In this paper I argue for a reading of the Phaedo which takes into account the different levels of understanding and the different intentions of the partners to the dialectical discussions. Taking as an instantiation the argument about recollection, I show that the steps leading to the conclusion of the soul’s prenatal knowledge are steps to which Socrates’ interlocutor Simmias is committed; Socrates the questioner, however, does not commit himself to the concessions elicited from his partner.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:From Death to Life: Key Themes in Plato’s Phaedo by Franco TRABATTONIAthanasia A. GiasoumiTRABATTONI, Franco. From Death to Life: Key Themes in Plato’s Phaedo. Boston: Brill, 2023. 190 pp. Cloth, $143.00In his comprehensive study of the Phaedo, Franco Trabattoni challenges the conventional interpretation of Plato’s thought by denying that Plato was ever a dogmatist or a skeptic. The opening chapter proposes that Plato employs a “third way” standing (...) on the Parmenidean distinction between dôxa (belief) and epistēme (knowledge). According to Trabattoni, the Phaedo (together with all other dialogues dealing with the distinction between sensible and intelligible reality) implies that knowledge of the forms can be obtained only after the separation of body and soul and only without the assistance of intermediaries. He contends that humans have no better instrument than lôgos to discover the intelligible realities (forms) that philosophy seeks. However, because lôgos serves as an intermediary, he believes that the mediation of lôgos introduces an unavoidable fault into the cognitive process, which is directly linked to the concept of dôxa. He maintains that this hypothesis is essential for the arguments presented in the Phaedo’s first part to make sense.Trabattoni delves into the Phaedo not just philosophically but also linguistically, particularly in passage 60c, where Cebes brings up the question of suicide. Notably, in chapter 2, Trabattoni provides a new translation of this passage that contrasts with the readings supplied by Dorter, Gallop, and Boter. Trabattoni claims that Plato responds to the problem of suicide by adhering to the eudaemonistic stance that no obligation that goes against the happiness of the individual subject to it is of any value.Chapter 3 features a counterargument to the predominant viewpoint positing an inconsistency between the Phaedo and the Republic. Trabattoni asserts that these dialogues agree in maintaining that true virtue can be ascribed only to those who believe in metaphysical realities and possess an exclusive desire to acquire knowledge of them. He posits that the disparities between the two dialogues can be attributed primarily to differing perspectives rather than a significant theoretical divide.In my opinion, chapter 4 is the book’s most interesting and original portion. Here, Trabattoni argues that Plato’s contrast in the Phaedo between genuine and false philosophers is directed at Antisthenes, specifically, that Plato opposes his Socratism to Antisthenes’ by depicting the Platonic Socrates as a genuine philosopher (philōsophos) in contrast to Antisthenes’ Socrates, who is portrayed as a false one (philōdoxos). According to Trabattoni, Plato endeavors to provide what Antisthenes’ portrayal of Socrates does not, namely, a metaphysical perspective that differentiates between opinion and truth. Though novel and charming, Trabattoni’s interpretation is not supported by the text since the Phaedo makes no direct allusion to Antisthenes’ Socrates, mentioning Antisthenes only at the beginning (58b) as someone present at Socrates’ last moments. Thus, the book’s strongest section could also be considered its weakest.Chapter 5 argues that the recollection theory is not intended to establish the possibility of a complete retrieval of the knowledge of the forms. [End Page 163] Trabattoni disagrees with Scott’s and others’ assertion that recollection is a method of inquiry on the grounds that Socrates never explains how the alleged “method” of recollection should be applied. Rather, Trabattoni contends, the function of recollection is to explain why human intellective knowledge cannot exceed the boundary of dôxa. Trabattoni argues further that the recollection theory indicates that only when the soul is separated from the body, that is, when a person dies, is it possible to gain knowledge of the forms.Chapters 6 and 7 examine in depth the philosophical, methodological, and linguistic aspects of the objections raised by Cebes and Simmias as well as Socrates’ ensuing arguments regarding the immortality of the soul. Additionally, Trabattoni explores the historical background of Plato’s Phaedo and the impact on it of Pythagoreanism, Orphism, and Eleatic philosophy.Chapter 8 is another particularly captivating section. It offers a fresh perspective on the concept of the “second voyage” (deũteros ploũs), challenging the prevailing interpretation, on which the second voyage signifies the triumph of the... (shrink)

Professor Sallis has read the Apology, Meno, Phaedrus, Cratylus, Republic, and Sophist with the intention of elucidating Platonic responses to three questions: what is philosophy? what is logos? and what is being? His task, as he states it, is not to collect Plato’s opinions on these matters, as though such were either possible or interesting, but rather to elicit "an understanding of the manifold way in which a Platonic dialogue, by virtue of its character as a (...) class='Hi'>dialogue, lets whatever is at issue in it become manifest." The actions described in the dialogues embody the results of the discourses recounted therein. The first part of the book, "Socratic Logos," attempts to clarify Plato’s answer to the first question by answering the far from obvious question "who was Socrates." The answer involves three points. First, the philosopher Socrates was aware of his own ignorance as well as the implicit limits of human wisdom; this "innate distance from a total and immediate revelation of beings" is, though, what motivates and makes possible the "second sailing" in logos described in the Phaedo. Athens’ obliviousness to the Apollonian origin of Socrates’ elenchtic [[sic]] activities led to its condemnation of him as a sophist. Second, the Meno’s myth of recollection "is founded on the capacity of man, with his peculiar mixture of knowledge and ignorance, to apprehend an image as an image, i.e., to apprehend the original that shows through it." The original, though, is the whole, of which the "manys" are images; the activity proper to the philosopher is recollection of the whole and mediation between whole and part. Third, Sallis’ work on the Phaedrus links Socrates’ divine mania and philosophic eros for the beautiful to his apprehension of eide. Sallis claims that the eidos of beauty is the most proper beginning for philosophic recollection of the eide because "the beautiful is that eidos which is most manifest to man in his embodied condition." The second half of the work poses the problem of the relation of being and logos. His excellently wrought study of the Republic accomplishes what several others in his exegetic tradition have failed to deliver: Sallis shows the actual engagement in what he calls "upward-moving dianoia" which Socrates compels Glaucon to undertake. Following Klein, Sallis stresses the unity of the "divided" line, though with this novel thesis: the distinction between "opinable" and "knowable" "is not fundamentally a distinction between two kinds of things, between which some relation would subsist, but rather between two ways in which an eidos can show itself... in both cases what shows itself is the same thing." He arrives at this by not wholly satisfying analyses of the mixture of beauty and ugliness in sensible things, and by reflection on the finger-example Socrates offers, at Rep. 523, ff. Concerning the good, Sallis’ judgment is that Socrates’ inexact analogy of it to the light of the sun means that it "makes possible that sort of showing in which something can show itself as one." The course of his exegesis and argument must be studied in detail, but whatever its lacunae, it does allow a good explanation of the unity of logoi and erga in this long dialogue, of its apparent abstraction from eros, and of its central images of sun, line, and cave. Sallis’ section on the Sophist lacks the precision and sureness of his work on the Republic. He continues, though, with his emphasis on the central importance of the study of the structure of images. Image-making raises the problem of non-being, which raises the problem of being, which is resolved into a dyadic structure unsusceptible of a dianoetic or arithmetical account. This problem leads beyond counting to dialectic as the required means of showing that both true and false logos, and hence non-being itself, are within being. (shrink)

