) this is impossible for the finite spirit in a strictly a priori sense – this is the thesis supported here which is not at all close to Hegel. As the argumentation rather has to consider the conditions of realization concerning the Being-of-nature, too, it is compelled to take up empirical elements – concerning the organism, for instance, system-theoretical aspects, physical and chemical features of the nervous system, etc. With that, on the one hand, empirical-scientific premises are assumed (e.g. the lawlikeness of nature), which on the other hand become (now close to Hegel) possibly able to be founded in the frame of a Hegelian-idealistic conception. In this sense, a double strategy of empirical-scientific concretization and objective-idealistic foundation is followed up, which represents the methodical basic principle of the developed considerations. In the course of the undertaking, the main aspects of the whole Hegelian design concerning the philosophy of nature are considered – space and time, mass and motion, force and law of nature, the organism, the pro-blem of evolution, psychic being – as well as Hegel's basic thesis concerning the philosophy of nature, that therein a tendency toward coherence and idealization manifests itself in the sense of a (categorically) gradually rising succession of nature: from the separateness of space to the ideality of sensation. In the sense of the double strategy of concretization and foundation it is shown that on the one hand possibilities of philosophical penetration concerning actual empirical-scientific results are opened, and on the other hand – in turn – a re-interpretation of Hegel's theorem on the basis of physical, evolution-theoretical and system-theoretical argumentation also becomes possible. In this mutual crossing-over and elucidation of empirical and Hegelian argumentation not only do perspectives of a new comprehension of nature become visible, but also, at the same time – as an essential consequence of this methodical principle – thoughts on the possibilities of actualizing Hegel's philosophy of nature. (shrink)

In his essay “Things Do Not Move,” Sengzhao (374?−414 CE), a prominent Chinese Buddhist philosopher, argues for the thesis that the myriad things do not move in time. This view is counter-intuitive and seems to run counter to the Mahayana Buddhist doctrine of emptiness. In this book chapter, I assess Sengzhao’s arguments for his thesis, elucidate his stance on the change/nonchange of things, and discuss related problems. I argue that although Sengzhao is keen on showing the plausibility of the thesis, (...) he actually views the myriad things as both changing and unchanging and upholds the nonduality of motion and rest. In fact, the nonmoving thesis follows from the discernment that things change from moment to moment without there being any enduring stuff in the process. Among philosophical works that confer a higher ontological status on nonchange over change, Sengzhao’s essay is unique and well worth pondering. (shrink)

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with (...) contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject. (shrink)

Graduate Papers from the 2022 Joint Session. It is often said that Aristotle takes geometrical objects to be absolutely unmovable and unchangeable. However, Greek geometrical practice does appeal to motion and change, and geometers seem to consider their objects apt to be manipulated. In this paper, I examine if and how Aristotle’s philosophy of geometry can account for the geometers’ practices and way of talking. First, I illustrate three different ways in which Greek geometry appeals to change. Second, (...) I examine Aristotle’s ontology of geometrical objects and argue that although the truth-makers of geometrical statements are in fact unmovable because they are properties of sensible objects, geometers ‘separate them in thought’ and treat them as substances apt to be modified. Finally, I examine whether allowing for the possibility of manipulating these semi-fictional geometrical individuals creates problems for the applicability of geometry. I find that it does not, insofar as one accepts that geometry is not meant to track physical change but merely to study the instantaneous geometrical configuration of sensible bodies, and is thus only applicable at the instant. (shrink)

This paper examines Newton's argument from the phenomena to the law of universal gravitation-especially the question how such a result could have been obtained from the evidential base on which that argument rests. Its thesis is that the crucial step was a certain application of the third law of motion-one that could only be justified by appeal to the consequences of the resulting theory; and that the general concept of interaction embodied in Newton's use of the third law most (...) probably evolved in the course of the very investigation that led to this theory. (shrink)

Konstantin Pollok - Kant's Critical Concepts of Motion - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 559-575 Muse Search Journals This Journal Contents Kant's Critical Concepts of Motion Konstantin Pollok There are two significant places in Kant's Critical corpus where he discusses the concept of motion. The first is in the Critique of Pure Reason, where in the "Deduction of the Categories" Kant writes: Motion, as an act (...) of the subject , and therefore the synthesis of the manifold in space, first produces the concept of succession—if we abstract from this manifold and attend solely to the act through which we determine the inner sense according to its form. In this passage Kant simply refers to the concept of motion, and the immediate context in which this reference occurs reveals little about what he means by it. In the Metaphysical Foundations of Natural Science, however, motion plays a more significant role, and, concomitantly, it is in his writings on natural science that Kant most fully expresses his thoughts on the subject. For present purposes, the most relevant passage is paragraph 15 of the Preface of the Metaphysical Foundations, where Kant says that the concept of matter had … to be carried through all four of the indicated functions of the concepts of the understanding , where in each a new determination of this concept was added. The.. (shrink)

An Inaugural Lecture Francis Macdonald Cornford. LAWS of MOTION in ANCIENT THOUGHT AN INAUGURAL LECTURE BY F. M. CORNFORD ' Laurence Professor of Ancient Philosophy in the University of Cambridge CAMBRIDGE ...

