51 found
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  1.  29
    Lost in the Rhythm: Effects of Rhythm on Subsequent Interpersonal Coordination.Martin Lang, Daniel J. Shaw, Paul Reddish, Sebastian Wallot, Panagiotis Mitkidis & Dimitris Xygalatas - 2016 - Cognitive Science 40 (7):1797-1815.
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  2.  52
    A Humean Definition of Horror.Daniel Shaw - 1997 - Film-Philosophy 1 (1).
    on The Philosophy of Horror by Noel Carroll.
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  3.  23
    Power, Horror and Ambivalence.Daniel Shaw - 2001 - Film and Philosophy (Special Edition on Horror):1-12.
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  4.  74
    Hume's Theory of Motivation.Daniel Shaw - 1989 - Hume Studies 15 (1):163-183.
    The paper defends a humean account of motivating desires as introspectible causes of actions against objections raised by b stroud and t nagel. Hume's doctrine of the calm passions and the incorrigibility thesis are discussed and defended with reference to conscious desires. The account is then extended to cover unconscious motivation as well.
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  5.  17
    Stanley Cavell on the Magic of the Movies.Daniel Shaw - 2017 - Film-Philosophy 21 (1):114-132.
    In order to explain Cavell's account of what makes movies so magical, this article will offer a chronological survey of his major writings on film, beginning with the first edition of The World Viewed, where he poses an intriguing theoretical hypothesis about what distinguishes the movies from the other major art forms. The survey will continue by considering the expanded edition of The World Viewed, Pursuits of Happiness: The Hollywood Comedy of Remarriage, and Contesting Tears: The Hollywood Melodrama of the (...)
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  6. Examining the Factor Structure of the Self-Report of Psychopathy Short-Form Across Four Young Adult Samples.Hailey L. Dotterer, Rebecca Waller, Craig S. Neumann, Daniel S. Shaw, Erika E. Forbes, Ahmad R. Hariri & Luke W. Hyde - forthcoming - Assessment:1-18.
    Psychopathy refers to a range of complex behaviors and personality traits, including callousness and antisocial behavior, typically studied in criminal populations. Recent studies have used self-reports to examine psychopathic traits among noncriminal samples. The goal of the current study was to examine the underlying factor structure of the Self-Report of Psychopathy Scale–Short Form (SRP-SF) across complementary samples and examine the impact of gender on factor structure. We examined the structure of the SRP-SF among 2,554 young adults from three undergraduate samples (...)
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  7.  12
    Philosophy’s Big Questions: Comparing Buddhist and Western Approaches. Edited by Steven M. Emmanuel.Daniel Shaw - 2022 - Teaching Philosophy 45 (1):130-134.
  8.  30
    A Rejoinder to Noèl Carrol's The Philosophy of Motion Pictures.Daniel Shaw - 2008 - Film-Philosophy 12 (2):142-151.
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  9.  18
    Reason and Feeling in Hume's Action Theory and Moral Philosophy.Daniel Shaw - 1992 - Hume Studies 18 (2):349-367.
  10.  25
    Hume's Moral Sentimentalism.Daniel Shaw - 1993 - Hume Studies 19 (1):31-54.
  11. Absurdity and Suicide: A Reexamination.Daniel Shaw - 1985 - Philosophy Research Archives 11:209-223.
    Camus’ central thesis in The Myth of Sisyphus is that suicide is not the proper response to, nor is it the solution of, the problem of absurdity. Yet many of his literary protagonists either commit suicide or are self-destructive in other ways. I argue that the protagonists that best live up to the characteristics of the absurd man that Camus outlines in the Myth uniformly either commit suicide or consent to their destruction by behaving in such a manner as to (...)
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  12.  44
    The Birth of a Killer.Daniel Shaw - 2009 - The Philosophers' Magazine 47 (47):67-72.
