Plato, Misc

So Emma thought, at least. Could a linguist, could a grammarian, could even a mathematician have seen what she did, have witnessed their appearance together, have heard their history of it, without feeling that circumstances had been at work to make them particularly interesting to each other? — How much more must an imaginist, like herself, be on fire with speculation and foresight!

This paper aims to suggest a new arrangement of Plato’s dialogues based on a different theory of the ontological as well as epistemological development of his philosophy. In this new arrangement, which proposes essential changes in the currently agreed upon chronology of the dialogues, Parmenides must be considered as criticizing an elementary theory of Forms and not the theory of so-called middle dialogues. Dated all as later than Parmenides, the so-called middle and late dialoguesare regarded as two consecutive endeavors to (...) resolve the problems drawn out in there; an effort in the theory of knowledge through Theaetetus, Meno and Phaedo and another in ontology through the second part of Parmenides, Sophist and Republic. -/- Key Words: Plato; chronology; development; ontology; epistemology -/- Introduction There are many determinative factors regarding the chronology of the dialogues about which our informationis terribly deficient. There is no certain evidence about the date of each of the dialogues, nor any reliable information about the beginning and ending time of Plato’s writing. The most determinative issue among all chronological matters, I am inclined to insist, is the question that if did Plato use to manipulate or, as Dionysius of Halicarnassus said (1808, 406), polish, comb and curl his previously written dialogues and, if so, to what extent? That there is almost no answer to this most crucial issue shows how far deficient, indefinite and inconclusive the chronological plans can be. The fact that we do not even have enough information to decide, in case of Socratic dialogues, to what extent they are reporting or reflecting the actual dialogues of historical Socrates, and to what extent they are Plato-made stories so that even now we have a schizophrenic character between Socrates and Plato, can be good evidence for this deficiency. There are, nevertheless, somemore certain informations that can be contributive in case of the arrangement of some dialogues. a) The only external evidence provided by Aristotle that Lawswas written after Republic (Politics, II, 6) which was repeated by others . b) Few internal evidences provided by references in dialogues themselves including: i) the cross references in the Sophist 217a and Politicus 257a and 258b which indicate the prior composition of Sophist; ii) Timaeus 27 which hints to Critias as its sequel; iii) Theaetetus 183e where Socrates says he met Parmenides when he was young which has been taken as a reference to Parmenides; iv) a similar reference to the discussion of young Socrates with Parmenides this time in Sophist 217c; v) Sophist 216a refers to a previous discussion which has been thought to be referring to Theaetetus, and vi) the Timaeus 17b-19b in which Socrates tries to summarize his previous dialogue about the structure of cities, and the kind of men these cities must bring up to become the best people and so on which, among the dialogues we have now, must refer to Republic. (shrink)

La dialectique, un processus qui nous conduit à la connaissance des Formes et finalement à la Forme la plus élevée du Bien, à travers la discussion, le raisonnement, les questions et l'interprétation, a préoccupé les philosophes depuis les temps anciens. Socrate pratiquait la dialectique par la méthode du dialogue oral, qu'il appelait l'art de « la naissance des âmes » (méthode aussi appelée maya, ou méthode d'Elenchus), qui pouvait conduire, selon l'intention de Socrate, à confirmer ou infirmer déclarations, ou à (...) la soi-disant « aporie » dans laquelle aucune conclusion définitive n'a été tirée. Chez Platon, la dialectique est un type de connaissance, avec un rôle ontologique et métaphysique, auquel on accède en confrontant plusieurs positions pour dépasser l'opinion (doxa), un passage du monde des apparences (ou « sensible ») à la connaissance intellectuelle (ou « intelligible ») aux premiers Principes. Il implique également l'ordonnancement des concepts en genres et espèces par la méthode de la division, et embrasse la multiplicité dans l'unité, étant utilisé pour comprendre l'ensemble du processus d'illumination, par lequel le philosophe est éduqué afin d'atteindre la connaissance du bien suprême, le Forme du bien. -/- DOI: 10.13140/RG.2.2.30743.85925 . (shrink)

