Cet article examine la façon dont Damascius, le dernier diadoque de l’académie platonicienne à Athènes, intègre les principes ontologiques du Philèbe dans son système. A l’opposé de ses prédécesseurs, Damascius refuse d’accepter une opposition des principes de la limite et de l’illimitation immédiatement au-dessous de l’Un (principe de la cause), car une telle opposition briserait l’unité de l’Un. Après une présentation de la doctrine des premiers principes selon Damascius, l’auteur discute la critique de ce dernier vis-à-vis de ses précurseurs, avant (...) de se tourner vers la question complémentaire : étant donné que Damascius n’accepte pas la solution offerte par la tradition, quel rôle attribue-t-il lui-même aux principes tirés du Philèbe? (shrink)

The present essay will cross, inside the matter of the sources of the platonic thought, the suggestion of Damascius of Damascus, with the intention to draw clear understanding, unless in this particular point, of the relationship between the ancient pythagoreanism and the platonic philosophy. In this, the study of the matter of the dialectics of the limiters/unlimited one is central. The page 16c of the Philebus is the crucial point of this discussion: here Socrates introduces the theme of the (...) unity/multiplicity as a very beautiful hodos, a run that comes from a very distant point of departure: it’s a “gift of the gods” and a discovery of the ancient ones. The comparative study of these footsteps of the Philebus and the fragments of Philolaus, especially В 2, 3, 6 and 7 bring us to conclude that the presence in the pages of the Philebus of the theory of the limiter/unlimited be taken as a pre-platonic “discovery” of the more ancient pythagorean philosophy. (shrink)

The central Platonic concept of the mixture is to be situated in the entire transmission of Methexis: ascending from the level of the participation of the sensible things in the forms to the participation of the forms and finally to the participation of the two Platonic Principles. “Mixture” designates on the one hand the relation between the μέγιστα γένη in the Sophist and on the other hand the one between the Limit and the Unlimited in the Philebus . Thereupon (...) the essence of the Mixture is to be examined and rehabilitated as metaphor, namely as transformation of a sensible image in a philosophical one . Our guiding question will be: W hy can the Mixture be legitimated as a better candidate than the Methexis in the frame of the Sophist? The Mixture is to be regarded as well-founded transformation of Methexis in the context of the equioriginal “greatest kinds” . In our interpretation of the Philebus that restores the disputed unity of this Platonic dialogue, we are about to show how the philosopher Plato “saves” the beautiful phenomena: The fourfold division is to be construed as the place where the beautiful appearances are generated. To them does the philosopher return after his ascent to the σύμφυτον two Platonic Principles. They are no longer degraded as “rolling about in the midregion between being and not-being” , but are rather reevaluated as “procreation” .Der in den späteren platonischen Dialogen zentrale Begriff der Mischung wird zunächst in die ganze Übertragung der Methexis eingeordnet: von der Ebene der Teilhabe des W ahrnehmbaren an der Idee zu der innerideellen Teilhabe aufsteigend und von daher zu der Teilhabe der zwei platonischen Prinzipien. Einerseits wird die Beziehung der μέγιστα γένη untereinander, andererseits diejenige zwischen der Grenze und der U nbegrenztheit im Philebos als Mischung bezeichnet . Daraufhin wird ihr W esen als Metapher behandelt und rehabilitiert, nämlich als Transformation eines sinnlichen Bildes in ein philosophisches . Zur Leitfrage unserer Ausführung wird: W arum kann die im Rahmen des Dialogs Sophistes eingeführte Mischung der größten Gattungen miteinander als ein besserer Kandidat als derjenige der Teilhabe gerechtfertigt werden? Die Mischung wird als eine wohlbegründete Verwandlungsform derTeilhabe in den ideellen Zusammenhängen der gleichursprünglichen größten Gattungen betrachtet . Bei unserer die umstrittene Einheit des Philebos wiederherstellende Interpretation wird aufgezeigt, wie der Philosoph Platon die schönen Phänomene rettet: Die vierfache Einteilung des Ganzen wird als Ort der Genese der schönen Erscheinungen interpretiert. Ihnen wendet sich der Philosoph nach dem Aufstieg zum σύμφυτον der zwei platonischen Prinzipien zu, nicht länger sie als “zwischen dem Sein und dem Nicht-Sein herumschweifend” degradierend , sondern als “Zeugung” würdigend .Pojam miješanja, koji je središnji u kasnijim Platonovim dijalozima, ponajprije se smješta u cjeloviti kontekst transponiranja methexisa: od ravni sudjelovanja osjetilnog u ideji uzlazno k sudjelovanju među idejama te odatle k sudjelovanju dvaju platoničkih principa. S jedne strane se kao miješanje označava međusobni odnos μέγιστα γένη, s druge pak onaj između granice i neograničenosti u Filebu . U tu se svrhu razmatra i rehabilitira bit miješanja kao metafore, naime kao transformacija osjetilne slike u filozofijsku . Glavnim pitanjem našeg izvođenja postaje: zašto se uzajamno miješanje “najviših rodova”, koje se uvodi u okviru dijaloga Sofist, može opravdati kao bolji kandidat od sudjelovanja? Miješanje se razmatra kao dobro utemeljena forma preinake sudjelovanja u odnošenjima jednako izvornih “najviših rodova” . U našoj se interpretaciji, koja nanovo uspostavlja osporavano jedinstvo Fileba, prikazuje kako filozof Platon spašava lijepe fenomene: četvorostruka podjela cjeline interpretira se kao mjesto nastajanja lijepih pojava. Njima se filozof vraća nakon uspona k onom σύμφυτον dvaju platoničkih principa, ne degradirajući ih više kao one koji se “potucaju između bitka i ne-bitka” , već ih cijeni kao “rađanje”. (shrink)

