The work _De spiritu_ is an important but neglected work by Aristotle. It clearly shows for the first time that Aristotle assumed a special body as the ‘instrument’ of the soul. By means of this soul/body the soul forms the visible body of plants, animals and human beings.

Roughly, instrumentalism is the view that science is primarily, and should primarily be, an instrument for furthering our practical ends. It has fallen out of favour because historically influential variants of the view, such as logical positivism, suffered from serious defects. -/- In this book, however, Darrell P. Rowbottom develops a new form of instrumentalism, which is more sophisticated and resilient than its predecessors. This position—‘cognitive instrumentalism’—involves three core theses. First, science makes theoretical progress primarily when it furnishes us (...) with more predictive power or understanding concerning observable things. Second, scientific discourse concerning unobservable things should only be taken literally in so far as it involves observable properties or analogies with observable things. Third, scientific claims about unobservable things are probably neither approximately true nor liable to change in such a way as to increase in truthlikeness. -/- There are examples from science throughout the book, and Rowbottom demonstrates at length how cognitive instrumentalism fits with the development of late nineteenth- and early twentieth-century chemistry and physics, and especially atomic theory. Drawing upon this history, Rowbottom also argues that there is a kind of understanding, empirical understanding, which we can achieve without having true, or even approximately true, representations of unobservable things. In closing the book, he sets forth his view on how the distinction between the observable and unobservable may be drawn, and compares cognitive instrumentalism with key contemporary alternatives such as structural realism, constructive empiricism, and semirealism. -/- Overall, this book offers a strong defence of instrumentalism that will be of interest to scholars and students working on the debate about realism in philosophy of science. (shrink)

As Kant claimed in the Groundwork, and as the idea has been developed by Korsgaard 1997, Bratman 1987, and Broome 2002. This formulation is agnostic on whether reasons for ends derive from our desiring those ends, or from the relation of those ends to things of independent value. However, desire-based theorists may deny, against Hubin 1999, that their theory is a combination of a principle of instrumental transmission and the principle that reasons for ends are provided by desires. Instead, (...) they may say, there is just one principle, a principle of, if you will, instrumental transmutation: if one desires the end, then one has reason to take the means. See the discussion of General Production, in section 8, for a doubt about this. (shrink)

You should be specific, but also explain the context and relevance of the term. (Each ID is worth 5 points).

The development of philosophical ideas throughout history has sometimes been assisted by the use of handcrafted instruments. Some paradigmatic cases, such as the invention of the telescope or the microscope, show that many philosophical approaches have been the result of the intervention of such instruments. The aim of this article is to show the determining role that stringed musical instruments with frets had in the crisis and generation of philosophical paradigms. In fact, just as the observations of the moon with (...) the telescope broke more than a thousand years of Aristotelian hegemony, the fretted string instruments, predecessors of the guitar, played a central role in the collapse of one of the most influential approaches in the history of Philosophy: Pythagorism. We focus on the fundamental hallmarks of Pythagorism and on how, during the 16th century and from the fretted string instruments, the mathematical-musical notion of equal temperament emerged, which from the middle of the 19th century will be established as the prevailing philosophical-musical paradigm of the West. (shrink)

The development of philosophical ideas throughout history has sometimes been assisted by the use of handcrafted instruments. Some paradigmatic cases, such as the invention of the telescope or the microscope, show that many philosophical approaches have been the result of the intervention of such instruments. The aim of this article is to show the determining role that stringed musical instruments with frets had in the crisis and generation of philosophical paradigms. In fact, just as the observations of the moon with (...) the telescope broke more than a thousand years of Aristotelian hegemony, the fretted string instruments, predecessors of the guitar, played a central role in the collapse of one of the most influential approaches in the history of Philosophy: Pythagorism. We focus on the fundamental hallmarks of Pythagorism and on how, during the 16th century and from the fretted string instruments, the mathematical-musical notion of equal temperament emerged, which from the middle of the 19th century will be established as the prevailing philosophical-musical paradigm of the West. (shrink)

As an instrument of preserving the cultural memory of a community, the literary canon is usually a highly stable structure in its core elements. However, with the advent of the Communist regime after the Second World War, the Romanian literary canon underwent a drastic process of reconstruction. As early as the 1940s, what was euphemistically dubbed “revisiting our cultural heritage” actually equated to a radical revision—a purge of the literary canon through the fi lter of Marxism-Leninism. Not only writers of (...) literature, but literary critics themselves were subjected to this process. In this paper, I aim to discuss the role played by literary critics active during Gheorghe Gheorghiu-Dej’s regime in rehabilitating their predecessors. My focus will be on the press debate surrounding Titu Maiorescu’s rehabilitation in 1963. (shrink)

David Lewis presented Convention as an alternative to the conventionalism characteristic of early-twentieth-century analytic philosophy. Rudolf Carnap is well known for suggesting the arbitrariness of any particular linguistic convention for engaging in scientific inquiry. Analytic truths are self-consistent, and are not checked against empirical facts to ascertain their veracity. In keeping with the logical positivists before him, Lewis concludes that linguistic communication is conventional. However, despite his firm allegiance to conventions underlying not just languages but also social customs, he pioneered (...) the view that convening need not require any active agreement to participate. Lewis proposed that conventions arise from “an exchange of manifestations of a propensity to conform to a regularity” (87–8). In reasserting the conventional quality of languages and other practices resting on mutual expectations, Lewis comfortably works within the analytic tradition. Yet he also deviates from his predecessors because his conventionalist approach is comprehensively grounded in instrumentalism. Lewis adopts an extension of David Hume's desire-belief psychology articulated in rational choice theory. He develops his philosophy of convention relying on the highly formal mid-twentieth-century expected utility and game theories. This attempt to account for language and social customs wholly in terms of instrumental rationality has the implication of reducing normativity to preference satisfaction. Lewis’ approach continues in the trend of undermining normative political philosophy because institutions and practices arise spontaneously, without the deliberate involvement of agents. Perhaps Lewis’ Convention is best seen as a resurgent form of analytic philosophy, characterized by “a style of argument, hostility to [ambitious] metaphysics, focus on language, and the dominance of logic and formalization” that solves the dilemma of “combining the analytic inheritance…with normative concerns” by reducing normativity to individuals’ preference fulfillment consistent with the axioms of rational choice. (shrink)

