They examine the currents of thought behind some of the most significant works in Western philosophy, including those by John Locke and David Hume.

Classic analysis of the subject and the development of personal probability; one of the greatest controversies in modern statistcal thought.

Hannah Arendt’s claim that thinking is the last defense against the moral outrages of criminal political regimes sets the problematic of good and evil in relief. Human freedom, Paul Ricœur reminds us, is responsible for evil. The avowal of the evil of violence is thus the condition of our consciousness of the freedom to act anew. Aesthetic experience’s lateral transposition onto the planes of ethics and politics highlights our capacity to respond to exigencies in apposite ways. Exemplary representations of the (...) good, the right, and the justexpress a desire for being. Eros is accordingly the law of every work, word, deed, or act that answers to a difficulty, challenge, or crisis. Bound to living experiences, thought attains its true height through interrogating, demystifying, and vacating frozen norms, standards, and mores. Judgment actualizes thought’s liberating effects in answer to the demands of the situations in which we find ourselves. (shrink)

This is what I hope is an illuminating, and to a certain degree, novel exposition of Montague Grammar. It is against many standard interpretations, and perhaps even against things Montague himself says at times. However, it makes more sense of how his various commitments fit together in a systematic way. Why, for instance, is it called "Montague Grammar" rather than "Montague Semantics," and what role does his commitment to Fregeanism plays in his conception of language? It is clear that he (...) is committed to the idea that function application is the fundamental mode of semantic composition, and that he is committed to an intensional framework. However, intensions have, since Carnap, been understood as nearly conceptually equivalent to functions from possible worlds to sets of individuals. But, in truth, possible worlds semantics is just dressed up extensional semantics. There are just more objects to go around to serve as inputs for functions, whatever we think of their ontological status. That is, possible worlds semantics is really a semantic reduction of intensional semantics achieved by expanding our ontological commitments. It would be difficult to make sense of Montague's strong commitment to Fregean semantics, if his notion of intension was that of Carnap's. According to my interpretation, Montague's notion of intension must be distinct from the version adopted by possible world semantics. Montague took seriously the idea that intensional semantics was something quite different from extensionalist semantics. The first was not reducible to the second semantically speaking. Just as Frege believed that meaning consisted of both sense and reference, so too did Montague. However, just as Frege also believed, Montague thought that sense and reference were systematically related. As I illustrate, interpreting Montague as adopting a different notion of intension can also resolve the apparent problem of distinguishing the difference in meaning between intensional equivalents. It might also enable us to draw a distinction in epistemic logic between an agent having contradictory beliefs and believing contradictions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Criticism, Imagination, and the Subjectivization of AestheticsRoger W. H. SavageThe growing discontent with reductivist practices signals a new current in contemporary criticism's understanding of music, literature and art. George Levine's unease with critics who are unable or unwilling to account for their continuing preoccupation with literary texts they expose as "imperialist, sexist, homophobic and racist" illumines the contradiction fueling the reduction of aesthetics to ideology.1 Cultural studies that deploy (...) literature as evidence of the aesthetics' socio-historical substance mask literature's capacity to break open new perspectives on reality by assuming that literary works are politically complicit with