The central Platonic concept of the mixture is to be situated in the entire transmission of Methexis: ascending from the level of the participation of the sensible things in the forms to the participation of the forms and finally to the participation of the two Platonic Principles. “Mixture” designates on the one hand the relation between the μέγιστα γένη in the Sophist and on the other hand the one between the Limit and the Unlimited in the Philebus. Thereupon the (...) essence of the Mixture is to be examined and rehabilitated as metaphor, namely as transformation of a sensible image in a philosophical one. Our guiding question will be: W hy can the Mixture be legitimated as a better candidate than the Methexis in the frame of the Sophist? The Mixture is to be regarded as well-founded transformation of Methexis in the context of the equioriginal “greatest kinds”. In our interpretation of the Philebus that restores the disputed unity of this Platonic dialogue, we are about to show how the philosopher Plato “saves” the beautiful phenomena: The fourfold division is to be construed as the place where the beautiful appearances are generated. To them does the philosopher return after his ascent to the σύμφυτον two Platonic Principles. They are no longer degraded as “rolling about in the midregion between being and not-being”, but are rather reevaluated as “procreation”.Der in den späteren platonischen Dialogen zentrale Begriff der Mischung wird zunächst in die ganze Übertragung der Methexis eingeordnet: von der Ebene der Teilhabe des W ahrnehmbaren an der Idee zu der innerideellen Teilhabe aufsteigend und von daher zu der Teilhabe der zwei platonischen Prinzipien. Einerseits wird die Beziehung der μέγιστα γένη untereinander, andererseits diejenige zwischen der Grenze und der U nbegrenztheit im Philebos als Mischung bezeichnet. Daraufhin wird ihr W esen als Metapher behandelt und rehabilitiert, nämlich als Transformation eines sinnlichen Bildes in ein philosophisches. Zur Leitfrage unserer Ausführung wird: W arum kann die im Rahmen des Dialogs Sophistes eingeführte Mischung der größten Gattungen miteinander als ein besserer Kandidat als derjenige der Teilhabe gerechtfertigt werden? Die Mischung wird als eine wohlbegründete Verwandlungsform derTeilhabe in den ideellen Zusammenhängen der gleichursprünglichen größten Gattungen betrachtet. Bei unserer die umstrittene Einheit des Philebos wiederherstellende Interpretation wird aufgezeigt, wie der Philosoph Platon die schönen Phänomene rettet: Die vierfache Einteilung des Ganzen wird als Ort der Genese der schönen Erscheinungen interpretiert. Ihnen wendet sich der Philosoph nach dem Aufstieg zum σύμφυτον der zwei platonischen Prinzipien zu, nicht länger sie als “zwischen dem Sein und dem Nicht-Sein herumschweifend” degradierend, sondern als “Zeugung” würdigend.Pojam miješanja, koji je središnji u kasnijim Platonovim dijalozima, ponajprije se smješta u cjeloviti kontekst transponiranja methexisa: od ravni sudjelovanja osjetilnog u ideji uzlazno k sudjelovanju među idejama te odatle k sudjelovanju dvaju platoničkih principa. S jedne strane se kao miješanje označava međusobni odnos μέγιστα γένη, s druge pak onaj između granice i neograničenosti u Filebu. U tu se svrhu razmatra i rehabilitira bit miješanja kao metafore, naime kao transformacija osjetilne slike u filozofijsku. Glavnim pitanjem našeg izvođenja postaje: zašto se uzajamno miješanje “najviših rodova”, koje se uvodi u okviru dijaloga Sofist, može opravdati kao bolji kandidat od sudjelovanja? Miješanje se razmatra kao dobro utemeljena forma preinake sudjelovanja u odnošenjima jednako izvornih “najviših rodova”. U našoj se interpretaciji, koja nanovo uspostavlja osporavano jedinstvo Fileba, prikazuje kako filozof Platon spašava lijepe fenomene: četvorostruka podjela cjeline interpretira se kao mjesto nastajanja lijepih pojava. Njima se filozof vraća nakon uspona k onom σύμφυτον dvaju platoničkih principa, ne degradirajući ih više kao one koji se “potucaju između bitka i ne-bitka”, već ih cijeni kao “rađanje”. (shrink)

In Proclus’ metaphysics, the One produces Being through a mediated set of principles which are the direct causes of Being. While the henads feature prominently as these principles, Proclus posits a second set of principles, the Limit and Unlimited, to explain the aspects of unity and plurality found in all beings. Initially there seems to be a tension in these two sets of principles: Proclus does not immediately clarify how they interact with each other or their relationship to each other. (...) In Elements of Theology Prop. 159, he even seems to say that the Limit/Unlimited produce the henads—which contradicts the henads’ nature as pure ‘ones’. This article analyzes this issue by surveying three contemporary solutions that have been posed to address the tension, while also offering a new alternative: the Limit and Unlimited, as the first henads to emerge from the One, causally determine all subsequent henads according to their respective unique character, while both sets are ultimately derived from the One according to their subsistence —preserving the henads’ natures as simply ‘one’ like the One-itself. (shrink)

The central Platonic concept of the mixture is to be situated in the entire transmission of Methexis: ascending from the level of the participation of the sensible things in the forms to the participation of the forms and finally to the participation of the two Platonic Principles. “Mixture” designates on the one hand the relation between the μέγιστα γένη in the Sophist and on the other hand the one between the Limit and the Unlimited in the Philebus. Thereupon the (...) essence of the Mixture is to be examined and rehabilitated as metaphor, namely as transformation of a sensible image in a philosophical one. Our guiding question will be: W hy can the Mixture be legitimated as a better candidate than the Methexis in the frame of the Sophist? The Mixture is to be regarded as well-founded transformation of Methexis in the context of the equioriginal “greatest kinds”. In our interpretation of the Philebus that restores the disputed unity of this Platonic dialogue, we are about to show how the philosopher Plato “saves” the beautiful phenomena: The fourfold division is to be construed as the place where the beautiful appearances are generated. To them does the philosopher return after his ascent to the σύμφυτον two Platonic Principles. They are no longer degraded as “rolling about in the midregion between being and not-being”, but are rather reevaluated as “procreation”. (shrink)

Though Plato favors physical atoms in his Timaeus, they are not ultimate; he generates them from a formless energy-space plus mathematical patterns. On the other hand most interpreters read the Platonic Forms as ultimate intellectual atoms. I suggest that Plato refuses atomism on all levels, and the Forms themselves should be seen as generated from a combination of limit and unlimited, as we are told in the Philebus and as is hinted at in the reports on the "unwritten doctrines.".

Studying Plato's "unwritten doctrines" in the light of his discussion of limit and unlimited in his dialogue Philebus. The essay raises also the question whether there is too much "atomism" in the usual presentation of Plato's Forms as individual absolute entities, rather than as themselves derived from a more fundamental limit/unlimited ontology.

In ‘The Limits of Being in the Philebus’, Russell Dancy argues that the Philebus is incoherent because a central concept - that of the apeiron - functions entirely differently in the discussions of the ‘Heavenly Tradition’ and the ‘Fourfold Division’. I argue that a phenomenological reading of the type developed by Hans-Georg Gadamer, one according to which ‘limit’ and ‘unlimitedness’ describe the way entities appear when approached with certain concepts, shows Dancy’s worry of incoherence to be unfounded. On (...) this reading, in both the Heavenly Tradition and the Fourfold Dividsion for a thing to be apeiron is for it to escape comprehension due to its appearing in terms of an indefinite plurality rather than a defined unity. I argue further that this interpretation allows us to properly understand the methodological character of Plato’s discussion. His account aims to help us distinguish the damaging instances of apeiron from the benign and to show how the former can be avoided. (shrink)

As one would expect, Benardete's commentary, too, is much more concerned with the literary dimension of the dialogue than are its predecessors; so much so in fact that they cannot really be compared. The difference is almost as fundamental as that between a world constituted by visual experiences and one constituted by aural ones. Benardete evinces no interest in some of the issues which most exercise other commentators, such as whether the theory of forms has undergone any revisions. On the (...) other hand he offers many provocative insights of a kind that more argument-focused commentators neglect; for example, that the tension between the fixed limits of the Philebus and the fact that the Philebus is only a segment of a conversation that began before the part recorded, and has not yet ended when the record stops, is an image of the tension portrayed within the dialogue between the limit and the unlimited. This is not merely a nice point about Plato's use of imagery, but it implies that we must read the dialogue as a whole in a different way than we read a self-contained argument. On more specific issues as well, Benardete asks questions and provides insight into matters that do not interest more analytic commentators. (shrink)

In this paper I target the relationship between two prints that are roughly qualitatively identical and share a causal history. Is one an artwork if and only if the other is an artwork? To answer this, I propose two competing principles. The first claims that certain intentional relations must be shared by the prints (e.g., editioned prints vs. non-editioned prints). The second, which I endorse, appeals only to minimal print ontology, claiming that the two prints need only be what I (...) call 'relevantly similar' to one other. There are no trumping features over and above relevant similarity. For any pairwise comparison of relevantly similar prints, one print being an artwork is both necessary and sufficient for the other print being an artwork. (shrink)

In his commentary on the Platonic dialogue Philebus, the Neoplatonic philosopher Damascius investigates the ontological question of the relation between the One as the highest principle and the many sensible beings produced through it. Three points are emphasized: 1. Damascius attempts to situate movement in the metaphysical realm and avoid a static metaphysical model by propounding a connection between sensible beings and their productive archetype through what he conceives as metaphysical amplification. 2. His explication of the relation between the (...) physical and the metaphysical indicates that he is not concerned with just a general description, but instead intends to specify the forms of their mutual communication. To a certain degree, physical beings are presented as developments of metaphysical states in terms of the relation of "appearance" to "being," in the sense that the appearance teleologically portrays that which is ontologically complete. 3. Because Damascius sets logic in analytic relation to ontology and defines the conditions of this coordination, it gains no independent status, even as its propriety becomes explicit, for he shows its principal determination by ontology. Hence, Damascius remains within the framework of a consistent ontological realism. (shrink)