An argument in Cicero's Tusculan Disputations (Tusc. 1.39–49) defends psychic immortality by reference to the physical constitution of the soul. This article argues that this ‘Physical Argument’ should be interpreted as a reception of Plato's doctrine of the soul within the philosophical paradigm of the Hellenistic era. After analysing the argument, it is shown that Cicero's proof recasts elements of Plato's Phaedo, in particular the kinship between the soul and the heavens and the soul's essentially contemplative nature, within a corporealist (...) cosmology. The article also argues that Cicero formulates his argument to oppose the Stoic view that the soul's survival after death is only temporary. The Physical Argument emerges as a modernization of Platonic thought, putting Plato into dialogue with contemporary Hellenistic philosophy. Cicero, too, emerges as a more adept philosophical author than is often supposed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Language of the CaveA. Serge KapplerThe Language of the Cave, by Andrew Barker and Martin Warner; vi & 198 pp. Edmonton: Academic Printing & Publishing, 1993, $54.95 cloth, $21.95 paper.The scholarly essays in this collection focus on the tension between Plato’s expressed views about style, poetry, and intellectual discourse on the one hand and his own practice on the other. Why does a man fiercely hostile toward (...) [End Page 266] literature and poetry write works that are themselves mimetic? Why does he repeatedly resort to story telling to make a point? Why do some of his works fail to fit his own prescriptions of clarity and unity? Six of the eight essays in this collection propose exonerating answers to these and similarly troubling questions.In stimulating counterpoint to this massive rescue operation, John Gould (“Plato and Performance”) argues that Plato’s attack on the irrationality of Greek literature and poetry has irrational roots in Plato himself. The reality defined by literary art, Gould suggests, is one of contradiction and conflict; its “incorrigible plurality”—the “drunkenness” of things as they are—is something that “Plato, at least in the puritanical mood of the Republic and the Phaedo, would not have wished to feel” (p. 25).Gould bases his contentions largely on a negative assessment of Plato’s arguments in the Republic. For him, the poverty and fierceness of those arguments strongly suggest an existential agenda at work. Implicitly supportive of this position, Penelope Murray (“Inspiration and Mimesis in Plato”) shows that the picture Plato paints of poets in the grip of irrational frenzy, in the Republic and elsewhere, far from being the traditional truth he purports it to be, is his own creation. It is a “far cry,” she convincingly argues, from the images of the poet that we find in pre-Platonic literature” (p. 46).The most original defense of Plato is offered by Mary Margaret McCabe in “Myth, Allegory and Argument in Plato.” She proposes that logical arguments in Plato’s text stand in a dialectical relation to stories and allegories elsewhere in the text. Mere logic presents too lean a picture of reality, while myths and allegories present one that is, from an Ockhamite perspective, too rich. The responsibility for finding the right theoretical balance lies with the reader.Now were it true that Plato’s famous images have no genuine heuristic value in the contexts in which they are offered, then McCabe’s thesis might be in some trouble. Yet that is precisely the claim of Manuela Teçusan (“Speaking about the Unspeakable: Plato’s Use of Imagery”), who reassures readers that because Plato resorts to poetic devices primarily in order to illustrate conclusions that are independently supported, he is not really guilty of an inconsistency needing to be explained away.If Plato’s complaints against literature are typically understood as presupposing extravagant metaphysical theses of his own, one possibility is to show that he is not actually committed to those theses. Christopher Rowe (“Reflections of the Sun: Explanation in the Phaedo”) and Michael Stokes (“Plato and the Sightlovers of the Republic”) weigh in with carefully argued versions of that time-honored project. Rowe can discover no reference in the Phaedo to the unhypothesized Good of the Republic, while Stokes discerns no genuine Platonic commitment to a two-world theory in Republic 5.Finally, Richard Rutherford (“Unifying the Protagoras”) diagnoses that dialogue’s notorious lack of unity as reflecting the disorganized minds and unsocratically competitive impulses of its Sophist participants, and Martin [End Page 267] Warner (“Dialectical Drama: The Case of Plato’s Symposium”) proposes that, appearances to the contrary notwithstanding, all of the Symposium displays both substance and unity.Reading these well-researched, engaging essays, one may find oneself wishing that their authors would occasionally wonder aloud whether Plato had any choice but to express himself through the poetic/dramatic medium which he criticizes. Perhaps he could have invented the straightforward philosophical prose style, but perhaps he was too busy building its conceptual and cultural foundations.A. Serge KapplerSkidmore CollegeCopyright © 1996 The Johns Hopkins University Press... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 121-122 [Access article in PDF] Harold Tarrant. Plato's First Interpreters. Ithaca, NY: Cornell University Press, 2000. Pp. viii + 263. Cloth, $55.00. This is Tarrant's third book on the ancient Platonist tradition, following his Scepticism or Platonism? (1985) and Thrasyllan Platonism (1993). In those earlier volumes his focus was on the first centuries bc and ad. Here his scope is much (...) wider. Stating that "Platonic interpretation is today at a crossroads," he has written a book that explores "ancient attempts to wrestle with this corpus," with the ultimate objective "to encourage a fresh, almost primitive reading of Plato himself" (vii).He begins engagingly by confronting the ancients with questions any modern reader of Plato must ask: What kind of text is this? Are there doctrines here? Where do I look for Plato's doctrines? The second part of his book is a historical survey, taking us from Plato, the early Academy and Aristotle, through the Hellenistic and early Roman Imperial period, and concluding with the principal Neoplatonist interpreters. In the third and longest part, he focuses on the interpretation of specific dialogues, giving most space to the Gorgias and Theaetetus, but also dealing in particular detail with the Meno, Parmenides, and Philebus. Something is said about every dialogue, but Tarrant writes only briefly about such major works as the Republic and Timaeus. He explains his selectivity (not very convincingly) as due to his wish to "discuss issues of meta-interpretation, with emphasis on the period before Plotinus" (198).Taking his book as a whole, one realizes that few strands of modern interpretation were not prefigured to quite a large extent in antiquity. The two most obvious exceptions are the chronological and developmental approach (Early, Middle, and Late), at present under strong attack from some quarters, and the theological, numerological, and allegorical readings practiced by Neoplatonists. Plato's ancient interpreters were doctrinal unitarians, but they implicitly anticipated our tendency to distinguish "Socratic dialogues," which some of them called "gymnastic" and "inquisitive," from such "canonical" works as the Phaedo,Republic, Symposium, and Timaeus, to which they applied the labels "dogmatic" and "expository." And they recognized that both types of characteristics could be found in the same dialogue, as in the Meno and Theaetetus. Plato himself, they proposed, spoke primarily through the voices of Socrates, Timaeus, and the Eleatic and Athenian strangers; but other characters, such as Pausanias in the Symposium, or Protagoras in the dialogue of that name, utter thoughts with some philosophical value. In explaining difficult passages of one dialogue, they would typically refer to passages from other parts of the corpus. An especially intriguing instance is the strategy of the Anonymous Commentator on the Theaetetus, who reads the Meno into the dialogue on which he is officially commenting.Ancient scholars, just like ourselves, asked questions about the unifying themes of complex dialogues. Hence the sub-titles given to certain works: "On the soul" for the Phaedo, and "On justice" for the Republic, etc. For Olympiodorus (whose commentary on the Gorgias Tarrant has recently co-edited [Leiden, 1998]), earlier interpreters have seriously erred by giving too limited an account of that dialogue's scope. It is not, he says, simply about rhetoric, nor about justice and injustice; nor is its theme the divine demiurge (as some Neoplatonists had strangely proposed, on the basis of the concluding myth). Rather, the subject of the Gorgias is "the ethical principles that lead to constitutional well-being" (125). [End Page 121] However, Olympiodorus's eminently "sensible" reading (as Tarrant calls it) is deeply embedded in the Neoplatonic contrast between the "purificatory virtues" of the Phaedo and the "constitutional virtues" of Republic4.Strong or weak scepticism, esotericism, unwritten doctrines, spurious versus genuine, a canon of central dialogues, dramatic considerations, and the philosophical importance or non-importance of the dialogues' prologues—all of these are interpretive approaches that Tarrant surveys in this immensely learned book, and all of them continue to resonate for us. Modern scholars, who emphasize the literary and philosophical unity of each dialogue, are walking... (shrink)

At first russell thought (p) that whatever a proposition is about must be a constituent of it. Then, Around 1900, He discovered denoting concepts and realized that a proposition could be about something and have only its denoting concept as constituent. However, A number of remarks that he made through the years can only be understood as inspired by (p). In particular, The arguments offered in "on denoting" against the doctrine of denotation of "principles" are grounded on (p).

