This book offers novel interpretations of several of Berkeley's most distinctive philosophical doctrines, including his theory of vision, heterogeneity thesis, anti-abstractionism, immaterialism, likeness principle, and the divine language thesis. Key to those interpretations is a focus on Berkeley's critical use of the Cartesian doctrine of objective presence, which demands causal explanations for the content of sensory ideas.

Philosophers of perception have been readier to postulate the existence of a visual field than to acknowledge sensory fields in other modalities. In this paper, I argue that the set of phenomenal features that philosophers have relied on when positing a visual field aptly characterise, mutatis mutandis, bodily sensation. I argue, in particular, that in localised bodily sensations we experience the body as a sensory field. I first motivate this claim for the case of haptic touch, and (...) then generalise it to other kinds of bodily sensation. I demonstrate the theoretical fruitfulness of this notion of a bodily field for the debate on the phenomenology of bodily ownership. (shrink)

In an different manner than the classical works of Sokolowski, Tugendhat and Schuhmann, who treated the Husserlian problematic of constitution as reality – subjectivity relation, this study tries to explain that relation in a pure immanent and formal way. The constitution of the object as such presupposes a system of constitution, which, as a part of the system of "transcendental" phenomenology, takes explicitly into account the legality or typicality of the processes and requires their global articulation. Thus, in the first (...) section, the study clarifies the relation between "analytics" and "transcendental" in the framework of the originary constitution. In the second section, through a comparative analysis of the "field" and "flux", the most elementary structures of connectivity are exposed. Finally, a research upon the formal characters of a "series" in Husserl’s doctrine of intentional modifications will be brought into discussion in order to clarify the role of the infinity in the Husserlian theory of constitution. (shrink)

Steven Lehar allows too much to his direct realist opponent in using the word “subjective” of the sensory field per se. The latter retains its nonconceptual, nonmental nature even when explored by perceptual judgement. He also needs to stress the evolutionary value of perceptual differences between person and person, a move that enables one to undermine the direct realist's superstitious certainty about the singular object.

Sensory Individuals: Unimodal and Multimodal Perspectives provides an interdisciplinary, well-balanced, and comprehensive look at different aspects of unisensory and multisensory objects, using both nuanced philosophical analysis and informed empirical work. The research presented in this book represents the field's progression from treating neural sensory processes as primarily modality-specific towards its current state of the art, according to which perception, and its supporting neural processes, are multi-modal, modality-independent, meta-modal, and task-dependent. Even within such approaches sensory stimuli, properties, brain (...) activations, and corresponding perceptual phenomenology can still be characterized in a modality-specific way. The book examines the basic building blocks of human perception, and whether they are best understood as sense modality dependent units of different forms or multimodal perceptual objects. The book combines a variety of innovative and integrative angles to explore the topic and acts as a catalyst for an increasingly diverse field of research, which is in an exciting phase of growth and advancement. New questions are arising as quickly as they are being answered, and the collection Sensory Individuals provides an original and up-to-date addition to the field. (shrink)

Some sensory modalities, such as sight, touch and audition, are arguably spatial, and one way to understand these spatial senses is to investigate spatial representations in them. Here I focus on a specific element in this area— the interplay between perspectival variation and spatial constancy—and discuss recent interdisciplinary works on this topic. With these relevant experimental works, we will see clearly how traditional controversies in philosophy, for example, whether we perceive perspectival shapes as well as objective shapes, and whether (...) any sensory field should be postulated in senses other than vision, can benefit from considerations in empirical sciences. (shrink)

Sensory Individuals: Unimodal and Multimodal Perspectives provides an interdisciplinary, well-balanced, and comprehensive look at different aspects of unisensory and multisensory objects, using both nuanced philosophical analysis and informed empirical work. The research presented in this book represents the field's progression from treating neural sensory processes as primarily modality-specific towards its current state of the art, according to which perception, and its supporting neural processes, are multi-modal, modality-independent, meta-modal, and task-dependent. Even within such approaches sensory stimuli, properties, brain (...) activations, and corresponding perceptual phenomenology can still be characterized in a modality-specific way. The book examines the basic building blocks of human perception, and whether they are best understood as sense modality dependent units of different forms or multimodal perceptual objects. The book combines a variety of innovative and integrative angles to explore the topic and acts as a catalyst for an increasingly diverse field of research, which is in an exciting phase of growth and advancement. New questions are arising as quickly as they are being answered, and the collection Sensory Individuals provides an original and up-to-date addition to the field. (shrink)