the aesthetics' strategic "mystification of the status quo" (A&I, p. 3). Criticism's indifference to its philosophical presuppositions exacerbates the paradox of denouncing a body of works that constitute criticism's aesthetic and intellectual heritage. According to Mario Valdés, literary studies' coming of age mandates that criticism take account of a tradition nurtured by a succession of philosophers including Hans-Georg Gadamer and Paul Ricoeur.2 For Valdés, the post-structuralist realization that literary texts are indeterminate and inexhaustible prohibits replacing the work of art with critical commentaries on it; criticism's collective and determining role belongs to a shared community of commentary whose history and thought is a record of the changing interpretations and understandings of literary texts' meanings. [End Page 164]Valdés's claim extends to the field of contemporary music criticism, where the fashion of denouncing aesthetics as socially pernicious turns against traditional musicology's institutional authority. By demystifying absolute music (instrumental music devoid of programmatic associations), a self-proclaimed critical musicology revolts against traditional musicology's perceived political and ideological agenda. Critical musicology militates against the aesthetic conceit that absolute music transcends its social construction. Yet, by overlooking the philosophical presuppositions that set music's autonomy against practical affairs, new musicology accedes to the schema it recoils against.The tradition nurtured by Gadamer's philosophical hermeneutics and Ricoeur's hermeneutic phenomenology represents a critical current whose significance has been overshadowed by postmodernist investments in decoding music's social and political content. Gadamer's critique of the subjectivization of aesthetics and Ricoeur's meditations on the imagination's capacity for invention offer an alternativeto contemporary music criticism's reaction against the principle of music's aesthetic autonomy. Gadamer and Ricoeur question art's formal separation from reality, which belongs to the history of Kant's radical subjectivization of aesthetics. Gadamer's critique of art's aesthetic differentiation prepares the ground for revealing how socially informed analyses conform to the schema Kant initiates by divorcing judgments of taste from their surrounding cultural ethos. Gadamer argues that, by discrediting theoretical knowledge that does not rely on the methodology of the natural sciences, the transcendental function Kant ascribes to aesthetic judgment lays the foundation for differentiating between art's aesthetic constitution and a concept of truth that accommodates the standard of the natural sciences. Through reducing the "sensus communis to a subjective principle," Kant legitimates his critique of aesthetic judgments by denying taste any importanceas a mode of knowledge.3Ricoeur's hermeneutical reflections on imagination complement Gadamer's critique of a differentiating consciousness that abstracts art works from their cultural worlds. For Ricoeur, imagination is productive when the fictions that works create affect our understanding of ourselves and our world by re-describing reality. Aesthetics' alignment with ideology encounters a limit in the power works evince by unfolding different ways of seeing or hearing reality. Ricoeur's reflections on imagination stand in stark contrast to the idea that individual works represent a form of cultural capital in the struggle for social position [End Page 165] and power. Contemporary critical practices' failure to account for the philosophical separation of judgments of taste from knowledge of reality precipitates the impasse criticism encounters when it identifies aesthetics with ideology at the expense of a work's capacity to affect reality in productive ways. The dispersal and potential disappearance of music's aesthetic character into the recesses of cultural and political analysis keeps step with the conceptual narrowing imposed by a restrictive sociological critique. Demystifying music's ideological representations of gender, race and identity purges romantic... (shrink)