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 84-106 [Access article in PDF] Irony in the Platonic Dialogues Charles L. Griswold, Jr. I INTERPRETERS OF PLATO have arrived at a general consensus to the effect that there exists a problem of interpretation when we read Plato, and that the solution to the problem must in some way incorporate what has tendentiously been called the "literary" and the "philosophical" sides of Plato's (...) writing. The problem is created by the fact that Plato wrote in dialogue form, indeed a specific type of dialogue form. The solution must somehow combine into a coherent theory of the "meaning" of the dialogues, the ways in which these texts work (such as the use of imagery, metaphor, myth, allusion, irony, as well as argument). At the same time, there exists enormous disagreement about how one ought to move from these general observations to interpretation of a particular text. 1The problem of interpretation lies not merely in the fact that Plato wrote dialogues. That alone would not necessarily present any hermeneutical issues of unusual difficulty. Plato's distinctive use of the dialogue form creates the difficulties. The genre that we might call "the Platonic dialogue" is distinguished by several relevant characteristics.First, there is no character called "Plato" who speaks in any of the dialogues; indeed, "Plato" is mentioned twice in the entire corpus, once as being absent (Pho. 59b10), and once as being present (Apol. 38b6). Authorial anonymity is thus an important feature of the dialogues. 2 At least ab initio, we are not justified in identifying Plato with any one of his characters. Indeed, there are positive reasons why he cannot be identified even with Socrates, as I will discuss below. 3 Plato is absent from his own texts; no simple act of reading them will allow us to ascertain what his views are. 4 It does not follow that Plato's views are [End Page 84] entirely absent from the dialogues—say, in the form of some mysterious "esoteric teaching"—and that they cannot be elicited by a complex act of reading. Just how Plato's views are to be extracted has been, again, the subject of a very long debate. 5 I myself think that Plato's views can be so elicited. 6 But the fact of his anonymity as author means that "Plato's meaning" is not ascertainable in the way that, say, "Kant's meaning" may be ascertainable in the Critique of Pure Reason.A second feature of Plato's dialogues contributes to the interpretive puzzle. The dialogues are clearly fictional in character. They are not—they could not be—transcriptions of conversations which took place. Some dialogues could not have taken place even when the interlocutors were historical figures (for example, at the Phaedrus' ostensible dramatic date the real Phaedrus was not in Athens). Not only are many of the characters entirely fictional, there is clear evidence that even "Socrates" is very much a fictionalized version of the historical character. I am referring not just to the famous statement in the (possibly inauthentic) Second Letter, 7 but to the fact that the Socrates of Plato's dialogues is presented as being a super-human character. This is evident from Alcibiades' description of him in the Symposium as well as from a number of subtle fictions. For example, Plato has Socrates narrate the entirety of the Republic from memory, without a single moment of hesitation or (so far as the reader can tell) any lapse of memory. This fantastic feat is complemented by Socrates' equally fantastic stamina in conversation. The lengthy Protagoras, for example, is narrated in its entirety by Socrates immediately after the dialogue itself has occurred. Socrates never shows any fatigue of any sort. It is not just hyperbole to say that Plato's Socrates is heroic; he is carefully compared, in passages I cannot examine here, to both Achilles and Odysseus. Socrates' absolute calm and self-control before death also evidence his superhuman character. The relation between the historical Socrates and the Platonic Socrates is the source of much fruitful controversy. It suffices for... (shrink)

In lieu of an abstract, here is a brief excerpt of the content: -/- [99] JOURNAL OF THE HISTORY OF PHILOSOPHY 23:1 JANUARY 198 5 Book Reviews Kenneth Dorter. Plato's 'Phaedo': An Interpretation. Toronto: University of Toronto Press, 1982. Pp. xi + 233. $28.50. Kenneth Dorter of the University of Guelph has given us a useful and unusual study of the Phaedo, which will attract the interest of a variety of Plato's readers. He provides the careful studies of the (...) class='Hi'>dialogue's arguments for immortality to be expected in a sound commentary, paying close attention to the text as well as to recent scholarship, and displaying a good sense of argument. What gives the book additional interest, however, are its features as an interpretation of the Phaedo. Two stand out. First, Dorter wishes to give full weight not only to the logic of the arguments but also to the dramatic details of Plato's writing, believing these to be important in disclosing Plato's intentions. Secondly, he reads the Phaedo in light of a more general understanding of Plato's philosophy, especially the nature of the soul in its cosmic as well as individual aspects. Much of this is set out in a final speculative chapter, where Dorter seeks to make intelligible Plato's developing conception of soul by means of such notions as energy and poles of consciousness. Not every reader will be persuaded; but Dorter is to be commended for an attempt to move the discussion beyond the Phaedo and Plato's own vocabulary. The study gains its coherence from Dorter's belief that Plato's view of soul cannot support the ostensible aim of the dialogue, to provide reassurance of personal immortality. Although he has no doubt that for the Platonic Socrates there is "a meaningful sense in which we may be called immortal" (94, cf. 159), Dorter's analysis must be stretched to provide that sense. In part this is a result of his assessment of the arguments. The first, from reciprocity in nature, can at most show that, given the eternal nature of the world, soul and corporeality in general must continue to exist. The argument from recollection can point only to a non-empirical element in our knowledge ; that from the soul's kinship with the divine is best seen as an analogy developed to awaken within us a sense of eternity. The final argument, though containing fallacies (157), will support the conclusion that immortal soul is imperishable as long as soul is regarded as motive force in the universe, in the first argument's sense. In none of these discussions, then, can Plato's reasoning yield up personal survival. But there is another part to Dorter's case, underlying this conclusion. For Plato the individual human being is a composite of soul and body; so even if Plato were to prove the immortality of the soul he could never establish personal survival (63-64). It is not surprising then that Dorter is left with a doctrine of immortality either reduced to a "discovery of eternity within ourselves" (77), or else dissolved into a principle of enduring cosmic energy. So in neither case does it seem meaningful for Plato to say that we are immortal: the eternal which we sense is no more us than it is anything else. Although it is of course possible that Plato did not intend this consequence of his arguments, Dorter thinks otherwise. In support he invokes literary features of the dialogue to argue that Plato operates on one level for the less sophisticated (who wish to be persuaded of personal survival) and on another for the philosophically reflective reader. Dorter treats the textual evidence for this claim with an appropriate modesty, and tries to justify Plato's apparent duplicity as an attempt to convince the weak by a 'noble lie' (95-97). Nevertheless this leads Dorter to mix together too quickly for this reader popular religion, myth, and metaphor. To the fact that Plato does not espouse the language of popular religion literally, Dorter adds his own view of myth as an imaginative appeal to emotion that can be translated without loss into rational discourse (7, 165, a95). So the accounts of the afterlife at 8oc-84 b... (shrink)

According to an interpretation that has dominated the literature, the traditional interpretation as I call it, the recollection argument aims at establishing the thesis that our learning in this life consists in recollecting knowledge the soul acquired before being born into a body, or thesis R, by using the thesis that there exist forms, thesis F, as a premise. These entities, the forms, are incorporeal, immutable, and transcendent in the sense that they exist separately from material perceptibles, which in (...) turn are related to them through participation and by being caused by them in some sense. But the properties of transcendence, immutability and incorporeality are sufficient to signal forms, and so the thesis that there exist forms claims that there exists entities with at least these three properties. In the first section of this paper, I argue that strong textual and more general exegetical reasons suggest that the traditional interpretation is mistaken. Furthermore, this interpretation, as I argue in the second section, fails to credit Plato with a proper argument for recollection. In section III, I present an alternative account of the argument for R in the "Phaedo". At the same time I defend a more general interpretation according to which the metaphysical doctrine Plato offers in the "Phaedo" represents a natural continuation of the philosophical position that stands at the centre of the dialectical conversations we find in the shorter Socratic dialogues. (shrink)

Plato's thought on the question of the immortality of the soul, in the sense of the existence after death of an individual personality, is stated by Constantin Ritter in his book on The Essence of Plato's Philosophy as follows: “I must admit that for Plato personal immortality was a serious problem and that his whole exposition and especially the trend of his argument in the Phaedo , urges us to accept it” ; and again—“The notion of immortality in the sense (...) that we understand it, viz. the survival of personality beyond the limits of earthly existence, was for Plato a serious problem; but it never became a dogma with him, even though he gives us a strong hint in the Phaedo to affirm this notion”. (shrink)

This paper discusses passages in Plato’s Phaedo which seem to contradict each other: at Phaedo 65a-d and at 66e-67a Plato seems to rule out that sense perception can be of any help in the acquisition of knowledge, whereas at Phaedo 74b-75a it is claimed that we get our knowledge of (the form of) equality only via the perception of equal things. I argue that the incompatibility of these passages is only apparent since in the first group of texts (all taken (...) from Socrates’ so-called apology) Socrates is made to represent the ‚true philosophers‘ (probably the Pythagoreans), whereas in the latter passages (from the recollection argument) he speaks in propria persona. I then discuss the question why Plato did insert in his dialogue a position which he does not share, and I finally argue that Plato did not believe in the recollection of the form of equality. (shrink)

