This paper suggests that design ethics can be enriched by considering ethics beyond the traditional approaches of deontology, teleology, and virtue ethics. Design practice and design ethics literature tend to frame ethics in design according to these approaches. The paper argues that a fundamental and concrete ethical understanding of design ethics can also be found in Sartrean Existentialism, a philosophy centered on the individual and his/her absolute freedom. Through the analysis of four core concepts of Sartrean Existentialism that define (...) a specific ethics, the paper illustrates why such philosophical approach is relevant to design ethics. The paper also shows how Sartrean Existentialism and its ethics apply to critical issues of professional practice in design such as professional engagement and design decision-making. The paper finally argues that Sartre’s philosophy and ethics is a perspective that offers the designer in design practice a solid ground to engage his/her ethical dilemma. (shrink)

On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided-and continues to provide-a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers (...) readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun's book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China. (shrink)

Utopian Horizons comprises chapters discussing diverse aspects of utopia ranging from its definitions and relations to ideology and different possible uses to practical studies of selected political, ideological, and cultural phenomena. The editor's introduction, apart from providing a useful overview of the reception of utopia, considers the problem of the ways in which fiction, an indispensable element of literary utopias, affects their possible ideological impact. This is a highly relevant issue all too often ignored in utopian studies, despite repeated claims (...) to the contrary.The first part of the book introduces five essays discussing some of the fundamental oppositions... (shrink)

How do people make sense of their experiences? How do they understand possibility? How do they limit possibility? These questions are central to all the human sciences. Here, Vincent Crapanzano offers a powerfully creative new way to think about human experience: the notion of imaginative horizons. For Crapanzano, imaginative horizons are the blurry boundaries that separate the here and now from what lies beyond, in time and space. These horizons, he argues, deeply influence both how we experience our lives and (...) how we interpret those experiences, and here sets himself the task of exploring the roles that creativity and imagination play in our experience of the world. (shrink)

How do people make sense of their experiences? How do they understand possibility? How do they limit possibility? These questions are central to all the human sciences. Here, Vincent Crapanzano offers a powerfully creative new way to think about human experience: the notion of imaginative horizons. For Crapanzano, imaginative horizons are the blurry boundaries that separate the here and now from what lies beyond, in time and space. These horizons, he argues, deeply influence both how we experience our lives and (...) how we interpret those experiences, and here sets himself the task of exploring the roles that creativity and imagination play in our experience of the world. (shrink)

In this book, Shlomo Biderman examines the views, outlooks, and attitudes of two distinct cultures: the West and classical India. He turns to a rich and varied collection of primary sources: the _Rg Veda_, the Upanishads, and texts by the Buddhist philosophers Någårjuna and Vasubandhu, among others. In studying the West, Biderman considers the Bible and its commentaries, the writings of such philosophers as Plato, Descartes, Berkeley, Kant, and Derrida, and the literature of Kafka, Melville, and Orwell. Additional sources (...) are Mozart's _Don Giovanni_ and seminal films like Ingmar Bergman's _Persona_. Biderman uses concrete examples from religion and literature to illustrate the formal aspects of the philosophical problems of transcendence, language, selfhood, and the external world and then demonstrates their plausibility in actual situations. Though his method of analysis is comparative, Biderman does not adopt the disinterested stance of an "ideal" spectator. Rather, Biderman approaches ancient Indian thought and culture from a Western philosophical standpoint to uncover cultural presuppositions that can be difficult to expose from within the culture in question. The result is a fascinating landmark in the study of Indian and Western thought. Through his comparative prism, Biderman explores the most basic ideas underlying human culture, and his investigation not only sheds light on India's philosophical traditions but also facilitates a deeper understanding of our own. (shrink)

In this book, Shlomo Biderman examines the views, outlooks, and attitudes of two distinct cultures: the West and classical India. He turns to a rich and varied collection of primary sources: the _Rg Veda_, the Upanishads, and texts by the Buddhist philosophers Någårjuna and Vasubandhu, among others. In studying the West, Biderman considers the Bible and its commentaries, the writings of such philosophers as Plato, Descartes, Berkeley, Kant, and Derrida, and the literature of Kafka, Melville, and Orwell. Additional sources (...) are Mozart's _Don Giovanni_ and seminal films like Ingmar Bergman's _Persona_. Biderman uses concrete examples from religion and literature to illustrate the formal aspects of the philosophical problems of transcendence, language, selfhood, and the external world and then demonstrates their plausibility in actual situations. Though his method of analysis is comparative, Biderman does not adopt the disinterested stance of an "ideal" spectator. Rather, Biderman approaches ancient Indian thought and culture from a Western philosophical standpoint to uncover cultural presuppositions that can be difficult to expose from within the culture in question. The result is a fascinating landmark in the study of Indian and Western thought. Through his comparative prism, Biderman explores the most basic ideas underlying human culture, and his investigation not only sheds light on India's philosophical traditions but also facilitates a deeper understanding of our own. (shrink)

Introduction -- The muse of paralysis -- Horizon of conquest: Eugene Fromentin's Algerian narratives -- Slow progress: Jean Paulhan and Madagascar -- Frustration: Michel Leiris -- Atopia: Roland Barthes -- The wake of Ulysses.