Plato’sPhilebusfamously combines a deliberation on the virtuous life as a balancing act between prudence and pleasure with a theory of the composition of mixtures from limit and limitedness. The latter aspect of the dialogue is used by the Neoplatonic philosopher Proclus as a basis for his own metaphysical analysis of the ultimate first principle, the One, and the manner in which it produces all things which exist. Multiple scholarly analyses have been provided of Proclus’ use of the Phileban theory of (...) limit and the unlimited for his description of the first principle’s creation process. However, this paper shows that Proclus reads thePhilebusnot merely for its discussion of limit and unlimited, but also for its description of the good life. After all, the Neoplatonic One is also the Good from Plato’sRepublic. InPhil. 20d1–11, Socrates suggest that the good is perfect, sufficient, and desirable. Proclus’Commentary on the RepublicandPlatonic Theologyreveal that these three aspects of the good provide Proclus with a framework to describe the Neoplatonic first principlequaGood. In Proclus’ view, the three Phileban concepts constitute the base elements of the good which reappear in all of its manifestations, and thus link the good in us to the transcendent and unqualified Good: the desirable element represents the good’s singularity and its position as the centre around which all beings circle; the sufficient element represents the non-reciprocal bestowal of existence and generative power by any form of the good upon its participants; lastly, the perfect element reverts all creatures to the good in which they participate, even when not all genera of beings in the Neoplatonic universe are equally capable of such participation. Furthermore, Proclus uses the description of the good life as not merely intellectual from thePhilebusto fortify his arguments in disagreements with other Neoplatonic commentators regarding the transcendence of the Good over the intelligible principles, and conversely employs the Neoplatonic definition of the first principle to affirm the ethics of the Platonic dialogue. Thus, although Proclus’ primary goal in reading thePhilebusis to obtain knowledge of the ultimate first principle, Socrates’ analysis of the virtuous life in the dialogue is just as important for his purposes as the theory of mixtures. (shrink)

The Philebus is a difficult dialogue, often criticized for treating obscure ontological questions while neglecting the dramatic aspect characteristic of the Platonic dialogue. In this paper, I argue that, while subtle, the dramatic dimension is essential in understanding the ontological inquiries pursued and the dialogue as a whole. I argue that the Philebus should be read as an agon, a dramatic contest, between Socrates, the advocate of nous, and Philebus, the silent advocate of hēdonē. I show that (...) this contest about the nature of the Good must be executed dramatically because, as Plato brings to light, hēdonē belongs to the Unlimited, and as such, always and necessarily resists reduction to logos, which, as dianoia, is necessarily connected with nous and Limit. (shrink)

The Philebus is a difficult dialogue, often criticized for treating obscure ontological questions while neglecting the dramatic aspect characteristic of the Platonic dialogue. In this paper, I argue that, while subtle, the dramatic dimension is essential in understanding the ontological inquiries pursued and the dialogue as a whole. I argue that the Philebus should be read as an agon, a dramatic contest, between Socrates, the advocate of nous, and Philebus, the silent advocate of hēdonē. I show that (...) this contest about the nature of the Good must be executed dramatically because, as Plato brings to light, hēdonē belongs to the Unlimited, and as such, always and necessarily resists reduction to logos, which, as dianoia, is necessarily connected with nous and Limit. (shrink)

A common strategy in comparative cognition is to require that one reject associative learning as an explanation for behavior before concluding that an organism is capable of causal reasoning. In this paper, I argue that standard causal-reasoning tasks can be explained by a powerful form of associative learning: unlimited associative learning (UAL). The lesson, however, is not that researchers should conduct more studies to reject UAL, but that they should instead focus on 1) enriching the cognitive hypothesis space and 2) (...) testing a broader range of information processing patterns—errors, biases and limits, rather than successful problem solving alone. (shrink)

Schelling’s 1794 commentary on the Timaeus makes extensive use of Plato’s Philebus, particularly the principles of limit and unlimited. In this article, we demonstrate the resonances between Schelling’s 1794 treatment of the metaphysics of the Philebus and his 1798 philosophy of nature. Attention to these resonances demonstrates an underexplored but important debt to Plato in Schelling’s philosophy of nature. In particular, Schelling is indebted to Plato’s late metaphysics in his model of the iterative combination of two basic principles: (...) a productive, positive principle, akin to Plato’s unlimited, and a limiting, negative principle, akin to Plato’s limit. In Schelling’s philosophy of nature, the iterative interaction of these principles both provides a common ground for and accounts for the differences between inorganic and organic nature. (shrink)

As far as ‘modern’ logical theories of vagueness are concerned, a main distinction can be drawn between ‘semantical’ ones and ‘pragmatical’ ones. The latter are defended here, because they tend to retake into account important contextual dimensions of the problem abandoned by the former. Their inchoate condition seems not alarming, since they are of surprisingly recent date. This, however, could very well be an accidental explanation. That is, the true reason for it might sooner or later turn out to be (...) bearing exactly on the fundamental human limitations, when it comes to theorizing, that these approaches are urging us to appreciate. (shrink)

Plato’s Philebus develops an ontological model in four terms to account for “all the things that are now in the all”. The fourfold model consists of Limit, the Unlimited, the Mixture of these two, and the Cause of the mixture. Traditional interpretations place pleasure in the class of the Unlimited and knowledge either in that of Limit or, sometimes, in that of the Cause of mixtures. The aim of my paper is twofold: it challenges the received interpretation and defends (...) instead the view that pleasures, insofar as they are true, are placed in the class of Mixtures, while knowledge and its cognates are among Causes of mixtures, and it explores some of the major implications of the right placement of pleasure and knowledge on the metaphysical map. In particular, I argue that Socrates’ identification of pleasure as a Mixture and of knowledge as Cause of mixtures accounts for the fact that we witness throughout the dialogue a gradual progression from the initial absolutely unbridgeable distance between pleasure and knowledge to an intimate collaboration between them. I suggest that this shift reflects a transition from the Phileban conception of pleasure as thoughtless thrill or sensation to the Platonic understanding of pleasure as cognitively structured experience that depends on our beliefs not only about factual situations, but also about the meaning and value of such situations for life generally. (shrink)

In this chapter, the arguably most complex and most important part of Proclus’ metaphysics is under scrutiny: the One, the Henads, and the principles. The author discusses the transcendence and knowability of the One/Good, and how it can be a cause; the Iamblichean principles Limit and Unlimited, as the first coupling of unity and multiplicity, and how they invert the Aristotelian notion of dunamis. Together these principles produce ‘the mixture’, and all beings result from the triad Limit-Unlimited-Mixture. The author then (...) moves on to analysing the structure of the intelligible world in detail as an accumulation of determinations derived from these principles and the second hypothesis of the Parmenides, and to showing how the fourteen layers of the intelligible allow a rationalization of the controversial Henads, as participated forms of unity: they do not form a hypostasis in their own right, but they are all supra-essential. (shrink)

In this article, I discuss the incorporation of traditional ‘sayings of the wise’ and the mythical presentation of certain doctrines in the Platonic dialogues, particularly the Meno’s myth of recollection and the Philebus’s myth of the limit and the unlimited. I argue against a common view of Platonic myth, which holds that such passages are merely rhetorical devices and naive presentations of philosophical doctrines, whose aura of traditional authority ultimately forestalls and inhibits philosophical reflection. I attempt to show in (...) the case of the Meno and the Philebus that Platonic myths serve to cultivate and sustain a kind of philosophical reflection and to illustrate the search for first principles, causes, and the origins of things. I maintain that Platonic myth represents a mode of understanding and of thought that mediates between the opinions of individuals and knowledge proper or wisdom. (shrink)

