Jacqueline Taylor presents an original reconstruction of Hume's social theory, which examines the passions and imagination in relation to institutions such as government and the economy. She goes on to examine Hume's system of ethics, and argues that the principle of humanity is the central concept of Hume's Enlightenment philosophy.

This article identifies a prevalent strand of feminist writing on beauty and aesthetic surgery and explores some of the contradictions and inconsistencies inscribed within it. In particular, we concentrate on three central feminist claims: that living in a misogynist culture produces aesthetic surgery as an issue predominantly concerning women; that pain - both physical and psychic - is a central conceptual frame through which aesthetic surgery should be viewed; and that aesthetic surgery is inherently a normalizing technology. Engaging with these (...) ‘myths’, we explore the tensions uncovered through a historical analysis of the practices of aesthetic surgery as well as the challenges to feminist claims offered by post-feminism. In particular we seek to destabilize the connection in feminist writing between beauty and passivity. We argue that through aesthetic references to denigrated black and working-class bodies, young women may mobilize aesthetic surgeries to reinscribe active sexuality on the feminine body. (shrink)

Although best known for his contributions to the theory of knowledge, metaphysics, and philosophy of religion, Hume also influenced developments in the philosophy of mind, psychology, ethics, political and economic theory, political and social history, and aesthetic theory. The fifteen essays in this volume address all aspects of Hume's thought. The picture of him that emerges is that of a thinker who, though often critical to the point of scepticism, was nonetheless able to build on that scepticism a constructive, viable, (...) and profoundly important view of the world. Also included in this volume are Hume's two brief autobiographies and a bibliography suited to those beginning their study of Hume. This second edition of one our most popular Companions includes six new essays and a new introduction, and the remaining essays have all been updated or revised. (shrink)

In including a well-regulated pride among the virtues that are both useful and agreeable to oneself, Hume challenges not only theological, but also secular accounts that view pride as a vice. I examine Hume's evolving views on pride in relation to the secular view that regards pride as vicious. I suggest Hume's account of pride in his later moral philosophy has a new emphasis on dignity, and reflects a distinctively modern outlook on the role of humanity in evaluating virtue and (...) vice. (shrink)

Among those sympathetic to Hume''smoral philosophy, a general consensus hasemerged that his first work on the topic,A Treatise of Human Nature, is his best. Hislater work, An Enquiry Concerning thePrinciples of Morals, is regarded as scaleddown in both scope and ambition. In contrastto this standard view, I argue that Hume''slater work offers a more sophisticated theoryof moral evaluation. I begin by reviewing theTreatise theory of moral evaluation tohighlight the reasons why commentators find socompelling Hume''s account of the corrections wemake to (...) our moral sentiments. The method isendorsed by philosophers such as Henry DavidAiken and Annette C. Baier because, theyallege, it shows that moral sentiments reflecta process of judgment that includes thepossibility of corrigibility and ofjustification. But Hume''s method of correctionfalls short and does not establish why thesentiments conforming to the standard of virtueshould count as moral judgments. In the secondEnquiry, Hume lays out a different set ofcriteria, including not only the need forcertain virtues of good judgment but attentionto the particular cultural and historicalorigins of the norms governing the virtues ofgood judgment. Hume''s attention to diversityin evaluative outlook in his more matureposition takes seriously the relation betweenmoral authority and public debate. (shrink)

In Part 3 of Projection and Realism, P. J. E. Kail offers an original and thought-provoking analysis of Hume's views on morality. Kail seeks to make sense of Hume's talk of projection and realism. Kail's stated aim is to help us understand Hume's own views, rather than some new Humean view. Part 3 is thus a contribution to the literature on Hume's meta-ethics. Kail's particular approach presents two challenges to the student of Hume's works. First, Kail gives us a set (...) of terms that are not Hume's; this includes a distinction between explanatory projection and feature projection; a distinction between two forms of realism, metaphysical hedonism and the identification of moral value with natural properties of. (shrink)