L'ensemble de l'œuvre de Platon est restée intacte jusqu'à ce jour, influençant de manière décisive la culture occidentale. Pour Platon, le dialogue est le seul outil capable de mettre en évidence le caractère de recherche de la philosophie, élément clé de sa pensée. Certes, l'écrit est plus précis et approfondi que le discours, mais le discours oral permet un échange de vues immédiat sur le sujet en discussion. Le principal protagoniste des dialogues est Socrate, à l'exception des derniers dialogues où (...) il se voit attribuer un rôle secondaire, disparaissant complètement dans Lois et Épinomis. Les dialogues platoniciens ont été regroupés par de nombreux commentateurs dans diverses classifications. Selon certains, un classement serait chronologique : les premiers dialogues seraient caractérisés par la forte influence de Socrate, ceux de la maturité dans lesquels il aurait développé la théorie des idées, et la dernière période dans laquelle il éprouvait le besoin de défendre son propre conception des attaques contre l'adresse de sa philosophie, réalisant une profonde autocritique de la théorie des Idées. -/- DOI: 10.13140/RG.2.2.10198.32327. (shrink)

Le modèle éducatif de Platon (paidèia) différencie le niveau d'éducation selon les compétences des élèves. Ainsi, une éducation de base comprend, outre la gymnastique et le combat (l'exercice du corps), la musique (l'exercice de l'esprit), sans être imposée par la force car un homme libre doit être libre dans la conquête du savoir. Si l'élève a des compétences, il est éduqué en mathématiques pour devenir stratège, et en astronomie pour élever l'âme. Parmi ceux-ci, les meilleurs sont sélectionnés pour devenir de (...) bons leaders, étudiant la philosophie et la dialectique. Les femmes auront les mêmes droits et devoirs que les hommes. Selon les principes socratiques, pour faire justice, il faut savoir ce qui est bien, et c'est ce que le philosophe sait le mieux. Platon a détaillé ce concept en soulignant la distinction entre le philosophe (qui cherche les principes de vérité sans prétendre les posséder) et le sophiste (qui se laisse guider par l'opinion comme seul paramètre valable de la connaissance). Platon considère les philosophes comme des leaders idéaux pour deux raisons principales : parce qu'ils savent ce qui est juste et parce qu'ils ne veulent pas diriger. -/- DOI: 10.13140/RG.2.2.14844.82564. (shrink)

The history of science is polarized by debates over Plato and Aristotle’s holism versus the atomism of Democritus and others. This includes the complementarity of continuous and discrete, one and the many, waves and particles, and analog or digital views of reality. The three-fold method of the Pythagorean paradigm of unity, duality, and harmony enables the calculation of fundamental physical constants required by the forces of nature in the formation of matter; thereby demonstrating Plato’s archetypal viewpoint.

This essay focuses on theories of creativity from six historical figures, while noting comparisons to several others. In Ancient Greece: (i) Plato advances the thesis that the poet is a passive vessel inspired by a muse. (ii) Aristotle replies with the antithesis that the poet creates through skilled activity. (iii) Longinus provides the synthesis. Plato is right that poets are passively inspired with original ideas – though the source is natural genius instead of some muse. But Aristotle is also right (...) that the poet must actively employ skill. In early modern Europe: (iv) Margaret Cavendish argues that through creativity women can enjoy some freedom and happiness despite oppression. (v) Alexander Gerard and Immanuel Kant both inherit the Longinian synthesis. Gerard says we form original ideas through remote associations. (vi) Kant notices that although the genius must be passive in the origination of ideas, she must also be active in the very same process, because she merits acclaim for her originality. Kant designs his theory of genius to resolve this Paradox of Creative Agency. (shrink)