In lieu of an abstract, here is a brief excerpt of the content:Horizons of Grace:Marilynne Robinson and Simone WeilKaty RyanThe sorrow is that every soul is put out of house.Marilynne Robinson1All of us, even the youngest, are in a situation like Socrates' when he was awaiting death in prison and learning to play the lyre.Simone Weil2Marilynne Robinson's first novel Housekeeping (1980) is a meditative and lyrical reflection on old themes: abandonment, loss, grief, renewal, hope, memory—what the narrator Ruth Stone calls (...) the "sad and outcast state of revelation" (p. 184). The novel returns in its opening pages to the suicide of Ruth's mother, Helen, and concludes with a bridge crossing, misinterpreted by other characters as intentional death. Critical responses to the novel usefully explore its nineteenth-century American literary impulses (Emerson, Thoreau, Dickinson, Melville), its reworking of female subjectivity, its quiet insistence on the transience of all things and the unmaking of boundaries.3 Words on suicide are scarce. In this inattention, critics may be following the lead of the novel, which, among novels containing acts of self-destruction,is exceptional in its almost total reticence on the subject. Not one character asks why Helen kills herself, and little emerges from the narrative to shed light on the unasked question.Structurally, the function of the mother's suicide seems obvious. Helen's death creates two orphans—that preferred status in literature that frees characters up for adventure and self-discovery. It also appears to be the cause, or at least a leading cause, of Ruth's sadness. Ruth's aunt Sylvie assumes this to be true. After the deaths of their mother and [End Page 349] grandmother, Ruth and her sister Lucille are passed off by their overwhelmed great aunts to Sylvie, a woman who has been wandering the country, hopping trains, getting by. When the concerned women in the town of Fingerbone attempt to determine how best to keep Ruth from following in Sylvie's uncivil footsteps, to keep her "safely within doors" one of them remarks on how sad Ruth always looks.And Sylvie replied, "Well, she is sad." Silence. Sylvie said, "She should be sad." She laughed. "I don't mean she should be, but, you know, who wouldn't be?" Again, silence.(p. 185)The unsaid is met with repeated silence. Sylvie proposes that anyone who had survived what Ruth has survived, understood to be her mother's death, would be sad, should be sad. A long silence also greets Sylvie's discomforting observation that Ruth is "'like another sister to me. She's her mother all over again'" (p. 182).The generating absence of the mother sets the stage for Ruth's spiritual exile and eventual communion, the moment when a "word so true" comes home to her. Ruth does not, in fact, become "her mother all over again."Born of people falling to their deaths (Ruth's mother and grandfather), Housekeeping ends with a counter-image, an image of crossing over a bridge (horizontality) rather than falling from it (verticality). One way to think about the philosophical movement in the novel is provided by Simone Weil's writing, which relies of tropes of gravity. I am particularly interested in connections between Housekeeping and Simone Weil's Gravity and Grace (1952) and Waiting for God (1992). These texts explore the nature of suffering by focusing on the inevitability of waiting, the practice of attention, and the necessity of detachment.Although Weil wrote movingly and persuasively about industrial labor, war, and other forms of political oppression, here I emphasize her spiritual writings. In his introduction to First and Last Notebooks, Richard Rees writes of Weil, "One may say that two of her chief preoccupations were, first, how to organize a society so that suffering should be reduced to a minimum, and, second, how to ensure that the (large) irreducible minimum should not be valueless" (p. viii). Housekeeping dramatizes this second concern. The novel also provides a needed fictional example of decreation, Weil's difficult name for the [End Page 350] process by which something created can be transformed into something uncreated, or "the act of allowing moments empty of meaning to remain 'unfilled.'"4 The suicide... (shrink)

The article is devoted to the new poetry that entered the Russian musical culture with the Khrushchev "thaw". A special perspective of the study is the "female" chamber vocal cycle of the 1960s and 1970s. The wave of interest of Russian composers in chamber and vocal music that arose during this period is associated with a hitherto unprecedented wealth of poetic themes and images, the emergence of modern literature. Spiritual horizons expanded rapidly, original texts entailed fresh genre and technological (...) solutions. The new poetic "information", as well as scientific information, liberated the creative forces of musicians, demanded a new language, style, form. Poetry turned out to be one of the most important incentives for the renewal of compositional concepts. The main conclusion of the study is the idea that the development of vocal music, the figurative and thematic expansion of "female" chamber vocal cycles is primarily associated with the modern poetic tradition, with the expansion of the spiritual horizons of Soviet cultural life in the second half of the last century. Russian chamber and vocal music is being studied for the first time in such a perspective and this direction must be recognized as fruitful, more fully revealing the most important vectors of the development of the musical and poetic tradition. It is quite obvious that the modern literary preferences of composers became the basis for a radical renewal of the chamber-vocal genre in the 1960s and 1970s. (shrink)

Johan Brännmark's article “Patients as Rights Holders,” in this issue of the Hastings Center Report, squarely identifies some important problems with the way we in clinical practice conceive of our obligations to our patients. As a solution, he helpfully suggests augmenting our focus on autonomy and informed consent with a broader menu of considerations drawn from the literature on human rights. Respect for autonomy is, of course, one of the hallowed principles of bioethics. In our traditional understanding, our patients (...) deserve our respect because they are capable of autonomous choice, and the way we demonstrate our respect is by seeking their informed consent for our care. This model is so deeply ingrained that many of us have difficulty imagining that there could be any other way of thinking about it. But this model has two very serious drawbacks, problems that speak to much of what is wrong with health care today. (shrink)

At the time of its publication in 2016, Edward K. Chan's The Racial Horizon of Utopia entered a field that included relatively few full-length studies of race in speculative fiction or science fiction, and even fewer of race in utopian literature. Ground-breaking in that respect and offering a compelling examination of race within utopian novels of the 1970s through 1990s, Chan's book makes a vital contribution to the field of utopian studies.Chan notes a shift in focus in post-1970s (...) utopian fiction away from delineating the workings of an imagined utopian society and toward shaping what he refers to as "the Subject of Utopia". In conjunction with this, he identifies this period as characterized by "the... (shrink)

The article by Sannikov Sergiy “History and Hermeneutic Horizons of the Bible Commentaries in the Slavic Context: Part 1. History and Practice of the Bible Commentaries in the Slavic Context” is the first part of the research of the history and hermeneutic horizons of the Bible commentaries in the Slavic context. The author surveys the history of the Bible interpretation in Eastern Europe, analyzes the diachronical interpretation principles progress, shows the hermeneutical methods used in the Evangelical movement of in the (...) 19th and 20th centuries and the correspondent hermeneutic approaches in the Orthodox tradition. The author distinguishes the main hermeneutic principles being the basis for the commentators of the 19th-20th centuries and the approaches to interpretation practiced in the Slavic context. A special attention is given to the Bible interpretation made by national authors who have been publishing their works during the last 20 years. The main emphasis is made on the literature on hermeneutics published in recent years and used in Evangelical educational institutions. (shrink)

Although the laws of thermodynamics are well established for black hole horizons, much less has been said in the literature to support the extension of these laws to more general settings such as an asymptotic de Sitter horizon or a Rindler horizon (the event horizon of an asymptotic uniformly accelerated observer). In the present paper we review the results that have been previously established and argue that the laws of black hole thermodynamics, as well as their (...) underlying statistical mechanical content, extend quite generally to what we call here “causal horizons.” The root of this generalization is the local notion of horizon entropy density. (shrink)

In this article, I introduce the notion of horizon for scientific practice (HSP), representing limits or boundaries within which scientists ply their trade, to facilitate analysis of scientific discovery and progress. The notion includes not only constraints that delimit scientific practice, e.g. of bringing experimentation to a temporary conclusion, but also possibilities that open up scientific practice to additional scientific discovery and to further scientific progress. Importantly, it represents scientific practice as a dynamic and developmental integration of activities to (...) investigate and analyze the natural world. I use the discovery of the clotting factor, thrombin, and the experiments conducted by the Johns Hopkins physiologist, William Howell, on the enzymatic nature of thrombin to illustrate the notion of HSP. In a concluding section, I compare the notion of HSP to other notions for scientific practice proposed in the history and philosophy of science literature. (shrink)