At Republic 435c-d and again at 504b-e, Plato has Socrates object to the city/soul analogy and declare that a “longer way” is necessary for gaining a more “exact grasp” of the soul. I argue that it is in the Philebus, in Socrates’ presentation of the “god-given” method of dialectic and in his distinctions of the kinds of pleasure and knowledge, that Plato offers the resources for reaching this alternative account. To show this, I explore (1) the limitations of the (...) tripartition of the soul that Socrates’ own objections in the Republic suggest, (2) the route of the “longer way” through the Eleatic dialogues to the Philebus, (3) the procedures that constitute the “god-given” method and the structure of the eidetic field it discloses, and (4) the resources that, considered in light of the method, Socrates’ distinctions of the kinds of pleasure and knowledge provide for the more “exact grasp” of the soul. (shrink)

In this article, I discuss the incorporation of traditional ‘sayings of the wise’ and the mythical presentation of certain doctrines in the Platonic dialogues, particularly the Meno’s myth of recollection and the Philebus’s myth of the limit and the unlimited. I argue against a common view of Platonic myth, which holds that such passages are merely rhetorical devices and naive presentations of philosophical doctrines, whose aura of traditional authority ultimately forestalls and inhibits philosophical reflection. I attempt to show in (...) the case of the Meno and the Philebus that Platonic myths serve to cultivate and sustain a kind of philosophical reflection and to illustrate the search for first principles, causes, and the origins of things. I maintain that Platonic myth represents a mode of understanding and of thought that mediates between the opinions of individuals and knowledge proper or wisdom. (shrink)

A compelling argument for the morality of limitations on procreation in lessening the harmful environmental effects of unchecked populationWe live in a world where a burgeoning global population has started to have a major and destructive environmental impact. The results, including climate change and the struggle for limited resources, appear to be inevitable aspects of a difficult future. Mandatory population control might be a possible last resort to combat this problem, but is also a potentially immoral and undesirable violation of (...) human rights. Since so many view procreation as an essential component of the right to personal happiness and autonomy, the dominant view remains that the government does not have the right to impose these restrictions on its own citizens, for the sake of future people who have yet to exist.Sarah Conly is first to make the contentious argument that not only is it wrong to have more than one child in the face of such concerns, we do not even retain the right to do so. In One Child, Conly argues that autonomy and personal rights are not unlimited, especially if one's body may cause harm to anyone, and that the government has a moral obligation to protect both current and future citizens. Conly gives readers a thought-provoking and accessible exposure to the problem of population growth and develops a credible view of what our moral obligations really are, to generations present and future. (shrink)

It is often held that people have a moral right to believe and say whatever they want. For instance, one might claim that they have a right to believe racist things as long as they keep those thoughts to themselves. Or, one might claim that they have a right to pursue any philosophical question they want as long as they do so with a civil tone. In this paper I object to those claims and argue that no one has such (...) unlimited moral rights. In Part 1 I explore the value of the freedoms of thought and expression. In Part 2 I argue against the unlimited moral right to free expression, focusing in particular on the special obligations and moral constraints that obtain for academics. In Part 3 I argue against the unlimited moral right to free thought. (shrink)

The human in continuous century envisage the skepticism. When the human envisage the deficiency of his knowledge, will be in trouble of skepticism, when the knowledge of human fundamentally is doubted, all internal or external impressions will be doubted, so the man envisage the unlimited skepticism. But is it possible and logical? The possibility of it is a psychological question too, but my effort is the epistemological surveying of it. We can survey this question in two ways. One way is (...) justifier reasons of skepticism. Are there sufficient for unlimited skepticism? Every deduction is based on preludes and if they’re uncertain the result will be uncertain too. There any deduction can’t justify unlimited skepticism. The other way is the surveying results of this skepticism. We have beliefs thatnever can doubt them like our existence. This inability express that the unlimited skepticism doesn’t agree the logic of our subject. Moreover the unlimited skepticism brings the mixed continuums. If we doubt anything, doubt this doubting too and this involving haven’t extremity, the demoniac hang that can’t be accepted by our. (shrink)

Through a careful discussion of the relevant texts in De Regno and the Summa Theologiae, the author argues that Aquinas understands the political common good to include the full virtue and complete happiness of all of the citizens, as related to one another by bonds of justice and civic friendship. It is not something limited and instrument, as John Finnis has recently argued. Yet that the common good has this character for Aquinas does not imply that he regards political authority (...) as in principle unlimited, on account of a variety of resources available to Aquinas from Aristotelian political theory. (shrink)

All entrepreneurs try to be timely unlimited, constant and successful in their business. In doing so, their company founding, running operations and development all depend on adequate and quality financing. The goal is to ensure a stable financing and growth and the question is how, when and from which sources should the financing be ensured. When talking of financing, it is primarily meant ensuring the money or the capital, a synonym of the entrepreneurship and its main moving strength. In order (...) to be successful, it is of high importance to meet optimal business decisions and specially investing decisions. Even though the focus of the financing process is not solely limited to money, money plays a central role and is also the basis and the requirement for business activity and the very existence and the end goal of a business as well. One important focus of entrepreneurs is the question of an optimal financial structure for their own enterprise. The specifics of every individual company together with the industry they are in and macroeconomic environment they operate in do not allow for a uniform and generally applicable solution to this problem. The focus of this problem lies in the ratio between the size and structure of assets on one side and the size and structure of equity and debt on the other side. Every entrepreneur should also know which amount and structure of long-term assets, fixed assets is necessary for his enterprise. The function of investment planning defines these requirements before the actual investment takes place. An entrepreneur who is already longer in business will at this point analyze his actual financial structure with a focus on capital accumulation and conditions of raising debt. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Figure” of God and the Limits to Liberalism: A Rereading of Locke’s Essay and Two TreatisesVivienne BrownI. A current interpretative issue in reading John Locke’s texts is the relationship between Locke’s theology and political philosophy. 1 Reacting against the secular interpretations of C. B. Macpherson and Leo Strauss, John Dunn argued that Locke’s theology was axiomatic for the political philosophy of the Two Treatises of Government in that (...) Locke’s liberalism was based on a religious individualism. 2 Dunn thus decisively reoriented Lockean scholarship away from seeing Locke as an apologist for a new capitalist economic order, and James Tully and Richard Ashcraft have since substantiated the view that theological presuppositions were foundational for Locke’s political writings but they emphasized the radical nature of Locke’s political position. 3 This view has in turn been challenged by more recent contextual studies of the development of Locke’s thought. John Marshall has argued that the political argument in the Two Treatises of Government is not dependent on religious individualism in [End Page 83] that Locke’s natural theology was itself driven by epistemological investigations, and that it was this epistemological impetus which inclined the Christian Locke towards the Socinian tendencies of his later years. 4 Ian Harris accepts that theological explanation was central to Locke’s writings in ethics and government, but he also emphasizes the reverse process of determination where Locke’s theology, particularly with respect to revealed religion, is in turn reliant upon Locke’s broader thinking. Harris argues therefore that there is a continuity of substantive thought such that theological concerns mesh into, rather than exclusively determine, the broader pattern of Locke’s political and moral ideas. 5 Recent studies thus share a considerable common ground in their recognition of the importance of the relationship between Locke’s theology and political philosophy, but disagreements remain over the precise nature of this relationship and its implications for Locke’s writings.This paper will address the question of the relationship between Locke’s theology and political philosophy by examining the figurative expressions by means of which God is represented in Locke’s Essay Concerning Human Understanding and Two Treatises of Government. 6 The paper will argue that the ways in which this metaphorical “figure” of God is inscribed in Locke’s epistemology and political philosophy 7 suggest a different approach to reading the intricate relationship between God and mankind, and that this casts doubt on the widely-received understanding of Locke’s contribution to classic liberal arguments within political philosophy. It will be argued further that the different formulations of the figure of God in these two texts result in problematizing the historiographic notions of theoretical determination and historicized authorial intent which have so far largely informed the interpretative debate in this area. 8 [End Page 84]II. In the Essay it is argued that mankind has no knowledge of real essences, even of such a simple thing as a pebble or a fly, and certainly cannot know the real essence of God which is immeasurably more inaccessible. 9 Descriptions of God in the Essay are not, therefore, literal statements of God’s characteristics but necessarily inadequate attempts to conceptualize him from within the linguistic and mental constraints of the finite world of men. Two possibilities are available to mankind in its attempt to mediate this fundamental state of ignorance. One is to try to form a complex idea made up of the simple ideas received from sensation or reflection upon itself and then to magnify this to an infinite degree:And even the most advanced Notion we have of God, is but attributing the same simple Ideas which we have got from Reflection on what we find in our selves, and which we conceive to have more Perfection in them, than would be in their absence, attributing, I say, those simple Ideas to him in an unlimited degree. 10God’s postulated qualities are thus valued human qualities writ infinitely large, even though elsewhere the anthropomorphism of the “ignorant and uninstructed” is rejected: 11[H]aving from what we experiment in our selves, got the Ideas of Existence and Duration; of... (shrink)