No vastíssimo campo de estudos da obra de Platão, constatamos que os (as) especialistas mais respeitados (as) têm posições por vezes completamente divergentes. Em parte, por um lado, isso decorre da riqueza e da complexidade dessa obra; em boa medida, por outro lado, também decorre de diferentes métodos ou formas de abordar os Diálogos que os (as) intérpretes adotam. Diante disso, surge naturalmente a questão de como deveríamos ler essas obras. No entanto, analisando as diferentes abordagens usadas, pode-se notar que (...) as respostas a uma questão anterior frequentemente acabam determinando, não raro de modo tácito, as respotas a como ler os Diálogos e a abordagem adotada na prática. Essa questão anterior é a de qual seria a função precípua dos Diálogos, que tende a se confundir com a questão de o que no fundo seriam os Diálogos. Por exemplo, os (as) estudiosos (as) que na sua interpretação tendem a focar nas teses e nos argumentos (em detrimento dos elementos dramáticos e literários) supõem em geral que estão lidando com obras "filosóficas" e que devem cumprir, portanto, funções "filosóficas", como (segundo determinada concepção em geral pressuposta de filosofia) definir um conceito, responder uma questão teórica com argumentos racionais, fundamentar (ou questionar) a possibilidade de uma ciência do mundo e coisas desse jaez. Por outro lado, estudiosos (as) que focam nos aspectos dramáticos e literários consideram que estão interpretando obras literárias e que, portanto, não necessariamente cumpririam funções ou atividades filosóficas, mas antes fariam aquilo que seria próprio de obras literárias. Diante disso, eu gostaria de abordar uma dessas hipóteses frequentemente utilizadas, de forma explícita ou não, acerca da função dos Diálogos, qual seja, a de que essas obras ou pelo menos algumas delas fariam a defesa de Sócrates da acusação pela qual foi condenado à morte. Comparando a acusação com passagens dos Diálogos, pretendo mostrar que deveríamos descartar essa hipótese ao lê-los. Os ganhos exegéticos disso seriam consideráveis; um deles seria pararmos de tentar tornar corretos a todo custo, e muitas vezes em detrimento do próprio texto, os argumentos de Sócrates e passarmos, em vez disso, a analisá-los de forma mais crítica. (shrink)

The Stoics have often been compared to the earthborn Giants in the Battle of Gods and Giants in Plato’s Sophist, but with diverging opinions about the lessons they drew in reaction to Plato. At issue are questions about what in the Sophist the Stoics were reacting to, how the Stoics are like and unlike the Giants, the status of being for the Stoics, and the extent to which they were Platonizing with their incorporeals. With these open questions in mind, I (...) reexamine the Sophist from the Stoic perspective, finding eight distinct challenges that are likely to have been salient to the Stoics, and offer a new account of the Stoics as responding to these challenges with an innovative ontology that prises apart something from being to make room for what is not, and a sophisticated one-world metaphysics that grounds everything there is in two fundamental bodies. (shrink)

Philosophy at the Gymnasium sets Greek moral philosophy in its original context-Athenian gyms-to understand how training for the body sparked training for the mind. It explores Socratic dialogue set in gyms, civic and mental health in Plato's works, and Olympic victors as Aristotle's model for the happy life.

El objetivo principal del artículo es analizar al personaje Fedro en Banquete y en Fedro. Se indaga en la presencia, la construcción, las intervenciones y los discursos del personaje en el corpus. Asimismo, se plantean dos hipótesis de lecturas a lo largo de este artículo: i) entender al conjunto de diálogos platónicos como un género discursivo y ii) asociar al personaje Fedro con la figura histórica de paidós ubicada en la disputa por la enseñanza en torno al lógos en las (...) diferentes escuelas de la Grecia clásica. (shrink)

This paper concerns Plato’s characterization of the body as the soul’s tool. I take perception as an example of the body’s usefulness. I explore the Timaeus’ view that perception provides us with models of orderliness. Then, I argue that perception of confusing sensible objects is necessary for our cognitive development too. Lastly, I consider the instrumentality relationship more generally and its place in Plato’s teleological worldview.

Contributors in the order of contributions: David Ebrey, Richard Kraut, T. H. Irwin, Leonard Brandwood, Eric Brown, Agnes Callard, Gail Fine, Suzanne Obdrzalek, Gábor Betegh, Elizabeth Asmis, Henry Mendell, Constance C. Meinwald, Michael Frede, Emily Fletcher, Verity Harte, Rachana Kamtekar, and Rachel Singpurwalla. -/- The first edition of the Cambridge Companion to Plato (1992), edited by Richard Kraut, shaped scholarly research and guided new students for thirty years. This new edition introduces students to fresh approaches to Platonic dialogues while advancing (...) the next generation of research. Of its seventeen chapters, nine are entirely new, written by a new generation of scholars. Six others have been thoroughly revised and updated by their original authors. The volume covers the full range of Plato's interests, including ethics, political philosophy, epistemology, metaphysics, aesthetics, religion, mathematics, and psychology. Plato's dialogues are approached as unified works and considered within their intellectual context, and the revised introduction suggests a way of reading the dialogues that attends to the differences between them while also tracing their interrelations. The result is a rich and wide-ranging volume which will be valuable for all students and scholars of Plato. (shrink)