In this article I elucidate a conception of small worlds, or ‘ontological’ contexts, within the curriculum that stand out and beyond the horizon of technological‐scientific reality, which might be linked with forgotten, marginal ways of being and thinking. As I attempt to demonstrate, it is possible that such ontological worlds apart from technology's ‘Enframing’ effect might inspire the type of meditative thinking in our classrooms that is consistent with Heidegger's notion of authentic worldly dwelling as it appears in the (...) later writings of the 1930s, or the ‘turn’. (shrink)

This paper investigates critically the approaches to picturebooks as used in the history of philosophy for children movement. Our concern with picturebooks rests mainly on Morteza Khosronejad's broader criticism that children's literature has been treated instrumentally by early founders of P4C, the consequence of which is abolishing the independent voice of this literature. As such it demands that we scrutinize the position of children's literature in the history of this educational program, as well as other genres and (...) forms, including picturebooks as a highly valued artistic-literary form to educationalists. In our inquiry, we probe, therefore, the transition of approaches to picturebooks concomitantly with the investigation of the transition of approaches to children's literature. This research evinces that some later scholars and practitioners of P4C have departed significantly not only from Lipman's approach to children's literature and picturebooks, but also from his conceptualization of childhood and philosophy for children. Meanwhile, it demonstrates that in spite of P4C scholars' taking effective steps to address children's literature in general and picturebooks in particular, there are some steps for them to take in order to fully recognize this literature as an independent branch of knowledge and picturebooks as artistic-literary unique works. While revealing the limitations and paradoxes that P4C scholars continue to deal with, in this article, we see Khosronejad's earlier idea as a suggestion to overcome the instrumentalization of children's literature and picturebooks in P4C. Fundamental dialogue with children's literature theorists particularly those of picturebooks will open new horizons to the realization of our suggestion. (shrink)

The_ _extraordinary, and continuing, influ­ence of Merleau-Ponty on American as well as European philosophy is amply demonstrated in this first collection of essays on his work, all written especially for this volume. Taken as a whole, the essays comprise the first major critical assessment of the scope of Merleau-­Ponty’s thought, and cover all of his principal works. Since Merleau­-Ponty’s thought spans the junctures of painting and psychology, language and history, politics and perception, ontol­ogy and linguistics, and literature and anthropology, (...) the book will have far-reaching effects. (shrink)

What is the moral, spiritual, and educative function of philosophy and literature in modern lives? Such a large question is rarely posed by philosophers or literary theorists these days, but one philosopher who has put it at the top of his agenda is Richard Rorty. His general answer is that both literature and philosophy serve distinct ends: the private end of personal fulfilment through the redescription of experiences and the possibility of self-creation, and the public end of expanded (...) horizons of moral imagination and spheres of solidarity. In what follows I will take a closer look at Rorty’s proposal. I begin by situating it as a contribution to philosophical discussions of the ‘problems of modernity’. Second, I draw attention to an important but sometimes neglected thought that underscores Rorty’s proposal: the alliance of philosophy and literature in making sense of modern lives. With this background in place, in the third section I consider the distinctive version of the private/public split that Rorty invokes, which can be regarded as his version of worldmaking in modernity. I argue that Rorty’s version of the distinction has more going for it than some critics have been prepared to grant, and that it at least provides a basis for further reflection on the important question it helps to answer. (shrink)

This volume offers a comprehensive guide to the extensive corpus of Jean-Luc Marion’s ideas, including a discussion of contemporary French phenomenology and critical appraisal of Marion’s ideas by leading scholars in the field. The contributors apply Marion’s thought to various fields of study, including theology, art, literature and psychology.

This is an open access book which explores phenomenology as both an exceptionally diverse movement in philosophy as well as an active research method that crosses disciplinary boundaries. The volume brings together lively overviews of major areas and schools of phenomenology, as well as the most recent applications across a range of fields. The first part reviews the state-of-the-art in various areas of contemporary phenomenology, including several distinct schools of Husserl and Heidegger scholarship, as well as approaches derived from Merleau-Ponty, (...) de Beauvoir, Fanon, and others. An innovative quantitative analysis of citation networks provides rich visualizations of the field as a whole. The second part showcases phenomenology as a living discipline that can advance research in other areas. While some areas of interaction between phenomenology and other disciplines are by now well established (e.g. cognitive science), this volume sheds light on newer areas of application. The goal is to move beyond discussions of philosophical method and highlight scholars who are actually doing phenomenology in a variety of areas, including: Embodiment and questions of gender, race, and identity, The arts (visual art, literature, architecture), and Archaeology and anthropology. This volume offers a concise introduction to cutting edge phenomenological research and is suitable for both students and specialists. (shrink)

The issue of the whole–part relationship has been a contentious subject in Indian philosophical discourse since its early stages. Generally speaking, there are two leading positions concerning the nature of the whole, from which the issue of the whole–part relationship stems. First is the reductionist position, which contends that the whole is nothing more than the parts put in a certain order; hence, the part is more fundamental than the whole, since the whole can be reduced to the parts that (...) constitute it. Second, there is the essentialist position, advocating that the essence of the whole cannot be simply reduced to the parts, since we do not find the whole in any of the parts; hence, the whole is more primary than the part. Most Indian Buddhists subscribe to the first position, whereas Hindu realists adhere to the second. When Buddhism spread to China, however, the issue took an interesting turn in the hands of Chinese Buddhists. In this article, I will examine this turn by investigating two representative Buddhist positions on the issue of whole and part. One is found in the Abhidharma literature, the early Buddhist philosophical treatises, wherein the core Buddhist notion of an tman (wu wob ), no-self, is explained by appealing to this relationship. As we will see, the whole–part relationship discussed there is distinctively reductionist. Another major deliberation on the whole–part issue is found in the literature produced by the Chinese Huayan Buddhist school, wherein the reductionist approach is nowhere to be seen. In fact, the Huayan philosophers tried as hard as they could to fend off any reductionist mode of thinking regarding the whole–part relationship. Be that as it may, their position in no way corresponds to the essentialist stance. This article investigates the unique Huayan theory of part and whole, thereby offering a possible way out of the reductionism–essentialism dilemma. (shrink)