Presocratic philosophy, for all its diverse features, is united by the quest to understand the origin and nature of the world. The approach of the Pythagoreans to this quest is governed by their belief, probably based on studies of the numerical relations in musical harmony, that number or numerical structure plays a key role for explaining the world-order, the cosmos. It remains questionable to what extent the Pythagoreans, by positing number as an all-powerful explanatory concept, broke free from Presocratic ideas (...) that certain stuffs or material elements sufficed to account for the source and constitution of the world, but apparently number found such a universal application with them that Aristotle could summarize the Pythagorean position as ‘numbers…are the whole universe’ . Historians of Greek philosophy have generally accepted Aristotle's assessment. Of late, however, certain scholars have argued that the Pythagorean number doctrine is Aristotelian interpretation, unjustly foisted upon the Pythagoreans. Enlisted in support of their arguments are the fragments of Philolaus of Croton. Here we have the foremost representative of fifth-century Pythagoreanism, who states as his basic principles, not numbers exactly, but ‘limiters’ and ‘unlimiteds’, and who, it is argued, regards number solely as an epistemological aid for understanding the structure of reality. So Philolaus is called upon as a witness against Aristotle. The rationale goes something like this: Aristotle most likely had written sources for his knowledge of Pythagorean teachings; the only texts we know of with any certainty are Philolaus' book and the writings of Archytas; since Aristotle treats Archytas separately, he is mainly relying on Philolaus; because Philolaus does not expressly state that things are numbers, Aristotle's interpretation is wrong. (shrink)

Presocratic philosophy, for all its diverse features, is united by the quest to understand the origin and nature of the world. The approach of the Pythagoreans to this quest is governed by their belief, probably based on studies of the numerical relations in musical harmony, that number or numerical structure plays a key role for explaining the world-order, the cosmos. It remains questionable to what extent the Pythagoreans, by positing number as an all-powerful explanatory concept, broke free from Presocratic ideas (...) that certain stuffs or material elements sufficed to account for the source and constitution of the world, but apparently number found such a universal application with them that Aristotle could summarize the Pythagorean position as ‘numbers…are the whole universe’. Historians of Greek philosophy have generally accepted Aristotle's assessment. Of late, however, certain scholars have argued that the Pythagorean number doctrine is Aristotelian interpretation, unjustly foisted upon the Pythagoreans. Enlisted in support of their arguments are the fragments of Philolaus of Croton. Here we have the foremost representative of fifth-century Pythagoreanism, who states as his basic principles, not numbers exactly, but ‘limiters’ and ‘unlimiteds’, and who, it is argued, regards number solely as an epistemological aid for understanding the structure of reality. So Philolaus is called upon as a witness against Aristotle. The rationale goes something like this: Aristotle most likely had written sources for his knowledge of Pythagorean teachings; the only texts we know of with any certainty are Philolaus' book and the writings of Archytas; since Aristotle treats Archytas separately, he is mainly relying on Philolaus; because Philolaus does not expressly state that things are numbers, Aristotle's interpretation is wrong. (shrink)

The aim of this inquiry is to determine whether printmaking is best understood ontologically as analogous to a work-performance relation. Are prints the visual analogue of symphonies? My motivation for pursuing the comparison of printmaking to music is twofold. First, because relatively little has been written on the ontology of fine art prints, our use of an already developed body of scholarship will help us to gain some traction on the question. Second, within the existing literature on the ontology of (...) prints, there seems to be a persistent confusion about the difference between what makes a print an artwork, and what makes it a genuine or authentic artwork, signed or in some other way ratified by a given artist. I conclude by suggesting that prints are indeed ontologically unusual insofar as they occupy an intermediate position between pure multiples, of which there can be an unlimited number of tokens, and singular artworks that consist of one physical object. (shrink)

Sayre finds deep connections between collection and division, the two kinds of measure distinguished in the Statesman, the conceptions of Limit and Unlimited in the Philebus, and the Dyad that Aristotle reports was a key principle in the "unwritten teachings." The Stranger's dialectical account of statesmanship practices due measure; by "cutting down the middle," the Stranger shows how Forms — understood as Limits as, in turn, "numbers in the sense of measures" — "mark off a middle ground between [the] (...) extremes [implied by] the Unlimited" and, thus, preserve the mean. I suggest a number of critical reconfigurations of these seminal insights. (shrink)

Description: One of the foremost leaders of the devotional revolution which swept through Hindu society in the 15th and 16th centuries was Vallabhacarya. In terms of religion, Vallabhacarya's main contribution was his demonstration of the way in which a human being can shed his or her limited, mortal ego in order to rediscover an eternal individual participation in an unlimited divine being. With regard to literature, some of the earliest prose writing in any form of Hindi was produced by Vallabhacarya's (...) followers in the Caurasi Vaisnavan Ki Varta a collection of accounts of personal efforts to apply the teachings of Vallabhacarya to everyday life. The first part of the Bhakti sect of Vallabhacarya deals with Vallabhacarya's life and with his establishment of an organisation for his followers, a philosophical system to explain his view of the world and a spiritual method for putting his teachings into practice. The second part of the book is made up of an English translation of the sections of the Caurasi Vaisnavan ki Varta describing the lives of four early disciples of Vallabhacarya, one of whom was the poet Suradasa. (shrink)

This paper explores the place of evil in Plato’s thought through the lens of the Philebus. I show that the concept of evil in this dialogue is in broad agreement with the classic Christian position which accents metaphysically its privative and derivative character and morally its rebellious and self-oriented character. The entryway into the issue is 29d9–e1, where a “power of dissolution” is proposed in addition and opposition to the power of generation and mixture, and then quickly rejected. Such (...) a power would be both metaphysically and ethically subversive, or in short, evil. Plato appears to suppress the possibility of evil, but in fact, he relocates the power of dissolution within the unlimited genos in order to show its necessary subordination to and dependence on the limiting and causal principles within generated beings. Evil, on a metaphysical level, is subject to good. On an ethical level, however, the possibility of subversion remains and is exemplified in the dialogue in the radical hedonism of Philebus. After showing how hedonism manifests the power of dissolution in human life, I conclude by remarking the ultimate practical proof towards which this dialogue, and others, points in defense of its claims. (shrink)

