This study juxtaposes an imaginal inquiry into the myth of Orpheus and Eurydice with a historical exegesis of the ancient religious movement generally termed Orphism, which came to be associated with it. Inviting unconscious elements into the study of myth and subsequently elaborating a theoretical analysis as well as a creative project---as this study does in the form of a screenplay adaptation---corresponds to Carl Jung's theory of the transcendent function, which states that a new level of being is possible (...) by balancing these two approaches to such material. This study unfolds the myth's latent theology by dreaming it forward in this way. ;The principal thesis---that Orpheus looks back to Eurydice with purpose and an awareness that his gaze will cause her to return to Hades---is itself an example of unconscious material emerging into consciousness. The greater part of this study is devoted to deriving meaning from the twist that this re-imagining implies for the elucidation of myth in general and for the study of this myth in particular. ;A principle question addressed is "What aspects of the latent theology found to exist in this myth can be said to constitute a founder story of Orphism?" In addition, this study proposes the figure of Orpheus as emblematic of the active masculine principle---exalted in his balancing of solar and lunar masculinity---that provides a blueprint for a dualistic cognitive model of archetypal experience. ;This model posits that the dualities found in the myth, and sometimes in life, derive their patterning from the individual's inability to experience the archetype directly. Orpheus' look back exemplifies a breaching of the veil that separates us from the archetype, allowing a momentary interpenetration of the individual's sphere of consciousness with the essence of the archetype. It is thought that integration of unconscious and conscious material follows. Finally, how these insights can be applied to the lives of men and women is addressed in this study's conclusion. (shrink)

The biblically-inspired motif of the divine image (imago dei, cf. Gen. 1.26) is a central anthropological concept in early Christian discourse. While this motif has been studied extensively, it has not yet been studied against the backdrop of the closely related epistemological terms imago, imaginatio and phantasia as these develop in Augustine’s early works (387-391). Given that Puffer (2014) characterizes the presence of imago dei in the early works as an ‘exterior’ characteristic of human beings, the question arises, how does (...) the treatment of imago and imaginario/phantasia inform Augustine’s imago dei motil in the early works, and if so, how? In other words, is the background to Augustine’s anthropology of the divine image framed against the background of the epistemological status of image and imagination in the early works or vice-versa? The answer to this question, it is hoped, will illuminate aspects of the status of the image in Augustine’s early works. The working assumption is that since imago, imago Dei, and imaginario/phantasia are all linguistically related, they may also be conceptually related, specially pertaining to the (mis)trust of ‘exteriority’ of imago Dei. (shrink)

This article provides an overview of Edmund Husserl’s lesser known account of high-level imaginative empathy. The author discusses Husserl’s solution to what we might call the ‘generalizability problem’; if empathy is conceived as a relation whereby the understanding I have of my own mind allows me to understand your mind, then how does empathy account for potential differences between us? The author also discusses some features that make empathy more generalizable than might be initially thought, as well as its (...) limits. A second major aim is to use this exegesis of Husserl to show a variety of overlaps between his theory and high-level simulation theory. The author also shows how Husserl’s phenomenological theory provides a compelling response to critiques of high-level simulation from authors that utilize a hybrid cognitive science/phenomenological approach. (shrink)

The following article analysed the originality and creativity of Ethiopian Orthodox exegesis in a broader context of Byzantine and post-Byzantine Orthodox traditions. The originality of Ethiopian exegesis lies in its relative freedom from the conservative and traditionalist development of exegesis in other Eastern Orthodox contexts marked by the Graeco-Roman philosophical milieu. The Ethiopian exegetical tradition, being linked with traditional schooling, has managed to maintain a highly contextual and lively relationship with the community, with contemporary problems and issues (...) and with other traditions, while maintaining a relationship with its own historical background. Analysing the Ethiopian traditions in comparativist contexts is important, but some important questions need to be further asked as to ‘how’ and ‘why’ is an interpretation being produced, what is its exegetical premise and how exegetical imagination functions. Contribution: The article‘s input and contribution is manifold. As we have seen, a greater emphasis on the role and potential of the Ethiopian traditional ecclesial schools would facilitate their future preservation and function in a rapidly changing world with differing but often linear and exclusive developments in education. Furthermore, as discussed and demonstrated in the article, Ethiopian theological exegesis has a unique potential to contribute especially to contemporary Orthodox theology, which often struggles to maintain a balance between tradition and contextual or contemporary theology. The article further showed in this context that analysing exegetical traditions must also move beyond mere comparativist analysis and must include a broader study of the indeterminate or ‘mystical’ nature of interpretation which is intimately linked with the unpredictable or indeterminate dynamics of the world around us. Or in other words, how the exegete understands his or her freedom in interpretation. (shrink)