The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny. Bringing the eye (...) of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change. (shrink)

Immanuel Kant (1724–1804) argued that moral requirements are based on a standard of rationality he dubbed the “Categorical Imperative” (CI). Immorality thus involves a violation of the CI and is thereby irrational. Other philosophers, such as Locke and Hobbes, had also argued that moral requirements are based on standards of rationality. However, these standards were either desirebased instrumental principles of rationality or based on sui generis rational intuitions. Kant agreed with many of his predecessors that an analysis of (...) practical reason will reveal only the requirement that rational agents must conform to instrumental principles. Yet he argued that conformity to the CI (a non-instrumental principle) and hence to moral requirements themselves, can nevertheless be shown to be essential to rational agency. This argument was based on his striking doctrine that a rational will must be regarded as autonomous, or free in the sense of being the author of the law that binds it. The fundamental principle of morality — the CI — is none other than the law of an autonomous will. Thus, at the heart of Kant's moral philosophy is a conception of reason whose reach in practical affairs goes well beyond that of a Humean ‘slave’ to the passions. Moreover, it is the presence of this self-governing reason in each person that Kant thought offered decisive grounds for viewing each as possessed of equal worth and deserving of equal respect. (shrink)

Thepresentwork is arevisedand enlarged English versionofa book originally writtenin Spanish and published in late 1996, La rejlexion de DavidHume en lorno a /a religion. SinceDavidHume is arguablynot only the most important philosopherwhohaseverwrittenintheEnglishlanguage,butthemoststudiedand influential,itisonlynaturalthatsoonerthanlaterIwouldfeelthe urgencyto bring totheattentionofamuchwiderpublicaworkwhoseoutlook is, I think, signifi cantlydifferentfrom that ofother books which deal with the Scottish thinker's worksonreligionandnaturaltheology.Thisdesirewassostrongastoallowmeto overcome the all-too-natural fear that my wavering and uncertain command of English wouldmakethe few valuableinsights theworkmight containappearun clear,andmyphilosophicalerrors,evenmoreastonishing. This book is addressednot only to scholarswhomay beinterested in modem philosophy in (...) generalorHume'sphilosophyofreligion in particular,but also to themoreextensivecompassofreaderseitherintriguedortroubledby religion and themyriadofissuesandproblemsitposes,whichare, as it were, the primematter forphilosophicalanalysisandtheorizing.Inspiteofitsphilosophicaland linguistic limitations,forwhichIamentirelyresponsible,Iferventlyhopethatthisworkmay befoundtocontainsomethingofthatelusivetruthafterwhichHumestrove, andto whichheremainedconstantto theend, particularlyatatime whenthe priceto be paidforthepublicationofcontroversialphilosophicalandreligious views wascon siderablyhigherthanthatofbecominganeasytargetforuniversalridicule. Thecompletionofthisworkhasbeenmadepossible principally by asabbatical leavethattheUniversityofPuertoRico grantedme fortheyear 1999. This leave gavemethenecessarytimeto readandstudy thepertinentliterature,aswell asto writemostoftheEnglish manuscript.Italsoallowedmeto visit Edinburgh and spendmostofJuly andAugust 1999 attheNationalLibraryofScotlandand the EdinburghUniversityLibrary.Although Ihaveincorporatedinto thepresentwork onlyasmallpartofmyresearchatthose libraries,ifthis bookshows agreaterap preciation of the immediate social and religious context of Hume's thought than its Spanish predecessor, it is in no small measure due to the books, articles, and xi xii Preface manuscritsIwasabletoconsultatthe time. Inthis respect, Iwouldliketo thank Professor Peter Jones, Director of the Institute for Advanced Studies in the HumanitiesattheUniversityofEdinburgh, who was very instrumental in making myvisittoEdinburghareality,andgenerouslyputthefacilitiesoftheInstitute at mydisposal. Manythoughts andlinesofargumentcontained in this bookdatebackto my doctoraldissertation,andsomeearlierversionsofanumberofchaptersorsections ofchaptershavebeenpublished in differentphilosophyjournalsor anthologies. I oftheminthebibliographyundermy name. But sincemy previousworks listall onthe subjecthavebeenrevisedandmodifiedsomanytimes in the lightofnew fmdingsortomeetactualorpossiblecriticism,Ican saythatthey havebeeneffec tivelysupersededbythepresentwriting. (shrink)

While the study of Newton's religious views has been continuously expanding, it has not been brought to bear directly on Newton's career as an ‘experimental philosopher’. Historical perspectives on his optical experiments in particular affirm the historiographic separation between the religious and scientific aspects of his work. In this paper I examine the practical implication of Newton's theology of dominion on his early experiments on light and colours. While his predecessors had made experiments to collect evidence, I show that (...) Newton conceived experimental research as a discipline of the practical understanding of the structure of light and the origins of colours. His conception of experimental reasoning followed his practical reflections on human beings as agents who belonged to God's dominion and who were created to serve its divine ends. These reflections suggested, more specifically, that the aim of natural philosophy was the discovery of divine rules that instrumentally constrained and facilitated human conduct in general, and perceptual judgement in particular. I show, moreover, that Newton's endeavour to subordinate experiment to divine worship had been foreshadowed by Boyle's writing on the theory and practice of the experimental philosophy. (shrink)