In this essay, we consider the formal and ontological implications of one specific and intensely contested dialectical context from which Deleuze’s thinking about structural ideal genesis visibly arises. This is the formal/ontological dualism between the principles, ἀρχαί, of the One (ἕν) and the Indefinite/Unlimited Dyad (ἀόριστος δυάς), which is arguably the culminating achievement of the later Plato’s development of a mathematical dialectic.3 Following commentators including Lautman, Oskar Becker, and Kenneth M. Sayre, we argue that the duality of the One and (...) the Indefinite Dyad provides, in the later Plato, a unitary theoretical formalism accounting, by means of an iterated mixing without synthesis, for the structural origin and genesis of both supersensible Ideas and the sensible particulars which participate in them. As these commentators also argue, this duality furthermore provides a maximally general answer to the problem of temporal becoming that runs through Plato’s corpus: that of the relationship of the flux of sensory experiences to the fixity and order of what is thinkable in itself. Additionally, it provides a basis for understanding some of the famously puzzling claims about forms, numbers, and the principled genesis of both attributed to Plato by Aristotle in the Metaphysics, and plausibly underlies the late Plato’s deep considerations of the structural paradoxes of temporal change and becoming in the Parmenides, the Sophist, and the Philebus. After extracting this structure of duality and developing some of its formal, ontological, and metalogical features, we consider some of its specific implications for a thinking of time and ideality that follows Deleuze in a formally unitary genetic understanding of structural difference. These implications of Plato’s duality include not only those of the constitution of specific theoretical domains and problematics, but also implicate the reflexive problematic of the ideal determinants of the form of a unitary theory as such. We argue that the consequences of the underlying duality on the level of content are ultimately such as to raise, on the level of form, the broader reflexive problem of the basis for its own formal or meta-theoretical employment. We conclude by arguing for the decisive and substantive presence of a proper “Platonism” of the Idea in Deleuze, and weighing the potential for a substantive recuperation of Plato’s duality in the context of a dialectical affirmation of what Deleuze recognizes as the “only” ontological proposition that has ever been uttered. This is the proposition of the univocity of Being, whereby “being is said in the same sense, everywhere and always,” but is said (both problematically and decisively) of difference itself. (shrink)

In this chapter, I show that there is at least one crucial, non-short, argument, which does not involve arguments about spatiotemporality, why Kant’s subjectivism about the possibility of knowledge, argued in the Transcendental Deduction, must lead to idealism. This has to do with the fact that given the implications of the discursivity thesis, namely, that the domain of possible determination of objects is characterised by limitation, judgements of experience can never reach the completely determined individual, i.e. the thing in itself (...) or the unlimited real, but only objects as objects of possible experience. As such, it can be shown by reference to a key argument from Kant, that Hegel’s famous criticism that Kant is not licensed, on the basis of his core arguments concerning the original-synthetic unity of apperception, to restrict our knowledge to appearances, is mistaken on purely systematic grounds. More specifically, I argue that idealism follows already from the constraints that the use of the categories, in particular the categories of quality, places on the very conceivability of things in themselves. My claim is that, although it is not only possible but also necessary to think things in themselves, it does not follow that by merely thinking them we have a full grasp of the nature of things in themselves, as some important commentators claim we have. We must therefore distinguish between two kinds of conceiving of things in themselves: conceiving in the standard sense of ‘forming the notion of’, and conceiving in the narrow sense of ‘having a determinate intellectual grasp’. So although we must be able notionally to think things in themselves, as the grounds of their appearances, we cannot even conceive, through pure concepts, of how they are in themselves in any determinate, even if merely intellectual, sense. To put it differently, we cannot have a positive conception of things in themselves (this is in line with Kant’s distinction between noumena in the negative and positive senses; cf. B307–9). For support, I resort to a much overlooked chapter in the Critique, concerning the transcendental Ideal, where Kant discusses what it is for a thing to be a thing in itself proper, namely, something that is thoroughly determined. This concerns the real ontological conditions of things, which are not satisfied by the modal categories alone, namely, their existence conditions. I claim that the chief reason why, given Kant’s view of determinative judgement, we cannot determine a thing in itself is because of two connected reasons: (1) a thing in itself is already fully determined and therefore not further determinable and (2) we cannot possibly determine all of the thing’s possible determinations. In this context, I also discuss the notion of material (not: empirical) synthesis—of which Kant speaks in the chapter on the transcendental Ideal—which must be presupposed as the ground of the formal a priori synthesis that grounds possible experience. This material synthesis, which is an idea of reason that defines a thing as thoroughly determined with regard to all of its possible predicates and has mere regulative status, can by implication not be determined by the forms of the understanding, which synthesise only a limited set of predicates. As a result, given this definition of ‘thing in itself’, any object (appearance) as at best44 a limited set of determinations of the thing can never be numerically identical to the thing in itself as thoroughly determined individual. This undercuts a standard assumption about the identity relation between appearances and things in themselves in many contemporary interpretations of Kant’s transcendental idealism. (shrink)

According to Marc Peschansky, one of the leaders in biotechnological research in France, «with stem-cells, the imagination is in charge». This paper explores the new role of imagination in the converging technologies (NBIC report) in their relationship to practice. For the great German philosopher Hans Jonas, it is knowledge (positive: what we know, or negative: what we don’t know) that must guide our action. With converging technologies (nano-, bio-, info- and cogno-), knowledge and technique are relegated to the rank of (...) servants of imagination: it is the triumph of imagination. The paper examines ways to fight the dizziness we feel about this potential reign of unlimited possibilities, no longer limited by the principle of reality. (shrink)

In June 2019 Victoria became the first state in Australia to permit “voluntary assisted dying”, with its governance detailed in the Voluntary Assisted Dying Act 2017. While taking lead from the regulation of medically assisted death practices in other parts of the world, Victoria’s legislation nevertheless remains distinct. The law in Victoria only makes VAD available to persons determined to be “already dying”: it is expressly limited to those medically prognosed to die “within weeks or months.” In this article, we (...) discuss the emergence of the Victorian legislation across key formative documents. We show how, in devising VAD exclusively for those “already at the end of their lives”, the Victorian state mobilizes the medico-legal category of the already dying. We argue that this category functions to negotiate a path between what are seen as the unacceptable alternatives of violent suicide on the one hand, and an unlimited right to die on the other. Further, we argue that the category of the already dying operates to make medical practitioners the gatekeepers of this new life-ending choice and effectively limits the realization of autonomy at the end of life. (shrink)

In this paper, I examine two important claims that Hans-Georg Gadamer makes in his Plato interpretations. The first claim is found at the end of Wahrheit und Methode, where Gadamer suggests that “the special advantage of the beautiful” in Platonic philosophy is both a shelter and a reminder of the good, as well as the structure of eidetic appearance that brings together ideality and appearance in the event of new understanding. The second claim considered here is Gadamer’s suggestion that while (...) non-being is more alive in Plato than Heidegger’s critique of metaphysics admits, a genuine thinking of semblance remains only “subliminal” in Plato. Drawing these two claims together, I argue that Gadamer’s reading of Plato’s Philebus reveals that the nature of the beautiful grounds semblance in a deeper way than even Gadamer recognizes. Specifically, I contend that beauty’s appearance is both a necessary concretion of the dynamic mixture of the good, the limited, and the unlimited, and yet, as just this concrete appearance it also always dissembles this ongoing dynamic. As the context of the Philebus indicates, however, this is a claim that concerns not only human experience, but ontology itself. In the end, such a finding contributes to a more Socratic interpretation of Platonic wisdom and philosophical hermeneutics, suggesting that genuine knowledge begins with the recognition of the limits and vulnerability of understanding. (shrink)