Social opposition to instituted policies and practices marks the sites of resistance that populate the contemporary political landscape. Animated by the prospects of a better and more just world, the emancipatory ambitions of social and political movements bring to the fore discrepancies between ideologically congealed power relations and habits of thought and the subversive function of utopian expectations. Paul Ricoeur reminds us that our participation in society is invariably punctuated by our experiences of reality’s noncongruence with imaginative alternatives we (...) can project and upon which we can act. After explaining how literary fictions open spaces for reworking reality, I set out the imagination’s analogous power on the political plane. The struggles with which social and political movements are engaged seek to transform established conventions. Hence, like literary works, these movements aim at refashioning the existing order of reality from within. Protest movements attest to how struggles for recognition combat systemic injustices by holding out the prospect of a different and better future. Consequently, these movements exemplify the power that springs from individuals acting in consort, as evidenced by recent protests against the Trump administration. Conversely, violence destroys power. In view of the way that future expectations animate the force of the present, I therefore argue that dystopic representations of authoritarian regimes in Margret Atwood’s The Handmaid’s Tale and George Orwell’s 1984 fulfill a critical, social function as apocalyptic harbingers of political corruption and deceit. As such, these dystopian novels intensify the force that the present has as a time of crisis and decision. (shrink)

This book is a contribution to the existing body of philosophical and theological thought. It is a personal account, not a historical or chronological one. The approach taken reflects the metamorphosis from a classical to a contemporary view of theology. The book is an excellent teaching tool, one, which faithfully reflects the word of God. It stresses that through personal engagement with the Spirit of God one may begin to understand religious experience, thereby enabling one's personal faith conviction. The (...) primary purpose of theological study is spiritual growth, while intellectual understanding is of secondary importance. The deepening of theological understanding, it appears, has been achieved, not by ecclesiastical officials, but by faithful individuals sometimes even in opposition to official interpretation. Furthermore, the author says, individuals need to accept their co-responsibility and co-creative relationships with that which is divine. A viable future Church, he says, must relinquish its hold on sovereignty and centralization and institute a decision-making procedure through the principle of subsidiarity. An incursion into the Modernist movement clarifies new interpretations within theological thinking illuminating the potential for development in the future Church. This book passes as not only an informative guide to reflection on interpretation of truth but serves as a must-read for any serious student of theology, which compels the reader to examine his or her own life in the search for truth -- Publisher description. (shrink)

The exemplary value of individual moral and political acts provides a unique vantage point for inquiring into the role of the creative imagination in social life. Drawing on Kant’s concept of productive imagination, I argue that an act’s exemplification of a fitting response to a moral or political problem or crisis is comparable to the way that a work of art expresses the ‘thought’ or ‘idea’ to which it gives voice. The exercise of practical reason, or phronesis, is akin (...) to the way that a work augments the practical field of our experiences in this respect. For, like a work of art, the act produces the rule to be followed by means of the example that it sets. Accordingly, I explain how the injunction issuing from the act can be credited to the way that the singular case summons its rule. The singular character of the injunction issuing from the act thus brings to the fore the relation between reflective judgment and this injunction’s normative value. The conjunction of reason, action, and the creative power of imagination offers a critical point of access for interrogating the normative force of claims rooted in individual acts. By setting reason, action, and imagination in the same conceptual framework, I therefore highlight the creative imagination’s subversive role in countering hegemonic systems and habits of thought through promoting the causes of social and political struggles. (shrink)

The culture of ‘culture’ in National Health Service policy implementationThe widespread reference to ‘culture’ in UK NHS policy and organisational literature suggests that culture has, in itself, become a cultural phenomenon. This article draws on anthropological thought to explore this trend, and finds it stems from the way that the term ‘culture’ has become analytically empty. Lack of rigour in the way that culture is conceptualised allows it to be used both to suggest an evolved consensus among the workforce, (...) and to validate the imposition of values and beliefs by management. Such manipulation of ‘culture’ is evident in recent NHS policy demanding cultural change to ensure a flexible, empowered and self‐regulating workforce — the type of workforce not only valued by health services, but pivotal to a post‐Fordist economy. The findings from an ethnographic study are drawn upon to consider the relationship between nurses’ cultural practices, corporate culture shaped by NHS policy, and the requirements of the economic domain. It is suggested that a commitment to post‐Fordist priorities of flexibility, empowerment and self‐regulation is not necessarily matched by any shift in the traditional location of power. The article concludes that greater analytical rigour is necessary to challenge the way in which ‘culture’ is manipulated by policy makers. (shrink)