On Peirce’s terms, the history of philosophy is a vast field of mind, a complexifying network of general ideas that contribute to the formation and valorization of human civilization through the expressions of individual authors and schools in their culturally specific times. The accumulating legacy of philosophical wisdom underwrites these individual expressions. But while for short term good reasons contemporary scholarship trends towards the exegesis of individual authors and schools, the “professional” practice runs the danger of being narrow-gauge in (...) scholarly focus. The excitement of Peirce, and for that matter any major author, consists in adjudicating his place in the “cosmical” or public space of.. (shrink)

Religious faith may manifest itself, among other things, as a mode of seeing the ordinary world, which invests that world imaginatively with an unseen depth of divine intention and spiritual significance. While such seeing may well be truthful, it is also unavoidably constructive, involving the imagination in its philosophical sense of the capacity to organize underdetermined or ambiguous sense date into a whole or gestalt. One of the characteristic ways in which biblical narratives inspire and teach is by renewing their (...) characters’ and readers’ imagination. The texts do so not inexorably but in a similar way as works of art. This paper therefore investigates the ways in which works of art engage and develop the imagination, and thereby enable renewed perceptual and cognitive engagement with the world. The paper introduces predictive processing as a helpful psychological theory for analyzing this dynamic, and outlines questions for further research. (shrink)

This third volume of the monumental commentary on Wittgenstein's Philosophical Investigations covers sections 243-427, which constitute the heart of the book. Like the previous volumes, it consists of philosophical essays and exegesis. The thirteen essays cover all the major themes of this part of Wittgenstein's masterpiece: the private language arguments, privacy, avowals and descriptions, private ostensive definition, criteria, minds and machines, behavior and behaviorism, the self, the inner and the outer, thinking, consciounesss, and the imagination. The exegesis clarifies (...) and evaluates Wittgenstein's arguments, drawing extensively on all the unpublished papers, examining the evolution of his ideas in manuscript sources and definitively settling many controversies about the interpretation of the published text. This commentary, like its predecessors, is indispensable for the study of Wittgenstein and is essential reading for students of the philosophy of mind. A fourth and final volume, entitled Wittgenstein: Mind and Will will complete the commentary. (shrink)

This chapter analyses the circular plan of Jerusalem in Peter of Poitiers' Compendium historiae in genealogia Christi, a synopsis of history widely disseminated and frequently adapted. The plan of Jerusalem reveals how Peter of Poitiers modified and fused different sources, including Peter Comestor's Historia scholastica, to create a visually persuasive image of perfect formal and social order, with six gates foreshadowing the twelve gates of the Heavenly Jerusalem. The visual alignment of the plan of Jerusalem and other diagrams in the (...) Compendium prompts the beholder to reflect on analogies of structures and events, and thus on the order and meaning of history. This argument extends to the late fifteenth-century diagram of the heavenly Jerusalem in Werner Rolewinck's Fasciculus temporum, which functions at the same time as a visualization of the Creed and as an allegorical image of the church, predetermined and eternal. (shrink)

Irrespective of the short academic history of Christian spirituality, a vast number of academic and popular publications ensued and is still dynamically growing. Many definitions have been proposed to define (Christian) spirituality. Spirituality is also no longer connected only to religion, although in this research the focus will fall on Christian spirituality. This research intends to partake in the continuing academic dialogue to define Christian spirituality. Christian spirituality is interpreted from the perspective of the divine-human conversation. This research consists of (...) three sections. In the first section, a working definition of Christian spirituality is formulated. In the second section, various aspects that constitute spiritualities are distinguished and discussed. In the last section, the constituents of Christian spirituality are pointed out and are reviewed from a conversational perspective. The focus will be on ‘the experience of the divine’ when living a life that resonates with the Christian life. (shrink)