This is the third volume in the Clarendon Plato Series, which already includes good translations and commentaries on the Theaetetus and the Philebus. Like its companions, this book concentrates mainly on the philosophical interpretation of the dialogue and is "intended primarily for those who do not read Greek". A separate section, for example, is devoted to textual issues, and the commentary, which takes up the largest part of the volume, does not presuppose knowledge of Greek. In principle, then, one (...) can follow and appreciate Professor Gallop’s careful notes without being able to read Plato’s original text. But this is not simply an elementary introduction to the Phaedo and, in practice, knowledge of Greek would be quite useful in attending to the argument and in keeping clearly in mind the significance of alternative translations as well as the different interpretations which these can involve. The work’s task is a difficult one: it is intended to be a sophisticated and detailed presentation of Plato’s views, but also capable of being read independently of Plato’s text. Given these constraints, Gallop has written an excellent book. His readers will have to work hard, but, if they do, they will find their efforts rewarded. The commentary includes clear presentations of the background necessary for following and appreciating the detailed discussions of particular and controversial problems which Gallop painstakingly pursues. He refers broadly to the secondary literature on Plato and gives exhaustive cross-references to the text of the Phaedo. Passages central to recent philosophical debates are discussed extensively, but equally interesting sections are devoted to less popular, though equally important, parts of the dialogue; for instance, Gallop’s comments on Socrates’ apology for the life of the philosopher constitute a serious and rather elegant essay in their own right. The translation is faithful and often, though not always, idiomatic. Gallop offers a number of original and controversial interpretations, and "though in view of the size of the subject under discussion... [one] is bound to retain some doubt in [one’s] mind about what’s been said", this book cannot fail to be extremely valuable to any serious reader of Plato.—A.N. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Incomprehensible Certainty: Metaphysics and Hermeneutics of the Image by Thomas PfauThomas ZingelmannPFAU, Thomas. Incomprehensible Certainty: Metaphysics and Hermeneutics of the Image. Notre Dame, Ind.: University of Notre Dame Press, 2022. xxiii + 785 pp. Cloth, $80.00Thomas Pfau reconstructs one of the most traditional and possibly most decisive philosophical debates, [End Page 559] namely, the one about the form and function of appearance (Schein). This debate is taken up (...) on the basis of the concept of image. This means that Pfau concentrates historically as well as systematically on a specific topic within this debate. The book is divided into two major sections.In the first section, Pfau examines how the history of the metaphysics and theology of the image develops, starting with Plato in the first chapter. The basic idea in this section is that the image has a crucial epistemic role in the metaphysical and theological systems of the authors addressed. Here Pfau shows that Plato, at the latest in the Sophist, develops a theory of images that revalues appearance contrary to the assumptions in the Republic. Chapter 1 is about the mediation of unity and multiplicity, as it is also shown in Plotinus. Chapter 2 attempts to show how the Byzantine icon embodies the conviction that the invisible truth of the visual world can be revealed only through images. Pfau's demonstration of various epistemic dimensions of the image then begins with chapter 3: the eschatological vision from Augustine to Bonaventure to Julian of Norwich. Chapter 4, the last of the first section, reconstructs Nicholas of Cusa's position, which attempts to understand mystical visions mediated by images of Christ.The second section examines how the metaphysics of the image—in the sense of an epistemology, which tries to establish ultimate justifications—nevertheless persists and even evolves despite two crucial switches in philosophy. On the one hand, this concerns philosophy that subordinates the visual to the abstract (for example, Hegel) and, on the other, the supposedly nonmetaphysical status of the image in the developing natural sciences. Chapter 5 then attempts to show, through Goethe's botanical investigations and reflections, how, despite the establishment of the natural sciences, Goethe attempts to defend intuition as a scientific method and appearance as a scientific object of investigation. This position is then pursued historically in chapter 6, through the work of Lyell, Darwin, and Ruskin, where the visible is understood as the connecting point of the sciences in general. Gerard Manley Hopkins is then identified in chapter 7 as representing a position that combines theological with proto-phenomenological arguments to highlight the epistemic value of images. The last chapter then deals with decisive developments at the beginning of the twentieth century. In phenomenology (Husserl), painting (Cézanne), and poetry (Rilke), a conception develops that epistemically valorizes sensual and intuitive experience.Generally speaking, Pfau attempts to trace historically what arguments and positions have been developed on the relationship between image and knowledge. His work is based on the conviction that the image is the basis for human orientation in the world and is therefore of great epistemological value. Of outstanding importance for his question is that the epistemological value of images is not to be located in the properties of images, that is, an ontology of the image; rather, Pfau is interested in those positions that reflect on the relationship between knowledge and [End Page 560] experience of images. While clarifying the ontological status of images remains important, the epistemological status of images—what role the experience and usage of images has for humans—is in the foreground. Pfau reconstructs positions that hold that the pictorial is a medium of knowledge. He puts forward the thesis that there is a tradition that is of the opinion that in and through the medium of the image—and this closes the arc to the Schein-debate—being can be experienced by man. In other words, the invisible is to become recognizable through the visible. Of particular importance is his reading of the late Platonic dialogues: While appearance and being are still thought of as distinct in these dialogues, they are not opposed, in the sense of an epistemic opposition. Plato's... (shrink)

Two Concepts of the Soul in Plato's Phaedo is a fresh study of Plato's psychology with particular focus on his arguments for the immortality of the soul. Through detailed textual study, this new work examines the structure of the dialogue making explicit the nature of the argumentation within the text and its relation to Plato's other accounts of immortality.

This paper is an analysis of John Caputo’s philosophical interpretation of ‘the event’ as a form of revelation with specific reference to political theology and in dialogue with the theological notion of ‘interruption’ by the fundamental theologian Lieven Boeve. Following Charles Taylor’s interpretation of the post-secular, the argument is that Boeve’s ‘radical hermeneutics of religion’ is more postmodern than Caputo because it presents religion as co-constituted with language, particularity, and contingency and grounded within the specificity of the Christian narrative.

Since antiquity the Phaedo has been considered the source of "the twin pillars of Platonism" -- the theory of ideas and the immortality of the soul. Burger's attempt to trace the underlying argument of the work as a whole leads to a radical rethinking of the status of those doctrines.

In lieu of an abstract, here is a brief excerpt of the content:On Franco-Ferraz, Theism and the Theatre of the Mind MiguelA. Badia-Cabrera In "Theatre andReligiousHypothesis,"1 MariaFranco-Ferraz offersan eloquent and reasoned argument in favour ofa fresh and different sort of hermeneutic approach to the Dialogues Concerning Natural Religion as a suitable means to disentangle the web of proverbially difficult philosophical questions posed by Hume in that work. In order to arrive at a coherent understanding ofthe Dialogues as a whole (...) and perhaps also to calm the sense of bafflement which the confrontation with this enigmatical text always provokes, many Hume scholars have taken as a point of departure and clue for unravelling it either one or two of Hume's principal philosophical doctrines or a presumedly unitary view of Hume's philosophy in general. Equipped with one or both of these instruments, they proceed to dissect the arguments of the Dialogues with the intention of determining what Hume's position really is. This task also almost invariably ends by assigning the victory in the dialectical struggle and the representation of the author's 'true' opinions to the character (sometimes even more than one) in whom they are more or less able to find the purest expression ofwhat theyhave previously decided is the kernel oressence ofHume's philosophy. Franco-Ferraz has taken a very different route. For her the key point of the Dialogues lies in the fictional setting in which the theological discussion takes place. She goes on to show that the literary form of the Dialogues is intrinsically connected with its philosophical content so as to serve to elucidate the precise nature ofthe conclusion which is established at the end, in Part XII. In other words, the theatrical structure facilitates a more profound and detailed investigation ofthe problems dealing with the existence and nature of God. In fact, Hume offers no final solutions to these problems and thereby none ofthe characters ofthe Dialogues can properly be said to present the victorious point of view or the one counting with the complete authority ofthe author ofthe play: The most important aspect of this text is the interaction between the different characters' points of view, which, by being in confrontation with each other, undergo reciprocal transformations. (Franco-Ferraz, 228) Volume XVI Number 2 131 MIGUEL A. BADÍA-CABRERA With this one cannot but agree. In addition she clinches her case by 'ai-trull·/ and convincingly showing that there is a profound relation between this theatrical form and some substantive philosophical theses which Hume developed in the Treatise, the first Enquiry, and The Natural History ofReligion. In reality, the theatre metaphor clarifies the sense ofthose philosophical doctrines, which in turn throw light on and corroborate her main contention about the conclusion of the Dialogues. For according to her, any definitive solution to the problems ofnatural theology is not presented at the end by any ofthe characters on behalfofa God-like author (Dieu auteur), and furthermore this deus ex machina solution would conflict especially with Hume's conception of the mind as being une pièce sans théâtre, a drama without a stage (Franco-Ferraz, 234). Such is the substance ofher thesis, if I have succeeded in giving a fairrepresentationofit. I thinkthatherinterpretation providesa novel outlook and one fruitful means ofaccess to an adequate understanding of the Dialogues. But I am quite hesitant with some particular and important aspects ofher reading of that text for the 'inconveniences', in Philo's sense ofthe word, which seem to follow from it, and alsohave a few difficulties in assessing the exact import of one or two of her central claims due to the somewhat vague manner in which, I think, these are formulated. First, at the verybeginningofher paper, Franco-Ferraz quotes the followingpassagefromPartIIIoftheDialoguesin which Demeaobjects to Cleanthes' claim, defended by two very ingenious analogies, that an orderly world like a coherent, articulate speech will always be taken as a sign ofintelligent design: When I read a volume, I enter into the mind and intention of the author: I become him, in a manner, for the instant; and have an immediate feeling and conception of those ideas, which revolved in his imagination, while employed in that composition. (D 155-56) I take issue with... (shrink)