This article seeks the origin, in the theories of Ibn al-Haytham (Alhazen), Descartes, and Berkeley, of two-stage theories of spatial perception, which hold that visual perception involves both an immediate representation of the proximal stimulus in a two-dimensional ‘‘sensory core’’ and also a subsequent perception of the three dimensional world. The works of Ibn al-Haytham, Descartes, and Berkeley already frame the major theoretical options that guided visual theory into the twentieth century. The field of visual perception was the first (...) area of what we now call psychology to apply mathematics, through geometrical models as used by Euclid, Ptolemy, Ibn al-Haytham, and Descartes (among others). The article shows that Kepler’s discovery of the retinal image, which revolutionized visual anatomy and entailed fundamental changes in visual physiology, did not alter the basic structure of theories of spatial vision. These changes in visual physiology are advanced especially in Descartes' Dioptrics and his L'Homme. Berkeley develops a radically empirist theory vision, according to which visual perception of depth is learned through associative processes that rely on the sense of touch. But Descartes and Berkeley share the assertion that there is a two-dimensional sensory core that is in principle available to consciousness. They also share the observation that we don't usually perceived this core, but find depth and distance to be phenomenally immediate, a point they struggle to accommodate theoretically. If our interpretation is correct, it was not a change in the theory of the psychology of vision that engendered the idea of a sensory core, but rather the introduction of the theory into a new metaphysical context. (shrink)

As recently highlighted, despite a burgeoning field of sensory ethnography, the practices, production, and accountability of the senses in specific social interactional contexts remain sociologically under-explored. To contribute original insights to a literature on the sensuous body in physical–cultural contexts, here we adopt an ethnomethodologically sensitive perspective to focus on the accomplishment, social organization, and accountability of sensoriality in interaction. Exploring instances of the senses at work in social interaction, we utilize data from two ethnographic research projects to investigate (...) the production of running-together and swimming-together by skilled, experienced practitioners. We focus on two interlinked sensory modalities: auditory attunement, and vision and intercorporeality, identified as key dimensions of sensory embodiment and “togethering” in these particular domains. (shrink)

This collection of new essays on sensory individuals in unimodal and multimodal perception features contributions by outstanding researchers in the fields of philosophy of perception, experimental psychology, and cognitive neuroscience. The topics investigated include conceptual, developmental, and methodological aspects of object perception, and especially how various sense modalities construct their objects from sensory features and feature bearers. The interdisciplinary approach offered has enabled new directions in research on this subject. As ordered in this volume, the topics of (...) the contributions progress from treating neural sensory processes as primarily unisensory towards approaches that take perceptual processing to be modality-independent, meta-modal, and multimodal. Even within these latter approaches, sensory stimuli, sensory properties, brain activations, and corresponding perceptual phenomenology have often been characterized in a modality-specific way. Thus, it is timely to explore the relation between those processes that are unisensory and those that are multisensory. One of the primary themes of this collection is examining whether the basic building blocks of human perception are best understood as modality-dependent units of different forms or in terms of multimodal perceptual objects. Another theme is the relation between low-level object processing (segmentation and perceptual grouping processes) and high-level object knowledge embracing object concept and object-related expectations. A final theme is the role that perceptual objects play as loci of unification in unimodal and multimodal perception, namely that they enable binding and integration of sensory properties to individual entities or events. (shrink)