Offering a contemporary perspective on the theory of modernity that differentiates it from its predecessors, this reconstruction has been expanded to include a fourth instrumental aspect. In addition to the recognition of the three parts of traditional modernity—freedom, equality, and solidarity—that follow the basic ideas of the constitutional revolutions of the 18th century, this updated vision introduces responsibility. Concerning itself with what the sociology of development, risk, and ecological crisis have added to these classical ideas, the addition of (...) the fourth part, responsibility, seeks to recognize the experiences of successive eras, and the 20th century in particular. (shrink)

What kind of technology is the piano? It was once a distinctly everyday technology. In the bourgeois home of the nineteenth century it became an emblematic figure of gendered social life, its role shifting between visually pleasing piece of furniture, source of light entertainment, and expression of cultured upbringing. It performed this role unobtrusively, acting as a transparent mediator of social relations. To the composer of concert music it was, and sometimes still is, says Samuel Wilson, like the philosopher’s table: (...) “an assumed background on which one writes.” Like other instruments standard to Western art music, the piano was designed to facilitate the production of a consistent and refined timbre. More than most other such instruments, the piano also facilitated a kind of sonic neutrality. With its wide pitch range and smoothing of the percussive attack of its predecessor instruments, the piano presented composers with a technological means of approaching composition from a seemingly objective vantage point. It exemplified, in Heideggerian terms, the instrumentality of the instrument, serving as a mediator between idea and expression that apparently adds no character of its own. -/- This notion of the invisibility, or transparency, of the mediations that musical technologies such as the piano enact is one of my areas of concern here. So too is its inverse: when these mediations become visible or opaque. Transparency has been a topic of significant recent theoretical attention. Stefanos Geroulanos, for example, has detailed how the supposed transparency of intersubjective, epistemological, and social relations was a major point of critique in postwar French thought, where the supposition of transparency was taken to suppress how the world was “complex, layered, structured, filled with heterogeneity” – and, as I will stress here, contingency. The thinkers Geroulanos considers, from Jean-Paul Sartre through to Jean-François Lyotard, can be said to be united in their refusal to invisibilise mediatedness. From a starting point of conceiving of the piano as a technological artifact, and in particular from John Cage’s ‘prepared piano,’ I will explore how a similar concern has appeared in musical contexts, albeit not without the risk of reversion back into a logic of transparency. (shrink)

Immanuel Kant (17241804) argued that moral requirements are based on a standard of rationality he dubbed the Categorical Imperative (CI). Immorality thus involves a violation of the CI and is thereby irrational. Other philosophers, such as Locke and Hobbes, had also argued that moral requirements are based on standards of rationality. However, these standards were either desire-based instrumental principles of rationality or based on sui generis rational intuitions. Kant agreed with many of his predecessors that an analysis of (...) practical reason will reveal only the requirement that rational agents must conform to instrumental principles. Yet he argued that conformity to the CI (a non-instrumental principle) and hence to moral requirements themselves, can nevertheless be shown to be essential to rational agency. This argument was based on his striking doctrine that a rational will must be regarded as autonomous, or free in the sense of being the author of the law that binds it. The fundamental principle of morality the CI is none other than the law of an autonomous will. Thus, at the heart of Kant's moral philosophy is a conception of reason whose reach in practical affairs goes well beyond that of a Humean slave to the passions. Moreover, it is the presence of this self-governing reason in each person that Kant thought offered decisive grounds for viewing each as possessed of equal worth and deserving of equal respect. Kant's most influential positions are found in The Groundwork of the Metaphysics of Morals (hereafter, Groundwork) but he developed, enriched, and in some cases modified those views in later works such as The Critique of Practical Reason, The Metaphysics of Morals, Anthropology from a Pragmatic Point of View and Religion within the Boundaries of Mere Reason. I will focus on the foundational doctrines of the Groundwork, even though in recent years some scholars have become dissatisfied with this standard approach to Kant's views and have turned their attention to the later works. I myself still find the standard approach most illuminating, though I will highlight important positions from the later works where needed. (shrink)

This work reviews the progress of children's rights 25 years since the adoption of the UN Convention on the Rights of the Child. It studies the progress of that human rights instrument as part of an ongoing process. It examines how recent past, present and future generations will benefit or suffer as part of the process in which outcomes cannot be predicted. It does not project into the future. Its emphasis is on a review of the period after 1989 and (...) it comments on what has happened and offering guidance on how children's rights might progress. The book presents a realistic but not always critical review of two and a half decades of intensive activity in the field of children's rights worldwide. It includes both failures and examples of good practice and positive experiences. It offers a review of progress and lack of progress in child rights and welfare in the twelve countries used as case studies in its predecessor, The Next Generation. Finally, the volume considers the impact of current geopolitical and economic realities on children's rights in the early years of the twenty-first century. The book is a tribute to Judith Ennew and pays homage to all of the people who have contributed so much to children's rights over the years and wishes to encourage others to take up the cause. (shrink)

