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Francis Sparshott [79]Francis Edward Sparshott [14]Francis E. Sparshott [2]
  1.  14
    Beauty Restored.Francis Sparshott - 1986 - Philosophical Review 95 (3):461.
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  2.  46
    Imagination: The very idea.Francis Sparshott - 1990 - Journal of Aesthetics and Art Criticism 48 (1):1-8.
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  3. The Theory of the Arts.Francis Sparshott - 1984 - Philosophy 59 (230):549-552.
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  4.  46
    Why artworks have no right to have rights.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 42 (1):5-15.
  5.  10
    Danto and His Critics.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (4):482-483.
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  6.  13
    The Sense of Order: A Study in the Psychology of Decorative Art.Francis Sparshott - 1981 - Journal of Aesthetic Education 15 (1):126.
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  7. A Measured Pace: Toward a Philosophical Understanding of the Arts of Dance.Francis Sparshott - 1998 - Philosophical Quarterly 48 (190):129-132.
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  8.  72
    An Argument for Thrasymachus.Francis Sparshott - 1988 - Apeiron 21 (1):55 - 67.
    The article suggests that the position ascribed to thrasymachus in book i of plato's "republic" may be confused but need not be self-contradictory. A formal argument is constructed that derives his conclusion from premisses based on things he says, though not always in the language he uses. It is not suggested that plato ascribes this argument to thrasymachus, but only that it is consistent and intelligible in itself and compatible with what thrasymachus does say.
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  9.  91
    Music and feeling.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (1):23-35.
  10.  3
    Singing And Speaking.Francis Sparshott - 1997 - British Journal of Aesthetics 37 (3):199-210.
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  11.  14
    An enquiry into goodness.Francis Edward Sparshott - 1958 - [Chicago]: University of Chicago Press.
  12.  22
    Understanding the Arts.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 41 (3):335-337.
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  13.  31
    Disputed Evaluations.Francis E. Sparshott - 1970 - American Philosophical Quarterly 7 (2):131 - 142.
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  14.  77
    Glaucon and Adeimantus on Justice: The Structure of Argument in Book 2 of Plato’s “Republic”.Francis Sparshott - 1983 - Ancient Philosophy 3 (1):95-100.
  15.  1
    The Future of Aesthetics: The 1996 Ryle Lectures.Francis Sparshott - 2000 - Philosophical Quarterly 50 (199):250-252.
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  16.  51
    For an Audience: A Philosophy of the Performing Arts.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (3):357-358.
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  17. The future of dance aesthetics.Francis Sparshott - 1993 - Journal of Aesthetics and Art Criticism 51 (2):227-234.
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  18.  2
    A Theory of Art: Inexhaustibility by Contrast.Francis Sparshott - 1984 - Journal of Aesthetics and Art Criticism 42 (3):328-330.
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  19.  36
    Art and anthropology.Francis Sparshott - 1997 - Journal of Aesthetics and Art Criticism 55 (3):239-243.
  20. Art and Culture Today.Francis Sparshott - 1994 - Literature & Aesthetics 4:44-63.
     
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  21.  68
    Aristotle's Ethics and Plato's Republic: A Structural Comparison.Francis Sparshott - 1982 - Dialogue 21 (3):483-500.
    The paper demonstrates a fifteen-point structural correspondence between plato's "republic" and aristotle's "nicomachean ethics". The more interesting points of correspondence are discussed, as are the three passages in each work that have no analogue in the other, and that are not explained by aristotle's dealing with politics in a different work. Possible explanations of this detailed correspondence are considered.
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  22. Bernard Edelman, The House that Kant Built: A Moral Tale Reviewed by.Francis Sparshott - 1987 - Philosophy in Review 7 (12):481-482.
     
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  23.  38
    Birthday Poem: Santayana.Francis Sparshott - 1984 - Overheard in Seville 2 (2):29-29.
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  24.  36
    Birthday Poem: Santayana.Francis Sparshott - 1984 - Overheard in Seville 2 (2):29-29.
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  25.  3
    Book Reviews: John Hospers, Understanding The Arts.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 41 (3):332-334.
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  26.  20
    Cold and remote art.Francis Sparshott - 1982 - Journal of Aesthetics and Art Criticism 41 (2):127-136.
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  27.  8
    Critical Notice.Francis Sparshott - 1992 - Canadian Journal of Philosophy 22 (3):411-425.
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  28.  13
    Contexts of Dance.Francis Sparshott - 1990 - The Journal of Aesthetic Education 24 (1):73.
  29. Charles Taylor, Sources of the Self: The Making of the Modern Identity Reviewed by.Francis Sparshott - 1991 - Philosophy in Review 11 (1):74-77.
     