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 44.4 (2006) 559-575 MuseSearchJournalsThis JournalContents[Access article in PDF]Kant's Critical Concepts of MotionKonstantin PollokThere are two significant places in Kant's Critical corpus where he discusses the concept of motion. The first is in the Critique of Pure Reason, where in the "Deduction of the Categories" Kant writes:Motion, as an act of the subject (not as a determination of an object†), and (...) therefore the synthesis of the manifold in space, first produces the concept of succession—if we abstract from this manifold and attend solely to the act through which we determine the inner sense according to its form.In this passage Kant simply refers to the concept of motion, and the immediate context in which this reference occurs reveals little about what he means by it. In the Metaphysical Foundations of Natural Science, however, motion plays a more significant role, and, concomitantly, it is in his writings on natural science that Kant most fully expresses his thoughts on the subject. For present purposes, the most relevant passage is paragraph 15 of the Preface of the Metaphysical Foundations, where Kant says that theconcept of matter had … to be carried through all four of the indicated functions of the concepts of the understanding (in four chapters), where in each a new determination of this concept was added. The basic determination of something that is [End Page 559] to be an object of the outer senses had to be motion, because only thereby can these senses be affected. The understanding traces back all other predicates of matter belonging to its nature to this, and natural science, therefore, is either a pure or applied doctrine of motion. The metaphysical foundations of natural science are therefore to be brought under four chapters. The first considers motion as a pure quantum in accordance with its composition, without any quality of the movable, and may be called phoronomy. The second takes into consideration motion as belonging to the quality of matter, under the name of an original moving force, and is therefore called dynamics. The third considers matter with this quality as in relation to another through its own inherent motion, and therefore appears under the name of mechanics. The fourth chapter, however, determines matter's motion or rest merely in relation to the mode of representation or modality, and thus as appearance of the outer senses, and is called phenomenology. 2The first passage from the first Critique (quoted above) reveals both that the concept of motion plays a central role in Kant's epistemology and that he distinguishes clearly between motion of the object, on the one hand, and action of the subject, on the other. The two concepts of motion are quite different—the former belonging to transcendental philosophy and geometry (to "pure science" in the Kantian sense), the latter to the metaphysical and empirical investigation of nature. By contrast, the second passage from the Metaphysical Foundations shows that the conceptual apparatus Kant developed in his transcendental philosophy is also relevant for understanding the empirical concept of motion. Since all empirical concepts are based on transcendental conditions for their possibility, this connection between elements of the Critical philosophy should come as no surprise. What remains unclear, however, is the sort of connection involved, and whether in the particular case of motion there might not be a more intimate relationship between the transcendental conditions and the empirical concept than one might at first suspect.Indeed, this is a possibility that has been entertained by a number of commentators. In his investigation of Kant's metaphysics of nature, Lothar Schäfer, for example, contends that "the original perspective on the unity of the sensibility in which nature reveals itself, and which belongs to the conception of nature, results in the original perspective on motion. Therefore, the laws of nature are laws of motion …." 3 Similarly, in her book on Kant's theory of natural science, Karen Gloy argues thatin the predicable 'motion' the connection of elements of the understanding with... (shrink)

In a recent article in this journal, Barbara Lariviere offers a very useful distinction between two ways of understanding the claims that Leibniz, or relational theorists in general, might wish to make about the nature of motion and the structure of space and time; viz., There is no real inertial structure to space-time.and There is a real inertial structure to space-time, but it is dynamical rather than absolute.Citing the authority of Weyl, the author argues that L1 is untenable; indeed, (...) the argument purports to show that if L1 were true, then there would be no coherent basis for a theory of motion, not even a relational theory. My main goal in this note is to point out why this argument is mistaken while at the same time sketching the real reason why the relational conception of motion is untenable. In addition I will offer a few remarks about the relevance of L2 to the absolute-relational controvery. (shrink)