Irrespective of the short academic history of Christian spirituality, a vast number of academic and popular publications ensued and is still dynamically growing. Many definitions have been proposed to define (Christian) spirituality. Spirituality is also no longer connected only to religion, although in this research the focus will fall on Christian spirituality. This research intends to partake in the continuing academic dialogue to define Christian spirituality. Christian spirituality is interpreted from the perspective of the divine-human conversation. This research consists of (...) three sections. In the first section, a working definition of Christian spirituality is formulated. In the second section, various aspects that constitute spiritualities are distinguished and discussed. In the last section, the constituents of Christian spirituality are pointed out and are reviewed from a conversational perspective. The focus will be on ‘the experience of the divine’ when living a life that resonates with the Christian life. (shrink)

Imagining structures from the ekphrastic descriptions of the Jerusalem Temple and Temple Mount in I Kings and Ezekiel is an ancient meditation discipline, which was adopted from Jewish practices into early Christian monasticism. Though it could take various forms, ‘imagining/remembering Jerusalem’ was often practised as a devotional exercise throughout the European Middle Ages. Drawings of such an imagined character are significant to late medieval exegesis of these and related scriptural materials, particularly those associated with the commentaries of Nicholas of (...) Lyra and the collection of visual meditations known as the Speculum theologie. This chapter queries a late medieval illuminated manuscript that, in the fifteenth century, formed part of the library of St John's Hospital in Exeter, to suggest that its materials were acquired and used for scriptural study and sermon composition by scholars of the hospital and its associated school. (shrink)

