The aim of this paper is to offer a critically review the recent nonconceptualist reading of the Kantian notion of sensible intuition. I raise two main objections. First, nonconceptualist readers fail to distinguish connected but different anti-intellectualist claims in the contemporary philosophy of mind and language. Second, I will argue that nonconceptual readings fail because Kantian intuitions do not possess a representational content of their own that can be veridical or falsidical in a similar way to (...) how the content of propositional attitudes are true of false. In this paper, I will support my own reading that sensible intuition is better seen as what Evans and McDowell have called a de re sense, whose main characteristic is object-dependence. In this sense, Kantian sensible intuitions can be seen as a sensible mode of donation of objects. In my reading, the Kantian opposition between intuitions and concepts is best seen as the opposition between the objectual de re perception of something and the propositional de dicto apperception that something is the case rather than the opposition between nonconceptual and conceptual contents. However, if Kantian sensible intuition is not a mental state with a nonconceptual content, it is certainly in the general anti-intellectualist neighborhood. (shrink)

This paper aims to offer a critical review of the recent nonconceptualist reading of the Kantian notion of sensible intuition. I raise two main objections. First, nonconceptualist readers fail to distinguish connected but different anti-intellectualist claims in the contemporary philosophy of mind and language. Second, I will argue that nonconceptual readings fail because Kan- tian intuitions do not possess a representational content of their own that can be veridical or falsidical in a similar way to how the (...) content of propositional attitudes is true or false. In this paper, I will support my own reading that sensible intuition is better seen as what Evans and McDowell have called a de re sense, whose main characteristic is object dependence. In this sense, Kantian sensible intuitions can be seen as a sensible mode of donation of objects. In my reading, the Kantian opposition between intuitions and concepts is best seen as the opposition between the objectual de re perception of something and the propositional de dicto apperception that something is the case rather than the opposition between nonconceptual and conceptual contents. However, if Kantian sensible intuition is not a mental state with nonconceptual content, it is certainly in the general anti-intellectualist neighborhood. (shrink)

In this dissertation I defend a Kantian notion of the given. I show that something akin to Kant's theory of intuition is necessary to make sense of the normative role perception has in forming perceptual knowledge. ;Perceptual judgments require guidance from the objects they represent. I argue that this normative aspect of perception can be explained only by appeal to a non-conceptual content caused by the object perceived. But isn't this to appeal to the mythical given? I show (...) that it is not by comparing it to the result of Sellars' famous Myth of the Given argument. Contrary to the generally accepted view, what follows from Sellars' argument is not that the given is a myth, but rather that what is immediately present to mind cannot be known. This result leaves an explanatory option which the Sellars' critique does not consider. The given might be a part of knowledge while not itself being independently knowable. ;However, because the possibility of an immediate cognitive content is thought to have been foreclosed by the Sellars argument, much subsequent epistemology has overlooked this alternative. One widespread response has been to embrace coherence theories according to which justification is regarded as a relation between beliefs. These theories regard perception as a thoroughly causal phenomenon and consequently allow no role for perception in the justification of perceptual or other beliefs. ;I argue that in perceptual contexts only perception can decide the case between equally coherent conceptual determinations. But according to the coherentist this kind of justificatory function could not involve perception since perception is a thoroughly causal phenomenon. Against this view, I argue that some notion of the given, one which circumvents Sellars' criticism, is necessary to account for the normative role perception plays in perceptual belief. I show that Kant's notion of sensible intuition circumvents the Sellars critique. The idea of the given is redeemed in Kant's account, since it makes possible a theory of the normative role that perception plays in knowledge. (shrink)

Kant posits the schema as a hybrid bridging the generality of pure concepts and the particularity of sensible intuitions. However, I argue that countenancing such schemata leads to a third-man regress. Siding with those who think that the mid-way posit of the Critique of Pure Reason's schematism section is untenable, my diagnosis is that Kant's transcendental inquiry goes awry because it attempts to analyse a form/matter union that is primitive. I therefore sketch a nonrepresentational stance aimed at respecting this (...) primitivity. (shrink)

This paper is a new defense of type-B materialism against Jackson’s knowledge argument (1982) inspired by the Kantian main opposition between concepts and sensible intuitions. Like all materialists of type B, I argue that on her release from her black-and-white room, Mary makes cognitive progress. However, contrary to the so-called phenomenal concept strategy (henceforth PCS), I do not think that such progress can be accounted for in terms of the acquisition of new concepts. I also reject Tye’s recent (...) account of Mary’s cognitive progress as the acquisition of a “thing-knowledge.” What is crucial is not the Russellian opposition between knowing things and knowing truths but rather the Kantian opposition between conceptual and nonconceptual representations of the same thing (property). Mary’s phenomenal knowledge is here accounted for as the result of the cooperation of her newly acquired nonconceptual representation of the same phenomenal redness (the same thing) she had a conceptual representation before. As that new nonconceptual representation carries information about the same physical property she already represented but is now coded in analog rather than in digital form (Dretske, 1981), that nonconceptual representation can be accounted for in physical terms as Chalmers’s Master argument requires. Nevertheless, that representation can account for Mary’s cognitive progress since it carries information coded in analog form, something that the imprisoned she could never possess. (shrink)

Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche (...) used the dualities of the beautiful/sublime and Apollonian/Dionysian to advocate their general philosophical worldview, and that the initial formation (in Observations and The Birth of Tragedy) and final dissolution (in the Critique of Judgment and Zarathustra and other later works) of these dualities are determined by the gradually established telos of their philosophical endeavor. Therefore, by observing the evolution of these so-called dualities, Kaplama gathers important clues as to how Kant’s and Nietzsche’s aesthetics transformed into different ways to affirm human art and life. On the one hand, Kaplama argues, the Dionysian came to be the heart and soul of Nietzschean aesthetics and ethics, and the Apollonian (or the formal drive of individuation) was reduced into a mere aesthetic criterion. On the other, Kant treats the sublime (which is originally an idea-producing feeling and/or judgment) as a mere appendix to his Critique of Judgment and aesthetic theory teleologically reducing it into its possible moral consequences. This is why Schopenhauer calls the sublime “by far the most excellent thing in the Critique of Judgment” which touches on the real problem of aesthetics very closely but does not provide a real solution for it. Kant’s forced teleological move is to make his theory of aesthetic judgment stand as a ‘reaffirmation’ of the earlier ethical justification he believed to have accomplished in the first two Critiques and the Groundwork where he defends an affirmation of human life through a teleological morality centered on the principle of free-will. In contrast, Nietzsche’s aesthetics (particularly the Dionysian) guides his ethics and metaphysics again through defining an ideal human nature without which ethos would be static and meaningless, lacking the ability to move and change and represent the tragic pathos of human life. (shrink)