In this paper we argue that sensory exploitation, a model from sexual selection theory, deserves more attention in evolutionary thinking about art than it has up until now. We base our argument on the observation that in the past sensory exploitation may have been underestimated in sexual selection theory but that it is now winning field. Likewise, we expect sensory exploitation can play a more substantial role in modeling the evolution of art behavior. Darwin's theory of sexual (...) selection provides a mechanistic basis to explain the evolution of male display traits. This mechanistic approach has proven useful to developing hypotheses about the evolution of human art. Both Boyd and Richerson (1985) and Miller (1998, 1999, 2000, 2001) have applied an indirect-benefit model from sexual selection to the evolution of art behavior. We argue that the mechanistic possibilities sensory exploitation has to offer as a model have remained underexplored so far, so we propose a concept based upon it. From the sensory exploitation perspective it follows that exaptive exploitation of psychosensory biases is a primary force in the evolution of art production (notice that the use of a model from sexual selection does not imply art evolved as a sexual display - we only use it for its mechanism) and that the indirect-benefit model only provides secondary forces. Thus, sensory exploitation may operate alone under some conditions but usually secondary processes as a result of indirect benefits are expected to kick in. The concept of sensory exploitation will need to play a central role in articulating all of the existing hypotheses about art. (shrink)

Autism research has recently witnessed an embodied turn. In response to the cognitivist approaches dominating the field, phenomenological scholars have suggested a reconceptualization of autism as a disorder of embodied intersubjectivity. Part of this interest in autistic embodiment concerns the role of sensory differences, which have recently been added to the diagnostic criteria of autism. While research suggests that sensory differences are implicated in a wide array of autistic social difficulties, it has not yet been explored how (...) class='Hi'>sensory and social experience in autism relate on a phenomenological level. Given the importance of the sensory dimension of social encounters in phenomenological analyses of autism, this question must be considered crucial. This article investigates the role played by sensory differences in autistic social experience. Through a phenomenological analysis informed primarily by the philosophy of Maurice Merleau-Ponty with particular emphasis on the relation between intersubjectivity and perception, I argue that sensory differences affect the way other people appear in autistic experience on a pre-reflective level. By drawing on autistic young adults’ experiential descriptions of social encounters, this article identifies three aspects of how sensory differences affect social experiences in autism. First, social encounters manifested as sensorially disturbing, chaotic, and unpredictable events. Second, the embodied expressions of others appeared unfamiliar, threatening, and promoted a sense of detachment from the social world. Third, deliberate practices were employed to actively seek perceptual and social meaning in these disorienting social encounters. This analysis stresses the importance of understanding embodied intersubjectivity through its sensory dimensions. In addition, it indicates an important avenue for future research in exploring the potential role of practice in maintaining an intuitive grip on social meaning. By approaching social encounters as sensory and perceptual events, I emphasize how social difficulties in autism are inherently world-involving phenomena rather than a cognitive deficit reducible to the autistic person. (shrink)

It is widely accepted that there is a visual field, but the analogous notion of an auditory field is rejected by many philosophers on the grounds that the metaphysics or phenomenology of audition lack the necessary spatial or phenomenological structure. In this paper, I argue that many of the common objections to the existence of an auditory field are misguided and that, contrary to a tradition of philosophical scepticism about the spatiality of auditory experience, it is as richly spatial as (...) visual experience—and in some ways even more so. By carefully considering the spatiality and boundedness of audition, along with how sounds or their sources are experienced as occurring within the surrounding acoustic environment, we can gain a better understanding of (i) our auditory experience of space and (ii) the conditions for the existence of spatial sensory fields in general in a way that does not privilege vision over the other senses. (shrink)

The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics - the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to be confused and (...) unreliable and instead prioritised a cognitive or objective approach. Written by authors from the fields of philosophy, composition, performance, and artistic practice, 'Sensorial Aesthetics in Music Practices' repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics. (shrink)