    If Lecter is merely a psychotic, with no choice but to do what he does, then he is to be pitied, not blamed for his actions. As soon as you start pitying him, thespell is broken and he ceases to be mesmerising. If he can’t control himself, he appears to be much less powerful as a result.
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  13.  3
    A Philosophical Account of the Nature of Art Appreciation.Daniel Shaw - 2000 - Edwin Mellen Press.
    The book has three main aims. The first is give a philosophical account of the nature of art appreciation, as well as, aesthetic appreciation outside the arts. The second aim is to examine the ways in which the artist's intention is relevant to interpreting, appreciating and evaluating works of art. Finally, to explore some of the ways that certain works of art can provide a unique form of understanding of human behavior or morality and of life.
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  14. A Study of the Complex and Disputed Philosophical Questions Surrounding Human Action.Daniel Shaw - 2000
    This study presents a dualist account of the nature of human action, dualist in a modest sense in that it defends the claim that actions involve the physical and the mental and cannot be interpreted in functionalist ways.
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  15. Cavell on Skepticism: Redeeming the Law.Daniel Shaw - 2018 - Film and Philosophy 22:116-129.
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  16. 'Dead Ringers.Daniel Shaw - 1996 - Film & Philosophy (Society for the Philosophic Study of the Contemporary Visual Arts) 3.
     
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  17. Editor's Introduction.Daniel Shaw - 2008 - Film and Philosophy 12:2-4.
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  18. Editor's Introduction.Daniel Shaw - 2009 - Film and Philosophy 13:2-4.
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  19. Editor's Introduction.Daniel Shaw - 2001 - Film and Philosophy 4:3-4.
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  20. Freedom and Indeterminism.Daniel J. Shaw - 1989 - In John Heil (ed.), Cause, Mind, and Reality: Essays Honoring C B Martin. Norwell: Kluwer.
     
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  21. Nietzsche as Sophist: A Polemic.Daniel C. Shaw - 1986 - International Philosophical Quarterly 26 (4):331-339.
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  22.  77
    On Being Philosophical and Being John Malkovich.Daniel Shaw - 2006 - Journal of Aesthetics and Art Criticism 64 (1):111–118.
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  23.  11
    A Kuhnian Metatheory for Aesthetics.Daniel Shaw - 1986 - Journal of Aesthetics and Art Criticism 45 (1):29-39.
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  24. Horror and the Problem of Personal Identity: Dead Ringers.Daniel Shaw - 1996 - Film & Philosophy (Society for the Philosophic Study of the Contemporary Visual Arts) 3.
     
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  25. The Mastery of Hannibal Lecter.Daniel Shaw - 2003 - In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press. pp. 10--24.
     
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  26.  8
    Editor’s Introduction.Daniel Shaw - 2020 - Film and Philosophy 24:2-4.
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  27.  17
    Absurdity and Suicide: A Reexamination.Daniel Shaw - 1985 - Philosophy Research Archives 11:209-223.
    Camus’ central thesis in The Myth of Sisyphus is that suicide is not the proper response to, nor is it the solution of, the problem of absurdity. Yet many of his literary protagonists either commit suicide or are self-destructive in other ways. I argue that the protagonists that best live up to the characteristics of the absurd man that Camus outlines in the Myth uniformly either commit suicide or consent to their destruction by behaving in such a manner as to (...)
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  28.  19
    It All Depends On What You Mean By 'Ideology'.Daniel Shaw - 1999 - Film-Philosophy 3 (1).
    Noel Carroll _A Philosophy of Mass Art_ Oxford: Clarendon Press, 1998 ISBN 0198742371 425 pp.
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  29.  23
    Ethics at the Cinema Edited by Jones, Ward E. And Samantha Vice. [REVIEW]Daniel C. Shaw - 2012 - Journal of Aesthetics and Art Criticism 70 (2):247-249.
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  30.  15
    Ethics, Reproduction and Genetic Control.Daniel J. Shaw - 1989 - Philosophical Books 30 (1):45-47.