As the youngest work in the Platonic corpus, the Axiochus interacts with other texts in the corpus as well as with its contemporary philosophical milieu. How it does so, however, and what the purpose of the work is, is still unclear. This paper proposes a new theoretical approach to this text, arguing that the Axiochus anchors a number of innovations. It discusses three innovations in particular: the introduction of philosophical therapy in Platonism, the use of Epicurean arguments in Academic philosophy, (...) and a renovated Platonism on the contemporary philosophical scene. The Axiochus aims, so this paper argues, to make these innovations acceptable to different audiences by anchoring them in the Socratic dialogue and the therapeutic paradigm of philosophy, respectively. (shrink)

Platonic religiosity is the first of two volumes devoted to the analysis of religiosity or religious feeling (pathos) in Plato. -/- (Back cover) Platonic Religiosity is a hermeneutical attempt to read Platonic works from the perspective of their religiosity. The aspects examined in the book are limited for the moment to the most basic, perhaps even the simplest, dimensions of religious feeling, those involving the representation of a relationship between man and divinity, Earth and Heaven, "low" and "high". Low and (...) high are spatial metaphors constitutive of our thinking. Although, in this case, they indicate the link between man and the super-sensible world, they also presuppose, at all times, the devout feeling (and the risk) of an insurmountable distance and remoteness that divides men from the numen. The need to affirm the relationship partly overcomes the presence of this feeling of distance, but never manages to neutralise it completely. -/- Religious feeling as such always oscillates between two terms: the need to establish a relationship with the divinity, and thus to guarantee its proximity to man, and the affirmation of its transcendence, namely the distance that divides us from the numen, up to the point, eventually, where the danger becomes the greatest: the denial of the god by man (atheism) or the human feeling of being abandoned by the god. The presence of these oscillations in the Platonic texts is analysed in several chapters of the book, devoted to different themes, such as the representations of reciprocity (do ut des), the images of the friendly god and the hostile god, the feeling of the threshold, prayers and invocations, verecundia and nostalgia, the feeling of dependence, the notion of prescience, assimilation to the god, the different types of ineffability, the role of atheism and incredulity, and lastly the notion of conversion, which substantiates Platonic religiosity by characterising it in the sense of a redemption-belief. (shrink)

Volume 36 contains papers and commentaries presented to the Boston Area Colloquium in Ancient Philosophy during academic year 2019-20. Works: _Republic 7, Topics 1.2, Nicomachean Ethics 3.5, Isis and Osiris_. Topics: types of dialectic, political philosophy, voluntary, hermeneutical retrieval, wanted emotions.

Scholarship on Plato's Timaeus has paid relatively little attention to Tim. 77a–81, a seemingly disjointed passage on topics including plants, respiration, blood circulation, and musical sounds. Despite this comparative neglect, commentators both ancient and modern have levelled a number of serious charges against Timaeus' remarks in the passage, questioning the coherence and explanatory power of what they take to be a theory of respiration. In this paper, I argue that the project of 77a–81e is not to sketch theories of respiration, (...) circulation, and digestion, but to explain how the human body is maintained in light of and despite constant environmental depletion. Further, I argue that in order to understand this account of “the replenishing system,” we need to understand Timaeus' striking analogy of the fish trap or nassa. Commentators have generally focused directly on the workings of the bodily construction that Timaeus likens to a fish trap, but without considering how we should understand the analogy qua analogy. I develop a functional reading of the analogy that yields a coherent account of the replenishing system on which previous criticisms of Timaeus' remarks on respiration do not arise. Aside from lending greater unity to the passage, both internally and within its immediate context in the dialogue, this account of the replenishing system contributes to our understanding of Timaeus' reason-and-necessity explanatory framework as applied to the human body and has noteworthy implications for specific explanatory principles, in particular like-to-like motion and circular thrust. (shrink)