The metaphysical situation of Jean Cayrol's trilogy is also a theological one; through a subtle evolving dramatic structure the novels develop toward a religious end.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Simone de Beauvoir: The Making of an Intellectual WomanCatharine Savage BrosmanSimone de Beauvoir: The Making of an Intellectual Woman, by Toril Moi; xii & 324 pp. Oxford: Blackwell, 1994, $54.95 cloth, $21.95 paper.Eschewing linear patterns and other conventional ways of writing lives, feminist critic Toril Moi has undertaken instead to construct a “personal genealogy” of Beauvoir, using notions derived partly from Michel Foucault and Pierre Bourdieu (Jacques (...) Lacan and Freud are cited likewise). This manner of understanding what the French existentialists called the human project seeks “to achieve a sense of emergence or production and to understand the complex play of different kinds of power involved in social phenomena” (p. 7). The human subject is viewed as a product of forces; individual choice—emphasized continually, and probably excessively, by existentialists—is secondary. All types of evidence, not only writing, are considered germane: social institutions and the subject herself are “text,” part of a “discursive network” (p. 5). The point is to illuminate Beauvoir’s “speaking position” (p. 9) and what it means, for herself and others, and concurrently to explain the rather low disregard in which she appears to be held in France presently.The chief social factor identified is, not surprisingly, what is called the patriarchal order, which Moi sees even today as powerful enough to threaten thinking women’s chances for fulfillment. “Displaying a pernicious imagery of ugly bluestockings and dried-up spinsters, patriarchal ideology seeks to enforce the split between body and mind with particular rigor in the case of intellectual women” (p. 256). Cited in this connection are novels by Germaine de Staël and George Eliot; but, although Eliot influenced the young Beauvoir, these nineteenth-century models pertain little to today’s situation in America and England, for instance (where Moi, a Norwegian, has resided). But Moi needs to believe that such strictures still operate, in order to argue for Beauvoir’s unique position as “a mythological figure, an imago that has made its presence felt in the thoughts and dreams of every intellectual woman in the Western world since the early 1950s” (p. 5)—a claim no less absurd for being unoriginal.The study investigates three “moments” or crucial questions. The first is Beauvoir’s discovery in 1929 (justified or not, and made chiefly perhaps through sexual desire) that she was intellectually inferior to Sartre, despite her stellar academic performance; this led to her positioning herself as second among equals. Moi explores this momentous choice in personal and sociological terms, examining the French academic establishment that formed her and asking what it meant to be a woman agrégée in philosophy, in love with a brilliant man.The second major topic is Beauvoir’s writing itself, as it springs from and refers to her self-image, especially in She Came to Stay and The Second Sex. The former provides telling evidence of what happens when an intelligent woman persuades herself that her lover considers her an equal, whereas actually the [End Page 417] authority remains his. Moi views this novel as more revealing, although oblique, because it is more affectively nuanced and apparently genuine, than direct accounts in Beauvoir’s memoirs of the triangle involving her, Olga Kosakiewicz, and Sartre. The Second Sex—said to be unrivaled in any field in this century, in terms of influence—is examined in light of Beauvoir’s tardy revelation in the 1940s (if one believes her) that being a woman meant something different from being a man. Beauvoir’s understanding of woman’s position is compared to Sartre’s (expressed in fiction and essays, and deduced from his behavior) and to Frantz Fanon’s concept of racial oppression.Lastly, Moi focuses on the bitter conclusion to Force of Circumstance, in which Beauvoir confesses, in her fifties, feeling cheated by life. The problematic quality of this admission can escape no one, in light of her repeated assertions elsewhere that her relationship with Sartre—central to her self-image—constituted an unreserved success, involving utter transparency and union of thought. Moi studies this in terms of other statements—some by Sartre—and Beauvoir’s true accomplishments, and shows how Beauvoir’s... (shrink)

Presents an illuminating interpretation of key 18th- and 19th-century European political thinkers' accounts and assessments of the societies and political institutes of the non-Western world. This book is of interest to students and scholars of both political philosophy and thought as well as historians of this important period of history.

To date no comprehensive treatment of Enlightenment cosmopolitanism has yet appeared. However, we are beginning to see the regular publication of more specialised studies, and Frederick Whelan’s interesting book is a noteworthy entry in this genre.

The modern conception of race is often thought by philosophers to have developed during the eighteenth and nineteenth centuries in response to a unique confluence of scientific, philosophical, and imperial forces; and in recent decades some impressive work has been done to excavate the details of its construction during this period. . . . I will argue, however, that an analysis of the visual images created by Europeans during the first half-century after 1492 reveals that the essential elements of (...) the late modern conception of race are put into place during that period. In brief, the tremendous social, economic, and political pressures that culminate in this comparatively brief moment yield the modern notion of "the savage." I will suggest that from its inception this notion is an inherently radicalized one, and that it is the nodal point for the more familiar eighteenth- and nineteenth-century understandings of non-European races. Moreover, I will argue that the modern notion of the savage is synthesized, not directly from the Noachic legends, but from images drawn, sometimes literally, on the margins of medieval understandings of humanity: powerful and deeply entrenched images of the Wild Man and the monstrous races. (shrink)