S. Geniusas: Although Gadamer’s hermeneutics has suffered attacks from a number of philosophical perspectives, the profusion of criticisms seldom constitutes new challenges and for the most part is a reiteration of two seemingly opposite claims. On the one hand, we often hear that Gadamer’s hermeneutics is merely a disguised brand of the “philosophy of the subject” which under the pretext of openness reduces the Other to the self. On the other hand, it is just as often claimed that Gadamer’s writings (...) fall into the category of the “hermeneutics of the fundamental questions” and therefore they cannot account for the selfhood of the self. Taking as its focus the theme of the oneness of the hermeneutical horizon(s), this paper argues that this theme carries no hegemonic or essentialist connotations. Rather, a careful analysis, which accentuates the negative and the dialectical elements of the oneness of horizons and the fact that this theme is for Gadamer both a presupposition and an achievement, reveals the shortcomings of both critiques. In the final analysis, the oneness of the horizon(s) is the dialogue that we ourselves are. Special attention is granted to Richard Kearney’s critique of Gadamer, to Gadamer’s critique of the incommensurabilist stance, and to the relevance of Gadamer’s hermeneutics in the context of today’s socio-political concerns. G. B. Madison: This essay is a companion piece to S. Geniusas’ “On the Oneness of the Hermeneutical Horizon(s)” and seeks to correct some of the serious misunderstandings of the philosophical hermeneutics of Hans-Georg Gadamer that one often encounters in the literature. It seeks above all to show how Gadamer’s commitment to philosophical universalism is ideally suited to enabling philosophy to confront the ethical challenges posed by the phenomenon of globalization. (shrink)

This article suggests an evaluation of the way by which European Culture understands the idea of rationality of the world. We pursue the consequences of the fact that in this cultural tradition the world is seen as a rational and unitary reality, which exists for the human dialogue as a condition for man’s spiritual growth. We also point out the implications of the affirmation according to which the rationality of the world has multiple virtualities, but its malleability and contingence are (...) brought to the light and put in acts by man, the one who uses these dimensions. We evaluate the importance of these theses from today’s necessity to expand the scientific paradigm of describing the reality, when it is clearly necessary to overcome the classic subject-object duality. (shrink)

The importance and influence of Karl Rahner’s theology is due in great part to the number of excellent scholars who have elucidated his thinking over the years. This article assembles considerations of Rahner’s idea of freedom as found in the rich secondary literature on Rahner. Rahner’s ethics, and indeed much of his theology, rests upon the idea of discernment, his own spiritual experience, and the Ignatian practice of discernment of spirits. Discipleship with Jesus and the love of neighbor, all (...) undergirded by the person’s free response to God’s grace and revelation, is the horizon that embraces all of what Rahner has to say. The idea of freedom rests at the basis of Rahner’s understanding of the human person, our call to discipleship, and our fundamental choice to grow in God’s grace. (shrink)

Examining the depiction of Jerusalem in German-Jewish literature between 1848 and 1948, this essay explores the occupation of real places by the imagination. The work with the old myths as well as the invention of new ones about Jerusalem expressed the negotiation of cultural identity and the German-Jewish situation in an era that saw the far-reaching modernization of Judaism. In the tension between the force of descent and the horizon of self-invention, some authors created the space for the,,invention (...) of a tradition" in modernity. (shrink)

Walt Disney’s movie, The Pagemaster (1994) begins on a dark and stormy night, with a young boy stumbling into an immense, gothic-styled library for refuge from the rain. Once inside, he is soon carried away by a tumultuous river of coloured paints, transformed into an animated characterization of himself, and thrust into an animated world of literature, where he battles Captain Hook, flees Moby Dick, and participates in other classic tales of adventure, horror, and fantasy. -/- Adults might understand (...) the film as a fanciful description of how they feel when reading a lively book. Although they would probably not imagine themselves tagging along with the animated characters like a 4th musketeer, they might very well claim that they enter a fiction through the viewpoint of one or more of the characters, experiencing, imaginatively, mental images of the sights, sounds, smells, and movements that the character would experience. Under this description, the reader would be forming multi- modal images that would correspond directly to what the literary characters are doing, thinking, and experiencing. When a fictional hero whips out his sword and slashes a rope in half, the reader might form a visual image of the hero’s determined face, an auditory image of the sound of the whizzing sword, and a motor image of an extended arm movement. I call such an imitative participation, by use of mental images in any modality, a simulation. -/- I suggest that this imitative experiencing of a fiction through the production of multi-modal imagery - a simulation - is not the only way in which readers might engage a literary text. In this paper I explore the hypothesis that readers might use their own bodily processes - those of the somato-viscero-motor system (SVM) for a non-imitative activity that I call a reinterpretation and that the reinterpretation might make a distinctive contribution to the reading process. As an example of a simulation and a reinterpretation, take the SVM experience of the reader’s breathing. A simulation would occur if the text describes a character who is taking deep breaths of air and the reader creates a mental image representing the experience of breathing. In this case, the reader’s mental image of breathing would stand for a property of the literary work - the fictional experience of breathing. -/- By contrast to the simulation, a reinterpretation would occur if the text describes a character who is gazing at long, wispy clouds that extend outward from a horizon and the reader uses his own experience of breathing to stand for the visual sense of looking at a long, continuous expanse of filmy white: the reader’s actual breathing would stand for a property of the literary work - the fictional experience of seeing. Breathing is not the same as seeing. This should help clarify the following definition. -/- I hypothesize that a reinterpretation occurs when the reader becomes aware of some component of the SVM system and reinterprets it as a property of the literary work that is not the same as that particular SVM process. The SVM experience is projected into the literary work. (shrink)

Few works have had the impact on contemporary philosophy exerted by Hegel's Phenomenology of Spirit. Twentieth-century philosophers in France were bound together by a reading of Hyppolite's translation and commentary. Sartre, Merleau-Ponty, Lacan, and Bataille were all shaped by Kojève's lectures on the book. Late twentieth-century philosophers such as Derrida, Lyotard, Deleuze, and Irigaray all operate against a Hegelian horizon. Similarly, in Germany Heidegger, Adorno, and Habermas developed their philosophies in large part through an engagement with Hegel. In the (...) United States the book has had a profound influence on feminism and gender studies. Thinkers as diverse as Butler, Benhabib, Mills, and Honig have developed political theories as well as theories of sexual difference by rereading Hegel's reading of Antigone. As Derrida suggests, this text must be read. It lays out the infrastructures and architectures of life in the modern nation state. It unfolds a grand narrative of the ways of thinking and acting that comprise human experience in "our time." The purpose of the text is to effect a transformation in readers, so that they cease to think of themselves as particular humans and come to know that their existence inheres in membership in a complex community-social, cultural, economic, religious, aesthetic, and political infrastructures that form the culture of possibilities in which self-consciousness emerges and is sustained. Rawlinson's reading reveals how Hegel's politics of the "we" is undermined both by his effacement of sexual difference and by his misappropriation of art as a "betrayal of substance." Both of these gestures discount specificity in favor of a generic subject and a mutual recognition in which the other is the same. She uses Hegel's own critique of abstraction against him to rethink the "we" as a community of difference, figured materially in the differentiated styles or signatures of art, and in so doing argues that that the task of phenomenology is never completed and that the abstract concepts of logic will always be dependent on phenomenology's productive or generative movement. In her reading Hegel is neither a metaphysician nor a subjective idealist. He is a phenomenologist, analyzing experience to articulate the ways in which humans generate narratives and material infrastructures to sustain the complexities of life. (shrink)