It has been known for over a century that there is an afferent, as well as an efferent, component to the visceral-atonomic nervous system. Despite the fundamental importance of bodily afferent information- sometimes called interoception- to central nervous system control of visceral organ function, emotional-motivational processes, and dysfunction of these processes, including psychosomatic disorders, its role did not receive much attention until quite recently. This is the first comprehensive review of this topic and it covers both neurobiological and psychobiological aspects. (...) The author first defines the issue and gives an historical background starting with the James-Lange theory of emotion, and addresses learning and motivation, roots in Pavlovian conditioning research, and operant conditioning of visceral function. In the second section he reviews recent scientific findings in the neural basis of visceral perception and studies in cardiovascular-respiratory and alimentary interoception. Finally, he discusses several related areas of research and theory including drug state issues, interoception and psychiatric disorders, and bodily consciousness, and suggests directions for future investigation. The book will be of interest to scientists in neurobiology, psychology, and brain imaging, to indivuals in related clinical fields such as psychiatry, neurology, cardiology, gastroenterology, and clinical psychology, and to their students and trainees. (shrink)

Inwardness and interiority are concepts that have a multifaceted currency within many areas of medieval studies. These fields include, but are not limited to, historical studies, theology and religious studies, literary studies, and art history. Studies on inwardness, interiority, and selfhood intersect with an interest in what has often been called “popular religion” and in devotional behavior, both clerical and lay, to produce an engagement, across many fields, with inward or private aspects of religious belief and practice. “Popular (...) religion” has sometimes been presented as generally distinct or separate from official, ecclesiastical, or institutional ritual, and, as such, it is associated with other concepts like “private devotion” and even “interior piety.” Unhelpful binary oppositions are implied by qualifying terms like “private” and “popular,” because those qualifiers invoke the unsaid “public” or “official” or “outward.” More recently, terms like “vernacular theology” and Frömmigkeitstheologie have been preferred for their attempt to break down the “high-low” implications of terms like “popular religion” and “private devotion.” Though these terms themselves are not without potential problems or implications, the consonance or dissonance between individual religiosity and official or corporate expressions of religious belief can, and should, be examined in a more subtle manner than has often been the case. Medieval religious devotion was not a universally or solely private activity that was in some way opposite to the public, structured religiosity of the church's liturgy. It has been increasingly acknowledged in recent years that liturgy and devotion should not be opposed in this way, as private versus public, free and expressionist versus structured and defined. That having been said, it is nevertheless the case that the kind of piety that we are accustomed to call “devotional,” or contemplative, or meditative, presupposes and requires a certain inwardness and self-awareness, even if such activity is carried out in the company of others, or even during liturgical services. (shrink)

Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and (...) nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians' Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world's major religions, and in the secular, contemporary world. Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw. (shrink)

This article analyses the evolutionist discourses on the senses that emerged in the late 19th century, when theories on the evolution of species were in full sway. Drawing on newspapers, essays and medical literature, this article aims to set face to face the two currents of thought that I have identified regarding sensory evolution: the one that stressed the value of the progressive specialisation of the senses as evidence for human evolution mainly supported by Max Nordau, and the one (...) which regarded the sensory regrouping, exemplified by the phenomenon of synaesthesia, as the true symptom of evolution, strongly supported by Victor Segalen. A close examination of their arguments will provide clues concerning their relative position vis-à-vis the theory that stressed the exceptional nature of humankind among all living beings. Based on newspapers, essays and medical literature, this paper, which straddles several fields (history of science, philosophy, cultural history and aesthetics) aims to set both positions face to face, examining their arguments in detail and establishing their genealogies. This will lead to a better understanding of the scope and range of evolutionist discourses in the fin de siècle culture and on their impact upon artistic practices. (shrink)