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  31.  9
    Two Views About Truth in the Arts.Daniel Joseph Shaw - 2001 - Journal of Aesthetic Education 35 (2):49.
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  32.  11
    It's All in the Past: Temporal-Context Effects Modulate Subjective Evaluations of Emotional Visual Stimuli, Regardless of Presentation Sequence.Kristína Czekóová, Daniel J. Shaw, Eva Janoušová & Tomáš Urbánek - 2015 - Frontiers in Psychology 6.
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  33.  45
    Hume's Theory of Motivation - Part 2.Daniel Shaw - 1992 - Hume Studies 18 (1):19-39.
  34.  13
    Nietzsche as Sophist: A Polemic.Daniel C. Shaw - 1986 - International Philosophical Quarterly 26 (4):331-339.
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  35.  21
    Compatibilism: A Reply to Richard Foley.Daniel J. Shaw - 1979 - Mind 88 (October):584-585.
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  36.  10
    Philosophical Aesthetics: An Introduction.Daniel J. Shaw - 1994 - Philosophical Books 35 (3):217-219.
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  37. Dark Thoughts: Philosophic Reflections on Cinematic Horror.Steven Jay Schneider & Daniel Shaw (eds.) - 2003 - Scarecrow Press.
    This is a collection of highly engaging and provocative essays by top scholars in the increasingly interrelated fields of Philosophy, Film Studies, and Communication Arts that deal with the epistemology, aesthetics, ethics, metaphysics, and ...
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  38.  8
    Danto and His Critics.Daniel J. Shaw - 1996 - Philosophical Books 37 (4):277-280.
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  39.  2
    Editor's Introduction.Daniel Shaw - 2004 - Film and Philosophy 8:3-4.
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  40.  6
    Essays on Davidson: Actions and Events.Daniel J. Shaw - 1986 - Philosophical Books 27 (3):174-178.
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  41.  7
    The Need for Interpretation.Daniel Shaw - 1984 - Philosophical Books 25 (1):36-38.
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  42.  2
    Dissociating Profiles of Social Cognitive Disturbances Between Mixed Personality and Anxiety Disorder.Kristína Czekóová, Daniel Joel Shaw, Zuzana Pokorná & Milan Brázdil - 2020 - Frontiers in Psychology 11.
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  43.  4
    The Birth of a Killer.Daniel Shaw - 2009 - The Philosophers' Magazine 47:67-72.
    If Lecter is merely a psychotic, with no choice but to do what he does, then he is to be pitied, not blamed for his actions. As soon as you start pitying him, thespell is broken and he ceases to be mesmerising. If he can’t control himself, he appears to be much less powerful as a result.
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  44.  4
    The Nature of Philosophy.Daniel J. Shaw - 1982 - Philosophical Books 23 (1):28-30.
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  45.  22
    Langcontra Vengeance:The Big Heat. [REVIEW]Daniel C. Shaw - 1995 - Journal of Value Inquiry 29 (4):533-545.
  46.  3
    Associations Between Infant Negative Affect and Parent Anxiety Symptoms Are Bidirectional: Evidence From Mothers and Fathers.Rebecca J. Brooker, Jenae M. Neiderhiser, Leslie D. Leve, Daniel S. Shaw, Laura V. Scaramella & David Reiss - 2015 - Frontiers in Psychology 6.
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  47.  1
    Horror and the Problem of Personal Identity: Dead Ringers.Daniel Shaw - 1996 - Film and Philosophy 3:14-23.
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  48.  3
    Contemporary Aesthetics: A Philosophical Analysis.Daniel Shaw - 1984 - Philosophical Books 25 (4):247-249.
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  49.  15
    Rorty and Nietzsche: Some Elective Affinities.Daniel Shaw - 1989 - International Studies in Philosophy 21 (2):3-14.
  50.  2
    Editor's Introduction.Daniel Shaw - 2003 - Film and Philosophy 7:2-3.
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