"The vigilant worm" about G.S. A frying pan, having deeply become entrenched in human nature, having come to an understanding of the anthropological crisis, as a result of surviving, is now very technogenic in civilization. For the vigilance of the “vigilant worm”, the culturologist beat the humanistic instrument with the visionary philosophies, religion, morality, mystery, art, praise to the faithful, holy, kind, good-natured. For the sake of meticulous law є zernennya of today’s suspension thoughts to the historical access to their (...) predecessors, who should take revenge on their spacious human potential potential. Yogi osmislennya zalysha naysuttvіshe zavdannya, scho stand in front of the philosophical attainment. At this zv'yazku vivchennya creative creativity Spadshchiny G.S. The frying pans look like they are more relevant than those of the philosopher, but they are also wider - the most humanistic. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Individualization of Crime in Medieval Canon LawVirpi Mäkinen and Heikki PihlajamäkiIn The Mourning of Christ (c. 1305, fresco at Cappella dell'Arena, Padua, Italy), Giotto di Bondone (c. 1267-1337) depicts the Virgin Mary embracing Christ for the last time after he has been taken down from the cross. Whereas his predecessors in the devotional Byzantine tradition concentrated on flat, still figures, Giotto emphasizes their humanity and individuality. The (...) grief on the Virgin's face is touching and convincing but in a slightly different way than the sorrow experienced by St. John or the other accompanying figures. Even the ten angels following the scene seem to grieve for the Redeemer in their own personal way. The individuality of Giotto's figures may not seem much if we compare it with the seventeenth-century Flemish masters. Giotto's Virgin and her company still show a restraint in their grief which does not seem entirely natural. In late medieval art, however, Giotto's approach was fresh and new, reflecting a trend toward individualization which was not peculiar merely to art but was taking over many other areas of late medieval life as well. Philosophy, theology, and law—the medieval scientiae—were all putting increasing emphasis on the rights and responsibilities of the individual.Nor does this trend leave criminal law and the law of evidence untouched. The medieval development of law was just as revolutionary as the development of other branches of knowledge. Starting in early twelfth-century Bologna, the Corpus Iuris Civilis became an object of systematic academic research and teaching for the first time in history. The development of canon law was perhaps even more striking. Positive, enacted law first became not only an object of academic studies but also an instrument of social engineering in the domain of church law. The hierarchical structure of the worldwide Catholic Church was built and run in conjunction with positive, enacted legislation.1 [End Page 525] The development of criminal law was just as innovative as the changes that took place in other branches of law, with canon lawyers taking the lead. Aspiring for universal power and competing for it with secular rulers, the Church was in need of an efficient system to control disobedient priests and monks and suppress heretical movements.2 The traditional system of criminal control was clearly not sufficient. Canon law, making use of the contemporary trend toward increased individualization in theology, philosophy, and Roman law, was developed to meet the church's need to master the situation.One of the most important and influential developments in thirteenth-century criminal law concerned the individual's criminal intention and responsibility. Before the change criminal responsibility was mainly based on the consequences of a crime. The canon lawyers began to determine different modes of subjective responsibility. In the law of criminal evidence the individual was also shifted from the margins to the center of attention. Earlier criminal evidence had been produced from sources external to the individuality of the defendant, such as oaths, compurgators, and ordeals. In the thirteenth century and with the development of the so-called statutory or legal theory of proof, increasing attention was paid to the stories of both the defendant (in the form of confessions) and the witnesses. The development of criminal law and criminal procedure in the thirteenth and fourteenth centuries can be understood in the context of the simultaneous trend toward individualization that took place in moral philosophy and theology as well as in canon law.3 These connections are not the only way of understanding the modernization of canon criminal law, for the prevailing view sees the transformation in conjunction with the twelfth-century hierarchization and centralization of church bureaucracy. The particular form that the criminal law and law of proof assumed in these changes did not arise out of a vacuum but, however, has to be understood in relation to the neighboring fields of thought.The Human Will and the Individual in Medieval Moral PhilosophyThe primus motor of medieval philosophy, Aristotelianism, encountered its first competing theories in the thirteenth century. One of the most far-reaching ideas concerning human psychology and behavior, developed by the Franciscans... (shrink)

By tradition, Byzantine dance is linked with both classical antiquity and today’s folk dances of the southern Balkans. Turkish influence on the latter seems limited primarily to musical instruments and melody but does not appear to include rhythm. In antiquity, and in Byzantine times, the simple rhythmic foot was divided into arsis and thesis, the ‘up’ and ‘down’ of a step, and the ratio of their lengths determined the rhythmic genus, 1:1 dactylic, 2:1 iambic, 3:2 paeonic and 4:3 epitrite. This (...) implies measures of 2, 3, 4, 5 or 7 units and certain multiples. In addition, there were also composite rhythmic feet which combined simple feet of different genera. In early Byzantium, for example, measures of 11 and probably of 9 units were used. These seem to correspond to the forms 3+3+2+3, 2+3+2+2+2 and 2+2+3+2. This would suggest that the asymmetric rhythms of Greek, Bulgarian and Macedonian folk dances derive from ancient and Byzantine predecessors. (shrink)

Aristotle is commonly considered the inventor of teleology, although the exact term "teleology" originated in the eighteenth century. If teleology means the use of ends and goals in natural science, then Aristotle should be regarded rather as a critical innovator of teleological explanation. Teleological notions were widespread among his predecessors, but Aristotle rejected their conception of extrinsic causes like mind or god as the primary causes for natural things. Aristotle's radical alternative was to assert nature itself as an internal (...) principle of change and an end, and his teleological explanations focus on the intrinsic ends of natural substances---those ends that benefit the natural thing itself. To these he contrasted incidental ends of natural things, such as possible uses of the thing which do not serve its own functions and interests. ;Aristotle holds that natural science is knowledge that comes about through demonstration of the causes of natural kinds. Most important is "the cause for the sake of which"---the end. The identification of a natural end initiates the process of explanation and constitutes the basis for all objective knowledge about natural kinds---stars, elements, plants, and animals. The determination of the ends of natural kinds also indicates how other causal factors, such as matter and necessity, are to be integrated into an explanatory account of their parts and behavior. ;Aristotle's teleology was subsequently conflated with incompatible "teleological" notions, including proofs for the existence of a providential or designer god, vitalism and animism, opposition to mechanism and non-teleological causation, and anthropocentrism. I aim to correct these misrepresentations through an investigation of Aristotle's methodological statements, as well as the explanations actually offered in the scientific works. I argue that Aristotle's aporetic approach avoids the dilemma between backwards causation and anthropomorphism that is frequently leveled against teleology. ;Although Aristotle's philosophy sometimes suffers from failed extrapolation of teleological principles, still it succeeds in challenging the anthropocentric conception of nature, and rising above the banausic perspective which views all natural things as instruments for human ends, to a loftier viewpoint from which natures can be observed and appreciated as their own goods. (shrink)