Resumo: Percepção sensorial: até hoje um grande mistério filosófico. O presente trabalho divide-se em duas partes. A primeira sintetiza a crítica ao modelo representacionista intracerebral predominante, e enuncia um argumento que prepara o terreno para a segunda parte do trabalho. Nesta, a teoria pragmatista da percepção é equiparada à de Aristóteles, em De Anima. Eis, grosso modo, o argumento: percepção resulta de fatores causais da natureza inerentes à transação organismo ambiente; tais fatores não podem ser encontrados entre os elementos ontológicos (...) revelados na própria percepção; logo a estrutura ontológica revelada na percepção não reflete a total complexidade da transação real organismo ambiente. Esta conclusão é crucial para entender a teoria pragmatista-aristotélica da percepção; passagem da fase sujeito-no-mundo para a fase mundo-no-sujeito, via recepção imaterial de formas - estabelecimento de campo anteceptivo consciente de potencialidades de ação subentendidas em tais formas. Pragmatismo como naturalismo esclarecido: a percepção é a versão histórico-natural mais evoluída do mesmo mecanismo chave-e-fechadura próprio da detecção de formas inerente a interações ontológicas elementares - biológicas e mesmo físico-químicas. Mas em vez de detecção-na-ação nomológica/biológico automática: detecção consciente, em aberto, de possibilidades de ação livre inscritas no ambiente do precipiente.: Even today, sensorial perception is a great philosophic mystery. This work is divided in two parts: The first synthesizes and criticizes the prevailing cerebral representationism model and enunciates an argument that prepares the field to second one. In this second part the pragmatism perceptions theory is compared to Aristotle's De Anima. Here is, in a general way, the argument: perception is the result of nature's cause factors intrinsic to organism environment transaction; these factors cannot be encountered among revealed ontological elements of this same perception; therefore the ontological structure reveled by perception doesn't reflect the totality of the organism-environment's transaction complexity. This conclusion is vital to understand the Aristotelian-pragmatic perception theory: the subject-on-world's transposition to world-on-subject phase, via "immaterial reception of forms"- establishment of the anteceptive field conscious of the action potentialities in such way. Pragmatism naturalism cleared up: the perception is a natural-historic evolved version of this same key-and-locker mechanism proper to form detection intrinsic of elementary ontological, biologic and even physical-chemical interaction. But instead of detection in the automatic nomological/biological action: conscious detection, opened, of free actions possibilities inserted in the percipient environment. (shrink)

I argue that our sensory fields are photon fields. The philosophical foundation here is informed by mind/brain identity theory, such as we find in Russell, Feigl, Lockwood and Chalmers. In brief, given Dyson's observation that all material things consist of quantum fields, and given an identity of mind and brain, our sensory fields are then most plausibly photon fields.

As an arts-based research approach, poetic enquiry has been theorised and applied recently in the social sciences and in education. In this article, I extend its usage to eco-critical studies of Australian flora and fauna. The Southwest corner of Western Australia affords opportunities to deploy arts-based methodologies, including field poetry, for celebrating the natural heritage of a region of distinguished biodiversity. I suggest that lyric practices in places such as Lesueur National Park and Anstey-Keane Damplands in southern Perth can catalyse (...) embodied engagements with flora. The outcome of these practices is the invocation of the multiple senses— including the proximities of touch and taste—towards senses of place involving physical interactions with plants and their habitats. I will discuss poetic enquiry in relation to the limitations of landscape aesthetics. Visual aesthetic modes tend to frame botanical environments as a succession of images. In contrast, an embodied aesthetics closes visual distance towards sensory intimacies and experiences of ecological processes as sensations. Throughout the article, I use an interlude structure that shifts between theoretical elaborations, narrative vignettes that contextualise the poetic practice, and the poems themselves initiated in the field. A continuum between visuality and multi-sensoriality emerges and potentially deepens human appreciation of flora. Poetic enquiry into flora is a means for exploring this continuum towards an understanding of what intimacy with plants in a place entails. (shrink)

Can qualia be analyzed by theories that contain only non-qualitative terms? A host of philosophers including Block, Levine, Nagel, and Jackson have argued that, in principle, they cannot. And yet psychophysicists have advanced explanations that seem to account for sensory appearances in terms of the operations of nervous systems. Here are some examples: Mach bands, the assimilation effect, and the Hermann grid illusion all have to do with the look of things, and all are routinely thought to be a (...) consequence of the structure of visual receptive fields. Simultaneous contrast and auditory tuning—both perceptual effects—are lateral inhibition phenomena. That television sets with only three phosphor colors can replicate natural scenes with thousands of distinguishable colors is due to our eyes having just three photopigments. The difference between a three-type receptoral configuration and an array of thousands of receptors with distinct responses accounts for the fact that hues form a closed loop in color space, whereas there are no closed pitch loops in auditory space. (shrink)

