Material to categorize
- Against Imprinting: The Photographic Image as a Source of Evidence.Dawn M. Wilson - 2022 - Social Research: An International Quarterly 89 (4):947-969.details
- Cinema, the City, and Manoel de Oliveira’s Logic of Sensation: Film and Painting.Susana Viegas - 2021 - Philosophy and Architecture.details
- The heretical archive: digital memory at the end of film.Domietta Torlasco - 2013 - London: University of Minnesota Press.details
- Cinematic interfaces: film theory after new media.Seung-Hoon Jeong - 2013 - New York, NY: Routledge.details
- Supercinema: film-philosophy for the digital age.William Brown - 2013 - New York: Berghahn.details
- Film discourse interpretation: towards a new paradigm for multimodal film analysis.Janina Wildfeuer - 2014 - London: Routledge, Taylor and Francis Group.details
- Just a Mess. Définitions Analogies Dialectiques.Filippo Fimiani - 2021 - Parigi, Francia: Mimesis.details
- A Digital Picture to Hold Us Captive? A Flusserian Interpretation of Misinformation Sharing on Social Media.Lavinia Marin - 2021 - Philosophy Today 65 (3):485–504.details
- ‘I Am (big) M(Other)’: Lacan’s big Other and the Role of Cynicism in Grant Sputore’s I Am Mother.Jack Black - 2020 - Free Associations: Psychoanalysis and Culture, Media, Groups, Politics (80):121-131.details
- 延伸与反思:基于电影感知研究的中国电影研究新思路Extension and Reflection: Film Perception and Cognition study as A New Approach for Chinese Film Research.Lingfei Luan - forthcoming - Film Art.details
- Die Christusnarratief in die film As it is in heaven.Anet Elizabeth Dreyer-Kruger - 2014 - HTS Theological Studies 70 (3):01-10.details
- Imagining Film: Seeing with the Mind's Eye.William Seely - 2005 - Philosophical Inquiry 17:3-14.details
- : Reel Justice: The Courtroom Goes to the Movies. Paul Bergman, Michael Asimow. ; Past Imperfect: History according to the Movies. Mark C. Carnes.Anthony Chase - 1997 - Cardozo Studies in Law and Literature 9 (1):107-150.details
- TV and Film: A Philosophical Perspective.Noël Carroll - 2001 - Journal of Aesthetic Education 35 (1):15.details
- Film and the Politics of Culture.Edward Sankowski - 1999 - Journal of Aesthetic Education 33 (1):81.details
- Classics and sf. B.m. Rogers, B.e. Stevens classical traditions in science fiction. Pp. XVI + 380, ills. New York: Oxford university press, 2015. Paper, £23.49, us$35 . Isbn: 978-0-19-022833-0. [REVIEW]Mark Thorne - 2016 - The Classical Review 66 (2):584-586.details
- Crossover Dreams: Global Circulation of Queer Film on the Film Festival Circuits.Skadi Loist - 2016 - Diogenes:039219211566701.details
- Brainwashing the cybernetic spectator: The Ipcress File, 1960s cinematic spectacle and the sciences of mind.Marcia Holmes - 2017 - History of the Human Sciences 30 (3):3-24.details
- Philosophy of Film: An Introduction.Aaron Smuts - 2016 - Routledge.details
- On Cinematic Genius: Ontology and Appreciation.Paisley Livingston - 2012 - Royal Institute of Philosophy Supplement 71:85-104.details
- Film as Philosophy: The Very Idea.Stephen Mulhall - 2007 - Proceedings of the Aristotelian Society 107 (1pt3):279-294.details
- Jean Mitry, Semiotics and the Analysis of Film. [REVIEW]Anthony Flinn - 2001 - American Journal of Semiotics 17 (3):267-269.details
- African Aesthetics in Motion: The Probability of a Third Jumbie Aesthetic in Antigua and Barbuda.Mali Adelaja Olatunje - 2007 - CLR James Journal 13 (1):59-70.details
- Film as Symbol: A Meditation on Andrei Tarkovsky's Nostalghia.Nikolaos Gkogkas - 2013 - Philosophical Inquiry 37 (3-4):78-85.details
- Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.details
- Philosophy of Literature, and Philosophy of Film and Motion Pictures, 2 Book Pack.Dominic Mciver Lopes, No?L. Carroll & Jinhee Choi - 2008 - Wiley.details