English summary: In "Also Spoke Zarathustra," Nietzsche referred to, considerably more than in his other writings, the sum-total of the western tradition and condensed within it our cultural heritage in a stupendous synthesis, which he configured in a curious space of citations, parodies, and echoes. Already the colorful singularity makes the text an important bearer and filter of tradition and a model case, on which literary and philosophical approaches, confronted with the question of cultural memory and Nietzsche's reassessment of it, (...) are able to mutually compliment and illuminate each other. This anthology documents a spectrum of possible avenues into Nietzsche's chief work, into his characteristic dynamic of recreation, and to the specific forms in which he actualized the compression of western tradition in "Zarathustra." The pathos of "Zarathustra," Nietzsche's parody, and the concept of cryptomnesia (the forgotten memory), in which the transvaluation of tradition is placed within the horizon of productive forgetting, are therefore special challenges for literary studies as well as the thinking of the present. German description: In 'Also sprach Zarathustra' bezieht sich Nietzsche weit mehr als in anderen Schriften auf den Fundus der abendlandischen Uberlieferung und verdichtet mithin unser kulturelles Erbe in einer riesigen Synthese, die sich als eigentumlicher Spielraum von Zitaten, Parodien und Anklangen konfiguriert. Gerade die schillernde Singularitat dieser Synthese macht den Text zu einem bedeutenden Trager und Filter der Tradition und somit zu einem Modellfall, an dem sich literaturwissenschaftliche und philosophische Zugangsweisen, die sich mit der Frage nach dem kulturellen Gedachtnis und dessen Umwertungspraxis bei Nietzsche konfrontieren, erganzen und gegenseitig beleuchten konnen. Der Sammelband dokumentiert ein Spektrum moglicher Zugange zu Nietzsches Hauptwerk, zu seiner charakteristischen Dynamik der Neuschopfung und zu den spezifischen Formen, in denen sich die Verdichtung der Tradition im 'Zarathustra' artikuliert. Das Pathos Zarathustras, Nietzsches Parodie und der Kryptomnesie-Begriff, der die Umwertung der Tradition in den Horizont eines produktiven Vergessens stellt, werden dabei zu besonderen Herausforderungen der Literaturwissenschaft sowie des Denkens der Gegenwart. (shrink)

Today many philosophers of mind accept that the two cortical streams of visual processing in humans can be distinguished in terms of conscious experience. The ventral stream is thought to produce representations that may become conscious, and the dorsal stream is thought to handle unconscious vision for action. Despite a vast literature on the topic of the two streams, there is currently no account of the way in which the relevant empirical evidence could fit with basic Husserlian phenomenology of (...) vision. Here I offer such an account. In this article, I show how the empirical evidence ought to be understood in a way that is informed by phenomenology. The differences in the two streams are better described as differences in spatial and temporal processing. Rather than simply “unconscious,” the dorsal stream can be better described as making a special contribution to what Husserl identified as the visual horizon. (shrink)

A Quantum Effect in the Classical Limit: Non-equilibrium Tunneling in the Duffing OscillatorAlec Maassen van den BrinkRCAS, Academia Sinica, Taiwanemail: [email protected] Duffing model is an oscillator with weak near-resonant driving, damping, and nonlinearity. For certain parameters, the stationary amplitude and phase bifurcate depending on initial conditions, and vary widely from one stable branch to the other. Due to this sensitivity, the system can be used for constructing detection devices.In recent years, an implementation using superconducting devices—the so-called Josephson bifurcation amplifier (JBA)—has (...) been successfully used experimentally for superconducting qubit readout. In the experimental literature, the JBA is often taken as classical. However, for e.g. understanding how the stability of the stationary states is modified by tunneling, a proper quantum analysis is necessary. Such tunneling transitions would be an error process from the point of view of detecto. (shrink)

Critics have pointed out that the content and sequence of mystical development reported by different traditions do not seem very congruous with the contention that there is a universal path of mystical development. I propose a model of mystical development that is more subtle than traditional ‘invariant hierarchical’ models, and which explains how the apparently differing accounts of mystical development between traditions and thinkers can be reconciled with each other in a more convincing fashion, and brought together under one umbrella. (...) The model preserves both the objective core of perennialism and the culturally subjective element of mystical ‘specialization’ that is undeniably evidenced in the mystical literature, and which hierarchical and invariant ‘universalist’ accounts struggle to integrate. (shrink)