I examine one aspect of the central role which mathematics plays in Proclus's ontology and epistemology, with particular reference to his Elements of Theology. I focus on his peculiar views about the ontological status of mathematical objects and the special faculties of the soul that are involved in understanding them. If they are merely abstract objects that are "stripped away" from sensible things, then they are unlikely to reorient the mind towards the intelligible realm, as envisioned by Plato in the (...) Republic. Thus, in order to defend the function of mathematics as a prodaideutic to dialectic, Proclus rejects Aristotelian abstractionism in favor of an elaborate account in terms of Nous projecting images of its Forms through the medium of the imagination. In metaphorical terms, he replaces the Aristotelian image of the soul as a blank tablet with that of a tablet that has always been inscribed and is always writing itself, while also being written on by Nous. The mediating function of mathematics for understanding the higher realities is grounded in the fact that its central principles of Limit and Unlimited have a universal provenance in Proclus's whole system of reality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 121-122 [Access article in PDF] Harold Tarrant. Plato's First Interpreters. Ithaca, NY: Cornell University Press, 2000. Pp. viii + 263. Cloth, $55.00. This is Tarrant's third book on the ancient Platonist tradition, following his Scepticism or Platonism? (1985) and Thrasyllan Platonism (1993). In those earlier volumes his focus was on the first centuries bc and ad. Here his scope is much (...) wider. Stating that "Platonic interpretation is today at a crossroads," he has written a book that explores "ancient attempts to wrestle with this corpus," with the ultimate objective "to encourage a fresh, almost primitive reading of Plato himself" (vii).He begins engagingly by confronting the ancients with questions any modern reader of Plato must ask: What kind of text is this? Are there doctrines here? Where do I look for Plato's doctrines? The second part of his book is a historical survey, taking us from Plato, the early Academy and Aristotle, through the Hellenistic and early Roman Imperial period, and concluding with the principal Neoplatonist interpreters. In the third and longest part, he focuses on the interpretation of specific dialogues, giving most space to the Gorgias and Theaetetus, but also dealing in particular detail with the Meno, Parmenides, and Philebus. Something is said about every dialogue, but Tarrant writes only briefly about such major works as the Republic and Timaeus. He explains his selectivity (not very convincingly) as due to his wish to "discuss issues of meta-interpretation, with emphasis on the period before Plotinus" (198).Taking his book as a whole, one realizes that few strands of modern interpretation were not prefigured to quite a large extent in antiquity. The two most obvious exceptions are the chronological and developmental approach (Early, Middle, and Late), at present under strong attack from some quarters, and the theological, numerological, and allegorical readings practiced by Neoplatonists. Plato's ancient interpreters were doctrinal unitarians, but they implicitly anticipated our tendency to distinguish "Socratic dialogues," which some of them called "gymnastic" and "inquisitive," from such "canonical" works as the Phaedo,Republic, Symposium, and Timaeus, to which they applied the labels "dogmatic" and "expository." And they recognized that both types of characteristics could be found in the same dialogue, as in the Meno and Theaetetus. Plato himself, they proposed, spoke primarily through the voices of Socrates, Timaeus, and the Eleatic and Athenian strangers; but other characters, such as Pausanias in the Symposium, or Protagoras in the dialogue of that name, utter thoughts with some philosophical value. In explaining difficult passages of one dialogue, they would typically refer to passages from other parts of the corpus. An especially intriguing instance is the strategy of the Anonymous Commentator on the Theaetetus, who reads the Meno into the dialogue on which he is officially commenting.Ancient scholars, just like ourselves, asked questions about the unifying themes of complex dialogues. Hence the sub-titles given to certain works: "On the soul" for the Phaedo, and "On justice" for the Republic, etc. For Olympiodorus (whose commentary on the Gorgias Tarrant has recently co-edited [Leiden, 1998]), earlier interpreters have seriously erred by giving too limited an account of that dialogue's scope. It is not, he says, simply about rhetoric, nor about justice and injustice; nor is its theme the divine demiurge (as some Neoplatonists had strangely proposed, on the basis of the concluding myth). Rather, the subject of the Gorgias is "the ethical principles that lead to constitutional well-being" (125). [End Page 121] However, Olympiodorus's eminently "sensible" reading (as Tarrant calls it) is deeply embedded in the Neoplatonic contrast between the "purificatory virtues" of the Phaedo and the "constitutional virtues" of Republic4.Strong or weak scepticism, esotericism, unwritten doctrines, spurious versus genuine, a canon of central dialogues, dramatic considerations, and the philosophical importance or non-importance of the dialogues' prologues—all of these are interpretive approaches that Tarrant surveys in this immensely learned book, and all of them continue to resonate for us. Modern scholars, who emphasize the literary and philosophical unity of each dialogue, are walking... (shrink)

A pesar de desarrollar una teoría del placer que incorpora elementos de tradiciones filosóficas posteriores, Damascio defiende en su Comentario al Filebo la concepción platónica del placer como un "proceso de repleción". Este trabajo pretende mostrar que Damascio no solo respeta la letra del Filebo, sino también el espíritu de la comprensión platónica del placer y, en particular, de los placeres intelectuales. Suponiendo la polaridad entre el deseo y su satisfacción, Damascio propone entender la experiencia de placer intelectual como aquella (...) en la que el deseo es efectivamente realizado, de modo que tanto el proceso como el resultado del conocer producen placer. Contra lo que inicialmente se podría pensar, la exégesis del filósofo neoplatónico permite poner de relieve supuestos fundamentales de la concepción platónica del placer, a saber, la conexión entre el placer y la experiencia humana de la temporalidad como su dependencia con respecto a la estructura del deseo. In spite of developing a theory of pleasure that incorporates elements from subsequent philosophical traditions, Damascius defends, in his Commentary on the Philebus, the Platonic conception of pleasure as a "process of filling". This paper aims to show that Damascius respects not only the letter of the Philebus, but also the spirit of Plato’s understanding of the nature of pleasure and, in particular, that of intellectual pleasures. Having assumed the polarity between desire and its satisfaction, Damascius proposes to understand the experience of intellectual pleasure as the experience where desire is fully achieved, so that both the process and the result of knowing produce pleasure. Contrary to what one may initially expect, the exegesis of the Neoplatonic Philosopher allows to highlighting some of Plato’s underlying assumptions about the nature of pleasure, namely: the connection between pleasure and the human experience of temporality, and the dependence of pleasure on the structure of desire. (shrink)

Humans and animals make inferences about the world under limited time and knowledge. In contrast, many models of rational inference treat the mind as a Laplacean Demon, equipped with unlimited time, knowledge, and computational might. Following H. Simon's notion of satisficing, the authors have proposed a family of algorithms based on a simple psychological mechanism: one-reason decision making. These fast and frugal algorithms violate fundamental tenets of classical rationality: They neither look up nor integrate all information. By computer simulation, the (...) authors held a competition between the satisficing "Take The Best" algorithm and various "rational" inference procedures. The Take The Best algorithm matched or outperformed all competitors in inferential speed and accuracy. This result is an existence proof that cognitive mechanisms capable of successful performance in the real world do not need to satisfy the classical norms of rational inference. (shrink)