Kant's readers have disagreed about whether, according to his account of cognition, concepts, representations of the understanding, are involved in intuitions, representations of sensibility. But proponents of the affirmative 'conceptualist' answer and those of the negative 'non-conceptualist' answer have alike presupposed that such involvement should be construed in a particular way: i.e., as the involvement of particular concepts in particular exercises of sensibility. I argue, on the contrary, that it should not be: that though, for Kant, no concepts are applied (...) in exercises of sensibility, nonetheless the understanding, the faculty of concepts, is teleologically internal to sensibility and, therefore, to its exercises. That is, those exercises are per se directed towards the provision to the understanding of objects to which its fundamental concepts, the categories, are applicable, though no act of categorical application is internal to them. This conception of sensibility, available only in light of a careful distinction between capacities and acts, is demanded, I argue, by Kant's conception of a priori knowledge as elaborated in his Transcendental Deduction. (shrink)

Many contemporary scholars argue that Schelling’s version of intellectual intuition retains certain central features of the Kantian and Fichtean conceptions. One of the common claims is that, as with Kant and Fichte, Schelling’s intellectual intuition is the power of the subject’s productive understanding. However, we show that for the Schelling of the Identitätsphilosophie period, intellectual intuition is the power not of an understanding that intuits, or a productive intellect, but of a receptive and penetrating sensibility that (...) understands. (shrink)

This paper examines the relation between intuition and concept in Kant in light of John McDowell's neo-Kantian position that intuitions are concept-laden.2 The focus is on Kant's twofold pronouncement that thoughts without content are empty and that intuitions without concepts are blind. I show that intuitions as singular representations are not instances of passive data intake but the result of synthetic unification of the given manifold of the senses by the power of the imagination under the guidance of (...) the understanding. Against McDowell I argue that the amenability of intuitions to conceptual determination is not due some pre-existing, absolute conceptuality of the real but to the "work of the subject."3 On a more programmatic level, this paper seeks to demonstrate the limitations of a selective appropriation of Kant and the philosophical potential of a more comprehensive and thorough consideration of his work. Section 1 addresses the unique balance in Kant's philosophy between the work on particular problems and the orientation toward a systematic whole. Section 2 outlines McDowell's take on the Kantian distinction between intuition and concept in the context of the Kant readings by Sellars and Strawson. Section 3 exposes McDowell's relapse into the Myth of the Given. Section 4 proposes a reading of Kant's theoretical philosophy as an epistemology of metaphysical cognition. Section 5 details Kant's original account of sensible intuition in the Inaugural-Dissertation of 1770. Section 6 presents the transition from the manifold of the senses to the synthesis in the imagination and the unification through the categories in the Critique of pure reason . Section 7 addresses Kant's formalism in epistemology and metaphysics.Esse artigo examina a relação entre intuição e conceito em Kant à luz da posição neokantiana de John McDowell de que intuições estão conceitualmente "carregadas". 1 O foco é sobre o duplo pronunciamento de Kant, segundo o qual pensamentos sem conteúdo são vazios e intuições sem conceitos são cegas. Mostro que intuições como representações singuares não são casos de introdução passiva de dados, mas o resultado da unificação sintética do múltiplo dado dos sentidos pelo poder da imaginação sob a orientação do entendimento. Contra McDowell, defendo que a amabilidade das intuições para com a determinação conceitual não é devida a alguma conceitualidade pré-existente, absoluta do real, mas ao "trabalho do sujeito".2 Num nível mais programático, o presente artigo visa demonstrar as limitações de uma apropriação seletiva de Kant e o potencial filosófico de uma análise mais abrangente e aprofundada de sua obra. A seção 1 aborda o equilíbrio único na filosofia de Kant entre o trabalho com problemas particulares e a orientação em direção a um todo sistemático. A seção 2 descreve a posição de McDowell acerca da distinção kantiana entre intuição e conceito no contexto das leituras de Kant por Sellars e Strawson. A seção 3 expõe a reincidência de McDowell no "mito do dado". A seção 4 propõe uma leitura da filosofia teórica de Kant como uma epistemologia do conhecimento metafísico. A seção 5 detalha a explicação original de Kant sobre a intuição sensível na "Dissertação de 1770". A seção 6 apresenta a transição do múltiplo dos sentidos para a síntese na imaginação e para a unificação por meio das categorias na Crítica da razão pura . A seção 7 aborda o formalismo de Kant na epistemologia e na metafísica. (shrink)

I defend the thesis that Kantian analytic judgments are about objects (as opposed to concepts) against two challenges raised by recent scholars. First, can it accommodate cases like “A two-sided polygon is two-sided”, where no object really falls under the subject-concept as Kant sees it? Second, is it compatible with Kant’s view that analytic judgments make no claims about objects in the world and that we can know them to be true without going beyond the given concepts? I address (...) these challenges in two steps. First, given Kant’s distinction between an object in general = x from an object of sensible intuition, I argue that analytic judgments are about objects in the former sense, no matter whether the purported objects can be given in our intuition. Second, using Kant’s method of representing certain logical relations of concepts with such figures as circles, I construct a model to show that analytic truths are truths about objects in general = x and yet can be determined solely by the intensional relation between the given concepts plus certain Kantian-logical laws. Analytic truths are thus shown as formal in the Kantian sense that they do not presuppose the purported objects as givable in our intuition. This account of the formality of analytic truths captures Kant’s diagnosis of the Leibnizian illusion that we can make material claims about the world by analytically true judgments. (shrink)