Historically, treatment for pain relief has varied according to the social status of the sufferer. A similar tendency to make arbitrary distinctions affecting pain relief was found in an ethnographic study of animal research laboratories. The administration of pain-relieving drugs for animals in laboratories differed from standard practice for humans and, perhaps, for companion animals. Although anesthesia was used routinely for surgical procedures, its administration was sometimes haphazard. Analgesics, however, were rarely used. Most researchers had never thought about using (...) analgesics and did not consider the subject worthy of serious attention. Scientists interviewed for this study agreed readily that animals are capable offeeling pain, but such assertions were muted by an overriding view of lab animals as creatures existing solely for the purposes of research. As a result, it was the exceptional scientist who was able to focus on anything about the animal's subjective experience that might lie outside the boundaries of the research protocol. (shrink)

SummaryThe problem of converting the Amerindian world to Catholicism was given a radically new solution, both at a theoretical and a missionary level, by the Jesuit Acosta: since American societies were of a completely different nature to Mediterranean ones, the preaching of the Gospel, too, had to be different from the classical approach. He gave a new definition to both preaching and American societies, especially the latter's religion and social organisation. Acosta's approach to American sauvagerie was pioneering; he conceptualised ideas (...) that had never been thought of before. There existed societies which were neither barbarous nor political (like the empires of Incan Peru and Aztec Mexico), which nonetheless had social organisation. With regard to their religious life, Acosta maintained that cult and belief without faith was not a sign of atheism, but of an early form of religion. These two reassessments gave rise to a new image of the savage society, which attained enormous success, even outside the missionary world. Fitting the theological structure into the secularised theories of radical enlightenment, both Locke and Hume had recourse to the ethnologic aspects which Acosta had set out. (shrink)

This article contends that the intellectual history of developing British imperial policy towards indigenous peoples' property rights to land in the mid-nineteenth century is best approached through seeing policy as made in the context of two intellectual vocabularies that were conjoined: the stadial theory of history and the law of nations. New Zealand provides an example of these languages in contestable play between the 1830s and 1853 at a time when the expanding British Empire as a whole vied with issues (...) such as 'native title' and the placement and control of settler populations. (shrink)

Aesthetics, hermeneutics, criticism -- Social Werktreue and the subjectivization of aesthetics -- From musike to metaphysics -- Formalist aesthetics and musical hermeneutics -- Deconstructing the disciplinary divide -- The question of metaphor -- Mimesis and the hermeneutics of music -- Political critique and the politics of music criticism -- Toward a hermeneutics of music criticism.

This paper explores the distinctive features of the critical agenda associated with the ‘Social Life of Methods’. I argue that although this perspective can be associated with the increasing interest, often associated with scholars in Science and Technology Studies, to reflect on how methods can become objects of inquiry, it also needs to be rooted in the current crisis of positivist methods. I identify the challenge for positivism in terms of the decreasing ability of its procedures to effectively organize increasingly (...) ‘lively’ sources of standardized data, which can now be assembled using aesthetic registers. In developing this argument, I dispute the idea that this development is due to historical shifts linked to the way that methodological devices are playing an increasingly significant role in contemporary social life, which might be argued by writers such as Thrift or Castells. I also argue that by opening up issues of method to the aesthetic, we also recast the relationship between theory and method, pointing to the exhaustion of a certain kind of cultural theory within the social sciences. I contextualize these issues by considering how methods are implicated in the intellectual differentiation between scientific and humanities expertise. Rather than conceiving the ‘Social Life of Methods’ in terms of the rise of instrumentalist modes of governance, it is preferable to place it within the dialectic of transparency and the relationship between the implicit and explicit. These issues are addressed through introducing the papers in the special issue. (shrink)

In “Semantics of Fictional Terms,” Garcia-Carpintero critically surveys the most recent literature on the topic of fictional names. One of his targets is realism about fictional discourse. Realists about fictional discourse believe that: (a) it contains true sentences that have fictional names as their subjects; (b) sentences containing names can be true only if those names have referents; (c) fictional names have fictional characters – abstract objects – as their referents. The fundamental problem that arises for realists is that not (...) all true sentences containing fictional names are plausibly about abstract objects. This leads to the need to introduce disjunctive conceptions of property attribution that Garcia-Carpintero claims are implausible, and that realism should therefore be rejected. He also maintains, however, that (a) is correct. I agree. Furthermore, I am also committed to anti-realism about fictional discourse – that fictional names have no referents. Garcia-Carpintero claims that my view is simply a notational variant of realism. I argue that this is false – that my view could not possibly be a notational variant of any extant realist theory. (shrink)