In the history of political thought, the relationship between property and power has been a central preoccupation. The very nature of private property, on many accounts, is to put owners in a position of self-serving power to make decisions about matters of concern to others. In many legal systems, the vast power of owners is pervasive, as an ever greater range of resources is brought within the property regime and subjected to private power backed by the coercive power of the (...) state. Political and legal philosophers have long puzzled over how to reconcile the nature of private property with the limits and social responsibilities upon which, at least for some accounts, property’s legitimacy depends. The perennial question, then, is how best to understand the nature of property such that property’s limits can also be accounted for coherently within our legal and constitutional arrangements. Robé’s book Property, Power and Politics provides us with a wide-ranging analysis of property. There is much that we agree with and applaud here. In this contribution we seek to situate a key aspect of his work within this larger context, and to offer a criticism of one element of his view: his rejection of an understanding of ownership as an office. In Robé’s analysis, offices belong in the public sphere, where officeholders are held to account by their constituencies. We argue that Robé’s rejection of the idea of ownership-as-office rests on a misunderstanding of the legal concept of “office.” Moreover, this idea, properly understood, provides sound conceptual support for the normative aims of Robé’s account: to bind property and social responsibility tightly together. Robé’s project to criticize the virtually unlimited power of private owners in the contemporary world is served, not undermined, by understanding property as an office. First, we provide a brief summary of the key elements of Robé’s view of property (Part II). We then introduce a theoretical perspective on property as office as it has been developed in legal theory (Part III). Finally, we argue that this perspective fits better with Robé’s stated purposes than his own rejection of it suggests and raises some questions for future discussion (Part IV). (shrink)

In _A Philosophy of the Unsayable_, William Franke argues that the encounter with what exceeds speech has become the crucial philosophical issue of our time. He proposes an original philosophy pivoting on analysis of the limits of language. The book also offers readings of literary texts as poetically performing the philosophical principles it expounds. Franke engages with philosophical theologies and philosophies of religion in the debate over negative theology and shows how apophaticism infiltrates the thinking even of those who attempt (...) to deny or delimit it._ In six cohesive essays, Franke explores fundamental aspects of unsayability. In the first and third essays, his philosophical argument is carried through with acute attention to modes of unsayability that are revealed best by literary works, particularly by negativities of poetic language in the oeuvres of Paul Celan and Edmond Jabès. Franke engages in critical discussion of apophatic currents of philosophy both ancient and modern, focusing on Hegel and French post-Hegelianism in his second essay and on Neoplatonism in his fourth essay. He treats Neoplatonic apophatics especially as found in Damascius and as illuminated by postmodern thought, particularly Jean-Luc Nancy’s deconstruction of Christianity. In the last two essays, Franke treats the tension between two contemporary approaches to philosophy of religion—Radical Orthodoxy and radically secular or Death-of-God theologies. _A Philosophy of the Unsayable _will interest scholars and students of philosophy, literature, religion, and the humanities. This book develops Franke's explicit theory of unsayability, which is informed by his long-standing engagement with major representatives of apophatic thought in the Western tradition. "William Franke is an articulate spokesman for what cannot be said not only with regards to modern European poetry but also with respect to contemporary theology. _A Philosophy of the Unsayable _is essential reading for everyone working in religion and literature and in modern theology." — Kevin Hart, Edwin B. Kyle Professor of Christian Studies, University of Virginia __ "By now, it would seem that there could be no more to say about not-saying. Apophatic language and negative theology have been accused of meaninglessness, nihilism, and even ill-concealed ontologies. In this lovely and surprising book, William Franke not only deftly undoes these criticisms but shows that apophasis underlies and strangely grounds all language and thought, even of those very discourses that most vigorously reject it. _A Philosophy of the Unsayable_ demonstrates with elegance that there is indeed more to say, and more that is both meaningful and important." — Karmen MacKendrick, Le Moyne College__ "William Franke is an eminent scholar in comparative literature, who is schooled in philosophy and religion. He is recognized as one of the most creative contemporary thinkers working at the double intersection of philosophy and literature and philosophy and theology. _A Philosophy of the Unsayable_ shows an intellectual grasp of a dizzying array of discourses and sheds real light on all thinkers who are discussed." — Cyril O'Regan, Huisking Professor of Theology, University of Notre Dame_. (shrink)

An omnipotent being would be a being whose power was unlimited. The power of human beings is limited in two distinct ways: we are limited with respect to our freedom of will, and we are limited in our ability to execute what we have willed. These two distinct sources of limitation suggest a simple definition of omnipotence: an omnipotent being is one that has both perfect freedom of will and perfect efficacy of will. In this paper we further explicate this (...) definition and show that it escapes the standard objections to divine omnipotence. (shrink)

This book is the first complete intellectual biography of Hermann Cohen and the only work to cover all his major philosophical and Jewish writings. Frederick C. Beiser pays special attention to all phases of Cohen's intellectual development, its breaks and its continuities, throughout seven decades. The guiding goal behind Cohen's intellectual career, he argues, was the development of a radical rationalism, one committed to defending the rights of unending enquiry and unlimited criticism. Cohen's philosophy was therefore an attempt to defend (...) and revive the Enlightenment belief in the authority of reason; his critical idealism an attempt to justify this belief and to establish a purely rational worldview. According to this interpretation, Cohen's thought is resolutely opposed to any form of irrationalism or mysticism because these would impose arbitrary and artificial limits on criticism and enquiry. It is therefore critical of those interpretations which see Cohen's philosophy as a species of proto-existentialism or Jewish mysticism. Hermann Cohen: An Intellectual Biography attempts to unify the two sides of Cohen's thought, his philosophy and his Judaism. Maintaining that Cohen's Judaism was not a limit to his radical rationalism but a consistent development of it, Beiser contends that his religion was one of reason. He concludes that most critical interpretations have failed to appreciate the philosophical depth and sophistication of his Judaism, a religion which committed the believer to the unending search for truth and the striving to achieve the cosmopolitan ideals of reason. (shrink)

In the Transcendental Aesthetic of the Critique of Pure Reason, Immanuel Kant famously claims that we have an a priori intuition of space as an ‘infinite given magnitude’. Later on, in the Transcendental Analytic, he seems to add that the intuition of space presupposes a synthetic activity of the transcendental imagination. Several authors have recently pointed out that these two claims taken together give rise to two problems. First, it is unclear how the transcendental imagination of a finite mind could (...) ever result in the intuition of an entity that is infinitely large. Second, Kant claims that our intuition of space has a ‘whole-prior-to-its-parts’ structure, such that its parts are given only as limitations of the whole, while synthesis is compositional and has a ‘parts-prior-to-their-whole’ structure, because it consists in first running through and then taking together the parts of a sensible manifold. I will solve these two problems by showing that Kant thought that synthesis does not always have a compositional structure but that there is also a form of ‘decomposing’ synthesis, which has a whole-prior-to-its-parts structure. Building on similarities between Kant, Edmund Husserl and G. W. F. Hegel, I will argue that infinite space is given to us in intuition by precisely such an activity of decomposition, one that allows us to differentiate between finite spatial objects and the unlimited phenomenal horizon in which they appear. (shrink)

Given free information and unlimited processing power, should decision algorithms use as much information as possible? A formal model of the decision-making environment is developed to address this question and provide conditions under which informationally frugal algorithms, without any information or processing costs whatsoever, are optimal. One cause of compression that allows optimal algorithms to rationally ignore information is inverse movement of payoffs and probabilities (e.g., high payoffs occur with low probably and low payoffs occur with high probability). If inversely (...) related payoffs and probabilities cancel out, then predictors that correlate with payoffs and consequently condition the probabilities associated with different payoffs will drop out of the expected-payoff objective function, severing the link between information and optimal action rules. Stochastic payoff processes in which rational ignoring occurs are referred to as compressed environments, because optimal action depends on a reduced-dimension subset of the environmental parameters. This paper considers benefits and limitations of economic models versus other methods for studying links between environmental structure and the real-world success of simple decision procedures. Different methods converge on the normative proposition of ecological rationality, as opposed to axiomatic rationality based on informational efficiency and internal consistency axioms, as a superior framework for comparing the effectiveness of decision strategies and prescribing decision algorithms in application. (shrink)