In this paper, I discuss the debate on Kant and nonconceptual content. Inspired by Kant’s account of the intimate relation between intuition and concepts, McDowell (1996) has forcefully argued that the relation between sensible content and concepts is such that sensible content does not severally contribute to cognition but always only in conjunction with concepts. This view is known as conceptualism. Recently, Kantians Robert Hanna and Lucy Allais, among others, have brought against this view the charge that (...) it neglects the possibility of the existence of essentially nonconceptual content that is not conceptualised or subject to conceptualisation. Their critique of McDowell amounts to nonconceptualism. However, both views, conceptualist and nonconceptualist, share the assumption that intuition is synthesised content in Kant’s sense. My interest is not in the validity of the philosophical positions of conceptualism or nonconceptualism per se. I am particularly interested in the extent to which the views that McDowell and Hanna and Allais respectively advance are true to Kant, or can validly be seen as Kantian positions. I argue that although McDowell is right that intuition is only epistemically relevant in conjunction with concepts, Hanna and Allais are right with regard to the existence of essentially nonconceptual content (intuitions) independently of the functions of the understanding, but that they are wrong with regard to non-conceptualised intuition being synthesised content in Kant’s sense. Kantian conceptualists (Bowman 2011; Griffith 2012; Gomes 2014) have responded to the recent nonconceptualist offensive, with reference to A89ff./B122ff. (§13)—which, confusingly, the nonconceptualists also cite as evidence for their contrary reading—by arguing that the nonconceptualist view conflicts with the central goal of the Transcendental Deduction, namely, to argue that all intuitions are subject to the categories. I contend that the conceptualist reading of A89ff./B122ff. is unfounded, but also that the nonconceptualists are wrong to believe that intuitions as such refer strictly to objects independently of the functions of the understanding, and that they are mistaken about the relation between figurative synthesis and intellectual synthesis. I argue that Kant is a conceptualist, albeit not in the sense that standard conceptualists assume. Perceptual knowledge is always judgemental, though without this resulting in the standard conceptualist claim that, necessarily, all intuitions or all perceptions per se stand under the categories (strong conceptualism). I endorse the nonconceptualist view that, for Kant, perception per se, i.e. any mere or ‘blind’ intuition of objects (i.e. objects as indeterminate appearances) short of perceptual knowledge, does not necessarily stand under the categories. Perception is not yet perceptual knowledge. In this context, I point out the common failure in the literature on the Transcendental Deduction, both of the conceptualist and nonconceptualist stripe, to take account of the modal nature of Kant’s argument for the relation between intuition and concept insofar as cognition should arise from it. (shrink)

In the Critique of Pure Reason (1781/1787), Kant sought to explain the objectivity of cognition by describing the operation of certain human cognitive activities. That is, in some sense Kant explained cognition's objectivity by appealing to features of the mind. A century later, the Marburg School Neo-Kantians Hermann Cohen and Paul Natorp would insist that philosophers must explain cognition's objectivity without appeal to the subject's mind. Once at the center of the Kantian account of objectivity, the mind had been (...) expunged from it. This shift was the emergence of anti-psychologism, the view that the mind has no place in philosophical accounts of cognition's objectivity. This dissertation offers an account of how that shift happened. Chapter 1 argues that a central section of Kant's Critique of Pure Reason, the Transcendental Deduction, is a description of a cognitive operation—namely, the apperception's synthesis of the manifold of sensible intuition. Because this operation is necessary, it determines the structures that a subject's cognition must conform to, and thus explains cognition's objectivity for Kant. But Kant's view that the mind is characterized by necessary cognitive operations was abandoned in the nineteenth century in favour of purely empirical conceptions of the mind. Chapter 2 argues that, in response to this change and in particular to the psychologism of the Back to Kant movement, Cohen developed an anti-psychologistic account of cognition's objectivity: for him, objectivity must be explained by appeal to the principles and laws of mathematics and pure natural science. But his account fails, since he does rot explain why those laws explain cognition's intersubjectivity. Chapter 3 examines Wilhelm Wundt's and Ernst Mach's attempts to articulate purely empirical conceptions of the mind, and to explain cognition's objectivity by appeal to the mind so conceived, as well as Hermann Lotze's anti-psychologism. Chapter 4 argues that, for Natorp, fundamental physical laws constitute the intersubjective content of cognition because they are invariant across space and time, and so different subjects can share representations of them despite having different points of view on the world. Natorp thus finally articulates a successful anti-psychologistic alternative to Kant's account of objectivity. (shrink)

This commentary considers Robert Pippin's treatment of Hegel’s attempt to overcome Kant’s account of the distinction between (and necessary togetherness of) conceptual and intuitional representation. Pippin reads Hegel as committed to Kant’s discursivity thesis, namely, that thought is mediate and general, and thus reliant on sensible intuition for singular immediate contents – a position broadly in line with Wilfrid Sellars’ famous portrayal of Hegel as “that great foe of immediacy.” It is suggested, however, that such a reading makes (...) it difficult to provide an account of the concept/intuition distinction in Hegel that is not, at bottom, Kantian. Attention to the preservation of a certain Schellingean moment in Hegel’s mature thinking—the maintenance of a form of intellectual intuition—perhaps provides resources for an understanding of Hegel’s distinctively post-Kantian understanding of the relation between immediacy and mediation. In my view, intellectual intuition understood as the immediacy of thought is central to the Science of Logic’s attempt to generalise Kant’s distinction between (and claim for the togetherness of) concept and intuition as a logical relation, not one limited to sensibly conditioned cognition. (shrink)

The aim of this paper is to critically review several interpretations of Kantian sensible intuition. The first interpretation is the recent construal of Kantian sensible intuition as a mental analogue of a direct referential term. The second is the old, widespread assumption that Kantian intuitions do not refer to mind-independent entities, such as bodies and their physical properties, unless they are brought under categories. The third is the assumption that, by referring to mind-independent (...) entities, sensible intuitions represent objectively in the sense that they represent in a relative, perspective-independent manner. The fourth is the construal of Kantian sensible intuitions as non-conceptual content. In this paper, I support the alternative view that Kantian sensible representation is to be seen as iconic de re presentation of objects without representational content. (shrink)

This paper compares Cassirer´s and Bohr´s views on symbolic knowledge in quantum physics. Although both of them consider quantum physics as symbolic knowledge, for Cassirer this amounts to a complete renunciation to intuition in quantum physics, while according to Bohr only spatio-temporal images may provide the mathematical formalism of the theory with physical reference. We show the Kantian roots of Bohr´s position and we claim that his Kantian concept of symbol enables Bohr to account for the (...) class='Hi'>sensible content of quantum theory as well as for its systematic relation to classical physics. (shrink)