This article investigates artificial life image-making in relation to and as constituent of the moving image, specifically artificial life visualized in three-dimensional computer-generated space . Of particular interest in this examination is the view or `window', from the virtual camera, into the artificial life computational model or `world' , and how it organizes a dense field of expectations. Analogous to looking through a telescope or microscope, the view into the artificial life world is monocular and often fixed in the world; (...) in this regime we look `at' computer models, which are often referred to as agents, `creatures', `organisms' or `cyberbeasts'. This tactic of looking through the instrumentality of science, the arts of reality, is parallel to looking through André Bazin's `long take' in cinema and documentary film-making in which we look `at' an unmediated view of reality; in other words, in looking `at' an image of artificial life we look `through' a non-intrinsic regime of seeing. This investigation into the interpretative regime provides only a partial account of the intercultural traffic between artificial life and the moving image. I further this discussion by arguing that artificial life screen-based works are a contemporary extension and reworking of the nature film in that they provide accounts of the `natural' world that are familiar and similar to those of their filmic and cinematic predecessors. I contend that artificial life visualizations and the stories that often accompany the images are the latest manifestation of this photographic and filmic tradition. To illustrate my point I discuss the scientific project Daisyworld, the associated narrative that frames the research, and the researchers' attempt to mathematically model an `imaginary planet [with] a very simple biosphere'. This sets the scene to explore artificial life in relation to Disney wilderness and nature films. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Believing in Yesterday while Living for TodayJudith P. HallettLee T. Pearcy's meditation on the past and prospects of classical education in the United States, The Grammar of Our Civility: Classical Education in America (Baylor University Press, Waco, Tex. 2005), embarks from an assessment by the German émigré-scholar Werner Jaeger in his Scripta Minora, published in Rome in 1961, a year before Jaeger died. Jaeger's exact words merit full quotation: (...) "Without the continuing prestige of the ancient idea of humanity in human culture, classical scholarship is just a waste of time. Whoever does not see this ought to come to America and let himself learn from the way classical studies have developed there." Arguing "that Jaeger was right," Pearcy contends that "Classics, the study of ancient Greece and Rome, has never developed, as other academic subjects and disciplines have, a distinctly American form in response to American social and cultural conditions." Instead, "classics in this country has imitated European models and patterned itself after forms of education and scholarship developed in a cultural context where, as Jaeger saw, the prestige of Humanism guaranteed the cultural value of classical study" (Foreword, x).The Grammar of Our Civility not only offers a thoughtful response to Jaeger's criticism of how classical studies have developed in this alien environment; it also considers how they might, at long last, become truly American. In faulting classics in this country for merely emulating inapposite European models, Pearcy investigates the genesis of these models in Renaissance Italy and nineteenth-century England and Germany, and traces the evolution of American classics in higher and secondary education from colonial to contemporary times. He maintains that the inability of classics "to negotiate successfully the transition at the end of the nineteenth century," moving from the curricular configurations that have been called the "Old College" to the modern American university, has left it uniquely marginalized among professionalized disciplines. Yet he also evocatively imagines, in the mode of another illustrious European settler on our shores, John Lennon: "the contours of a distinctive form of classical education grounded in American personal and social reality [End Page 589] as firmly as European classical studies were grounded in the society they served" (Foreword, ix–x).Pearcy insists that this "pragmatic" American form of classical education needs to resemble its European predecessor by remaining "a way of becoming human and humane." Nevertheless, he envisions that it will adopt patterns of education and scholarship that draw on the "progressive, democratic strain" in the practice of a few American classicists, "avoid[ing] the temptations of some postmodern theories that deny language and literature any possibility of interacting with the human world and make them instruments of power rather than the creators of the powerful." He visualizes a discipline that emerges from and reacts to what he terms the "American cultural self... indeterminate and various." At the same time, he stipulates that this new form of classics must respond to "Jaeger's provocative challenge... by refusing to depend on the 'ancient idea of humanity in human culture'" (118–19).Jaeger's "ancient idea," responsible for the form of classical education that prevailed from approximately the Renaissance to World War I, is the "grammar" of Pearcy's title. Pearcy deploys the term "grammar" in an inventive, subtle analogy between the mastery of an individual language and the study of the entire classical world. As he observes, much as those who acquire the fundamentals of a language through exposure to abstract accounts of its workings become capable of comprehending and actively transforming the culture that this language describes and sustains, so those who once absorbed the messages emanating from that old-time, Old World classical education came to possess the "tastes, values and attitudes of the governing class," and be deemed "civilized" (2–5).Pearcy ponders the form that this "civility" of yore—informed, humane interactions of the mind—might assume in American society today. He similarly considers how a new, culturally rooted and authentic kind of grammar—formal intellectual engagement with the ancient Greco-Roman world in the halls of learning—might foster that civility. Not surprisingly, he assumes that those acquiring this grammar "will begin... (shrink)

