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  1.  13
    The Aesthetic Use of the Logical Functions in Kant's Third Critique.Stephanie Adair - 2018 - Boston: De Gruyter.
    In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first Critique. In this book, I defend an understanding of Kant’s theory of Geschmacksurteil as detailing an operation of the faculties that does not violate the cognitive structure laid out in the first Critique. My orientation is primarily epistemological, elaborating the determinations that govern the activity of pure aesthetic judging that specify it as a "bestimmte" type of judgment without transforming (...)
  2.  6
    Abstract.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 296-296.
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  3.  6
    Works Cited.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 292-295.
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  4. Unity and Difference: A Critical Appraisal of Polarizing Gender Identities.Stephanie Adair - 2012 - Hypatia 27 (4):847-863.
    In The Phenomenology of Spirit, Hegel draws out the interdependency of unity and difference. In order to have a unity, there must be differences that compose it, as a unity unifies different elements. At the same time, in unifying these elements, they must not cease to be different from one another, as that would reduce the unity to a simple singularity.In this paper, I take up this interdependency of unity and difference, applying it to gender identities. I follow the psychoanalytically (...)
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  5.  5
    Acknowledgement.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter.
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  6.  5
    Contents.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter.
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  7.  7
    Chapter Five: Disjunctivity and the Form of Purposiveness.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 215-254.
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  8.  17
    Chapter Four: The Universal Validity of a Singular Judgment.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 176-214.
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  9.  7
    Chapter One: Renegotiating Kantian Constraints, Intuiting without Concepts.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 28-74.
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  10.  5
    Concluding Remarks.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 287-291.
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  11.  7
    Chapter Six: An Exemplary, Conditioned Necessity.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 255-286.
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  12.  5
    Chapter Two: Logical Functions of Judgment and the Layered Solution.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 75-132.
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  13.  4
    Chapter Three: Pleasure Without Interest: Affirming a Negated Interest Through the Infinite Logical Function of Quality.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 133-175.
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  14.  5
    Frontmatter.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter.
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  15.  6
    Index.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 297-300.
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  16.  3
    Introduction.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter. pp. 1-27.
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  17.  5
    List of Abbreviations.Stephanie Adair - 2018 - In The Aesthetic Use of the Logical Functions in Kant's Third Critique. Boston: De Gruyter.
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  18.  7
    Learning to See the Na'vi.Stephanie Adair - 2014-09-02 - In George A. Dunn (ed.), Avatar and Philosophy. Wiley. pp. 49–61.
    Scientists like Grace Augustine and Norm Spellman understand that seeing is important to Na'vi. They even understand that the significance of the expression I see you reaches far beyond a mere acknowledgment of someone having entered a visual field. Grace may have dedicated her life to studying Na'vi culture, but there remains an invisible barrier that prevents her from really seeing the Na'vi. Parker Selfridge and Colonel Miles Quaritch look on the elegant nymph‐like Na'vi, the desire for possession and control (...)
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  19.  44
    The Modality of Artistic Objects.Stephanie Adair - 2017 - Axiomathes 27 (2):147-159.
    Nicolai Hartmann describes how artistic objects arise through the interplay between a material foreground and immaterial background. In this paper, I show how the layered structure also prevents the modal imbalance inherent in artistic objects from violating the intermodal laws of the real. The real law of intermodal implication specifies that real possibility cannot extend beyond real necessity. I begin by explicating the real intermodal laws and describing how they give the real sphere its characteristic narrowness and determinateness. Hartmann describes (...)
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  20. The Field for Virtue and Getting a Feel for it.Ronald Polansky, Stephanie Adair & Geoffrey Bagwell - 2009 - Skepsis: A Journal for Philosophy and Interdisciplinary Research 20:15-26.
  21. Narrative Identity and Moral Identity. [REVIEW]Stephanie Adair - 2010 - Teaching Philosophy 33 (3):309-312.