A central debate in early modern philosophy, between empiricism and rationalism, turned on the question which of two cognitive faculties—sensibility or understanding—should be accorded logical priority in an account of the epistemic credentials of knowledge. As against both the empiricist and the rationalist, Kant wants to argue that the terms of their debate rest on a shared common assumption: namely that the capacities here in question—qua cognitive capacities—are self-standingly intelligible. The paper terms this assumption the Layer-Cake Conception of Human Mindedness (...) and focuses on Kant’s argument against the empiricist version of the assumption, in particular, as that argument is developed in the B version of the Transcendental Deduction in the Critique of Pure Reason. The paper seeks to show how a proper understanding of the structure of the B Deduction reveals its aim to be one of making sense of each of these two capacities (sensibility and understanding) in the light of the other. For the front of the argument that is directed against the empiricist, this means coming to see how a reading of the text that is informed by the layer-cake conception (and which therefore takes the Transcendental Aesthetic to furnish us with the full story about the nature of our faculty for sensory apprehension) is mistaken. For the front of the argument which is directed against the rationalist, this requires coming to see how a mere inversion of the central claim of such a reading would be equally wrong. It would require seeing how a discursive faculty of understanding able to traffic in nothing more than empty concepts would no more amount to a genuinely cognitive power than would a faculty of intuition able to traffic in nothing more than blind intuitions. That is, it requires seeing how each of these faculties depends on its relation to the other to be the sort of faculty that it is in a finite rational being. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant and the Capacity to Judge; Sensibility and Discursivity in the Transcendental Analytic of the Critique of Pure Reason by Beatrice LonguenesseMichelle GreerBeatrice Longuenesse. Kant and the Capacity to Judge; Sensibility and Discursivity in the Transcendental Analytic of the Critique of Pure Reason. Translation by Charles T. Wolfe. Princeton, NJ: Princeton University Press, 1998. Pp. xv + 420. Cloth, $59.50.Kant and the Capacity to Judge is a translation (...) of Longuenesse’s Kant et Pouvoir de juger, although Longuenesse has revised and added to the original version. The central argument seeks to demonstrate the essential role played by the logical forms of judgment in the arguments of Kant’s first Critique. Longuenesse emphasizes straight away Kant’s efforts (in the Metaphysical Deduction) to deduce a set of pure concepts from the logical forms of judgment. Against many standard readings, she aims to reveal the very “tight” connection between this attempt and subsequent arguments in the Transcendental [End Page 372] Analytic. That Kant takes the functions of judgment to be relevant to these arguments is hardly a novel claim. The originality of Longuenesse’s work, however, stems both from the central and pervasive role she assigns to the logical forms of judgment, and from the impressive, painstaking effort she makes to sustain the close connection between these forms and Kant’s subsequent arguments. According to Longuenesse, any proper understanding of the arguments of the Transcendental Analytic absolutely depends upon relating these “down to the minutest details of their proofs,” to the role of the logical forms (5).These minute details do not escape Longuenesse in her subsequent elaboration on this original thesis. Given the length and detail of her work, I can only highlight a few of the central points and strategies. One should note from the outset, however, that the detail and the scholarship evinced to support her claims constitute much of what is of value in the book. Many of these “supporting arguments” and discussions, which include efforts to trace Kantian conceptions back to their historical/philosophical origins, stand in their own right as independent contributions to Kant scholarship and interpretation.The work is divided into three parts. The first part is essentially propaedeutic. Longuenesse begins by drawing a distinction between the potential or capacity to judge and judgement itself (i.e., the “actualization” of this judgmental capacity under [externally grounded] sensory stimulation) (7). Taking this distinction as her cue, Longuenesse seeks to reveal the way in which the line of argumentation in the transcendental analytic presents an extended investigation into the formal capacity (ibid). The centrality of the logical forms of judgment is secured early on by assigning them a substantive role in the very presentation of something in intuition “as” an “object.” Insofar as she assigns this role to the logical forms themselves, her account clearly undercuts the primary function of the categories in this regard. Relevant here is Longuenesse’s construal of “appearances” as the intentional correlates of our representational capacities and activities (cf. 20–21). Given this, the problem now motivating the transcendental deduction is how to make sense of the relation between this “internalized” object of (indeterminate) empirical intuition (the appearance) and the object corresponding to intuition which concepts allow one to think in a determinate way (the phenomenon). This ability to think the object in a determinate fashion appears to be the essential contribution made by judgement.These preliminary considerations ground Longuenesse’s efforts (in Part Two) to isolate and examine the discursive activity of judgment. Longuenesse stresses the reflective (and not simply the determinative) role of judgment and its forms. Indeed, she suggests that concepts (not merely empirical concepts, but also the pure concepts of the understanding themselves) are formed by reflecting (through acts of comparison, reflection, and abstraction) on the “sensible given.” Drawing extensively from the Logic, she interestingly argues that the form of judgment itself carries with it some inherent claim to objectivity. Thus, objectivity is folded into the formal activity of judging by being identified as a “normative propensity” inherent in every judgment by virtue of its form alone (87–88). Longuenesse accordingly eschews efforts to downplay the role of the logical use of the... (shrink)

In this paper, I intend to show that it’s a serious mistake to construe the role of sensible representation in Kant’s work as a nonconceptual content (in the contemporary and technical sense of “content”), which, like a mental indexical would refer to what appears in space and time in the so-called de re form. The interpretation I advance and further support is this: without possessing a representational content, sensible representation must be understood as the basic epistemic relation between (...) the subject and the physical entities in space and time she is acquainted with. Immediate reference of sensible intuition to their respective objects is to be understood as a form of knowledge by acquaintance. I call my own interpretation relationalism. (shrink)

This paper provides an analysis of Rudolph Otto's understanding of the structures of human consciousness making possible the appropriation of revelation. Already in his dissertation on Luther's understanding of the Holy Spirit, Otto was preoccupied with how the " outer " of revelation could be united to these inner structures. Later, in his groundbreaking Idea of the Holy, Otto would explore the category of the numinous, an element of religious experience tied to the irrational element of the holy. This paper (...) first provides a brief account of Otto's account of the holy, especially its numinous, irrational elements. Second, the paper analyzes Otto's understanding of the structures of consciousness grounding the experience of the numinous and allowing the irrational element to be " schematized " by the rational element. Otto's exposition of these structures is heavily influenced by his reception of Kant's analysis of the two stems of human cognition, namely understanding and sensibility, and their possible relation to a common root, which Otto identified with what the mystics called the ground of the soul. Yet it is in Otto's reception of Kant's Critique of Judgment that all of these ideas find their completion, and it is here where we must look to understand the relation between the religious a priori and Otto's category of the numinous. Kant's aesthetic idea is a singular representation given in intuition; it is infinitely saturated and as such intimates the ideas of God, the soul, and the world as a whole. I show how Otto appropriates Kant's aesthetic idea and its relation to ideas of reason in order to make sense of how an empirically given revelation, for instance, an experience of the numinous, can connect with the inner structures of consciousness and thereby have the singular import that it does. (shrink)