The Master from Mountains and Fields is a fully annotated translation of the prose texts from the "collected works" of Sŏ Kyŏngdŏk (1489-1546), an influential Confucian scholar from the early Chosŏn period (1392-1910). A native of Songdo (also known as Kaesŏng) in present-day North Korea, Sŏ has loomed large in the Korean cultural imagination and appeared as an exceptional sage and popular hero in numerous tales, dramas, and films, yet his writings are little known outside the academic milieu. Also called (...) Master Hwadam, Sŏ embodied an archetype of the secluded scholar who remains hidden in "mountains and forests" to devote himself to his studies. Held in esteem in both South and North Korea today (a notable exception in contemporary studies on Chosŏn Neo-Confucianism), Sŏ and his ideas about Vital Energy influenced the great Korean Neo-Confucian debates of the sixteenth and seventeenth centuries surrounding the psychophysiological origins of morality as well as various non-orthodox intellectual trends in the late Chosŏn. His thought is fundamentally rooted in the cosmology based on the exegesis of the Book of Changes and follows the teachings of various early Chinese Neo-Confucian thinkers; it presents a vivid example of the eclectic nature of ideas and intellectual trends coexisting within what is generically called Neo-Confucianism out of convenience. This volume presents the first English translation of all prose writings attributed to Sŏ and most of the peritexts from his posthumously published collection Hwadam chip. It reflects the importance of literary compilations (munjip) in the intellectual history of Chosŏn and the complex process of the making of Confucian masters in Korea. Sŏ's prose works are concise and diverse and offer a glimpse at an author who thwarts stereotyping; an introduction and annotations provide further context. The lengthy endnotes that accompany each text make this a useful handbook for anybody interested in Chosŏn Korea and Confucianism, from students in East Asian and Korean studies to specialists in literary Chinese (hanmun) or East Asian intellectual history. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Glory of the Lord: A Theological Aesthetics. Vol. VI: Theology: The Old Covenant. By HANS Uns VoN BALTHASAR. Trans. Brian McNeil, C.R.V. and Erasmo Leiva-Merikakis. Ed. John Riches. San Francisco: Ignatius Press, 1991. Pp. 443. In this penultimate-volume of The Glory of the Lord, von Balthasar sets forth a " biblical aesthetics " in which the manner of the emergence of the Glory of God in (...) the world of man is spelled out. He proceeds by examining the bewildering variety of the manifestations of God's Glory in the Old Testament, but always as unified in their historical convergence upon Jesus, the Christ, the final and definitive presence in history of the divine Glory in whom Word and Image, Messiah and Servant, Son of Man and Son of God, are at one. This manner of proceeding is little consonant with contemporary Catholic exegesis, which prefers to regard the Old Testament as a free-standing hook, and is rather fastidious about reading it as " literally " the prologue and the Sitz im Leben of the New. For such exegetes, the literal and the historical senses are entirely distinct, because of their methodological enlistment in the historical pessimism of the Enlightenment. Balthasar, of course, is not of their camp. Balthasar's mastery of Old Testament exegesis is on a par with the effortless command of the Western philosophical, theological, and literary tradition which he has displayed in the earlier volumes of this work. While he relies heavily upon von Rad, a glance at the index shows that his knowledge of Old Testament scholarship is based upon a wide reading, upon which he levies throughout the book with practiced ease. The exegetical method implicit in his analysis is the one employed by scholars such as de Lubac, Guillet, and Ligier; its classic Augustinian understanding of the free unity of history, and of the consequently free meaning of Old Testament and the New as fulfilled in the Kingdom of God, needs no apology. The currently common supposition that the " literal " sense of Scripture is that which an Enlightened positivism will permit needs only to be recognized to be rejected. In the opening pages of the Introduction Balthasar sets the theme which will dominate the book: the rationally irresolvable dialectical 139 140 BOOK REVIEWS tension between God and all that is not God, a tension inherent in the revelation of the Glory of God. In keeping with the emphasis of his earlier volumes, Balthasar is insistent upon the radical gratuity of the revelation of the Glory of God. The revelatory manifestation of God as God, who is beyond all perception, all knowing, all communication, and yet is communicated, perceived the more surely where the more veiled, and definitively revealed on the Cross. The revelation of God's Glory is of God as the Absolutely Other, as formless, and so as in tension with all form which would mediate the revelation. This communication, this mediation, is utterly ex nihilo; it relies upon no capacity in man, upon no natural process of spiritual development, and is unrelated to, because absolutely transcendent to, all human projects. Impossible to prepare for, the manifestation is constantly new, arising out of no prior possibility in man or his world, and responding to nothing in him which might make the revelation capable of anticipation. The paradox of God's self communication of his formless Glory is then beyond all utterance, and yet is uttered, given form: the final Form is, of course, the Christ. This is the basic datum, the ground upon which all theology rests, and is pure grace, a gift beyond all expectation, incapable of being imagined. All the preparatory Old Testament images finally fail. The paradox, the self communication of God who is beyond all utterance, yet is uttered, has its resolution only in the Form, the personal unity, of Christ. The revelation always at once transcends and assimilates the concrete historical forms by which it is mediated. The pagan materials are transformed by their historical deployment in the revelatione.g., the pagan myths of creation, of divine wars and marriages, the pagan wisdom-and in their deployment, they converge, hut not within the Old... (shrink)

This dissertation concerns Plato's theory of education and the problem of how one can actually acquire knowledge of the Forms. Plato's theory of education aims to make one a good person, which requires knowledge of the Form of the Good. Yet, how exactly one would acquire such knowledge has remained a mystery. Various models of learning are presented by Plato: elenctic refutation ; hypothesis; recollection; the mathematical, dialectical, and political studies of the Republic's curriculum; and diairesis to name just those (...) that are explicit. I have argued here that as rich as these learning strategies are we need to augment our examination of Socratic pedagogy with a full exegesis of Platonic epistemology. ;In order finally to appreciate how they, Socratic education and Platonic epistemology, are meaningfully inseparable, I have explored the following questions: what kind of teacher Socrates is and the way in which he struggles against the sophistic methods of teaching; why Plato has Socrates include ten years of mathematical study in the ideal philosophical curriculum and how we can take the Republic's paradoxical curriculum seriously; how the philosopher utilizes the mathematical training in coming to know a Platonic Form; what role opposites play in Plato's metaphysical imagination; and what kind of person would one be if one actually knew the Form of the Good. I have shown that if one were to partake of a Socratic education, to pursue the requisite mathematical training, and to arrive finally at knowledge of the Platonic Forms, then one would be the sort of person that Socrates has in mind when he articulates the principles of Socratic intellectualism. ;What has been novel about this approach is its demonstration of how, despite the fact that Socratic learning and Platonic epistemology have separately been the object of perennial scholarly attention, the two taken genuinely together have been in need of fresh critical engagement. This inquiry reveals the metaphysical constraints on knowledge and in so doing reconciles Plato's theory of knowledge with Socrates' style of educating potential philosophers. (shrink)