Bertrand Russell developed a conception of the nature of the visual field, and of other sensory fields, as part of his project of explaining the construction of the external world. Wittgenstein's remarks on the visual field in the Tractatus are in part a response to Russell. Wittgenstein, against Russell, analyses the visual field in terms of facts rather than objects. Further, his conception of the field is, in a distinctive sense, depsychologised.

to small scales. Further, it is often useful to describe motor control and sensorimotor coordination in terms of external elds such as force elds and sensory images. We survey the basic concepts of eld computation, including both feed-forward eld operations and eld dynamics resulting from recurrent connections. Adaptive and learning mechanisms are discussed brie y. The application of eld computation to motor control is illustrated by several examples: external force elds associated with spinal neurons, population coding of direction in (...) motor cortex, continuous transformation of direction elds, and linear gain elds and coordinate transformations in posterior parietal cortex. Next we survey some eld-based representations of motion, including direct, Fourier, Gabor and wavelet or multiresolution representations. Finally we consider brie y the application of these representations to constraint satisfaction, which has many applications in motor control. (shrink)

Our senses receive a manifold of sensory signals at any given moment in our daily lives. For a coherent and unified representation of information and precise motor control, our brain needs to temporally bind the signals emanating from a common causal event and segregate others. Traditionally, different mechanisms were proposed for the temporal binding phenomenon in multisensory and motor-sensory contexts. This paper reviews the literature on the temporal binding phenomenon in both multisensory and motor-sensory contexts and suggests (...) future research directions for advancing the field. Moreover, by critically evaluating the recent literature, this paper suggests that common computational principles are responsible for the temporal binding in multisensory and motor-sensory contexts. These computational principles are grounded in the Bayesian framework of uncertainty reduction rooted in the Helmholtzian idea of unconscious causal inference. (shrink)

Jean Ayres invented Sensory Integration for children experiencing learning and social difficulties because, according to Ayres, they could not adequately integrate information from multiple sensory modalities. She established a scientific basis for her identification of children with sensory integrative difficulties, using statistical techniques to identify symptoms and neuroscience to determine a cause. She was an unusually reflective practitioner who catalyzed a community of practice around SI without becoming a guru—indeed, she encouraged her students to come up with (...) their own ideas and test them empirically. She felt isolated from the growing field of Occupational Therapy yet is viewed as one of its greatest pioneers. After her death in 1988, the SI community gradually began to argue about fundamental issues like what should constitute an appropriate diagnosis and set of tests for SI. At present, the network is fragmented to the point where some of the opposing positions may be incommensurable with each other, which would require a trading zone. (shrink)

In the 1950s, the term ‘deprivation’ entered American psychiatric discourse. This article examines how the concept of deprivation permeated the field of mental retardation, and became an accepted theory of etiology. It focuses on sensory deprivation and cultural deprivation, and analyzes the interventions developed, based on these theories. It argues that the controversial theory of cultural deprivation derived its scientific legitimization from the theory of sensory deprivation, and was a highly politicized concept that took part in the nature—nurture (...) debate. (shrink)

Spatio-temporal neuro-dynamics is a quickly developing field of brain research and Tsuda's work is a significant contribution toward establishing theoretical foundations in this area. It is conceivable that the fragmented attractor landscapes and dynamical memory patterns identified earlier in various K-sets are biologically plausible manifestations of attractor ruins, chaotic itinerancy, and Cantor encoding as applied to sensory information processing.