This book is a welcome contribution to the literature on Kant's philosophy of mathematics in two particular respects. First, the author systematically traces the development of Kant's thought on mathematics from the very early pre-Critical writings through to the Critical philosophy. Secondly, it puts forward a challenge to contemporary Anglo-Saxon commentators on Kant's philosophy of mathematics which merits consideration.A central theme of the book is that an adequate understanding of Kant's pronouncements on mathematics must begin with the recognition that mathematics (...) in Kant's time was poised at the beginning of what Pierobon calls the ‘algebraic revolution’ of the nineteenth century. For Kant, Euclidean geometry, with its heavy reliance on the geometric image, was the paradigm of certainty. The algebraic revolution of the nineteenth century replaced that paradigm with an algebraic formalism, thereby freeing mathematics from any connection to the geometric image, and also severing the link to intuition. Pierobon describes this as the ‘divergence between the image and writing [l'écriture]’. So great was the shift, Pierobon suggests, that, after the developments of the nineteenth century, it became difficult to find any sense in Kant's conception of mathematics as sensible knowledge. This, certainly, was the view of Russell, who notoriously claimed in Mysticism and Logic that modern developments in logic dealt a ‘fatal blow to the Kantian philosophy’ and that ‘the whole doctrine of a priori intuitions, by which Kant explained the possibility of pure mathematics, is wholly inapplicable to mathematics in its present form’.1 Pierobon claims, though, that much of Anglo-Saxon commentary on Kant's philosophy of mathematics begins from this ‘rationalist and logicist’ position, reading Kant's philosophy of mathematics from a post-algebraic-revolution perspective. This book attempts to offer a corrective to that position by offering a Kantian conception of mathematics …. (shrink)

Husserl’s lifelong interest in Kant eventually becomes a preoccupation in his later years when he finds his phenomenology in competition with Neokantianism for the title of transcendental philosophy. Some issues that Husserl is concerned with in Kant are bound up with the works of Lambert. Kant believed that the role played by principles of sensibility in metaphysics should be determined by a “general phenomenology” on which Lambert had written. Kant initially believed that man is capable only of symbolic cognition, not (...) intellectual intuition. Lambert saw an increasing need in mathematics for symbolic cognition as exemplified in his proofs of the irrationality of π and e. Kant takes from Leibniz and Lambert an unrestricted notion of construction, allowing him to view mathematics as constructing its concepts in intuition, while Lambert’s proofs convince him that all mathematical problems are eventually solvable. Husserl criticizes Kant’s intuitionism for its inadequate accommodation of meaning to intuition, which he redresses with his theory of categorial intuition. This may improve on Kant’s intuition of the axiom of parallels but not so clearly on his spatial intuition. Husserl opposes Kant’s view of space as the form of outer intuition with his own view of it as the form of things. Husserl’s exploration of the geometry of visual space, which involves his earliest uses of epoché and reduction, converges however with Hilbert’s logical analysis of Kantian spatial intuition in leading to Euclidean spatial judgments. Hilbert’s analysis leads him to affirm the solvability of all well posed mathematical problems, a thesis complicated by the outbreak of logical paradoxes. Untroubled by such paradoxes, Husserl develops a supramathematics of all possible deductive systems whose completeness implicitly would also provide solutions of all such problems. Husserl’s full transcendental turn coincides with his realization that in effecting his Copernican turn, Kant was really the first to detect the “secret longing” of modern philosophy for a phenomenological clarification of being. Husserl now finds that Kant’s transcendental deductions presuppose a pure ego not adequately analyzed by Kant that survives the phenomenological reduction. Husserl’s idealism leads him to develop his own intuitionism, which adds to Kant’s, a “method of clarification” of mathematical concepts intended to clarify difficult impossibility proofs, but neither Husserl nor Kant base arithmetic on time. Husserl’s critique of the room left in Kant’s idealism, for things in themselves, leads to his own monadological solution of the problem of intersubjectivity. Husserl’s final judgment on Kant is that his form of transcendental idealism did not enable him to achieve absolute subjectivity through a genuine transcendental reduction. (shrink)

The article takes up the question of the “truth” of images by means of a somewhat playful reflection upon our human kinship with canine life and by considering the recurrent images of dogs of all shapes and sizes within the philosophical tradition. Here there is occasion to consider both Socrates and Confucius, who had a special fondness for dogs and who were at times compared to dogs themselves. The paper begins with a reading of Kant’s schematism in the First Critique, (...) as an operation that would establish a mediating relation between the concepts of the understanding and sensible intuitions, and ends with a meditation upon the dog-themed painting, “Dark Room,” by the contemporary artist, Alan Loehle. Kant accounts for our ability to grasp that we see a dog by introducing a mysterious distortional skewing or Verzeichnung, which as a power of the imagination is able to freely sketch what appears for it within the sensible. The sense of this Kantian skewing or sketching thereby anticipates what Heidegger names the essential Verunstaltung belonging originally to the event of truth. The last half of the paper turns to Jean-Luc Nancy’s difficult but provocative work on the abysmal ground of images and attempts to show in this way how our human kinship with canine life exposes us to what Nancy would think, following Heidegger, as the elemental strife between earth and sky. (shrink)

By way of a reply to Charles Parsons's paper in the Nagel Festschrift, Kant's notion of intuition (Anschauung) is examined. It is argued that for Kant the immediate relation which an intuition has to its object is a mere corollary to its singularity. It does not presuppose (as Parsons suggests) any presence of the object to the mind. This is shown, e.g., by the Prolegomena § 8, where the objects of intuitions a priori are denied by Kant to (...) be so present. They yield knowledge, not in virtue of their immediacy but in virtue of their ideality. (shrink)

Kant states that space and time are a priori conditions of experience, while apparently being committed to the euclidean nature of space and absolute simultaneity. His defense of the a priori character of spatio-temporal notions stems from taking them as pure intuitions, so its newtonian nature would derive from the configuration of what Kant names as intuition. Nevertheless, according to some recent discussions, it is not clear what intuition means for Kant and how space-time is determined from it. (...) In this paper I look into the debate about the origin of the synthesis of pure intuition that, according to Kant, would determine the spatio-temporal structure. I discuss to what extent taking into account the participation of categories in such a synthesis might have an effect on the commitment that, according to the kantian perspective, one should have with respect to the metric being determined a priori. My conclusion is that kantian analysis can incorporate the idea of a spatio-temporal metric that is not given, in the sense of universally and necessarily, a priori. (shrink)

Kant says patently conflicting things about infinity and our grasp of it. Infinite space is a good case in point. In his solution to the First Antinomy, he denies that we can grasp the spatial universe as infinite, and therefore that this universe can be infinite; while in the Aesthetic he says just the opposite: ‘Space is represented as a given infinite magnitude’. And he rests these upon consistently opposite grounds. In the Antinomy we are told that we can have (...) no intuitive grasp of an infinite space, and in the Aesthetic he says that our grasp of infinite space is precisely intuitive. (shrink)