With this book Professor Weingartner has added to that portion of Plato-interpretation which attempts to illuminate the fact that "Plato wrote dialogues." His central claims are two: 1) Plato’s argumentation cannot be understood outside the dialogue form within which Plato himself never appears; and 2) the unity which suffuses each of the dialogues can render potent the argumentation which would be otherwise either inaccurate or inadequate. Correlative to these theses, he argues, perhaps too briefly, against those who would try (...) to ignore the dialogue genre altogether. For such interpreters, Weingartner’s argument goes, "... questions and objections that are interjected by the other participants in the conversation... are seen as mere literary devices which provide Plato’s prolocutor with plausible opportunities for stating and clarifying his own views." On the other hand, he criticizes those who would make of Plato nothing but a literary figure, and of Socrates a "god of refutation." Fittingly, though, Professor Weingartner also clarifies the more subtle mistake of reading the dialogues "... as tranches de vie philosophique, in which the character of Socrates plays the leading role...". Having stated what he takes to be improper interpretive devices, he selects the Cratylus, Protagoras, and Parmenides and "... attempts to show, in some detail, that each of them can, and therefore should, be understood as a unified whole.". (shrink)

Do the later Platonic dialogues abandon the earlier doctrine of forms? If not, do the forms, as the objects or contents of thought, have any relation to experienced things? Schipper, in this lucid and scholarly study of the Parmenides, Theaetetus, Sophist, Philebus, and Timaeus, maintains that Plato continues to assume the essentials of the earlier doctrine of forms, and that while he offers no complete and explicit answer to the second question, the later dialogues do provide clues which are (...) consistent with each other. In formulating this answer, Schipper suggests that sensible things can be considered in two aspects: as immediately sensed and as known by means of the forms; the two aspects are united by the perceiving and knowing mind. However, this seems to be merely a restatement of the problem. Her other, more provocative suggestion is that forms are not discovered by an intellectual perception, but are assumed or posited as demanded by logos or argument in order to explain and define experienced things. Thus the interrelated forms can apply to things without being immanent in them. Although the treatment of the dialogues is careful, the book is primarily a spiritless exegesis of the text, together with an account of what other scholars have said. It is bereft of an index.—S. A. S. (shrink)

"The unexamined life is not worth living." Socrates's ancient words are still true, and the ideas sounded in Plato's Dialogues still form the foundation of a thinking person's education. This superb collection contains excellent contemporary translations selected for their clarity and accessibility to today's reader, as well as an incisive introduction by Erich Segal, which reveals Plato's life and clarifies the philosophical issues examined in each dialogue. The first four dialogues recount the trial execution of Socrates--the extraordinary tragedy that (...) changed Plato's life and so altered the course of Western though. Other dialogues create a rich tableau of intellectual life in Athens in the fourth century B.C., and examine the nature of virtue and love, knowledge and truth, society and the individual. Resounding with the humor and astounding brilliance of Socrates, the immortal iconoclast, these great works remain powerful, probing, and essential. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Self-Predication and the "Third Man" Argument ROGER A. SHINER 1.1. IN COMMPm'mO on the 'Third Man' Argument (TMA), Proclus z produces the following line of thought. He argues that. if the relation of resemblance between Form and particular were symmetrical, the argument in question would be valid; the relation is not, however, symmetrical. Where a Form and particular are both alike, have the quality of likeness, the likeness of (...) that which is derived is not the same as the likeness of that from which it is derived, just because of the former's derivatory nature. Consequently, ~k tt~v ala01]x~ bttotoi3c0at ~re[vot~ (sc. xo~ ~Semv), abx~ 8~ xo6~ot~ oSr~xt, 'the sensible particulars resemble the Forms, but they are not in the same relation of resemblance to the particulars' (ibid., 913.29-30). That is to say, the bare relation of similarity may be symmetrical, but the relation of a similar copy to a similar original is not; the copy is 'a copy of' the original, but the original/s not 'a copy of' the copy. This way of defending the Theory of Forms against the TMA I shall for purposes of identification call the 'Ontological Defence'. It lays stress on the ontological difference between Form and particular in order to avoid the fatal implication that the relation between them is symmetrical. If we use the language of predication, the point is as follows: the TMA is valid, if the Forms have a given term predicated of them severally in exactly the same sense as it is predicated of their respective dependent particulars. This, however, is not the case, for the quality in virtue of which a given term is predicated of a given Form differs in ontological status from the quality in virtue of which that term is predicated of that Form's dependent particulars. Thus we see that underlying the Ontological x I am grateful for helpful comments on an earlier version of this paper to Professor Gilbert Ryle, Professor John F. Malcolm and two anonymous readers for this Journal. Since this paper went to press, the following relevant articles have appeared: G. Vlastos, "'Self Predication' in Plato's Later Period," Philosophical Review, LXXVIII (1969), 74-78, and "Plato's 'Third Man' Argument (Parm. 132al-b2): Text and Logic," Philosophical Quarterly, XIX (1969), 289-301; K. W. Rankin, "The Duplicity of Plato's Third Man," Mind, LXXVIII (1969), 178-197; T. O. Smith, "'The Theory of Forms, Relations and Infinite Regress," Dialogue, VIII (1969), 116-123. 2 Proelus, In Platonis Parmenidem, ed. V. Cousin, Paris, 1864; 912.27 ft. [3711 372 HISTORY OF PHILOSOPHY Defence is the following assumption--the fact that the Forms are self-predicating only causes problems for the Theory of Forms, if a given Form F and its corresponding particulars, a set of f things, have 'F' predicated of them univocally, are F in precisely the same sense. My thesis in this paper is that this latter assumption is false, it is, rather, quite sufficient for the Self-Predication Assumption (SPA) to be vicious, if 'F' is predicated of both Form and particular not equivocally. This is not the same as 'univocally', and furthermore it is not possible that Plato could have thought of the predication of a term of both Form and particular as equivocal, the only alternative left to him to escape the TMA. The SPA, therefore, is required for the Theory of Forms to make sense, and leads to an ineradicable defect in that Theory. 1.2. One minor terminological point must be noted before we proceed. There are two versions of the TMA in the Parmenides; the first runs from 131eS-132b2, and the second from 132c11-133a7. The second of these explicitly employs the language of copy-resemblance, 7mpdS~tytm ('paradigm'), 6lxoio)tta ('likeness'), ~tKao0~vat ('resemble') as an explication of ~t~0e~tq ('participation'): the first employs the lan~.,uage of cttx6 ~ xai3xa.., eIvat ('that by which things are...'), which, as Plato has already indicated (Phaedo 100d6-8), is deliberatety noncommittal as to the relation between Forms and particulars. I shall refer to the first argument as TMA(1) and the second... (shrink)

Cotton examines Plato 's ideas about education and learning, with a particular focus on the experiences a learner must go through in approaching philosophical understanding.