This paper criticizes the predominant, representational-neurophysicalist conception of sensory perception. It introduces the notion of "experience-field" to give a tentative ontological account of the phenomenological data of experience. The general idea is that visual experience, for instance, would be ontologically something like an experience-field extending over and between the central nervous sistem of the subject of the experience and the distal object of vision. I call this position phenomenological macrorealism, in contrast to scientific microrealism. Phenomenal qualities are not subjectively (...) inside the brain, but objectively inside perceptual extraencephalic experience-fields, or, as we say, out there in the world. Some specific consequences of phenomenological macrorealism are presented.Este artigo critica a concepção predominante, representacionista-neurofisicalista sobre a percepção sensorial. Introduz a noção de "campo-experiência" na tentativa de tratamento ontológico dos dados fenomenológicos da experiência. A idéia geral é que a experiência visual, por exemplo, seria ontologicamente algo assim como um campo-experiência de intencionalidade visual, que se estende por sobre e entre o sistema nervoso central do sujeito da experiência e o objeto distai da visão. Chamo esta posição de macrorrealismo fenomenológico, em contraste com o microrrealismo científico. Qualidades da fenomenalidade não estão subjetivamente dentro do cérebro, mas objetivamente dentro de campos-experiência perceptuais extra-encefálicos, ou, como dizemos, lá fora no mundo. Algumas conseqüências específicas do macrorrealismo fenomenológico são apresentadas. (shrink)

I focus on the concept of the receptive field of a sensory neuron, taking it as a prominent case to address conceptual change in the history of neuroscience. I argue for an interpretation of its ro...

This article builds on fieldwork conducted in 2019 and 2020 and examines the implications of Covid-19 lockdown for the engagement of Danish Muslim women in Islamic educational activities. Drawing on Deleuze and Guattari and Larkin, it displays how technological infrastructure influences religious practice and the constitution of religious space. For the women engaged in Islamic education, the forced use of digital-media technologies unmoored conditions for being at activities, reorganized time and space, and changed conditions for relating to communities. As home (...) became the territory from where the women conducted all religious practices, including educational activities, classes and seminars were accessed on more individualized terms and became more easily integrated with other everyday activities. This made room for expanding engagement and accessing more diverse educational opportunities. At the same time, it withdrew the women from spaces of bodily and sensory togetherness, where feelings of community and connection would usually be nurtured. (shrink)

In Philosophy of Psychedelics, Letheby provides a convincing basis for the idea that psychedelics primarily derive their therapeutic potential through mediating favourable changes to self-related belief systems. In this commentary, we take a closer look at the role that contextual factors play in Letheby’s two-factor account of psychedelic therapy. While Letheby acknowledges that psychedelic effects are highly context-dependent, the exact role that context plays in self-modelling during the acute experience is not entirely clear. We argue that context plays an essential (...) role in shaping the ‘discovery’ of alternate self-conceptions during the acute experience. Specifically, users are more likely to experience alterations in self-conception that are consistent with context-dependent features, such as one’s prior mindset and aspects of the external environment. This is consistent with a REBUS model of psychedelic effects, where a corollary effect of relaxing high-level prior beliefs is that the system becomes increasingly sensitised to bottom-up information from lower-level intrinsic sources and the sensory periphery. Furthermore, it may explain why a positive well-intentioned state of mind and a supportive therapeutic environment are more likely to result in positive acute experiences and long-term improvements in mental wellbeing. We see this position as being largely compatible with Letheby’s proposal, but may shift some aspects of its emphasis and framing. In particular, it may conflict with Letheby’s notion that psychedelics lead to a ‘level cognitive playing field’, where self-related hypotheses are thought to be assigned more or less equal probability. (shrink)

In this contribution, Sharon Todd moves beyond the bounds of what she calls “strong” instrumentalism (one that posits education in a mechanistic fashion and operates politically through a marrying of national educational policies with economic interests) and explores the intrinsic purpose of educational practice specifically through an aesthetic lens. Todd considers how two art projects by the feminist art collective Sisters Hope offer a way of theorizing instrumentalism in a “weak” sense — that is, an instrumentalism that sees pedagogical practices (...) not in terms of social function, but as that which gives form to specifically educational (not social or economic) ideas. She does this by drawing parallels between education and art as fields of practice, informed by notions of experience, relation, and formation/transformation. Drawing on John Dewey's aesthetics and Nicolas Bourriaud's relational aesthetics, Todd argues how these notions are central to an understanding of “weak” instrumentalism in education. (shrink)

