Hume: Emotion

This article is about David Hume's account of mixed emotions. Hume on mixed emotions is connected with Sir Isaac Newton's optical experiments and subsequent invention of the colour wheel, as well as more recently to Robert Plutchik's colour wheel of emotions.

Hume is an experimental philosopher who attempts to understand why we think, feel, and act as we do. But how should we evaluate the adequacy of his proposals? This chapter examines Hume’s account from the perspective of interdisciplinary work in cognitive science.

Although ambivalence in a strict sense, according to which a person holds opposed attitudes, and holds them as opposed, is an ordinary and widespread phenomenon, it appears impossible on the common presupposition that persons are either unitary or plural. These two conceptions of personhood call for dispensing with ambivalence by employing tactics of harmonizing, splitting, or annulling the unitary subject. However, such tactics are useless if ambivalence is sometimes strictly conscious. This paper sharpens the notion of conscious ambivalence, such that (...) the above tactics cannot be applied to ordinary moments of explicit and clear ambivalent consciousness. It is shown that such moments reveal ambivalence as an attitude that is part of human life. The argument employs three features of consciousness that together capture its outgoing character. In the last section some of the implications of conscious ambivalence for consciousness and the mind are clarified as the analysis of conscious ambivalence in this paper is compared with Hume’s and John Barth’s phenomenalist conceptions. -/- An additional note: See Razinsky, Ambivalence: A Philosohical Exploration (Rowman & Littlefield Int., 2016), Ch. 5 for a version of this paper that also includes a long section on the unity of consciousness (but does not include the section named 'Phenomenalist Ambivalence?'). (shrink)

Over the past years the relevance of compassion for society and specific practices such as in healthcare is becoming a focus of attention. Philosophers and scientists discuss theoretical descriptions and defining characteristics of the phenomenon and its benefits and pitfalls. However, there are hardly any empirical studies which substantiate these writings in specific societal areas. Besides, compassion may be in the eye of attention today but has always been of interest for many contemporary philosophers as well as philosophers in the (...) past, David Hume amongst them. Three themes related to Hume’s hypotheses on compassion are discussed and compared to outcomes of an empirical study amongst nurses and patients with a chronic disease. This comparison gives insights into the perception of those for whom compassion is of specific importance in their daily lives and into the usefulness of Hume’s notions on compassion. (shrink)

Hume concludes Book II of his Treatise of Human Nature with a section on the passion of curiosity, ‘that love of truth, which was the first source of all our enquiries’. At first sight, this characterisation of curiosity – as the motivating factor in that specifically human activity that is the pursuit of knowledge – may seem unoriginal. However, when Hume speaks of the ‘source of all our enquiries’, he is referring both to the universal human pursuit of knowledge and (...) to his own philosophical project. Seen in this light, his discussion of curiosity takes on a new significance, as it weaves together elements of his systematic account of human nature – notably, his theory of cognition and motivation – with observations about the pursuit of philosophy as well as the progress of the arts and sciences. In the present paper, I offer a reconstruction of Hume’s view on curiosity and its role in cognition and inquiry. (shrink)

Hume's account of the passions is largely neglected because the author's purposes tend to be missed. The passions were accepted by early modern philosophers, of whatever persuasion, as the mental effects of bodily processes. The dualist and the materialist differed over whether reason is a higher power able to judge and control them: thus Descartes affirms, whereas Hobbes denies, this possibility.Hume's account lines up firmly behind Hobbes. Although he shies away from Hobbes's dogmatic physiological claims, he affirms all the key (...) elements of the psychology Hobbes based on them: the nature of the will, the compatibility of freedom and necessity, the subservience of reason to passion, and the motivating power of pleasure and pain. Hume's account is thus best regarded as implicitly materialist. It is not, however, merely disinterested analysis: it aims at criticism of orthodox religious values. The passions are not threats to morality, but virtuous or vicious according to their pleasurable or painful nature. Thus the status of pride and humility is reversed. Hume's account of the passions underpins a rejection of orthodox religious morals, and endorses the values of antiquity — of pagan virtue. (shrink)

The Physiological Library’s catalogue shows that Hume had access to Malebranche’s sixth edition of De la recherche de la vérité while a student in Edinburgh.1 The Recherche is also included in the David Hume’s Library.2 While Hume did not agree with Malebranche on all things, a number of commentators have argued that Hume borrowed many points from Malebranche, not only concerning causality and the famous example of the billiard balls3 but also on other subjects. Charles McCracken’s Malebranche and British Philosophy (...) compares Hume and Malebranche on causation, self-knowledge, kinds of truth, the relation between imagination and belief, and ethics.4 Peter Kail has more recently devoted three articles to the .. (shrink)