In this book, Jana S. Ros̆ker offers the first comprehensive overview and exegesis of the work of Li Zehou, who is one of the most significant and influential Chinese philosophers of our time. Ros̆ker shows us how Li's complex system of thought seeks to revive various Chinese traditions, and at the same time attempts to harmonize or reconcile this cultural heritage with the demands of the dominant economic, political, and axiological structures of our globalized world. Variously characterized as 'neo-traditional,' (...) 'neo-Kantian,' 'post-Marxist,' 'Marxist-Confucian,' 'pragmatist,' 'instrumentalist,' 'romantic,' and more, Li's work was central to the period known as the Chinese Enlightenment in the 1980s and has helped modify and transform antiquated patterns of Chinese intellectual discourse. He is one of the rare Chinese thinkers whose work has had not only had a deep and lasting impact on Chinese intellectuals, but has acquired a broad readership outside of China as well. Seen from a broader intercultural perspective, Li's unique and imaginative approach to a wide range of basic theoretical problems has created new styles of intellectual investigation, while reminding us of our belonging to a common humanity, regardless of differences in our individual cultures, languages, preferences, and traditions. (shrink)

Written over a period of thirty-five years, these essays explore the topics of causation, time, fate, determinism, natural teleology, different conceptions of the human soul, the idea of the highest good and the human significance of leisure. While most of the essays take as their starting-point some theme in Ancient Greek philosophy, they are meant not as exegesis but as distinctive and independent contributions to live philosophizing. Written with clarity, precision without technicality, and philosophical imagination, they will engage a (...) wide range of readers, including scholars and students of Ancient Greek philosophy and others working on more contemporary analytical concerns. (shrink)

Engaging Aristotle’s broader corpus, this paper offers an exegesis of his counterfactual statement in the Politics regarding self-weaving shuttles and self-playing lyres. It argues that Aristotle imagines and offers his own theory of automation – if by automation we understand the conditions, limits, and consequences of substituting human work with artificial tools capable of acting themselves to complete the relevant task. Because such automated tools are impossible in Aristotle’s time, his political thought is never positively released from its foundational (...) dependence on living tools and the extremity of natural slavery. By analysing what it means for these workers to be considered tools, the perceptual requirements of the work they are to perform – as understood through the disjunctive conditions under which automated tools could replace them – and the consequences to masters and master-craftsmen of employing such tools, Aristotle’s disparagement of slave and craft subordinate work is thus also re-emphasized. (shrink)