The literature on epistemic injustice has thus far confined the concept of testimonial injustice to speech expressions such as inquiring, discussing, deliberating, and, above all, telling. I propose that it is time to broaden the horizons of testimonial injustice to include a wider range of expressions. Controversially, the form of communication I have in mind is non-verbal expression. Non-verbal expression is a vital, though often overlooked, form of communication, particularly for people who have certain neurocognitive disorders. Dependency upon non-verbal (...) expression is a common feature of some forms of neurocognitive disorders such as ‘intellectual disabilities’, autism and late-stage dementia. According to the narrow definition of testimonial injustice currently championed in the literature, people who express non-verbally are exempt from testimonial injustice. However, when we consider cases where meaningful communications from non-verbal people are dismissed or ignored in virtue of identity prejudice, there seems to be a distinct testimonial harm at play. Using late-stage dementia as a case study, I argue that the definition of testimonial injustice should be expanded to include all communicative practices, whether verbal or non-verbal, to encompass the epistemic harms inflicted upon some of the most marginalised in our society. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fear and Loathing in Academe:Gonzo Scholarship and the War Against TourismDaniel StempelIWhen I retired in 1985 I chose as my mantra an academic version of a famous general's farewell to his troops: "Old scholars never die—they just fade away into the stacks." Now that I am an octogenarian, I have faded away into total invisibility, but, like Tithonus, I am not inaudible. I hope my voice will be strident (...) enough to disturb the utopian dreams of a new generation, although I doubt that it will wake them from their dogmatic slumbers. My decision to return to the wars of intellect was occasioned by a chance discovery as I haunted the periodical stacks. I noted the name of an old friend in the title of an article and was surprised to find him pilloried as both a "liberal white Protestant" and a "white supremacist," terms which do not, in my experience, necessarily go together.The article, "Pacific Scholarship, Literary Criticism, and Touristic Desire: The Specter of A. Grove Day," written by Paul Lyons, a member of the University of Hawai'i English department's Cultural Studies group, uses bell, book, and candle of the new postcolonial faith in a rite of exorcism to dispel the evil influences of commercial tourism.1 As every exorcist knows, the rite demands that a demon must be called by his name and Lyons has chosen to demonize a deceased member of the English department. Grove Day came to Hawaii in 1944 and retired in 1969. He served as chairman from 1948 to 1953 and taught the course in Literature of the Pacific until his retirement in 1969. He began as a freelance writer long before he decided to enter graduate school at [End Page 95] Stanford and continued to publish more than fifty books on Hawaii and the Pacific. In 1979 he received the State Award for Literature. He died in 1994 in a plunge from an upper floor of a retirement home. Paul Lyons, by his own admission, came to Hawaii in 1990 knowing nothing of its history and culture but soon became a self-appointed authority on Hawaii, its colonial past and present, and its postcolonial future, eagerly embracing the ideas disseminated by the Center for Hawaiian Studies at the university.His article begins with a pretentious elaboration of the method he plans to use to raze the Potemkin village of tourism. Invoking the authority of Hegel on appearance and reality in a passage he has found cited by Žižek, he follows Dean MacCannell, who has adapted Erving Goffman's distinction between dramatic front and back: the entertaining scene presented to the tourist public contrasts with the backstage machinery of the stagehands who put it all together to deceive gullible visitors.2 He combines this with a quotation he has found in a book by William V. Spanos, the founder and former editor of Boundary 2, taken from a journalist's view of the Vietnam War, complaining that they had all been "deeply backgrounded." These are enlisted in the service of MacCannell's quest for "authenticity" as the touchstone of all encounters with other cultures, including the tourist experience.Had Lyons, instead of accepting MacCannell's interpretation of Goffman's early work, The Presentation of Self in Everyday Life (1959), taken a closer look at this witty and ironic study of social behavior in a small community in the Shetland Islands, he would have found that Goffman makes no judgment on the comparative authenticity of either front or back. He utilizes what may be called the J. Alfred Prufrock theory of interaction between individuals and the groups in which they find themselves: "There will be time, there will be time / To prepare a face to meet the faces that you meet...." MacCannell, in contrast, sees the tourist as a Tennysonian Ulysses in pursuit of a horizon of authenticity that recedes into infinity, "whose margin fades / Forever and forever as I move."Of course, the front/back and foreground/background binary oppositions and the insistence on authenticity are commonplaces rooted in the ubiquitous literary and philosophical tradition of "All the world's a stage" and require no... (shrink)

Business sustainability aims to combine market logic with social welfare logic. In literature, it is commonly assumed that sustainability and the social welfare logic associated with it are characterized by a long-term orientation. However, this assumption is problematic because this principle may not apply in certain contexts. This qualitative study challenges this assumption and focuses on the mechanisms by which time affects the adoption of sustainability practices in the context of socially responsible investing (SRI) practices in Swiss banks and (...) insurance companies. The article provides insights into the mechanisms associated with different time horizons and investigates their effects on the adoption of SRI in financial intermediaries. It also shows how the dimension of time shapes interactions between the two institutional logics underlying SRI in business organizations through specific mechanisms. (shrink)

This collection of eight critical essays makes a significant contribution to the secondary literature on Merleau-Ponty. As stated in the preface, the intention of the book is "to bring to expression the levels and directions through which the thought of Merleau-Ponty moved from The Structure of Behavior to The Visible and the Invisible." The first essay, by Gillan, entitled, "In the Folds of the Flesh; Philosophy and Language," sets the context for the essays which follow. It centers around the (...) two "foci" of Merleau-Ponty’s "struggle with the meaning of being": "the language of philosophy and its self-discovery within the corporeal texture of language itself, the flesh of language". Gillan’s comprehensive expose traces the development of Merleau-Ponty’s thought in terms of these two foci. Don Ihde’s "Singing the World; Language and Perception" suggests a certain "priority" for Merleau-Ponty of language over perception. Language is "not just one dimension of being," and the problem of perception, consequently, has become "enigmatic". Ihde also raises the question of whether Merleau-Ponty has overcome the nature-culture dichotomy. (shrink)

The paper suggests that architectural making , a process of research in practice , and itself a bridging between the space of experience and the horizon of expectations , corresponds to phenomenology as a method of inquiry. This includes architectural phases parallel to epoché, phenomenological reduction, free variations, transcendental intuition of the essence, and description . The paper describes the in-between, its two edges, experience and expectations, and their mutual influences through the process of architectural making. Examples from the (...) design studio and professional literature illustrate the argumentation. The in-between is presented as structured, notably having a depth—the ineffable origin of creativity. In conclusion, the paper suggests that the edges and the in-between are temporary configurations in flux, wherein the architect makes use of his/her most inner resources, as a contribution to the metamorphosis and revitalization of his/her culture. (shrink)

This book by an internationally reputed Indian scientist traces the developments of Science, Religion and Philosophy in human civilization through the ages. The common underlying bond-more specifically, a linkage of philosophy with both science and religion-has been examined incisively. All the three sub-areas of human culture have been presented from a holistic point of view, and at the same time, stressing some of their irreconcilable basic differences in scope and outlook. Meant primarily for general readers, the book achieves a fine (...) balance between basic comcepts, historical evolution and a critical unbiased analysis of rituals, dogmas, unresolved queries and it leads to an enlightened view of 'humanism', 'Nature', 'Unity of man', need for a new paradigm of social and political order transcending globalization and control of resources of weaker nations by supremacy in global power equation. The book reviews the wisdom of the ancient Hindus, Buddhism, Jainism and of the three semitic religions-Judaism, Christianity and Islam. It presents a concise account of the Indian Vedas, Vedangan, Saddarsana, the two epics and the Bhagavadgita, of the philosophy and science of the Greeks, science and technology of ancient Egypt, Babylonia and China. A valuable special feature is a summary of the status of present-day science, starting with the classical phase, and ending with the developments in the last century comprising the Theory of Relativity, quantum physics, genetics, various aspects of human consciousness, modern astronomy, astrophysics and cosmology. Last but not least, the author critically reviews some of the presentday fashionable discourses on 'science as the best way to reach God' and leads the readers to an appraisal of the on-going researches on the unification of the four fundamental interactions of physical sciences. He ends with the inexorable conclusion that this unification, when fully achieved, would still not strictly identify the unique force as 'God as concieved in different religions. (shrink)