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  30.  11
    Excellence in the Arts.Francis Sparshott - 1986 - The Journal of Aesthetic Education 20 (4):137.
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  31.  1
    Foundations of Architecture.Francis Sparshott - 1992 - The Journal of Aesthetic Education 26 (2):73.
  32.  18
    Kant without Sade.Francis Edward Sparshott - 1997 - Philosophy and Literature 21 (1):151-154.
    In lieu of an abstract, here is a brief excerpt of the content:Kant without SadeFrancis SparshottErmanno Bencivenga’s discussion of “Kant’s Sadism” rests on a misrepresentation of Kant’s enterprise. 1 It presents Kantian morality as a matter of motivation, so that reason has to be pitted against desire. But Kant’s whole point is that, because the psychological causes of one’s actions can never be ascertained, they are irrelevant to morality. Morality is entirely a matter of the reasons for one’s actions, no (...)
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  33.  2
    Looking for Philosophy.Francis Edward Sparshott - 1972 - Montreal,: McGill-Queen's Press - MQUP.
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  34.  16
    Mr. Ziff and the "artistic illusion".Francis Sparshott - 1952 - Mind 61 (243):376-380.
  35. Norma E. Emerton, The Scientific Reinterpretation of Form Reviewed by.Francis Sparshott - 1986 - Philosophy in Review 6 (9):433-435.
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  36.  21
    On Metaethics: A Reverie.Francis Sparshott - 1995 - Canadian Journal of Philosophy, Supplementary Volume 21 (sup1):31-50.
    People engaged in teaching and research in philosophy departments are under strong and constant -pressure to believe that what they are doing makes sense. Their belief may well be rooted in an initial project, formed autonomously under the guidance of teachers and fellow students; even so, it will continue to be shaped and confirmed by the requirements of peer approval and student satisfaction. The hungry sheep keep looking up. Sheer humanity requires us to show enthusiasm for what we dispense as (...)
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  37. Play.Francis E. Sparshott - 1970 - In Ralph Alexander Smith (ed.), Aesthetic Concepts and Education. Urbana, University of Illinois Press. pp. 107--134.
     
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  38.  24
    Philosophy as a Discipline.Francis Sparshott - 1993 - Canadian Journal of Philosophy 23 (sup1):159-180.
    I once characterized philosophy as 'deliberative discourse about meanings.' The point was, first, that in philosophy one is concerned to decide not what is the case but what and how one is to think; and second, that differences in philosophical approach and practice can best be construed in terms of disagreements about what can be said to be meaningful and about what it is to have meaning.
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  39.  21
    Plato's Ethics Dead or Alive.Francis Sparshott - 2000 - Apeiron 33 (2):145 - 161.
  40.  25
    Prospects for a Philosophical Theory of the Dance.Francis Sparshott - 1983 - Grazer Philosophische Studien 19 (1):1-19.
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  41. Prospects for a Philosophical Theory of the Dance.Francis Sparshott - 1983 - Grazer Philosophische Studien 19 (1):1-19.
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  42. Robert Nozick, Philosophical Explanations Reviewed by.Francis Sparshott - 1982 - Philosophy in Review 2 (4):182-186.
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  43.  44
    Reflections on affektenlehre and dance theory in the eighteenth century.Francis Sparshott - 1998 - Journal of Aesthetics and Art Criticism 56 (1):21-28.
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  44.  21
    Reply to Commentators.Francis Sparshott - 1997 - The Journal of Aesthetic Education 31 (2):61.
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  45.  35
    Singing and speaking.Francis Sparshott - 1997 - British Journal of Aesthetics 37 (3):199-210.
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  46.  24
    Showing and Saying, Looking and Learning: An Outsider's View of Art Museums.Francis Sparshott - 1985 - The Journal of Aesthetic Education 19 (2):63.
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  47.  66
    Some dimensions of dance meaning.Francis Sparshott - 1985 - British Journal of Aesthetics 25 (2):101-114.
  48.  1
    Sushil Kumar Saxena, Swinging Syllables: Aesthetics of Kathak Dance.Francis Sparshott - 1993 - Journal of Aesthetics and Art Criticism 51 (1):88-88.
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  49.  9
    The Antiquity of Antiquity.Francis Sparshott - 1985 - The Journal of Aesthetic Education 19 (1):87.
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  50.  8
    Text and Process in Poetry and Philosophy.Francis Sparshott - 1985 - Philosophy and Literature 9 (1):1-20.
    In lieu of an abstract, here is a brief excerpt of the content:Francis Sparshott TEXT AND PROCESS IN POETRY AND PHILOSOPHY Ir. H. Bradley in an optimistic moment described philosophy as an • unusually intense and sustained attempt to think clearly.1 If that is what it is, it is clearly a process; and, if it is a process, one does not see what a philosophical text could be. A text is surely not a process, though it may be the product (...)
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