Fifth-century authors often invoke the idea that human beings are by nature savage, and that the civilized state of human societies is imposed on them by law and custom. A possible consequence of this idea is a pessimistic anthropological account, according to which pleonexia or greed is a natural characteristic of human beings, and therefore a justified drive of human behaviour. Scholars often attribute this pessimistic account of human nature to the sophists, whose views are considered to be reflected (...) in the speeches of Plato’s characters Glaucon and Callicles. Taking into account the genres and the contexts in which the original sophistic arguments concerning savage humanity appear, as well as the practices for which such arguments were implemented, this paper argues that the pessimistc view of human nature is not a product of sophistic thought, but is rather developed by authors such as Thucydides, who uses it in order to explain the atrocities committed in the course of the Peloponnesian war, and Plato, who uses it as a foil to his arguments concerning the superiority of human nature. (shrink)

Abstract: Many, if not most philosophers, deny that a sentence like ‘Sherlock Holmes smokes’ could be true. However, this attitude conflicts with the assignment of true to that sentence by natural language speakers. Furthermore, this process of assigning truth values to sentences like ‘Sherlock Holes smokes’ seems indistinguishable from the process that leads speakers to assign true to other sentences, those like ‘Bertrand Russell smokes’. I will explore the idea that when speakers assign the value true to the first sentence, (...) they are not mistaken or confused — that we ought to take these assignments at face value. I show how the most popular alternative to this idea is inadequate for explaining various sentences involving fictional names. In addition, I offer evidence that these truth value assignments to sentences are tracking semantic content rather than pragmatic effects. (shrink)

Recently, and rather startlingly, given the history of the debate about a name's semantic content, some claim that names are in fact predicates -- predicativism. Some of predicativists claim that a name's semantic content involves the concept of being called -- calling accounts that have been traditionally meta-linguistic. However, these accounts fail to be informative. Inspired by Burge's claim that proper names are literally true of the individuals that have them, Fara develops a non-meta-linguistic concept of being called analysed in (...) terms of property attributions. I offer seven separate reasons for rejecting the account, one of which is that Fara's development of the view, at least, has implausible consequences for a theory of name acquisition. I sketch an alternative account of name acquisition that is meta-linguistic in nature, but because it is not offered as a theory of name's content, the standard worries fail to apply. In fact, I argue that an account of name acquisition must be meta-linguistic, and therefore a more nuanced conception of meta-linguistic speech acts is required. The account invokes Austin's performative-constative distinction. It analyses name acquisition as due to performative meta-linguistic speech acts. (shrink)

The aim of the article is to intervene in debates about the digital and, in particular, framings that imagine the digital in terms of epochal shifts or as redefining life. Instead, drawing on recent developments in digital methods, we explore the lively, productive and performative qualities of the digital by attending to the specificities of digital devices and how they interact, and sometimes compete, with older devices and their capacity to mobilize and materialize social and other relations. In doing so, (...) our aim is to explore the implications of digital devices and data for reassembling social science methods or what we call the social science apparatuses that assemble digital devices and data to ‘know’ the social and other relations. Building on recent work at CRESC on the social life of methods, we recommend a genealogical approach that is alive to the ways in which digital devices are simultaneously shaped by social worlds, and can in turn become agents that shape those worlds. This calls for attending to the specificities of digital devices themselves, how they are varied and composed of diverse socio-technical arrangements, and are enrolled in the creation of new knowledge spaces, institutions and actors. Rather than exploring what large-scale changes can be revealed and understood through the digital, we argue for explorations of how digital devices themselves are materially implicated in the production and performance of contemporary sociality. To that end we offer the following nine propositions about the implications of digital data and devices and argue that these demand rethinking the theoretical assumptions of social science methods: transactional actors; heterogeneity; visualization; continuous time; whole populations; granularity; expertise; mobile and mobilizing; and non-coherence. (shrink)