This monumental work by a perceptive medieval scholar is undoubtedly the most comprehensive work in any modern language of the overall system of Ockham. Its three parts deal respectively with the cognitive order, the theological order, and the created order. Leff credits the more than 30 years of research by such Ockham scholars as Hochstetter, Vignaux, Moody, Baudry, Boehner, etc., with correcting his own earlier misconception—shared by so many historians of philosophy and theology—of Ockham as the one who destroyed scholasticism (...) and upset the fine balance of faith and reason by his ruthless logic, religious insensitivity, and skepticism. Such misconceptions stem from viewing Ockham either through the eyes of his predecessors, such as Aquinas or Scotus, or in the light of "the Ockhamism" of those who claimed to be his followers. In the present book, the author eschews this type of "historical approach." As he puts it, "I have sought to see his thought as a whole, in its own terms, not in pedigrees or... subsequent effects." Although much of Ockham’s writing still await critical editing, Leff sees a remarkable unity in all his works. "They are shaped by the same principles which recur throughout Ockham’s writings.... Whatever the modifications still to come as his works are properly edited, it is inconceivable that they will alter the configuration of Ockham’s thought. It is founded upon the discrepancy between the conceptual and the ontological expressed in the contrast between the individual nature of all being and the universal nature of our concepts. Instead of assuming or attempting to establish a direct rapport between them, Ockham was the first thinker systematically to explore their difference whilst accepting their interdependence." It is precisely because of this interdependence that Ockham was a "conceptualistic realist," to use Boehner’s description. Ockham was "safeguarding concepts from the status of merely mental constructs." He did not deny them epistemological validity as the nominalists did. On the other hand the varying degrees of "realism"—other than conceptualistic—"allowed no means of distinguishing logically between the mental and the real.... The distinction between concepts and what they represented then vanishes, and with it the power of differentiating true from false propositions." Ockham was genuinely concerned with meaning and evidence, the two key words that Leff believes best characterize his outlook. Leff’s professed aim is to show that "Ockham was not a logician devaluing theology or metaphysics; he was no less a philosopher and theologian than his predecessors. He accepted the same framework of knowledge and belief. The difference was that he was concerned with their meaning and evidence to the exclusion of treating their concepts as metaphysical bricks from which to build systems." Howsoever much Leff may have succeeded in achieving this goal or how many of his interpretations of specific topics may need some modification, the fact that he has followed Ockham’s thinking and argument step by step—often in what seems to be little more than an English paraphrase of the Latin text—makes his own detailed analysis a useful instrument for anyone seriously interested in Ockham’s thought.—A.B.W. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in IndiaDan ArnoldBones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India. By Gregory Schopen. Honolulu: University of Hawai'i Press, 1997. Pp. xvii + 298.For over twenty years now, Gregory Schopen has prolifically been producing articles on the archaeology, epigraphy, and texts that pertain (...) to Indian Buddhist monasticism. Schopen's treatment of this material has been extremely insightful and original, and his work has been instrumental in overturning many of the cherished convictions that had long constituted the "received wisdom" of Buddhist studies. In particular, his articles have prompted significant revision in thought regarding the development of Mahāyāna and regarding the role of the monastic religious in Buddhist cultic life.With the publication of this collection of Schopen's essays, Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India (the first of two such volumes, according to the Preface by Donald Lopez), Schopen's work stands to receive a wider hearing, and so to extend its already significant influence in the field of Buddhist studies. This is as it should be; for all scholars in the field are very much in Schopen's debt for the illuminating interpretations and conclusions that he has distilled from monumental amounts of epigraphical data. While Schopen has devoted care to the edition, translation, and interpretation of manuscript remains from Gilgit (chiefly, the Vinaya of the Mūlasarvāstivādins), his most characteristic and original interpretations have been of the kind of "donative inscriptions" attached to the material remains of Indian Buddhist cultic life—a task that requires, among other things, a rare expertise across the range of Middle Indic dialects. In deploying such expertise, Schopen has presented compelling evidence, for example, that it was in fact monks and nuns who sponsored the kinds of practices typically associated with the rise of Mahāyāna—a conclusion that counters the long-unchallenged view that it was Buddhist laypeople who initiated this movement. It would be good indeed if such conclusions, as well as the exemplary scholarship that warrants them, were to have influence in proportion to their originality and importance.Still, it must be said that the presentation of the essays collected in this volume also reveals one important problem, and it is to be hoped that this feature does not become entrenched as part of Schopen's influence. For particularly when reading these essays all at once, one is struck by the recurrent statement of a specious dichotomy between what religious people "actually did," and what canonical texts say they should have done. Overcorrecting the biases of his philological predecessors, Schopen insists on this dichotomy in a way, it seems to me, that reflects a problematic view of how canonical texts must have been used—a view according to [End Page 620] which, if attested behavior contradicts such texts, they must simply not have been used.The influential essay "Two Problems in the History of Indian Buddhism: The Layman/Monk Distinction and the Doctrines of the Transference of Merit" (reprinted as chapter 2 of this volume) clearly exemplifies the pattern of Schopen's work. He starts by arguing (contra the presupposition of many of his predecessors) that there is little basis for taking the Pāli canon as reflecting anything like the state of practice at an early point in history. He then goes on to show (on the basis of donative inscriptions that are much more reliably datable indicators of what was happening on the ground) that, contrary to what the "canon" would lead us to expect, it was in fact chiefly monks and nuns who sponsored the production of cultic images. This evidence calls for the recognition that "from its first appearance in inscriptions, the Mahāyāna was a monk-dominated movement" (p. 32); that "not only was the image cult overwhelmingly a monastic concern, it was also, on the basis of the available information, a monastically initiated cult" (p. 32); and that, "All of... [the] monks [involved] were doctrinal specialists... (shrink)

One important concern regarding implantable Brain Computer Interfaces is the fear that the intervention will negatively change a patient’s sense of identity or agency. In particular, there is concern that the user will be psychologically worse-off following treatment despite postoperative functional improvements. Clinical observations from similar implantable brain technologies, such as deep brain stimulation, show a small but significant proportion of patients report feelings of strangeness or difficulty adjusting to a new concept of themselves characterized by a maladaptive je ne (...) sais quoi despite clear motor improvement. Despite the growing number of cases in the DBS literature, there is currently no accepted or standardized tool in neuroethics specifically designed to capture the phenomenological postoperative experience of patients implanted with DBS or BCI devices. Given potential risks of postoperative maladaptation, it is important for the field of neuroethics to develop a qualitative instrument that can serve as a shared method for capturing postoperative variations in patient experience of identity and agency. The goal of this article is to introduce an instrument we have developed for this purpose and call for further neuroethical efforts to assess the phenomenology of implantable brain device use. (shrink)

Rationality requires that we intend the means that we believe are necessary for achieving our ends. Instrumental Rationality explores the formulation and status of this requirement of means-ends coherence. In particular, it is concerned with understanding what means-ends coherence requires of us as believers and agents, and why.