Galileo's Dialogue (1632) can be read from the viewpoints of methodological judgment and critical reasoning; methodological judgment means the avoidance of onesidedness and extremes; and critical reasoning means reasoning aimed at the analysis and evaluation of arguments. Classic sources for these readings are Thomas Salusbury (1661) and the Port-Royal logicians (1662). This focus does not deny the book's scientific, historical, rhetorical, and aesthetic dimensions; it is critical of excessively rhetorical readings; and it suggests solutions to the problems of hermeneutical (...) pluralism, interpretation versus evaluation, and theory versus practice. The book's methodological judgment and critical reasoning can be shown to correspond to Galileo's self-reflections. (shrink)

Discussing Plato's views on knowledge, recollection, dialogue, and epiphany, this ambitious volume offers a systematic analysis of the ways that Platonic approaches to education can help students navigate today's increasingly complex moral environment. Though interest in Platonic education may have waned due to a perceived view of Platonic scholarship as wholly impractical, this volume addresses common misunderstandings of Plato's work and highlights the contemporary relevance of Plato's ideas to contemporary moral education. Building on philosophical interpretations, (...) the book argues persuasively that educators might employ Platonic themes and dialogue in the classroom. Split into two parts, the book looks first to contextualise Plato's theory of moral education within political, ethical, and educational frameworks. Equipped with this knowledge, part two then offers contemporary educators the strategies needed for implementing Plato's educational theory within the pluralistic, democratic classroom setting. A Platonic Theory of Moral Education will be of interest to academics, researchers, and post-graduate students in the fields of: ethics; Plato scholarship; moral psychology; educational foundations; and the philosophy of education. This book would also benefit graduate students and scholars in teacher education. Mark E. Jonas is Professor of Education and Professor of Philosophy at Wheaton College, US. Yoshiaki Nakazawa is Assistant Professor of Education at University of Dallas, US. (shrink)

In this international and interdisciplinary collection of critical essays, distinguished contributors examine a crucial premise of traditional readings of Plato's dialogues: that Plato's own doctrines and arguments can be read off the statements made in the dialogues by Socrates and other leading characters. The authors argue in general and with reference to specific dialogues, that no character should be taken to be Plato's mouthpiece. This is essential reading for students and scholars of Plato.

Platonic discourses concerning the soul are incredibly rich and multitiered. Plato's own diverse and disparate arguments and images offer competing accounts of how we are to understand the nature of the soul. Consequently, it should come as no surprise that the accounts of Platonists who engage Plato’s dialogues are often riddled with questions. This volume takes up the theories of well-known philosophers and theologians, including Plato, Plotinus, Proclus, the emperor Julian, and Origen, as well as lesser-known but equally important (...) figures in a collection of essays on topics such as transmigration of the soul, the nature of the Platonist enlightenment experience, soul and gender, pagan ritual practices, Christian and pagan differences about the soul, mental health and illness, and many other topics. Contributors include Crystal Addey, Sara Ahbel-Rappe, Dirk Baltzly, Robert Berchman, Jay Bregman, Luc Brisson, Kevin Corrigan, John Dillon, John F. Finamore, Lloyd P. Gerson, Dorian Gieseler Greenbaum, Elizabeth Hill, Sarah Klitenic Wear, Danielle A. Layne, Ilaria L. E. Ramelli, Gregory Shaw, Svetla Slaveva-Griffine, Suzanne Stern-Gillet, Harold Tarrant, Van Tu, and John D. Turner. (shrink)

From the late Classical period until the Nineteenth Century, Plato was admired for his inspiration and vision, rather than for his theories and argumentation. Then with the advent of analytic philosophy in the Twentieth Century, the pendulum swung hard in the other direction. Plato’s myths were largely ignored. The drama of his dialogues was considered insignificant. The theory of forms and the theory of recollection (as a gloss on immortality) became the pillars of Platonism, and the journals became filled (...) with careful, logical analyses of Platonic principles, theories, and hypotheses. Recently even mainstream Plato scholars have tried to redress the overemphasis on Platonic theory, but they have limited themselves mostly to arguing that image, myth, and characterisation are important to the interpretation of Plato in addition to concepts, theories, and dialectic. This paper argues that myth and dialogue play a much more central role in Platonic philosophy than is currently accepted. There is evidence that Plato treats the dialogues themselves as framing myths, within which all action and dialogue is treated as mimesis, rather than as direct presentation of Plato’s logoi. If this is correct, then each of Plato’s works is organised around the representation of a comprehensive poetic vision not stated in, but rather only through, the action of the dialogue. (shrink)

Plato invokes the Theory of Recollection to explain both ordinary and philosophical learning. In a new reading of Meno's Paradox and the Slave‐Boy Interrogation, I explain why these two levels are linked in a single theory of learning. Since, for Plato, philosophical inquiry starts in ordinary discourse, the possibility of success in inquiry is tied to the character of the ordinary comprehension we bring to it. Through the claim that all learning is recollection, Plato traces the knowledge achievable (...) through inquiry back to our pretheoretical comprehension, showing not just that knowledge is in us, but that it is inchoate in the grasp of a property—akin to a concept—that enables us to speak and think about it ordinarily. Plato acknowledges in the Meno that a second step of argument, and a second application of Recollection, is needed to explain how knowledge comes to be inchoate in our ordinary grasp of a property. Though this second argument is provided most fully in the Phaedo, the evidence of the Meno is sufficient to outline Recollection as a two‐stage theory of learning, beginning in ordinary speech and thought and extending, through philosophical reflection, to knowledge. (shrink)

It is a commonplace of modern criticism that every text is to be located within a complex network of cultural practices and material. Students of the ancient world may sometimes feel at a disadvantage; we simply do not have as much information as we would like in order to contextualize thoroughly. This has been especially true in the study of Platonic dialogues. The meagre remains of the writings of the sophists against whom Plato measured himself and of the art (...) to which he refers entail that analysis of Plato is often confined to the structure of his philosophy. Of course, the requirements of Plato's arguments must always be assigned primary importance; the relative lack of information about Plato's cultural context has not prevented detailed exposition of his method and achievements. Occasionally, however, a kindly fate allows us to set a dialogue, or part of it, in its appropriate material and ideological context and to create an interface between literary, philosophical, and archaeological evidence. Such evidence may not alter our evaluation of Plato's arguments on the analytic level, but it can enrich our appreciation of his literary artistry and recapture for us some of the resonance that his work would have had for a contemporary audience. (shrink)

According to a widespread understanding among historians of philosophy, there is within the dialogues of Plato an underlying metaphysical dualism, one that devalues the body and the natural world, promoting, ultimately, an unattractive and repressive asceticism. An obvious support for this “standard” reading is provided by the Phaedo, wherein the soul is depicted as a prisoner in a cage ; but, as many readers would eagerly point out, most of Plato’s dialogues offer robust metaphors, images, or arguments that continuously suggest (...) that acolytes should denounce the body in favor of the soul.Indeed, it is against this background that Zoller’s book should be commended as an impressive endeavor to show just how... (shrink)

This chapter contains sections titled: Introduction Styles of Reading and Conceptions of Philosophy The Dialogue Form and Periodization A Maieutic Response to the Question of Periodization Bibliography.