In this article I seek to come to some understanding of the interlocutors in the first book of Plato’s Republic, particularly Cephalus. A more complete view of Cephalus not only provides some interesting ways to think about Plato and the Republic, but also suggests an interesting alternative to Plato’s view of justice. The article will progress as follows: First, I discuss Plato’s allegory of the cave. I, then, critique the cave allegory by applying the same kind of reasoning that O. (...) K. Bouwsma used to criticize Descartes’ evil genius. Next, I present what I think is a fruitful way to understand Cephalus. Finally, I draw some important conclusions regarding justice and offer some interesting critiques of Plato and Platonism. (shrink)

Volume 35 contains papers and commentaries presented to the Boston Area Colloquium in Ancient Philosophy during academic year 2018-19. Works: Commentary on _De Anima_, Nicomachean Ethics. Topics: Humean motivation, memory-oblivion & myth, final causality and ontology of life.

This study places Nāgārjuna and Plato in dialogue regarding how both seek to orient philosophy in the face of indeterminacy observed at the elemental level of existence, specifically, the indeterminacy of fire’s light. Looking to the elemental within Chōra and Śūnyatā, a directive becomes discernible for calibrating philosophy to this indeterminacy, and crucial limitations are disclosed, which expand philosophy by enabling a productive relation to the non-philosophical. What emerges are directives for language, which serve to modify philosophy’s violence towards the (...) world by striking a middle way between the binaries of reification and nihilism, speech and silence. (shrink)

Dans la République, le poète est condamné sans appel et expulsé de la cité pour avoir introduit la fausseté dans l’âme des citoyens à l’aide d’images. Or, dans ce dialogue, comme dans tous les autres, Platon n’hésite jamais à produire lui-même des images, en créant des mythes et des personnages imaginaires. « Parler par images » (δι’ εἰκόνων λέγειν), ou par ce qui semble être sans être, est ainsi le point de convergence et le point de divergence entre Platon et (...) les poètes. Comment comprendre alors cette double attitude de Platon que l’on retrouve dans ses critiques du faux et dans les usages qu’il en fait dans les dialogues? Comment le faux, en faisant naître le non-être, dispose-t-il d’une telle puissance sur l’âme, capable d’orienter celle-ci tantôt vers la vérité, tantôt vers un monde d’illusions où elle se réjouit de ce qui n’a aucun moyen d’exister? (shrink)

Payne's commentary on Republic I–VII is not advanced as a sustained argument for the new type of teleology he finds there but is structured by themes in the text. It engages with selected previous scholarship on the Republic and is written with care and deliberation. Payne begins with an overview of the types of teleology, or end-directed action, found in Plato's corpus, but does not address contemporary philosophy of action. Payne's own "functional teleology of action" accounts for how agents act (...) for the sake of ends of which they are unaware, as when mathematical study is directed to the Form of the Good... (shrink)

The freedom of will problem is one of the great philosophical controversies. This particularly applies whenever ideological or religious assumptions guide the discussion. Following the concept of the series "Orient and Occident", this volume focusses on the presentation of the ancient heritage (Aristotle, Cicero, Epictetus) and its methodical as well as conceptual discussion, critical integration and transformation through Syriac-Christian and Arab Islamic thinkers of the Middle Ages. Contributions to the introduction to the question of freedom of the will, to the (...) anti-Christian perspectivation of the freedom of human will in Nietzsche and to the embedding of the theme in the context of an ancient as well as contemporary philosophy taken as ars vitae complete the volume. (shrink)