I argue for an interpretation of the connection between Descartes’ early mathematics and metaphysics that centers on the standard of geometrical intelligibility that characterizes Descartes’ mathematical work during the period 1619 to 1637. This approach remains sensitive to the innovations of Descartes’ system of geometry and, I claim, sheds important light on the relationship between his landmark Geometry and his first metaphysics of nature, which is presented in Le monde. In particular, I argue that the same standard of clear and (...) distinct motions for construction that allows Descartes to distinguish ‘geometric’ from ‘imaginary’ curves in the domain of mathematics is adopted in Le monde as Descartes details God’s construction of nature. I also show how, on this interpretation, the metaphysics of Le monde can fruitfully be brought to bear on Descartes’ attempted solution to the Pappus problem, which he presents in Book I of the Geometry. My general goal is to show that attention to the standard of intelligibility Descartes invokes in these different areas of inquiry grants us a richer view of the connection between his early mathematics and philosophy than an approach that assumes a common method is what binds his work in these domains together.Keywords: René Descartes; Geometry; Mathematics; Intelligibility; Metaphysics. (shrink)

This chapter surveys foundational concepts in the history of phenomenology for the purpose of highlighting their relevance for key contemporary issues in the philosophy of film. A central argument concerns phenomenology’s capacity for unraveling the ontology of film, given phenomenology’s emphasis on accounting for the ontology of phenomena through description based in first-person experience. On this ground, the chapter defends the claim that film’s ontology stems from the projective intentionality of the film viewer, where the communicative nature of embodied (...) vision also figures into play. The principal phenomenological frameworks taken up are those of Edmund Husserl, Martin Heidegger, and Maurice Merleau-Ponty, as well as the work of contemporary film scholar Vivian Sobchack. (shrink)

This essay develops a interpretation of Leibniz’ theory of motion that strives to integrate his metaphysics of force with his doctrine of the equivalence of hypotheses, but which also supports a realist, as opposed to a fully idealist, interpretation of his natural philosophy. Overall, the modern approaches to Leibniz’ physics that rely on a fixed spacetime backdrop, classical mechanical constructions, or absolute speed, will be revealed as deficient, whereas a more adequate interpretation will be advanced that draws inspiration (...) from an invariantist conception of reality and recent non-classical theories of physics. (shrink)

This chapter focuses on the appetite for self-preservation and its central role in Francis Bacon’s natural philosophy. In the first part, I introduce Bacon’s classification of universal appetites, showing the correspondences between natural and moral philosophy. I then examine the role that appetites play in his theory of motions and, additionally, the various meanings accorded to preservation in this context. I also discuss some of the sources underlying Bacon’s ideas, for his views about preservation reveal traces of Stoicism, (...) Telesian natural philosophy, the natural law tradition, as well as late-scholastic ideas. Bacon assumes the existence of two kinds of preservation: self-preservation and preservation of the whole. The appetite through which the whole preserves itself overpowers individual appetites for self-preservation. In Bacon’s theory of motions, the primacy of global preservation – that is, the preservation of the whole – is evidenced by the way matter resists being annihilated, while self-preservation at a local and particular level is revealed through other kinds of motion. Bacon’s notion of appetite reflects a specific metaphysics of matter and motion, in which the preservation of natural bodies follows teleological patterns shared by both nature and humanity: the preservation of the whole is the highest goal, both in moral and natural philosophy. In this chapter, I argue that in Bacon’s natural philosophy different kind of things, including nature and humans, are ruled by patterns that are constitutive of correlated orders, neither of which is reducible to the other: there is no priority of the natural order over the moral, or vice versa. Thus, at a more general level, both are expressions of the same type of divinely imposed, law-like behaviour. (shrink)

In Kant's Metaphysical Foundations of Natural Science are found a dynamist reduction of matter and an account of the communication of motion by impact. One would expect to find an analysis of the causal mechanism involved in the communication of motion between bodies given in terms of the fundamental dynamical nature of bodies. However, Kant's analysis, as given in the discussion of his third law of mechanics (an action-reaction law) is purely kinematical, invoking no causal mechanisms at all, (...) let alone dynamist mechanisms, in the explanation. It is argued that the reason for the non-incorporation of Kant's theory of matter in the account of impact is his overriding desire to provide a mathematical framework to explain the communication of motion, a provision which Kant felt to be impossible in the context of a metaphysical dynamism. (shrink)

This paper examines the relationship between participation and motion with respect to the natural philosophy of the "Phaedo". Aristotle’s criticism of participation and its failure to account for motion shows the relevance of the dialogue to this problem. Challenging Aristotle’s critique, I interpret the "Phaedo" as offering a possible solution to the question of how forms cause motion in material beings. The verb ὀρέγεσθαι at 65c8, 75a2, and 75b1, together with the active ὀρέγειν at 117b2, ground (...) an account of ontological striving as a solution to the difficulties inherent in participation within the literary context of the dialogue. (shrink)