This paper aims to clarify the program of Deleuze’s work on Hume’s philosophy. Also, I plan to make clear the operational meaning of Deleuze’s own hallmark regarding his approaches to philosophy. I start to follow Deleuze’s plot by engendering three functions of his interpretation of Hume’s Treatise that will be the area of three thematic chapters. The first tries to sort the polemical function of empiricism that is launched through Deleuze’s Hume; the second attempts to figure the domain of subjectivity (...) as the inventive function of the book; the third searches the creative function by describing the role of the institutional theory. (shrink)

Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...) tension by appealing to Hume’s treatment of the ‘distinctions of reason’, as explained by Garrett (1997). (shrink)

We must rethink the status of Hume’s science of emotions. Contemporary philosophers typically dismiss Hume’s account on the grounds that he mistakenly identifies emotions with feelings. But the traditional objections to Hume’s feeling theory are not as strong as commonly thought. Hume makes several important contributions, moreover, to our understanding of the operations of the emotions. His claims about the causal antecedents of the indirect passions receive support from studies in appraisal theory, for example, and his suggestions concerning the social (...) dimensions of self-conscious emotions can help guide future research in this field. His dual-component hypothesis concerning the processing of emotions, furthermore, suggests a compromise solution to a recalcitrant debate in cognitive science. Finally, Hume’s proposals concerning the motivational influences of pride, and the conventional nature of emotional display rules, are vindicated by recent work in social psychology. (shrink)

1. Introduction: 1.1 Difficulties of Approach; 1.2 Philosophical Background. 2. The Context of Early Modern Theories of the Passions: 2.1 Changing Vocabulary; 2.2 Taxonomies; 2.3 Philosophical Issues in Theories of the Emotions. SUPPLEMENTARY DOCUMENTS: Ancient, Medieval and Renaissance Theories of the Emotions; Descartes; Hobbes; Malebranche; Spinoza; Shaftsbury; Hutcheson; Hume.

A compelling exploration of the convergence of Jane Austen’s literary themes and characters with David Hume’s views on morality and human nature. Argues that the normative perspectives endorsed in Jane Austen's novels are best characterized in terms of a Humean approach, and that the merits of Hume's account of ethical, aesthetic and epistemic virtue are vividly illustrated by Austen's writing. Illustrates how Hume and Austen complement one another, each providing a lens that allows us to expand and elaborate on the (...) ideas of the other Proposes that literature may serve as a thought experiment, articulating hypothetical cases which allow the reader to test her moral intuitions Contributes to ongoing debates on the philosophy of literature, ethics, and emotion. (shrink)

This includes a methodological meditation (in blank verse) on the history of philosophy as a contribution to philosophy (rather than as a contribution to history) plus a conspectus of the issues surrounding Hume, the Motivation Argument and the Slavery of Reason Thesis. However I am posting it here mainly because it contains a novel restatement of the Argument from Queerness. Big Thesis: the Slavery of Reason Thesis (via the Motivation Argument) provides no support for non-cognitivism or emotivism, but there is (...) a plausible version of the Slavery of Reason Thesis that provides some support for the Error Theory. As in other papers I stress the importance of DTADs, dispositions to acquire desires as well as desires conceived as propositional attitudes. (shrink)

Although various points of Hume's canonical works hint at a critique of religious affect, his most explicit attack on such sentiments occurs in a letter of June 30th 1743 to his friend William Mure. In this letter Hume sets out an objection to all affective attitudes that are putatively directed toward God, and maintains that the Deity is not in fact the ‘natural object’ of any human passion. I examine this claim and canvass three possible interpretations of Hume's challenge to (...) religious affect, according to which Hume is, alternatively, (i) asserting the impropriety of all religious affect, (ii) denying that our affective states can secure reference to the divine, or (iii) rejecting the psychological possibility of affective states that take God as their object. Hume's argument may be best understood, I suggest, as a combination of all three criticisms. I close with an examination of Hume's diagnosis of the self-deceit involved in putative cases of religious feeling, and connect the argument of his letter to the similar analyses in Essays, Moral and Political and the Natural History of Religion. (shrink)

Tom Beauchamp presents the definitive scholarly edition of two famous works by David Hume, both originally published in 1757. In A Dissertation on the Passions Hume sets out his original view of the nature and central role of passion and emotion. The Natural History of Religion is a landmark work in the study of religion as a natural phenomenon. Authoritative critical texts are accompanied by a full array of editorial matter.

References to strength of mind, a character trait implying “the prevalence of the calm passions above the violent”, occur in a number of important discussions of motivation in the Treatise and the Enquiry concerning the Principles of Morals. Nevertheless, Hume says surprisingly little about what strength of mind is, or how it is achieved. This paper argues that Hume’s theory of the passions can provide an interesting and defensible account of strength of mind. The paper concludes with a brief comparison (...) of Humean strength of mind with autonomy. (shrink)

I defend Hume's account of tragic pleasure against various objections. I examine his account of the emotions in order to clarify his "conversion theory". I also argue that Hume does not give us a theory of tragedy as an aesthetic genre, but rather elucidates the felt experience of a particular work of tragedy. I offer a partial reading of King Lear by way of illustration. Finally, I suggest that the experiences of aesthetic pleasure, and aesthetic sadness, share certain qualities. "Tragic (...) pleasure" is possible, in part, because the pity of tragedy is realised through the pleasure of the aesthetic. (shrink)