In this paper, I propose a new nonconceptual reading of the B-Deduction. As Hanna correctly remarks (Int J Philos Stud 19(3):399–415, 2011: 405), the word “cognition” (Erkenntnis/cognition) has, in both editions of the first Critique, a wide sense, meaning nonconceptual cognition, and a narrow meaning, in Kant’s own words “an objective perception” (A320/B377). To be sure, Kant assumes the first meaning to account for why the Deduction is unavoidable. If we take this meaning as a premise of the B-Deduction, then (...) there is a gap in the argument since the categories are certainly not conditions for non-conceptual cognition (Kantian nonconceptualism). Still, I believe it is not this wide meaning but rather the narrow one that figures in any premise of the B-Deduction. Thus, in the reading that I am proposing, categories are not conditions for representing something (I call this the intentionality thesis), or even conditions for representing something objectively (I call this the objectivity thesis). Instead, they are conditions for the recognition that what we represent through the senses exists mind-independently. In the first step of the B-Deduction, this cognition in the narrow sense takes the form of propositional thinking (transcendental apperception) that the nonconceptually represented object of the sensible intuition exists objectively. In contrast, in the second step of the B-Deduction, this cognition in the narrow sense takes the form of the apprehension (figurative synthesis) of what our human senses represent nonconceptually as existing objectively. (shrink)

My aim is to demonstrate the specificities and differences between transcendental deduction of concepts and deduction of the fundamental principles of pure practical reason in Kant’s metaphysics. First of all it is necessary to examine Kant’s attitude to the metaphysics of his time and the problem of its new justification. Kant in his philosophy explicated not only the theoretical world of cognition, but also the practical world of freedom. Accordingly, the fundamental means of proving metaphysics’ claims are the deduction of (...) pure concepts of understanding and the deduction of the principles of pure practical reason. The underlying premises of the Kantian project of reviving metaphysics, “the Copernican Turn”, the critical methods and basic principles of transcendental idealism also provide the methodological basis of transcendental deduction, a new method of proving the claims of metaphysics in various spheres of human being. Proceeding from the above, I analyse the essence, structure and the peculiarities as well as the differences between the deduction of experience and the deduction of freedom. I single out the following features of the two types of deduction. First, theoretical use of reason is aimed at objects while practical reason is aimed at noumena, the foundations of will and freedom. Second, the transcendental deduction of space and time, as well as the deduction of categories, is preceded by transcendental reduction, which is absent in the deduction of freedom. Third, Kant orients the methodological movement of deductions in opposite directions. Theoretical deduction proceeds from pure forms of sensible intuition to concepts of understanding and thence to fundamental principles. Practical deduction proceeds from a priori principles to the concepts of the metaphysics of morals and thence to moral feelings. Fourth, deduction in the theoretical sphere forbids speculative reason to go beyond experience. Practical deduction has pointed to the intelligible world and has proved its “legitimacy”. (shrink)

This article investigates how the Kantian moral law is employed by Fichte in the System of Ethics of 1798 as a cosmic principle in order to deliver a deduction of its applicability in the world of sense. It considers how Kant’s conception of a moral teleology in the 1790 Critique of the Power of Judgment inspires Fichte to harness the concept of the original, determinate end of a natural thing in the deduction as a means of mediating the (...) class='Hi'>Kantian “supersensible idea of the morally good” by sensible intuitions. He goes beyond Kant by taking the law to be “actually operative” in ordinary consciousness and consequently “a theoretical principle for the determination of the world.”. (shrink)

Kant says patently conflicting things about infinity and our grasp of it. Infinite space is a good case in point. In his solution to the First Antinomy, he denies that we can grasp the spatial universe as infinite, and therefore that this universe can be infinite; while in the Aesthetic he says just the opposite: ‘Space is represented as a given infinite magnitude’ (A25/B39). And he rests these upon consistently opposite grounds. In the Antinomy we are told that we can (...) have no intuitive grasp of an infinite space, and in the Aesthetic he says that our grasp of infinite space is precisely intuitive. (shrink)

This paper introduces a referential reading of Kant’s practical project, according to which maxims are made morally permissible by their correspondence to objects, though not the ontic objects of Kant’s theoretical project but deontic objects (what ought to be). It illustrates this model by showing how the content of the Formula of Universal Law might be determined by what our capacity of practical reason can stand in a referential relation to, rather than by facts about what kind of beings we (...) are (viz., uncaused causes). This solves the neglected puzzle of why there are passages in Kant’s works suggesting robust analogies between mathematics and ethics, since to universalize a maxim is to test a priori whether a practical object with that particular content can be constructed. An apparent problem with this hypothesis is that the medium of practical sensibility (feeling) does not play a role analogous to the medium of theoretical sensibility (intuition). In response I distinguish two separate Kantian accounts of mathematical apriority. The thesis that maxim universalization is a species of construction, and thus a priori, turns out to be consistent with the account of apriority that informs Kant’s understanding of actual mathematical practice. (shrink)

The paper focuses on a discussion about McDowell’s "conceptualist" interpretation of Kant’s theory of experience, as one in which all representational content is identified with conceptual content. Both in Mind and WorldM and in his Woodbridge Lectures, McDowell furthers a reading on which the "picture of visual experiences as conceptual shapings of visual consciousness is already deeply Kantian", supporting it with Kant’s famous claim from the A51/ B75 passage of the Critique of Pure Reason, which can be called a (...) Cooperation Thesis. However, much indicates that McDowell’s reading is, if not altogether false, then at least one-sided. In the "Transcendental Aesthetic", as well as in some of the pre-Critical writings , Kant presented a range of arguments for a subjective, non-discursive character of space and time, i.e. the forms of sensible intuition and pure intuitions themselves, underlying all conceptual cognition, and providing a non-conceptual basis for a special kind of synthetic a priori cognition . This allows us to conclude that he would rather take the side of the contemporary “nonconceptualists”, and could be regarded as their predecessor, to use R. Hanna’s formulation. On this reading of the Kantian theory of empirical cognition, intentionality is independent of and prior to any application of concepts to the objects of experience. (shrink)