Freiwilligkeit, personale Identität (im Sinne eines harmonisch verfassten und stabilen Selbst) und epistemische Gewissheit sind bei den meisten antiken Philosophieschulen untrennbar miteinander verbunden und garantieren im Rahmen einer als Lebenskunst verstandenen Philosophie das Glück. Im Anlehnung an Überlegungen bei Aristoteles und dem zeitgenössischen Philosophen Peter Bieri analysieren wir, wie Entscheidungen, die zum Zeitpunkt ihres Treffens als bedingt frei und selbstbestimmt wahrgenommen wurden, im Nachhinein vom Han-delnden aufgrund des damals fehlenden Wissens über die Handlungsumstände als unfrei wahrgenommen werden und zu Erfahrungen (...) der Selbstentfremdung führen können. Anknüpfend an Pamela Hieronymis Unterscheidung zwischen zwei Formen der Ausübung mentaler Freiheit zeigen wir anhand von fiktiven Fallbeispielen, wie die Protagonisten trotz epistemischer Ungewissheit zur Autorität über ihren Geist sowie zu einer funktionalen Selbstbeziehung zurückfinden können, und stellen dies in den Kontext einer zeitgenössischen Philosophie als Lebenskunst. (shrink)

Dans l’œuvre de Platon, l’image du rêve semble d’abord servir à désigner l’état d’ignorance du commun des mortels qui « rêvent » leur vie. Cet usage métaphorique ne saurait correspondre parfaitement à la pensée platoni- cienne du phénomène onirique, particulièrement lorsqu’on l’envisage d’un point de vue éthique (qu’advient-il de la vertu de l’homme dans son sommeil ?), plutôt qu’épistémologique ou ontologique. Dans la République, le sommeil apparaît essentiellement comme l’endormissement d’une partie de l’âme – la rationnelle – au profit d’une (...) autre – la désirante. Platon laisse pourtant entendre que, sous certaines conditions, les visions qui s’y manifestent ne sont pas nécessairement mensongères et pourraient même, pour certaines, avoir une origine divine. Le rêve doit donc être compris non seulement comme un moment de séparation de l’âme et du corps, mais aussi de différenciation des facultés ou parties de l’âme elles-mêmes qui acquièrent là leur autonomie propre et déploient, sans se limiter l’une l’autre, leur plein pouvoir. In Plato’s works the image of a dream at first seems to serve the purpose of indicating the state of ignorance of ordinary humans who « dream » their way through life. This metaphorical usage does not reflect perfectly Plato’s thought on the phenomenon of dreams, especially when it is considered from an ethical point of view (what happens to human virtue during sleep?) rather than an epistemological or ontological one. In the Republic sleep appears to be essen- tially where a part of the soul goes asleep – namely the rational part – to the advantage of the desiring part. However, Plato implies that under certain condi- tions the visions that occur in sleep are not necessarily false and could even, in some cases, have a divine origin. Dreams must therefore be understood not merely as a moment of separation of soul and body, but also of differentiation of the faculties or parts of the soul themselves, which acquire their own autonomy in dreams and deploy their full power without limiting one another (transl. J. Dudley). (shrink)

Thinking Life is a narrative exploration of such themes as the decline of the contemporary university, man’s alienation from nature, modern melancholia, Dionysian intoxication, the relative value of knowledge, truth, and artistry in the life of the philosopher, and the creative construction of self. The author engages throughout with Plato and Nietzsche, with the Phaedo and The Gay Science in particular.

Translations of the “myths” from Plato’s Protagoras (320c-324d), Symposium (189c-193d), Republic (614b-621d), Timaeus (20d-25d and 29d-34b), and Kritias (108e-121c).

Journal Name: Apeiron Issue: Ahead of print.

From the publisher: "Comment la technique, thème par excellence de la réflexion poétologique archaïque, devient-elle aussi le paradigme qui rend intelligible la cosmogonie dans les discours philosophiques ? C’est la question à laquelle tente de répondre ce livre à partir de textes d’Homère, Hésiode, Parménide et Empédocle.".

On chercherait en vain dans l’œuvre de Platon des développements explicites sur le silence. Mais le génie littéraire de Platon lui fait une place, et la mise en scène des dialogues, comme les interactions des personnages, mettent en jeu différentes figures du silence par lesquelles se dévoilent d’autres aspects des réflexions socratico-platoniciennes sur le langage. Les silences du philosophe s’opposent, en effet, à ceux de ses interlocuteurs, autant que la pratique philosophique du dialogue aux discours sophistiques. Car le silence véritable (...) n’est pas que l’absence de voix, ni même simplement l’attente d’une parole à venir, mais, en dernière analyse, un retour à la source du logos : la pensée et l’être même. (shrink)