The nature of the self is an important point at which philosophy and literature intersect. Text, Body and Indeterminacy acknowledges this connection by forging a link between the philosophical concept of the self and the category of the literary character. The philosophical horizon of Text, Body and Indeterminacy is delineated by the neo-pragmatist debate on selfhood. The book entwines the ideas of Richard Rorty and Richard Shusterman by stressing similarity in their aestheticizing of ethics and by showing the (...) difference in their understanding of the self as textual or bodily. The characters created by Pater and Wilde are freshly assessed within this dual philosophical perspective. Their doppelgngers are seen as the forerunners of postmodernist concepts: the cerebral fl[neur is reflected in Rortys model ironist, and the sensuous aesthete returns through Shustermans notion of the somatic self. Text, Body and Indeterminacy establishes how Pater renders his protagonists through discursive patternstropes of Decadence, philosophical theorems, and mythsonly to subvert these vocabularies and to emphasize the reality of the body, the extra-textual dimension of the self. It also shows how Wildes sensuous personae, both bodily and indeterminate, transcend the vocabularies available to the Wildean fl[neurs. Through its interpretations, Text Body and Indeterminacy uniquely combines literary portraits by Pater and Wilde, highlights interlocking themes and, in every reading, points to the ethical gains of tilting the idea of selfhood into the somatic realm. (shrink)

Hermeneutics is a crucial but neglected perspective in African philosophy. Here, Tsenay Serequeberhan engages post-colonial African literature and the ideas of the African liberation struggle with critically-used insights from the European philosophical tradition. Continuing the work of Theophilus Okere and Okonda Okolo, this book attempts to overcome the debate between ethnophilosophy and professional philosophy, demonstrating that the promise of African philosophy lies with the critical development of the African hermeneutical perspective.

Hermeneutics is a crucial but neglected perspective in African philosophy. Here, Tsenay Serequeberhan engages post-colonial African literature and the ideas of the African liberation struggle with critically-used insights from the European philosophical tradition. Continuing the work of Theophilus Okere and Okonda Okolo, this book attempts to overcome the debate between ethnophilosophy and professional philosophy, demonstrating that the promise of African philosophy lies with the critical development of the African hermeneutical perspective.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 405-414 [Access article in PDF] Nihilism in Seamus Heaney Irene Gilsenan Nordin I WISH TO BEGIN WITH THE WORDS of Nietzsche's madman as he makes his famous appearance, running into the crowded marketplace in the bright morning with his lit lantern in his hand, crying out his proclamation of the death of God: "'Where has God gone?' he [cries]. 'I shall tell you. (...) We have killed him—you and I. We are all his murderers.'" He calls out in despair to the bemused and indifferent crowd his rhetorical questions: How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained the earth from its sun? Whither is it moving now? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying as through an infinite nothing? 1These words of the madman express the abyss of despair experienced on the realization that God is dead, the state of desolation which articulates what Nietzsche himself understood to be the consequences of the triumph of the Enlightenment. But these words of despair sum up more than that; they sum up the underlying problems of Nietzsche's age, and indeed our age: the basic mistrust of all previously held systems of value; the collapse of all ordering principle; and the erosion of the authority of tradition. In other words, reason has revealed the inadequacy of tradition, and has itself lost the ability to provide us with [End Page 405] any reliable means of evaluation—since any such evaluation must be based on the very principles which are themselves under attack.This stark realization of the absence of all sense of meaning in values previously held to be true leads to the condition that Nietzsche calls "nihilism," (Latin nihil, "nothing"), the condition that he considered to be the central problem of Modernity. This condition, Nietzsche believed, is brought about by the realization of three factors: first, the loss of faith in what he calls a "'meaning' in all events," a loss which contributes to an experience of aimlessness; second, the realization that there is no inherent pattern to the world or to history that can lend universal coherence; and third, the loss of faith in the existence of a stable world of being which can be evaluated according to steadfast, enduring principles. The rejection of these three categories, which Nietzsche terms "aim," "unity," and "being," leads to an experience of a world that appears "valueless," in other words, the experience of nihilism. 2Nietzsche, whose thought was considered by Heidegger to be the "final thought of Western metaphysics," 3 is seen as a heralding voice of postmodernism. 4 In this respect, Nietzsche's "death of God" can be seen to be about the death of modernist philosophical presuppositions, the death of the logocentric metaphysics of presence. But, parallel with the notion of crisis that Nietzsche's announcement of the death of God expresses and the ensuing critique of "metanarratives" which his thought has helped to give rise to, 5 Nietzsche's declaration of crisis can also be seen as a statement of faith. His interpretation of the problems of our age, while on the one hand "negatively" proclaiming the death of God and denying the possibility of shared meaning—or in Lyotard's terms "the consensus of a taste which would make it possible to share collectively the nostalgia for the unattainable" (p. 81), can, on the other hand, be viewed in a more "positive" light. The term "nihilism" itself, as Nietzsche has shown us, is ambiguous, comprising both the concepts of what he termed "active nihilism" and "passive nihilism," which involves a complex interplay between the dual forces of affirmation and negation (WP, p. 22).As the Italian philosopher, Gianni Vattimo, points out, the most general distinction between these forces can be seen in terms of "strength of spirit," where nihilism is considered as both "a sign (Zeichen) of the strengthened power... (shrink)

The present text investigates the key ideas of the modern cultural horizon, and especially the meanings of what we call Reason. Modernity brings a certain understanding of Reason sought as the main human capacity. But this understanding took the shape of a belief, fact visible everywhere not only in the scientific investigation but also in other cultural forms, among which were philosophy and theology. And also became an ideology. Yet, the last century, especially in its second half, provided interpretative (...) instruments and paradigms which made possible the recovery of the cultural perspectives and especially of the spirituality from the Eastern European area, which had other ground than the paradigm of the modern rationalism. (shrink)

Among the multiple, subliminal passions that inspire our life in innumerable ways, literature shows us one that seems to play a particularly penetrating role in human concerns. This passion, which Tymieniecka calls an `esoteric passion', finds its projection and crystallization in space: it is the esoteric passion for space. This subliminal passion, investigated through literature, allows the philosopher to reach beneath the fallacious separations of nature, humanness and the cultural world, restoring the wholeness of experience that has become (...) lost in the artificial one-sidedness of contemporary approaches, confined to language as they are. The elemental passion for place is investigated here in the literary fruits of creative imagination. Unravelled from the very depths of the primogenital, onto-poietic unfolding of life, the passion for place is revealed as projecting into the flux of life: it is a `station' of life-significance. This collection presents papers from two conferences of the International Society of Phenomenology and Literature held in Cambridge, MA in 1993/4. (shrink)