THE CENTRALITY OF LIVED EXPERIENCE IN WOJTYLA’S ACCOUNT OF THE PERSON S u m m a r y The aim of this paper is to illuminate the centrality of lived experience in Karol Wojytla’s account of the person and identify its significance for philosophy and praxis in the contemporary period. Specifically the author intends to pursue the meaning of Wojtyla’s claim that “the category of lived experience must have a place in anthropology and ethics—and somehow be at the center of (...) their respective interpretations.” The paper seeks to recover an important insight into the task of philosophy: according to Karol Wojtyla, if philosophy is to perform its essential function in the recovery of our culture, we have no choice but to turn our attention to the subjectivity of human persons— and this can only be done by taking up the somewhat risky challenge of studying the reality of lived human experience. The paper will analyze Wojtyla’s argument that the problem of human subjectivity is at the epicenter of debates about the human person and will argue that his solution reconciles the dilemma posed by the historical antinomies that have characterized anthropology and epistemology, viz., the “objective” or ontological view of the human being and the “subjectivism” often associated with the philosophy of consciousness, and their corollaries, realism and idealism. At least in the English speaking context, where the validity of individual experience has risen to the level of almost dogmatic significance for social and political life, Father Wojtyla’s claim appears either to have gone unnoticed or to have been rejected. And perhaps, at least on the surface, this is not without reason. The modern interest in human subjectivity is blamed for many contemporary THE CENTRALITY OF LIVED EXPERIENCE IN WOJTYLA’S ACCOUNT OF THE PERSON S u m m a r y The aim of this paper is to illuminate the centrality of lived experience in Karol Wojytla’s account of the person and identify its significance for philosophy and praxis in the contemporary period. Specifically the author intends to pursue the meaning of Wojtyla’s claim that “the category of lived experience must have a place in anthropology and ethics—and somehow be at the center of their respective interpretations.” The paper seeks to recover an important insight into the task of philosophy: according to Karol Wojtyla, if philosophy is to perform its essential function in the recovery of our culture, we have no choice but to turn our attention to the subjectivity of human persons— and this can only be done by taking up the somewhat risky challenge of studying the reality of lived human experience. The paper will analyze Wojtyla’s argument that the problem of human subjectivity is at the epicenter of debates about the human person and will argue that his solution reconciles the dilemma posed by the historical antinomies that have characterized anthropology and epistemology, viz., the “objective” or ontological view of the human being and the “subjectivism” often associated with the philosophy of consciousness, and their corollaries, realism and idealism. At least in the English speaking context, where the validity of individual experience has risen to the level of almost dogmatic significance for social and political life, Father Wojtyla’s claim appears either to have gone unnoticed or to have been rejected. And perhaps, at least on the surface, this is not without reason. The modern interest in human subjectivity is blamed for many contemporary THE CENTRALITY OF LIVED EXPERIENCE IN WOJTYLA’S ACCOUNT OF THE PERSON S u m m a r y The aim of this paper is to illuminate the centrality of lived experience in Karol Wojytla’s account of the person and identify its significance for philosophy and praxis in the contemporary period. Specifically the author intends to pursue the meaning of Wojtyla’s claim that “the category of lived experience must have a place in anthropology and ethics—and somehow be at the center of their respective interpretations.” The paper seeks to recover an important insight into the task of philosophy: according to Karol Wojtyla, if philosophy is to perform its essential function in the recovery of our culture, we have no choice but to turn our attention to the subjectivity of human persons— and this can only be done by taking up the somewhat risky challenge of studying the reality of lived human experience. The paper will analyze Wojtyla’s argument that the problem of human subjectivity is at the epicenter of debates about the human person and will argue that his solution reconciles the dilemma posed by the historical antinomies that have characterized anthropology and epistemology, viz., the “objective” or ontological view of the human being and the “subjectivism” often associated with the philosophy of consciousness, and their corollaries, realism and idealism. At least in the English speaking context, where the validity of individual experience has risen to the level of almost dogmatic significance for social and political life, Father Wojtyla’s claim appears either to have gone unnoticed or to have been rejected. And perhaps, at least