This chapter contains sections titled: Democracy as a Way of Life The Values of a Democratic Way of Life Intrinsic and Instrumental Values of Democracy References.

L’humanité a inventé environ 12 000 types différents d’instruments de musique, chacun exprimant une facette de l’imagination humaine. Mais on s’étonne que de ce que la philosophie néglige cet objet, dont se sont emparés acousticiens, musicologues, ethnomusicologues et historiens. Relevant le défi d’une exploration philosophique, Bernard Sève défend la thèse originale de la « condition organologique de la musique » : la musique n’est complètement elle-même que lorsqu’elle se sert d’instruments ; la musique, d’une certaine façon, « commence » avec (...) l’instrument. Mais à condition d’ajouter que l’instrument n’est rien sans l’instrumentiste qui le met en œuvre. On peut alors distinguer deux corps de l’instrument : son corps physique, qui peut produire toutes sortes de bruits, et son corps musical, qui ne produit que les sons musicaux voulus ; réciproquement, le musicien qui apprend à jouer d’un instrument transforme son corps physique naturel en corps musicien. Bernard Sève étudie enfin les rapports entre l’instrument et le temps et propose une ontologie de l’œuvre musicale dans laquelle l’instrument joue un rôle essentiel. L’instrument de musique n’est totalement lui-même que lorsqu’il joue, et l’œuvre musicale n’est totalement elle-même que lorsqu’elle est effectivement jouée. Et la musique est le seul art dont les instruments sont utilisés tout au long de la réalisation de l’œuvre : une fois la toile achevée, le peintre n’a plus besoin de son pinceau, mais, la partition terminée, le musicien a plus que jamais besoin des instruments... (shrink)

This paper criticizes two accounts of the normativity of practical principles: the empiricist account and the rationalist or realist account. It argues against the empiricist view, focusing on the Humean texts that are usually taken to be its locus classicus. It then argues both against the dogmatic rationalist view, and for the Kantian view, through a discussion of Kant's own remarks about instrumental rationality in the second section of the Groundwork. It further argues that the instrumental principle cannot (...) stand alone. Unless there are normative principles directing us to the adoption of certain ends, there can be no requirement to take the means to our ends. The familiar view that the instrumental principle is the only requirement of practical reason is incoherent. (shrink)

Some theodicists, skeptical theists, and friendly atheists agree that God-justifying reasons for permitting evils would have to have an instrumental structure: that is, the evils would have to be necessary to secure a great enough good or necessary to prevent some equally bad or worse evil. D.Z. Phillips contends that instrumental reasons could never justify anyone for causing or permitting horrendous evils and concludes that the God of Restricted Standard Theism does not exist—indeed, is a conceptual mistake. After (...) considering Phillips’ and other objections in the neighborhood, I argue that the Expanded Theism of Christian theology does forward a God who ‘digs in’ and eternally answers for horrors. (shrink)

In this ambitious and highly original study, McCabe presents an intricately structured argument designed to demonstrate Plato’s concern with fundamental issues of rationality and personhood. In doing so, she pursues themes announced in her Plato’s Individuals and in Form and Argument in Late Plato, a collection she co-edited with Christopher Gill. The development of her position via consideration of the philosophical importance of characterization and the dialogue form in the Theaetetus, Sophist, Statesman, and Philebus leads her to focus in particular (...) on Plato’s depiction of his predecessors. These include, firstly, the Theaetetus’s Protagoras and Heraclitean flux theorists and the Sophist’s Parmenides and materialist giants, all “mean-minded opponents” whose views threaten the very possibility of rational inquiry. Refutation of them, accordingly, is Plato’s means of establishing certain basic principles of reason. (shrink)

Robert John Ackermann deals decisively with the problem of relativism that has plagued post-empiricist philosophy of science. Recognizing that theory and data are mediated by data domains (bordered data sets produced by scientific instruments), he argues that the use of instruments breaks the dependency of observation on theory and thus creates a reasoned basis for scientific objectivity. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist (...) of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Instrumental rationality prohibits one from being in the following state: intending to pass a test, not intending to study, and believing one must intend to study if one is to pass. One could escape from this incoherent state in three ways: by intending to study, by not intending to pass, or by giving up one’s instrumental belief. However, not all of these ways of proceeding seem equally rational: giving up one’s instrumental belief seems less rational than giving (...) up an end, which itself seems less rational than intending the means. I consider whether, as some philosophers allege, these “asymmetries” pose a problem for the wide-scope formulation of instrumental rationality. I argue that they do not. I also present an argument in favor of the wide-scope formulation. The arguments employed here in defense of the wide-scope formulation of instrumental rationality can also be employed in defense of the wide-scope formulations of other rational requirements. (shrink)

How does Plato view his philosophical antecedents? Plato and his Predecessors considers how Plato represents his philosophical predecessors in a late quartet of dialogues: the Theaetetus, the Sophist, the Politicus and the Philebus. Why is it that the sophist Protagoras, or the monist Parmenides, or the advocate of flux, Heraclitus, are so important in these dialogues? And why are they represented as such shadowy figures, barely present at their own refutations? The explanation, the author argues, is a complex (...) one involving both the reflective relation between Plato's dramatic technique and his philosophical purposes, and the very nature of his late philosophical views. For in these encounters with his predecessors we see Plato develop a new account of the principles of reason, against those who would deny them, and forge a fresh view of the best life - the life of the philosopher. (shrink)