Electromagnetic field oscillations produced by the brain are increasingly being viewed as causal drivers of consciousness. Recent research has highlighted the importance of the body’s various endogenous rhythms in organizing these brain-generated fields through various types of entrainment. We expand this approach by examining evidence of extracerebral shared oscillations between the brain and other parts of the body, in both humans and animals. We then examine the degree to which these data support one of General Resonance Theory’s principles: the (...) Slowest Shared Resonance principle, which states that the combination of micro- to macro-consciousness in coupled field systems is a function of the slowest common denominator frequency or resonance. This principle may be utilized to develop a spatiotemporal hierarchy of brain-body shared resonance systems. It is predicted that a system’s SSR decreases with distance between the brain and various resonating structures in the body. The various resonance relationships examined, including between the brain and gastric neurons, brain and sensory organs, and brain and spinal cord, generally match the predicted SSR relationships, empirically supporting this principle of GRT. (shrink)

Merging the information from different senses is essential for successful interaction with real-life situations. Indeed, sensory integration can reduce perceptual ambiguity, speed reactions, or change the qualitative sensory experience. It is widely held that integration occurs at later processing stages and mostly in higher association cortices; however, recent studies suggest that sensory convergence can occur in primary sensory cortex. A good model for early convergence proved to be the auditory cortex, which can be modulated by visual (...) and tactile stimulation; however, given the large number and small size of auditory fields, neither human imaging nor microelectrode recordings have systematically identified which fields are susceptible to multisensory influences. To reconcile findings from human imaging with anatomical knowledge from nonhuman primates, we exploited high-resolution imaging (functional magnetic resonance imaging) of the macaque monkey to study the modulation of auditory processing by visual stimulation. Using a functional parcellation of auditory cortex, we localized modulations to individual fields. Our results demonstrate that both primary (core) and nonprimary (belt) auditory fields can be activated by the mere presentation of visual scenes. Audiovisual convergence was restricted to caudal fields [prominently the core field (primary auditory cortex) and belt fields (caudomedial field, caudolateral field, and mediomedial field)] and continued in the auditory parabelt and the superior temporal sulcus. The same fields exhibited enhancement of auditory activation by visual stimulation and showed stronger enhancement for less effective stimuli, two characteristics of sensory integration. Together, these findings reveal multisensory modulation of auditory processing prominently in caudal fields but also at the lowest stages of auditory cortical processing. (shrink)

The authors O'Regan & Noë (O&N) have ignored the case for the visual field as being non-epistemic evidence internal to the brain, having no pictorial similarity to the external input, and being material in ontological status. They are also not aware of the case for the evolutionary advantage of learning as the perceptual refashioning of such non-epistemic sensory evidence via motivated feedback in sensorimotor activity.

Science Without Numbers caused a stir in 1980, with its bold nominalist approach to the philosophy of mathematics and science. It has been unavailable for twenty years and is now reissued in a revised edition with a substantial new preface presenting the author's current views and responses to the issues raised in subsequent debate.

A selective background -- Broadly classical approaches -- Paracompleteness -- More on paracomplete solutions -- Paraconsistent dialetheism.

A representationalist about qualia takes qualitative states to be aspects of the intentional content of sensory or sensory-like representations. When you experience the redness of an apple, they say, your visual system is merely representing that there is a red surface at such-and-such a place in front of you. And when you experience a red afterimage, your visual system is representing something similar . Your sensory state does not literally have an intrinsic quality of phenomenal redness, just (...) as you do not have a hairy mental state when you occurrently believe that Santa Claus is hairy. Judging by the literature, it is quite plausible to claim that the nature of occurrent beliefs is exhausted by their representational characteristics.1 Why is it that this “pure representation” ploy is so much less plausible in the case of sensory states? Typically, the reason given is that belief states are not qualitative while sensory states are, as revealed by introspection. Qualitativity, it is further maintained, cannot be purely representational – this is the intuition the representationalist must fight. In this paper I want to focus on a feature of sensory states, distinct from but related to their qualitativity, that encourages the anti-representationalist to object to the representational thesis. I shall call this feature “inhereness.” Instances of sensory. (shrink)