I have shown here the different roles that sympathy plays in the accounts of justice in the Treatise and Enquiry. In the former work, a redirected sympathy naturally extends our concern, and subsequently our moral approval or blame, to all those included within the scope of the rules of justice. In the Enquiry, we find this same progress of sentiments, but Hume’s introduction of the sentiment of humanity allows him to make a stronger case for the importance of those virtues (...) that are useful, particularly the virtues of justice. The command of our esteem and our moral approval of justice secure a place for justice at the heart of Hume’s ethics. This does not entail, however, that other useful virtues are not also essential. Benevolence and the care of children, friendship, and gratitude not only help to sustain sociability, but they are essential for living a properly human life. (shrink)

The paper offers an account of justified resentment and its importance in preserving human dignity. I situate the argument in the context of Martha Nussbaum's recent work against anger and resentment. Drawing on Enlightenment thinkers, I show the importance of resentment in deterring injury, in creating greater solidarity and humanity, and in preserving human dignity. The paper also offers a preliminary analysis of the norms that help to ensure appropriately expressed resentment.

This paper argues that the ‘double-standard’ applied to male and female tourists’ sexual behaviour reflects and reproduces weaknesses in existing theoretical and commonsense understandings of gendered power, sexual exploitation, prostitution and sex tourism. It looks at how essentialist constructions of gender and heterosexuality blur understandings of sexual exploitation and victimhood and argues that racialized power should also be considered to explore the boundaries between commercial and non-commercial sex. This paper is based on ethnographic research on sexual–economic exchanges between tourist women (...) and local men and boys in the informal tourist economy in Jamaica and the Dominican Republic. (shrink)

Hume's Enquiry concerning the Principles of Morals is a landmark work in the history of moral philosophy. This volume presents new interpretative essays which offer a section-by-section study of the Enquiry, and of its relation to Hume's other writings on ethics, epistemology, religion, aesthetics, and emotion.

I thank Genevieve Lloyd for her generous and thought-provoking comments and questions. She raises two distinct issues: one regarding how to think about the way in which Hume's account of pride might be innovative, and the other about how a genre of philosophical writing limits or opens up what and how an author might discuss the subject at hand. She sets both issues in the context of comparing Spinoza with Hume.Lloyd reminds us that A. O. Hirschman, in The Passions and (...) the Interests, charts a conceptual shift between the seventeenth and eighteenth centuries, such that the change in political and economic conditions, heralding the rise of capitalism, led to the deposing of the traditional opposition between reason... (shrink)

In chapter 1, I argue that Hume well understands the experimental method and its role as what Geoffrey Cantor refers to as "a discourse of power," insofar as establishing facts in terms of efficient causation properly delimits what counts as a science, which is, in Hume's case, a science of human nature. With respect to the passions, I focus on parts 1 and 2 of Treatise Book 2, as an extended set of experiments meant to explain the origin, nature, and (...) effects of the passion of pride, an indirect passion that reflects a person's self-worth in virtue of her valuable qualities. Beginning with the observable phenomena of pride, Hume identifies various theoretical entities that constitute aspects of the cause and effect... (shrink)

Elizabeth Radcliffe's book is an important and original contribution to scholarship on Hume's ethics and moral psychology. Throughout, she deftly combines important discussions of Hume's predecessors and contemporaries that serve to contextualize his views with in-depth analysis of Hume's texts. At the same time, she shows an impressive familiarity with more recent scholarship on Hume's and Humean ethics, and deploys much of this recent scholarship to frame her own interpretation of Hume's ethics and moral psychology. That sophisticated and nuanced interpretation (...) focuses particularly on the relations between and the respective roles played by belief, the passions, and moral sentiments in motivation and agency.The... (shrink)

This article asserts that the terms ‘practice-led’ and ‘practice-based’ in the context of Art and Design doctoral research are overly simplistic and maintain oppositional thinking by privileging ‘practice’ in generating knowledge. It argues instead for theory and practice as interrelated discourses and art practice research as complex, dialogical and comprising a heterogeneous spatiality. Building on my own ‘writing//painting’ methodological approach which utilises l’écriture féminine, this article highlights the importance of the specificity of individual methodological approaches and the need for a (...) more common framework of articulation so that these approaches are accessible throughout the wider sphere of Art and Design. (shrink)