The iconic and diagrammatic features of abduction, as expressed in Peirce’s works after 1890, allow one to re-read the Kantian concept of schema. By means of this new reading, it is possible to consider the dynamics between legality and creative acts, which, according to Emilio Garroni, keep cultures alive. This process can be analysed by a semiotic theory that could combine the features of Kant’s Aesthetic Judgment (as an answer to schema’s problems) and Peirce’s last theory of abduction. In (...) this way, it becomes possible to go beyond the simple subsumption, through Reflective Judgment, of sensible intuitions under a concept. Thus, creativity becomes the process, both mental and cultural, whereby a new regularity come from the background of the previous one as a result of the free play of our faculties (Musement), which sets links between universes of experience apparently very distant one from another. (shrink)

The issue of the nature of cognitive experience has been a subject of lively debate in recent works on epistemology, and the philosophy of mind. During this debate, the relevance of Kant to contemporary theories of cognition has been re-discovered. However, participants in this debate disagree whether Kant was a conceptualist or a non-conceptualist, with regard to the character of intuitions. The central point of controversy concerns whether or not Kant’s sensible intuitions involve understanding and have a conceptual content. (...) In this paper, I show that, despite their disagreements, both sides share a number of common presuppositions, which have determined a biased framework for the reading of Kant. My principal aim in this article is to reconcile the case for conceptualism with those interpretations which argue that intentionality and conceptuality can be separated. To achieve it, I present my own reconstruction of Kant’s theory of cognition, relying essentially on Kantian considerations found in the B-version of the Transcendental Deduction, and offer a new interpretation of Kantian conceptualism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Transcendental Proof of RealismBrandon C. LookKenneth R. Westphal. Kant’s Transcendental Proof of Realism. New York: Cambridge University Press, 2004. Pp. x + 299. Cloth, $80.00.Westphal's book is a rich and exciting contribution to the field of Kant studies. Its claims run counter to much contemporary discussion of Kant's theoretical philosophy and indeed challenge some of Kant's fundamental doctrines, but the arguments are very compelling and therefore likely (...) to force us to rethink both the Critique of Pure Reason [CPR] and Kant's relevance to contemporary epistemology.The central point of this work is that, if we follow Kant's injunction to engage in reflection on our cognitive capacities, then we will be led not to Kantian transcendental idealism but to an unqualified realism about objects and events in space and time. The book's first three chapters are devoted to analyzing Kant's methodology and the much-overlooked idea of transcendental affinity. Westphal focuses on the Kantian duty of engaging in "transcendental reflection," which is "the action through which I make the comparison of representations in general with the cognitive power in which they are situated, and through which I distinguish whether they are to be compared with one another as belonging to pure understanding or to sensible intuition" (CPR, A 261/B 317). And he adds to this the more general methodological obligation of "epistemic reflection," or the duty to determine precisely our cognitive capacities and incapacities. If, then, we reflect on our representations, their origins in sensibility and the understanding, and on our powers to know things of ourselves and the world in general, then certain puzzles arise—puzzles that were confronted by Kant (and Hume and Hegel) but that have not received the attention they have deserved. Chief among these puzzles is our ability to identify single objects and events and track them in space through time. But, as Westphal is keen to point out, identifying any particular over time requires that we be able to re-identify that particular. Now, while this puzzle is addressed by Kant in the Transcendental Deduction and Analogies of Experience, it is important to see that there is a material condition necessary for the possibility of self-conscious experience of the world that is not fleshed out in great detail by Kant and seems to be completely overlooked in the literature on Kant, namely, "the presupposition of diversity in nature" and the homogeneity of its objects among themselves (CPR, A 657/B 685). In other words, the fact that we are able to associate our various sensations with each other at all (and thereby identify and re-identify objects) is due to their "transcendental affinity." And it is Westphal's contention that "on Kant's own principles, the transcendental affinity of the manifold of sensory intuition can only be reconstructed, but not constructed, by intellectual syntheses of the understanding" (91). Therefore, pace Kant, who held that only his transcendental idealism could explain the possibility of experience, Westphal argues that transcendental idealism runs afoul of many of Kant's own arguments and observations in the Transcendental Aesthetic and Transcendental Analytic and, more important, that transcendental affinity provides grounds for "realism sans phrase" (the author's phrase) about objects and events in space and time, and for the view that our mental states are determined by external objects. As Westphal puts it in his conclusion: "Kant's analysis of transcendental affinity is in fact a transcendental argument for mental content externalism" (266). [End Page 665]The second part of Westphal's argument revolves around a detailed examination of Kant's theses about transeunt causality and the nature of matter as expressed not only in the Critique of Pure Reason, but also in the Metaphysical Foundations of Natural Science and the Opus postumum. Roughly the problem is this: in order to have an adequately grounded metaphysics of nature, Kant needs not only the results of the Analogies of Experience, the transcendental causal thesis that every event has a cause, but also the metaphysical causal thesis that every physical event has an external physical cause. But, according to Westphal, in the Metaphysical Foundations... (shrink)

La consecuencia más difundida de la revolución en la geometría del siglo XIX es aquella que afirma que después de dichos cambios ya nada quedaría de la vieja noción de espacio como "forma de la intuición sensible", ni de la geometría como "condición trascendental" de la posibilidad de la experiencia. Este artículo se ocupa del intento de Rudolf Carnap por articular una concepción del espacio intuitivo que, al tiempo que se mantiene dentro del paradigma kantiano se hace eco de (...) algunos resultados obtenidos en las ciencias formales, específicamente de la teoría de grupos en su aplicación a la geometría. Su concepción se encuentra antecedida por los esfuerzos de Helmholtz, Poincaré, Cassirer y Husserl. The most diffused consecuence of the revolution in the geometry of the XIX century is what claims that after this changes anything would remain of the old notion of space as "the form of the sensible intuition", neither of geometry like "transcendental condition" of the possibility of experience. This paper deal with the Rudolf Carnap's attempt to articulate a conception of the intuitve space that, at the time that it mantains within kantian paradigm, it echoes of some results obtained in the formal sciences, specifically of the theory of groups in its application to geometry. Its conception is preceded by the efforts of Helmholtz, Poincaré, Cassirer and Husserl. (shrink)

There are passages in Kant’s writings according to which empirical intuitions have to be (a) singular, (b) object-dependent, and (c) immediate. It has also been argued that empirical intuitions (d) are not truth-apt, and (e) need to provide the subject with a proof of the possibility of the cognized object. Having relied on one or another of the a-e constraints, the naïve realist readers of Kant have argued that it is not possible for empirical intuitions to be representations. Instead they (...) have argued for a relationalist reading of empirical intuitions in terms of an acquaintance relation between the subject and the intuited object. -/- For the sake of argument, I will grant the naïve realist reader of Kant that empirical intuitions should satisfy all the a-e constraints. Nevertheless, by incorporating these constraints, one by one, into a representationalist theory of empirical intuitions, I will show that not only doesn’t a naïve realist reading of empirical intuitions follow, but also that the naïve realist has hastily overlooked a range of perfectly representationalist readings of intuitions available to Kant and his representationalist allies. On the positive side, I will argue that there is an extra constraint on intuitions—i.e., that givenness does not require presence to consciousness—that directly goes against any naïve realist account of intuitions. (shrink)