This dissertation distinguishes Hume's anti-rationalist position from irrationalism. Hume's skepticism is a form of anti-rationalism, basically a defense of common life and tradition against the conceit of the rationalists' concept of reason. Modern rationalism is based on two fundamental dogmas. The first is the "principle of autonomy," which leads to the systematic elimination of the other as the irrational. In modern epistemology this means the disappearance of intentionality and, at the summit of modern moral philosophy, all forms of heteronomy are (...) held to coincide with immorality. Hume attacks as absurd the notion that the self is the center of all morality and rationality because there is no such a thing as the absolute self . He reduces the idea of the absolute self to a speculative chimera. To be sure, to say that there is no absolute self does not mean that there is no self: the alternative of either autonomy or heteronomy is false. There is only a relative self and a relative other, and this analysis is the core of the book Of the Passions in the Treatise. ;The second fundamental dogma of modern rationalism is the reification of the category of quantity. This is also expressed by the distinction between primary and secondary qualities and by the notion that the real is merely a primary quality . Hume overturns this dogma: secondary qualities are actually primary. This is the most fundamental meaning of the cardinal principle of the Treatise, "the primacy of impression over ideas", i.e., the primacy of experience over reason. Hume concentrates his analysis on the passions, but he uses this term in a special sense. Passions are not obstacles to knowledge but conditions of its possibility. Passions such as contempt, fear, love, hatred, hope, envy, pride, and humility, are perceptions and interpretations of the world. ;The passion of sympathy occupies a special place. Sympathy is simply the anatomy of friendship, adequately understood. Hume's ethics of sympathy is based on the elimination of the fictional absolute and isolated self. In common with the ancients, Hume locates friendship at the center of moral philosophy. (shrink)

The treatment of personal identity in Hume's Treatise displays a shift that is both interesting as an object lesson in the weakness of a particular sort of empirical project, and important for what it teaches about investigating moral life. By examining Hume's change in method and project, I show that theoretical epistemology and practical moral philosophy come together in Hume's account of the passions, and that out of this convergence arises an account of the way interpersonal relations structure our very (...) sense and idea of self. This account of self provides an explanation of moral motivation and the social elements of moral judgment that is naturalistic without being reductive. ;In his turn from the understanding in Book I to the passions in Book II, Hume moves from examining the isolated individual elements of his own mind to investigating the way our mind works as we interact with other persons. Instead of considering the components of thought atomistically, as if each constituent of thought has a nature independent of and unaffected by its relation to other constituents of thought, he considers the network of thought and passion that makes up mental life, developing a picture of the self that is dependent upon the whole of experience, rather than just individual impressions and ideas, considered separately. ;Hume's recovery of the self in the account of the passions shows how the personal identity problem is not just a metaphysical problem concerning the possibility of a substantial self beneath our perceptions, but is a moral problem: it concerns how we assess ourselves and others as moral agents, in interaction with each other. More than just an adjustment to fit the topic of the passions, Hume's change in method indicates an evolution in the kinds of questions he is pursuing. As he turns away from a piecemeal examination of individual elements of his thought to an examination of how persons function in passional life, his inquiry into the source of our idea of self evolves into an investigation of self-awareness and its development through the passions and social experience. (shrink)

I argue that Hume and Kant avoid any scepticism about the unity of the self which would undermine a practical notion of the moral self. Specifically, David Hume provides for the authenticity of a moral self unified by the indirect passions of pride and humility. These passions take the self as their object and, thus, make moot any worries about personal identity from Book One of Hume's Treatise. This account of the moral self, which I call the fact of agency (...) theory, improves upon Jane McIntyre's account because it avoids metaphysical problems associated with Hume's principles of mental association. (shrink)

Book II of A Treatise of Human Nature is David Hume's only sustained expression of a theory of human emotion and motivation. Hume's theory has been much maligned and even dismissed as incoherent and philosophically uninteresting. This work shows that Hume's account of passion is indeed coherent and possessed of philosophical merit. In addition, this work shows that even though Hume's theory is an example of antiquated empirical psychology it is also and more importantly an instance of interesting conceptual analysis (...) of passion and volition. To see this is to see that Hume's theory has genuine relevance to present day philosophical analyses of passion and volition. (shrink)

This book is a study of Hume and Spinoza and the relationship of philosophical theories of the emotions to psychological theories of therapy. Arguing that Spinoza's cognitivist theory of emotions is closer to the truth, it is shown that that provides the beginning of an understanding of how Freudian or, more generally, analytic therapies make philosophic sense. That is, we can begin to understand how people's emotional lives might be transformed by consideration and interpretation of their memories, beliefs, fantasies; in (...) other words, how knowledge might help to make one free. (shrink)