Do the sciences aim to uncover the structure of nature, or are they ultimately a practical means of controlling our environment? In Instrumental Biology, or the Disunity of Science, Alexander Rosenberg argues that while physics and chemistry can develop laws that reveal the structure of natural phenomena, biology is fated to be a practical, instrumental discipline. Because of the complexity produced by natural selection, and because of the limits on human cognition, scientists are prevented from uncovering the basic (...) structure of biological phenomena. Consequently, biology and all of the disciplines that rest upon it--psychology and the other human sciences--must aim at most to provide practical tools for coping with the natural world rather than a complete theoretical understanding of it. (shrink)

Prior research on sustainability in business often assumes that decisions on social and environmental investments are made for instrumental reasons, which points to causal relationships between corporate financial performance and corporate social and environmental commitment. In other words, social or environmental commitment should predict higher financial performance. The theoretical premise of sustainability, however, is based on a systems perspective, which implies a tighter integration between corporate financial performance and corporate commitment to social and environmental issues. In this paper, we (...) describe the important theoretical differences between an instrumental and integrative logic in managing business sustainability. We test the presence of each logic using data from 738 firms over 13 years and find evidence of integrative logic applied in business. (shrink)

This paper argues that instrumental rationality is more permissive than expected utility theory. The most compelling instrumentalist argument in favour of separability, its core requirement, is that agents with non-separable preferences end up badly off by their own lights in some dynamic choice problems. I argue that once we focus on the question of whether agents’ attitudes to uncertain prospects help define their ends in their own right, or instead only assign instrumental value in virtue of the outcomes (...) they may lead to, we see that the argument must fail. Either attitudes to prospects assign non-instrumental value in their own right, in which case we cannot establish the irrationality of the dynamic choice behaviour of agents with non-separable preferences. Or they don’t, in which case agents with non-separable preferences can avoid the problematic choice behaviour without adopting separable preferences. (shrink)

The issue whether psychopathic offenders are practically rational has attracted philosophical attention. The problem is relevant in theoretical discussions on moral psychology and in those concerning the appropriate social response to the crimes of these individuals. We argue that classical and current experiments concerning the instrumental learning in psychopaths cannot directly support the conclusion that they have impaired instrumental rationality, construed as the ability for transferring the motivation by means-ends reasoning. In fact, we defend the different claim that (...) these experiments appear to show that psychopaths in certain circumstances are not aware of the relevant means for their ends. Moreover, we suggest how further empirical research could help to settle the issue. (shrink)

What does it mean that an object has instrumental value? While some writers seem to think it means that the object bears a value, and that instrumental value accordingly is a kind of value, other writers seem to think that the object is not a value bearer but is only what is conducive to something of value. Contrary to what is the general view among philosophers of value, I argue that if instrumental value is a kind of (...) value, then it is a kind of extrinsic final value. (shrink)

What does it mean that an object has instrumental value? While some writers seem to think it means that the object bears a value, and that instrumental value accordingly is a kind of value, other writers seem to think that the object is not a value bearer but is only what is conducive to something of value. Contrary to what is the general view among philosophers of value, I argue that if instrumental value is a kind of (...) value, then it is a kind of extrinsic final value. (shrink)

The production of scientific instruments in America was neither a postwar phenomenon nor dramatically different from that of several other developed countries. It did, however, undergo a step-change in direction, size and style during and after the war. The American scientific instrument industry after 1945 was intimately dependent on, and shaped by, prior American and European experience. This was true of the specific genres of instrument produced commercially; to links between industry and science; and, just as importantly, to manufacturing practices (...) and cultures. I will argue that, despite the new types of instrument commercialized after the war, this historical continuity of links with science and scientists guided and constrained the design and manufacture of these products. Nevertheless, new designers, manufacturers and customers gradually transformed the culture of scientific instruments in the second half of the century. -/- This chapter deals with a subset of the American instrument industry, namely the measuring and monitoring instruments manufactured for scientific use. Even with the specification of ‘scientific’ instruments, however, these borders are rather artificial and unclear: instrument making from the seventeenth through the twentieth century has generally involved the fabrication of both standard products and custom-made devices for scientific use.2 In this context of sales quantities, ‘scientific’ instruments have often been defined as low-volume, special-order or custom devices. In a similar vein, ‘scientific’ instruments were commonly distinguished from ‘production’ instruments by context of usage, namely their very absence from – and indeed irrelevance to – production environments. This demarcation according to customer and environment was mirrored in at least one furth er respect: the training of their users. The classification into ‘scientific’ and ‘engineering’ applications was as fluid as the relationship between American universities and technical industries themselves.Despite these complementary definitions, the notion of the ‘scientific instrument’ was beginning to prove inadequate even at the turn of the twentieth century, and dramatically so when discussing the post-Second World War period. Definitions altered qualitatively after the Second World War in at least three further ways: (a) new genres of device altered the scope of the scientific instrument; (b) the contribution of State and military sponsorship of new forms of instrument became significant; and, (c) the postwar demand for specialist instruments increased rapidly, owing to wartime innovation, new applications and new customers. I will explore the evolution of instrument manufacturing in this changing context of new technology, funding, development and markets. (shrink)

Properly understood, the instrumental rule says to take means that actually suffice for my end, not, as is nearly universally assumed, to intend means that I believe are necessary for my end. This alternative explains everything the standard interpretation can—and more, including grounding certain correctness conditions for exercises of our will unexplained by the standard interpretation.

The paper distinguishes between instrumental reasons and instrumental rationality. It argues that instrumental reasons are not reasons to take the means to our ends. It further argues that there is no distinct form of instrumental reasoning or of instrumental rationality. In part the argument proceeds through a sympathetic examination of suggestions made by M. Bratman, J. Broome, and J. Wallace, though the accounts of instrumental rationality offered by the last two are criticised.