- A Man of Dark Thoughts: Carl Schmitt.William Kluback - 1988 - The Owl of Minerva 19 (2):183-190.details
- Cinematic Thinking and the Meaning of History: A. Tarkovsky, The Passion According to Andrei.Natalia L. Rudychev - 2006 - International Studies in Philosophy 38 (1):141-148.details
- Photobiographies : the 'Derrida' documentaries as film-philosophy.Robert Sinnerbrink - unknowndetails
- Der Stoiker als komischer Typus. Stoa-Parodien in Literatur und Film.Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr - 2008 - In Bernhard Zimmermann, Jochen Schmidt & Barbara Neymeyr (eds.), Stoizismus in der Europäischen Philosophie, Literatur, Kunst Und Politikstoicism in European Philosophy, Literature, Art, and Politics. A Cultural History From Antiquity to Modernity: Eine Kulturgeschichte von der Antike Bis Zur Moderne. Walter de Gruyter.details
- Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.Karen Hanson - 1991 - Philosophical Review 100 (4):663.details
- Philosophical Problems of Classical Film Theory.George M. Wilson - 1991 - Philosophical Review 100 (3):506.details
- Turtle Beach.Raymond Aaron Younis - 1995 - In Scott Murray (ed.), Australian Film. Oxford University Press.details
- Φύσις on film?: Heidegger, art and the question of the cinematic manifestation of being.Michael Josiah Mosely - unknowndetails
- Wittgenstein de Derek Jarman : un film d'« intérieur ».Antonia Soulez & Marc Cerisuelo - 2003 - Rue Descartes 39 (1):109.details
- Cohesive Relations and Texture in Bresson's Film "L'Argent".Susan Hayward - 1986 - Substance 15 (3):52.details
- XPS study of adsorption and desorption of a Bi thin film on the five-fold icosahedral Al-Pd-Mn surface.K. M. Young, N. Cross, J. A. Smerdon, V. R. Dhanak, H. R. Sharma, T. A. Lograsso, A. R. Ross & R. McGrath - 2011 - Philosophical Magazine 91 (19-21):2889-2893.details
- Common epitaxial feature of various thin film textures.Dorothy A. Brine & R. A. Young - 1963 - Philosophical Magazine 8 (88):651-662.details
- The helium film formed from the vapour phasef.L. G. Grimes & L. C. Jackson - 1959 - Philosophical Magazine 4 (42):756-762.details
- Indentation fracture and indentation delamination in ZnO film/Si substrate systems.Bin Huang, Ming-Hao Zhao & Tong-Yi Zhang - 2004 - Philosophical Magazine 84 (12):1233-1256.details
- David A. Kirby, Lab Coats in Hollywood: Science, Scientists, and Cinema. Cambridge, MA and London: MIT Press, 2011. Pp. xiv+265. ISBN 978-0-262-01478-6. £20.95. [REVIEW]Jean-Baptiste Gouyon - 2012 - British Journal for the History of Science 45 (1):146-148.details
- Microcinematography and the History of Science and Film.Hannah Landecker - 2006 - Isis 97 (1):121-132.details
- The Black Stork: Eugenics and the Death of "Defective" Babies in American Medicine and Motion Pictures since 1915. Martin S. Pernick.Rima D. Apple - 1997 - Isis 88 (2):369-370.details
- Idiosyncrasy And Film.Alexander García Düttmann - unknowndetails
- Susan Wolf and Christopher Grau, eds., Understanding Love: Philosophy, Film, and Fiction. Reviewed by.Aaron Landry - 2016 - Philosophy in Review 36 (1):36-38.details
- Film worth reviewing.Steve Patroni - 2016 - Australian Humanist, The 120:24.details
- Faust on Film: A Hegelian Modern Art.Sarah Kathryn Murphy - unknowndetails
- Film, literature and non-cognitive affect.Derek Matravers & Amy Coplan - unknowndetails
- Race, Philosophy, and Film.Mary K. Bloodsworth-Lugo & Dan Flory (eds.) - 2013 - New York: Routledge.details
- Cognitivism goes to the movies : the Routledge companion to philosophy and film; Moving viewers: American film and the spectator's experience; Embodied visions: evolution, emotion, culture, and film.Robert Sinnerbrink - unknowndetails
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