At the center of_ In Dark Again in Wonder_ are readings of René Char and George Oppen. Both of these poets achieved recognition at a young age, Char among the French surrealists in the 1930s, Oppen among the American objectivists in the same decade. Both were independent individuals who, having found their way to communities of inventive writers, stepped back and shaped their own idiosyncratic paths. Both responded decisively to the social upheavals of the 1930s and ‘40s. Oppen committed himself (...) to radical politics in the ‘30s, a decision that, as it turned out, led to his not writing poetry for nearly twenty-five years. Char fought in the Resistance in the '40s. Both, in their mature work, developed a kind of poetry that is at once a love poetry, a meditative poetry, and a poetry of encounter. The concluding chapter of the book places the questions raised by Char’s and Oppen’s work in a larger context, tracing the cultural history that shapes our modern experience of inhabiting a tension between an historical and a metaphysical horizon of experience, or, as this appears in a different but related light, a tension between a sociological and an existential understanding of our lives. Char and Oppen are both poets concerned with the old philosophical questions that are still with us—the nature of spiritual freedom, the gathering of the self in relation to death, the meditation on the whole, the turn to Nature as the open space of the whole under the conditions of modernity, the clarification of the ground of vision in eros and love, and the search for the good life—while at the same time they fully engage the social predicaments and promises of their world. "A brilliant, philosophical, and aesthetic approach to twentieth-century poetry that casts important light on the great poetic works of René Char and George Oppen. Revealing the ongoing role of wonder in the post-Romantic tradition, it points to two remarkable poets whose work embodies imagination in the knowledge of inevitable loss, renewal in the awareness of despair. This is a book worth reading for its insight into two poets and the larger literary and philosophical currents in which they lived and worked." _—Sandra L. Bermann, Princeton University_ "This is a brilliant, erudite, beautifully written, and compelling book, one that makes an important contribution to our understanding not only of the two poets on whom it focuses but of the period they inhabit and that we, as their inheritors, continue to inhabit. Robert Baker wears his considerable learning lightly, but he has deep knowledge both of the history of European and American poetry and of the history of philosophy. He has thought deeply and passionately about poetry, philosophy, history, and the ways in which they intertwine." —_Henry Weinfield, University of Notre Dame_ "Robert Baker has written a fine and unusual book: a study of two remarkable poets, one French and the other American, and a concluding reflection of considerable literary and intellectual reach on the gap between history and metaphysics in which both poets found themselves and in which we still subsist. Bake'rs style is synthetic, magisterial, drawing on a capacious knowledge of literature and the history of ideas." —_Kevin Hart, University of Virginia_. (shrink)

In the article, the authors attempt to analyze the various origins of libertarian paternalism - political, social, cultural, and try to explore the essence of this social and social phenomenon. Libertarian paternalism has both positive and negative features, which are actualized, in turn, by modern planetary challenges.The aim and the tasks: analysis of the essence of the social phenomenon of libertarian paternalism, and the study of its origins - political, social, cultural. Research methods are historical, structural and functional, systemic and (...) equitable.For the revision of specific projects, it is also the principle of consistency, objectivity, convergence from the abstract to the concrete. Research results: Democracy and human rights have found themselves in the grip of challenges, to which both the government and the private sector of the economy in particular react in a peculiar way. In the civilized world, the problem of social protection is acute; an ordinary person dramatically perceives the massive pressure of advertising, the media, certain structures that are interested, first of all, in the early sale of their products - material, spiritual and social. Libertarian paternalism is seen by the authors as a possible way to reconcile these issues, especially from the point of view of protecting the human rights and freedoms. Discussion. In this regard, other authors note that in the practical implementation of Nudge technology, people rarely follow the ideal interpretation of private well-being in terms of full satisfaction of needs. Opponents suggest in this regard that people can be guided by temporary benefits in terms of irrational consumer behavior, that is, the socio-psychological bases of consumerism are affected. Conclusion. Libertarian paternalism was created as a reaction to political, economic and sociocultural changes in society under the impact of globalization, informatization and revision of social programs in the governments.The concept of libertarian paternalism and its practical implementation of nudge technology is relevant and promising in the context of a constant increase in the level of welfare of citizens. Libertarian paternalism affects the most subtle sociophilosophical, socio-psychological elements of the consciousness of an individual who has become hostage to government programs and private projects. The price of a rational choice of an individual is his own freedom, in the context of modern realities of social life. (shrink)

PurposeA significant volume of philosophical literature produced by Indian academic philosophers in the first half of the twentieth century can be placed under the rubric of ‘Śaṁkara and X’, where X is Hegel, or a German or a British philosopher who had commented on, elaborated or critiqued the Hegelian system. We will explore in this essay the philosophical significance of Hegel-influenced systems as an intellectual conduit for these Indo-European conceptual encounters, and highlight how for some Indian philosophers the British (...) variations on Hegelian systems were both a point of entry into debates over ‘idealism’ and ‘realism’ in contemporary European philosophy and an occasion for defending Advaita against the charge of propounding a doctrine of world illusionism.MethodologyOur study of the philosophical enquiries of A.C. Mukerji, P.T. Raju, and S.N.L. Shrivastava indicates that they developed distinctive styles of engaging with Hegelian idealisms as they reconfigured certain aspects of the classical Advaita of Śaṁkara through contemporary vocabulary.Result and ConclusionThese appropriations of Hegelian idioms can be placed under three overlapping styles: Mukerji was partly involved in locating Advaita in an intermediate conceptual space between, on the one hand, Kantian agnosticism and, on the other hand, Hegelian absolutism; Raju and Shrivastava presented Advaitic thought as the fulfilment of certain insights of Hegel and F.H. Bradley; and the interrogations of Hegel’s ‘idealism’ provided several Indian academic philosophers with a hermeneutic opportunity to revisit the vexed question of whether the ‘idealism’ of Śaṁkara reduces the phenomenal world, structured by māyā, to a bundle of ideas. (shrink)

Mitchell Greenʼs conception of the thesis of Literary Cognitivism states that literary fiction can be a source of knowledge that depends crucially on its being fictional. By a modal argument the authors show that the criterion of fictionality cannot be crucial to the epistemic value of literary fiction. Rather, it lays in a certain kind of distance, e.g. a temporal, cultural, or interpersonal one. This will be motivated by drawing parallels to Gadamerʼs hermeneutics, especially his conception of fusion of horizons. (...) In doing so, we agree with Green’s characterisation of knowledge that can be gained from engaging with literary fiction, but present a different approach to the source of this knowledge. At the same time, this approach enables us to extend the epistemic value of literary fiction both quantitatively and qualitatively. (shrink)