It is a commonplace of modern criticism that every text is to be located within a complex network of cultural practices and material. Students of the ancient world may sometimes feel at a disadvantage; we simply do not have as much information as we would like in order to contextualize thoroughly. This has been especially true in the study of Platonic dialogues. The meagre remains of the writings of the sophists against whom Plato measured himself and of the art (...) to which he refers entail that analysis of Plato is often confined to the structure of his philosophy. Of course, the requirements of Plato's arguments must always be assigned primary importance; the relative lack of information about Plato's cultural context has not prevented detailed exposition of his method and achievements. Occasionally, however, a kindly fate allows us to set a dialogue, or part of it, in its appropriate material and ideological context and to create an interface between literary, philosophical, and archaeological evidence. Such evidence may not alter our evaluation of Plato's arguments on the analytic level, but it can enrich our appreciation of his literary artistry and recapture for us some of the resonance that his work would have had for a contemporary audience. (shrink)

Se busca rastrear la imagen que Platón tiene de Heráclito y articularla con la estructura argumentativa del Cratilo, para comprender las necesidades textuales a las que responde la doctrina del flujo perpetuo, es decir, la discusión sobre la corrección (ὀρθότης) del nombre. Gracias a la inclusión del testimonio heraclíteo, resulta posible rastrear la presunta consolidación de la tesis sobre los nombres primarios y los secundarios como el eje de la separación entre dos planos de realidad (uno estable y uno móvil) (...) y de la teoría de las Ideas -es decir, como la base de la epistemología platónica presente en los diálogos de madurez-. The article seeks to trace the image Plato has of Heraclitus and connect it with the argumentative structure of the Cratylus in order to understand the textual needs that give rise to the doctrine of perpetual flux, that is, the discussion regarding the correctness (ὀρθότης) of names. The inclusion of Heraclitus's testimony makes it possible to trace the alleged consolidation of the thesis regarding primary and secondary names as the axis of separation between two levels of reality (one stable, the other, changing) and the theory of Ideas -that is, as the basis of Plato's epistemology as set forth in the late dialogues-. (shrink)

I agree with the substance of Prof. Byrd’s argument, that what she calls ‘summoners’ are to be found in supposedly ‘early’ as well as supposedly ‘middle’ dialogues and that this serves to undermine the strong Vlastos thesis of a radical difference between those groups. But Vlastosian and other forms of developmentalism have been in retreat for some time. I think the term παρακαλοῦντα is better translated as ‘provocations’; and I would argue that they are to be found in all of (...) Plato’s dialogues and that their presence supports a more deeply uni-tarian approach than Byrd explicitly offers here. On the other hand, provocation is only a pedagogical strategy and, although its presence constitutes a kind of unity across the Platonic corpus, the problem developmentalism was intended to solve—apparent inconsistencies and contradictions between views apparently asserted in various dialogues—remains in need of solution. (shrink)

Twenty essays by fifteen British and American writers representing some of the best anglo-american Platonic scholarship dating, chiefly, from the fifties but with essays by Cherniss, Ryle, Vlastos, and Hackforth dating from the thirties. The later dialogues are the focus with nine of the essays treating the Theory of Forms explicitly. Included are essays by Ryle and Runciman on the Parmenides, and also the Vlastos-Geach exchange on the Third Man Argument. The Timaeus is covered by Cherniss' "On the Relation (...) of the Timaeus to Plato's Later Dialogues," and also by Vlastos' "The Disorderly Motion in the Timaeus" and Morrow's "Necessity and Persuasion in Plato's Timaeus." In all, a welcome collection.—E. A. R. (shrink)

The author focuses on the role that the epistemic practice of questioning, as it is presented in the Platonic dialogues, plays by Socrates. A comparison with Hintikka’s theory of questioning in proposed: in Hintikka’s account it is the questioner who endeavours to obtain new knowledge by asking someone who presumptively possesses that knowledge, whereas Socrates questions his interlocutors to wake in them the awareness of a knowledge they don’t know to possess. The origin of this knowledge is to be (...) searched in the ideal “vision” that pertains to the immortal soul. But the dialogic practice aims also to the propositional articulation of the knowledge we become aware of: we must become able to “give reasons” (λόγον διδόναι) for our beliefs. This is the source of the Aristotelian theory of argumentation developed in the Topics. (shrink)

Many scholars have denied that Plato’s argument about desire at Philebus 34c10–35d7 is related to his recollection arguments in the Meno and Phaedo, because it is concerned only with postnatal experiences of pleasure. This paper argues against their denial by showing that the desire argument in question is intended to prove the soul’s possession of innate memory of pleasure. This innateness interpretation will be supported by a close analysis of the Timaeus, where Plato suggests that our inborn desires for (...) food and drink derive from the primitive experiences of pleasure that have naturally been incorporated into the appetitive part of the soul. (shrink)

Plato's Meno and Phaedo are two of the most important works of ancient western philosophy and continue to be studied around the world. The Meno is a seminal work of epistemology. The Phaedo is a key source for Platonic metaphysics and for Plato's conception of the human soul. Together they illustrate the birth of Platonic philosophy from Plato's reflections on Socrates' life and doctrines. This edition offers new and accessible translations of both works, together with a thorough introduction (...) that explains the arguments of the two dialogues and their place in Plato's thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.2 (2003) 266-267 [Access article in PDF] Gary Alan Scott, editor. Does Socrates Have a Method? Rethinking the Elenchus in Plato's Dialogues and Beyond. University Park: The Pennsylvania State University Press, 2002. Pp. xiii + 327. Cloth, $45.00. This is an anthology of sixteen essays concerning the topic of Socratic method and closely related issues that influence the interpretation of Plato's dialogues. Three (...) of the essays, in part, have been previously published with new material added by the authors for this volume. These are by Lesher, McPherran, and Schmid. Nine essays are versions of papers given at a conference of the Society for Ancient Greek Philosophy in October 1997. The four remaining essays are original contributions written by authors who respond critically to the essays in their respective sections. The book is divided into four parts, each with three essays followed by a critical response.The editor, Gary Alan Scott, does a fine job of introducing the various problems associated with the use of the phrase "the Socratic elenchus" as a convenient label. This phrase seems almost unavoidable when talking about Socrates' dialectical method due to the influence of Vlastos's 1983 paper entitled "The Socratic Elenchus." Vlastos furthered an unfortunately narrow tradition that cast Plato's Socrates' versatile and psychologically sensitive practice of philosophy into a mold, restricting it to a single identifiable logical procedure, in which Socrates refuted his interlocutors by using their agreement to premises to overturn their original theses.Vlastos conceived of the Socratic method as mainly a truth-seeking method. His central focus was to explain how Socrates used "the elenchus" to seek the truth given that the logic of the procedure could only detect inconsistency in the interlocutor's beliefs. Vlastos was preoccupied with the question of how Socrates acquired and confirmed his true moral beliefs. Vlastos was far less concerned with understanding the full scope and depth of Socrates' philosophical method than with how to justify what Vlastos perceived to be the positive results of the truth-seeking method, understood as "constructive" moral doctrine. The concern with truth led Vlastos to deal directly with the thorny problems connected with Socrates' use of fallacious argumentation, irony, and the possibility of deception in Socratic method. Such issues, in my view, are the interesting issues which Vlastos confronted. However, very few scholars (including those in this volume) have given these issues the attention they deserve, whether or not they have accepted Vlastos's model of the elenchos.Scott's anthology recognizes both the critical attention that Vlastos's interpretation received and his powerful impact on how certain issues of Socratic method have been discussed, and continue to be discussed, by Plato scholars. Particular attention to this topic is [End Page 266] given, in the essays of Part Two, by Carpenter and Polansky; Benson; McPherran; and Brickhouse and Smith. As Scott notes (6-7), there is a deliberate effort by most contributors to break with the tradition, and re-think old assumptions about the Socratic method associated with Vlastos's model. The current lack of consensus between scholars seems to be a desirable effect because it expands and stimulates discussion, especially about what terms one ought to use in talking about Socratic method.The essays in Part One, by Lesher, Ausland, and Tarrant, with critical commentary by Young, help familiarize the reader with the historical and linguistic contexts associated with the term elenchos and its cognates, as examined by Lesher, and with the contrast between elenchos and exetasis, as examined by Tarrant. In his article, Ausland shows how "many features of Socratic dialectic" are similar to courtroom practices (40), while also noting the differences in Socrates' approach and aim which set his method apart from such practices (42-3).The last two sections illustrate the work being done on specific dialogues by authors who are breaking new hermeneutical ground in Platonic scholarship. These essays turn the reader's attention both toward the innovative features of Socratic method, which most readers would welcome... (shrink)

The primary function of the Platonic dialogue is not the communication of philosophical doctrines but the transformation of the reader's character. This article takes up the question of how, or by what means, the Platonic dialogue accomplishes its transformative goal. An answer is developed as follows. First, the style of reading associated with analytical philosophy is not transformative, on account of its hermeneutical attachment and epistemic equality in the relationship between reader and author. Secondly, the style (...) of reading associated with the genre of commentary is transformative because it is governed by a principle of authority. When the commentary model is applied to the Platonic dialogue, it can be seen that the dialogue mimics the function of the authority principle in transforming the reader into a commentator, that is, someone who reads from a position of detachment and accepts responsibility for himself as moral and epistemic agent. (shrink)