Patt's study attempts to explain Kant's doctrine of transcendental idealism through a detailed examination of Kant's theory of sensible intuition. The center of the book is a minute textual exegesis of Kant's direct proof for the doctrine of transcendental idealism in the "Transcendental Aesthetic" of the Critique of Pure Reason, focusing on the arguments concerning the nature of space and time and the conclusions that Kant draws from them. This middle part is preceded by three smaller chapters that (...) examine the Kantian distinction between appearances and things in themselves, the relation between intuition and sensation, and the function of intuition in synthetic judgments. The study concludes with an analysis of Kant's indirect proof of the doctrine of transcendental idealism in the "Transcendental Dialectic," with an emphasis on the treatment of the first two antinomies. No detailed consideration is given to the role of intuitions in Kant's theory of categories and principles in the "Transcendental Analytic.". (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Transcendental Proof of RealismBrandon C. LookKenneth R. Westphal. Kant’s Transcendental Proof of Realism. New York: Cambridge University Press, 2004. Pp. x + 299. Cloth, $80.00.Westphal's book is a rich and exciting contribution to the field of Kant studies. Its claims run counter to much contemporary discussion of Kant's theoretical philosophy and indeed challenge some of Kant's fundamental doctrines, but the arguments are very compelling and therefore likely (...) to force us to rethink both the Critique of Pure Reason [CPR] and Kant's relevance to contemporary epistemology.The central point of this work is that, if we follow Kant's injunction to engage in reflection on our cognitive capacities, then we will be led not to Kantian transcendental idealism but to an unqualified realism about objects and events in space and time. The book's first three chapters are devoted to analyzing Kant's methodology and the much-overlooked idea of transcendental affinity. Westphal focuses on the Kantian duty of engaging in "transcendental reflection," which is "the action through which I make the comparison of representations in general with the cognitive power in which they are situated, and through which I distinguish whether they are to be compared with one another as belonging to pure understanding or to sensible intuition" (CPR, A 261/B 317). And he adds to this the more general methodological obligation of "epistemic reflection," or the duty to determine precisely our cognitive capacities and incapacities. If, then, we reflect on our representations, their origins in sensibility and the understanding, and on our powers to know things of ourselves and the world in general, then certain puzzles arise—puzzles that were confronted by Kant (and Hume and Hegel) but that have not received the attention they have deserved. Chief among these puzzles is our ability to identify single objects and events and track them in space through time. But, as Westphal is keen to point out, identifying any particular over time requires that we be able to re-identify that particular. Now, while this puzzle is addressed by Kant in the Transcendental Deduction and Analogies of Experience, it is important to see that there is a material condition necessary for the possibility of self-conscious experience of the world that is not fleshed out in great detail by Kant and seems to be completely overlooked in the literature on Kant, namely, "the presupposition of diversity in nature" and the homogeneity of its objects among themselves (CPR, A 657/B 685). In other words, the fact that we are able to associate our various sensations with each other at all (and thereby identify and re-identify objects) is due to their "transcendental affinity." And it is Westphal's contention that "on Kant's own principles, the transcendental affinity of the manifold of sensory intuition can only be reconstructed, but not constructed, by intellectual syntheses of the understanding" (91). Therefore, pace Kant, who held that only his transcendental idealism could explain the possibility of experience, Westphal argues that transcendental idealism runs afoul of many of Kant's own arguments and observations in the Transcendental Aesthetic and Transcendental Analytic and, more important, that transcendental affinity provides grounds for "realism sans phrase" (the author's phrase) about objects and events in space and time, and for the view that our mental states are determined by external objects. As Westphal puts it in his conclusion: "Kant's analysis of transcendental affinity is in fact a transcendental argument for mental content externalism" (266). [End Page 665]The second part of Westphal's argument revolves around a detailed examination of Kant's theses about transeunt causality and the nature of matter as expressed not only in the Critique of Pure Reason, but also in the Metaphysical Foundations of Natural Science and the Opus postumum. Roughly the problem is this: in order to have an adequately grounded metaphysics of nature, Kant needs not only the results of the Analogies of Experience, the transcendental causal thesis that every event has a cause, but also the metaphysical causal thesis that every physical event has an external physical cause. But, according to Westphal, in the Metaphysical Foundations... (shrink)

That a symbolic object or work of art participates in what it signifies, as a part within a whole, was a controversial claim discussed with particular intensity in the wake of Immanuel Kant's Critique of Judgment. It informed the aesthetic theories of a constellation of writers in Jena and Weimar around 1800, including Moritz, Goethe, Schelling and Hegel. Yet the twin concepts of symbol and intuition were not only tools of literary and mythological criticism: they were integral even to (...) questions of epistemology and methodology in the fields of theology, metaphysics, history and natural philosophy. The international contributors to this volume further explore how both the explanatory potential and peculiar dissatisfactions of the symbol entered the Anglo-American discourse, focusing on Coleridge, Crabb Robinson and Emerson. Contemporary debates about the claims of symbolic as opposed to allegorical art are kept in view throughout. (shrink)

Book synopsis: Held every five years under the auspices of the Kant-Gesellschaft, the International Kant Congress is the world’s largest philosophy conference devoted to the work and legacy of a single thinker. The five-volume set Kant and Philosophy in a Cosmopolitan Sense contains the proceedings of the Eleventh International Kant Congress, which took place in Pisa in 2010. The proceedings consist of 25 plenary talks and 341 papers selected by a team of international referees from over 700 submissions. The contributions (...) span 14 sections: Kant’s Concept of Philosophy; Theory of Cognition and Logic; Ontology and Metaphysics; Ethics; Law and Justice; Religion and Theology; Aesthetics; Anthropology and Psychology; Politics and History; Science, Mathematics, and the Philosophy of Nature; Kant and the Leibnizian Tradition; Kant and the Philosophical Tradition; Kant and Schopenhauer; and Kant’s Heritage. Thanks to cooperation from the Schopenhauer Gesellschaft, the 2010 conference was the first in the history of the International Kant Congress to include a session on Kant and Schopenhauer. (shrink)