on the surface, this is not without reason. The modern interest in human subjectivity is blamed for many contemporary THE CENTRALITY OF LIVED EXPERIENCE IN WOJTYLA’S ACCOUNT OF THE PERSON S u m m a r y The aim of this paper is to illuminate the centrality of lived experience in Karol Wojytla’s account of the person and identify its significance for philosophy and praxis in the contemporary period. Specifically the author intends to pursue the meaning of Wojtyla’s claim that “the category of lived experience must have a place in anthropology and ethics—and somehow be at the center of their respective interpretations.” The paper seeks to recover an important insight into the task of philosophy: according to Karol Wojtyla, if philosophy is to perform its essential function in the recovery of our culture, we have no choice but to turn our attention to the subjectivity of human persons— and this can only be done by taking up the somewhat risky challenge of studying the reality of lived human experience. The paper will analyze Wojtyla’s argument that the problem of human subjectivity is at the epicenter of debates about the human person and will argue that his solution reconciles the dilemma posed by the historical antinomies that have characterized anthropology and epistemology, viz., the “objective” or ontological view of the human being and the “subjectivism” often associated with the philosophy of consciousness, and their corollaries, realism and idealism. At least in the English speaking context, where the validity of individual experience has risen to the level of almost dogmatic significance for social and political life, Father Wojtyla’s claim appears either to have gone unnoticed or to have been rejected. And perhaps, at least on the surface, this is not without reason. The modern interest in human subjectivity is blamed for many contemporary maladies, including subjectivism, relativism and the pride of place now given to any individual point of view, no matter how ill informed. Claims about the existence of truth or an objective moral order often cannot find a foothold when confronted with the argument that such realities do not resonate with a particular individual’s personal “experience.” The priority given to subjective personal experience in determining what constitutes right thinking and moral human behavior, assuming that question is even asked, is now a commonplace assumption; it is something alternately deplored or celebrated both by intellectuals and the “man on the street.” Given this situation, that a philosopher of Father Wojtyla’s stature and obvious moral authority should make such an argument is a matter of critical importance, especially for those who seek to ground human action in objective moral norms in an era where an arguably flawed account of human subjectivity clearly has taken center stage. The paper shows that Wojtyla is not adverting to experience as an adjunct to moral relativism or personal preference as an approach to questions of the true and the good. On the contrary, the author shows that the philosopher Karol Wojtyla provides a way to remain grounded in the metaphysical and ontological categories that not only comprise our intellectual heritage, but refer to real and profound truths, while simultaneously accounting for the subjectivity and dynamism of the person. The paper concludes with an argument that this account provides a key hermeneutical device for understanding the enormous importance of the work of Pope John Paul II. (shrink)

Standard rigid designator accounts of a name’s meaning have trouble accommodating what I will call a descriptive name’s “shifty” character -- its tendency to shift its referent over time in response to a discovery that the conventional referent of that name does not satisfy the description with which that name was introduced. I offer a variant of Kripke’s historical semantic theory of how names function, a variant that can accommodate the character of descriptive names while maintaining rigidity for proper names. (...) A descriptive name’s shiftiness calls for a semantic account of names that makes their semantic values bipartite, containing both traditional semantic contents and what I call "modes of introduction." Both parts of a name's semantic value are derived from the way a name gets introduced into discourse -- from what I refer to as its "context of introduction." Making a name's semantic value bipartite in this way allows for a definite description to be a part of proper name's meaning without thereby sacrificing that name’s status as a rigid designator. On my view, a definite description is part of descriptive name’s mode of introduction. That is, it is part of what determines the content assigned to that name. As it turns out, making a definite description part of a descriptive name’s mode of introduction allows for that definite description to play the role of a mere reference-fixer regarding that name’s content, as Kripke would have it. However, my account allows a definite description to fix a descriptive name’s content actively over time, thereby explaining its inherent shiftiness. (shrink)