Plato's Phaedo is a literary gem that develops many of his most famous ideas. David Ebrey's careful reinterpretation argues that the many debates about the dialogue cannot be resolved so long as we consider its passages in relative isolation from one another, separated from their intellectual background. His book shows how Plato responds to his literary, religious, scientific, and philosophical context, and argues that we can only understand the dialogue's central ideas and arguments in light of its overall (...) structure. This approach yields new interpretations of the dialogue's key ideas, including the nature and existence of 'Platonic' forms, the existence of the soul after death, the method of hypothesis, and the contemplative ethical ideal. Moreover, this comprehensive approach shows how the characters play an integral role in the Phaedo's development and how its literary structure complements Socrates' views while making its own distinctive contribution to the dialogue's drama and ideas. (shrink)

In this dissertation I propose a new method of interpreting Plato's Phaedo based upon Socrates' description of the "summoner" at Republic 522e--525a. I elucidate the summoner paradigm as a four step process in which one notices an apparent contradiction in perception, separates two opposites from one mixed perception, realizes the priority of the opposites, and recognizes their transcendence. In the Republic , its primary purpose is to move the subject from pistis to dianoia and from dianoia to nous. The summoner (...) method of interpretation looks at how Plato sets up contradictions within the text and implicitly argues for models of resolving them. ;Using this method of interpretation, I, in performing a close reading of the Phaedo, argue that early in the dialogue Plato introduces contradictions and suggests models of resolution which he later applies in the arguments for immortality of the soul as he attempts to resolve the soul as summoner. He avoids contradiction in the cyclical argument by treating the soul as if it were a substrate in which characteristics alternate and in the recollection argument by applying the summoner paradigm in an attempt to separate out form. When neither of these approaches is successful, he uses the affinity argument to show that the soul is some kind of an intermediate. In the final argument, Plato resolves contradiction by locating the ontological level of the soul and altering the summoner paradigm so that it separates out intermediates, thus making the soul an intelligible object that may be grasped by the intellect. ;In conclusion, I argue that, though I show limitations of all of the arguments individually, each plays a significant role in directing and refining Plato's inquiry into the nature of the soul, and that the arguments work dialectically to help us move from opinions of the soul to some degree of knowledge of its status and degree of intelligibility. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.4 (2001) 581-582 [Access article in PDF] Gerald A. Press, editor. Who Speaks for Plato? Studies in Platonic Anonymity. Lanham: Rowman and Littlefield Publisher, Inc., 2000. Pp. vi + 245. Cloth, $63.00. Who Speaks for Plato? contains sixteen essays, each apparently composed specifically for this volume, which challenge what its editor, Gerald Press, identifies as the basic assumption implicit in the "modern" (...) (1) or "traditional" (5) interpretive approach to Plato's dialogues: "that the words and arguments of some character in a Platonic dialogue can be taken to state Plato's (or the historical Socrates') own beliefs and arguments" (5). Throughout the volume this is refered to as the "mouthpiece" theory.The essays in Part I are general methodological pieces, which aim to dismantle the assumptions operative in the mouthpiece approach. So, for example, D. Nails reminds us that "we have no uncontroversial statement from Plato that Socrates is his mouthpiece" (17). Press looks for the hermeneutical argument that would justify "an interpreter in quoting or referring to the words of a named character in a Platonic dialogue and attributing the words or their meaning to Plato as his own opinion," (28), and he finds none in traditional scholarship. J. Waugh and H. Tarrant bring in historical considerations to bolster the antimouthpiece position.The essays in Part II treat individual dialogues, but do so with the general theme in view. E. Benitez offers a brief reading of the Laches, P. C. Smith and R. Blondell take up Book I of the Republic, G. Scott and W. Welton address the Symposium, F. Gonzalez looks at the Sophist and the Statesman, H. Ausland suggests a way of reading the Timaeus. Each aims to disconnect the words stated by the principal speaker of the dialogue from Plato himself.Part III begins with a dissenting view. L. Gerson begins by arguing against using the Phaedrus or the Seventh Letter on behalf of the antimouthpiece view. More interestingly, he describes how "arguments have a life of their own," and as a result are "not character bound" (205). As such, it is permissible, indeed it is incumbent upon the philosophical reader, to attribute arguments found in the dialogues to Plato himself. He concludes his essay thus: "If Plato is intentionally hiding himself, he is a philosopher either with no views or with views diverging from those easily derived from the dialogues." The former alternative Gerson finds "preposterous," the latter "perverse" (210).E. Ostenfeld conceives of Plato's views as in a process of continual development and self-criticism. As a result, he concludes, almost paradoxically, that "everyone" in the dialogues speaks for Plato. In other words, precisely because they were not homogeneous or definitively formulated, a wide variety of characters express the wide variety of views Plato himself held. [End Page 581]J. Mulhern gets the final word in this book, presumably because it was he who coined the phrase "Mouthpiece Fallacy" in a 1971 article. Surveying the literature of the past 30 years, he sees little improvement. In other words, commentators still regularly make the illicit transition between "what an interlocutor says to a similar sentence reporting what Plato says by stating the interlocutor is Plato's mouthpiece" (223).Who Speaks for Plato? is an interesting book that takes up an important issue. Its several hundred footnotes provide a useful guide to the enormous amount of literature on the hermeneutics of the dialogue form.While it is unquestionably valuable, this collection of essays is also frustrating. For the sake of argument, assume that a reader cannot legitimately attribute any views expressed by a character in a dialogue to Plato himself. What, then, counts as the philosophical result of a Platonic dialogue? The volume contains answers like these: Ostenfeld tells us that the dialogues "make us think for ourselves" (212). Nails says that, "The dialogue form provides a means of encouraging readers and listeners to reason dialectically to defensible positions of their own" (16). Waugh adds that the dialogues are "teaching how to philosophize" (49).The problem with these... (shrink)

One of this century’s most important philosophers here focuses on Plato’s Protagoras, Phaedo, Republic, and Philebus and on Aristotle’s three moral treatises to show the essential continuity of Platonic and Aristotelian reflection on the nature of the good.“Well translated and usefully annotated by P. Christopher Smith.... Gadamer’s book exhibits a broad and grand vision as well as a great love for the Greek thinkers.”-Alexander Nehemas, New York Times Book Review“The translation is highly readable. The translator’s introduction and frequent annotation (...) provide special elucidation on points of doctrinal complexity, giving ample references to other works and rival interpretations.”-Choice“This book is an important addition to the steadily growing number of Gadamer’s works available in English. In it, we see Gadamer at his best, that is, engaged in the practice of interpreting important texts from the philosophical tradition, and also at his most controversial.... I enthusiastically recommend this...challenging book as one that rewards all efforts to understand the important claims it makes on its readers.”-Francis J. Ambrosio, International Philosophy QuarterlyHans-Georg Gadamer is professor of philosophy emeritus at the University of Heidelberg. He is the author of numerous books, including two others translated by Smith: Dialogue and Dialectic: Eight Hermeneutical Studies on Plato and Hegel’s Dialectic: Five Hermeneutical Studies. (shrink)

This Paper Offers A New Interpretation of Phaedo 96a–103a. Plato has devoted the dialogue up to this point to a series of arguments for the claim that the soul is immortal. However, one of the characters, Cebes, insists that so far nothing more has been established than that the soul is durable, divine, and in existence before the incarnation of birth. What is needed is something more ambitious: a proof that the soul is not such as to pass out (...) of existence. According to Socrates’s initial response to Cebes at 95e8–96a1, giving such a demonstration requires a thorough investigation into “the reason for coming to be and passing away in general” (ὅλως γὰϱ δεῖ πεϱὶ γενέσεως ϰαὶ Φθοϱᾶς τὴν αἰτίαν διαπϱαγματεύσασθαι .. (shrink)

The late Jacob Klein’s important book is, remarkably, a lucid presentation of esoteric argument. Dealing with the famed Platonic triad, Theaetetus, Sophist, and Statesman, Klein settles the dispute about the missing dialogue, "The Philosopher," by first denying that it is missing and second showing that it is unnecessary. He argues, in short, that the triad is a dyad. That argument is reinforced by the distinction Klein strongly implies between the Socratic Theaetetus and the Eleatic Sophist and Statesman. "We (...) can now understand why the conversations of the ‘trilogy’ occur in two, not three, days and why the Sophist, the Statesman, and the Philosopher are dealt with in two, not three, dialogues". (shrink)