Literary theory, newly conscious of its own historicism, has recently turned its attention to the history of interpretation. For midrash, this attention has arrived none too soon. The activity of Biblical interpretation as practiced by the sages of early Rabbinic Judaism in late antiquity, midrash has long been known to Western scholars, but mainly as either an exegetical curiosity or a source to be mined for facts about the Jewish background of early Christianity. The perspective of literary theory has placed (...) midrash in a decidedly new light. The very nature of midrash has now come to epitomize precisely that order of literary discourse to which much critical writing has recently aspired, a discourse that avoids the dichotomized opposition of literature versus commentary and instead resides in the dense shuttle space between text and interpreter. In the hermeneutical techniques of midrash, critics have found especially attractive the sense of interpretation as play rather than as explication, the use of commentary as a means of extending a text’s meanings rather than as a mere forum for the arbitration of original authorial intention. Some theoreticians have gone so far as to invoke midrash as a precursor, in a spiritual if not a historical sense, to more recent post-structuralist literary theory, in particular to deconstruction with its critique of logocentrism and the metaphysics of presence David Stern is assistant professor of medieval Hebrew literature in the department of Oriental Studies at the University of Pennsylvania. He is the author of Parables in Midrash: The Intersection of Narrative and Exegesis in Rabbinic Literature and coauthor, with Mark Jay Mirsky, of Rabbinic Fantasies: Imaginative Narratives from Classical and Medieval Hebrew Literature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 364-367 [Access article in PDF] Book Review Hamlet in Purgatory Hamlet in Purgatory, by Stephen Greenblatt; xii & 322 pp. Princeton: Princeton University Press, 2001, $29.95. Hamlet in Purgatory is both more and less than literary criticism of Shakespeare's most haunting and most critically belabored play. Greenblatt has captured an evolving culture of belief which informs the play and goes far beyond source studies (...) or the history of ideas. He assays to show how the Medieval doctrine of Purgatory and the rejection of it by Protestant Reformers shaped the structure of Hamlet and the world of Hamlet's spiritual agony.Central to the argument is the notion that the rejection of Purgatory, and ritual practices associated with the doctrine, threatened to disrupt community and sever the relations between the living and the dead. Thus, the senior Hamlet's plea to "Remember me" takes precedence over his injunction to revenge; traditional preoccupations of Hamlet criticism become secondary to the concern for spiritual community which Reformation doctrine threatened. The exegesis is scholarly and the prose is engaging, yet the book suffers from the new historicist tendency to become absorbed more with context than with criticism and to assume too readily the relevance of the context to the criticism. Put another way, Greenblatt, like other new historicists, is not always rigorous in his inferences.Greenblatt warns that his book "requires a certain hermeneutical patience, a willingness to suspend direct literary analysis, in order to examine more thoroughly what has been treated as mere background for the canonical work of art" (p. 5). Although the book culminates in a description of the migration of discarded religious ritual into the theater, and a thoughtful commentary on Hamlet, Greenblatt cautions that "... for the book to work properly, the reader should understand literary analysis, and specifically the analysis of Hamlet, to be suspended in another sense as well, that is, distributed in tiny, almost invisible particles throughout my account" (p. 5). Amen. The caveats are essential for anyone who might expect an "interpretation" of Hamlet. Rather, Greenblatt has evoked the conflict of enduring beliefs and Reformist critiques which animated Shakespeare's imagination and Hamlet's suffering.Hermeneutical patience certainly is demanded of the reader, because more than half of the book presents commentaries on the doctrine of Purgatory from the late Middle Ages to the early seventeenth century. Greenblatt begins with Simon Fish's 1529 "Supplication for the Beggars," (p. 15) an anti-purgatorial (and anti-clerical) tract addressed to Henry VIII. Fish argued that the doctrine of Purgatory is at the heart of ecclesiastical corruption and is a danger to the state, because the fear that the doctrine can generate enables the clergy to extort enormous wealth in the form of "suffrages," donations for trentals, anniversary Masses, and other perpetual penitential memorials on behalf of the dead. Fish's argument is double: its theological burden is that Purgatory is a non-scriptural superstition; its rhetoric is that it is an abuse of the [End Page 364] poor and a danger to the economic solvency of the kingdom. Fish invokes both doctrinal error and political danger; this is thus an excellent tract to begin the elucidation of the complexity of Reformist objections to Purgatory in sixteenth-century England. Greenblatt adds that other Reformers saw Purgatory as a poetic creation, a fable, and therefore a vain imagining. John Donne's "Devotions upon Emergent Occasions" is cited to show that post-Catholic divines believed that purgation must be completed in this life.According to Greenblatt, an unintended consequence for the laity of the rejection of Purgatory is the creation of a radical divide between the living and the dead. If we pray for the dead, they are not as absent from us as if they had passed on to the timeless worlds of Heaven or Hell. Even if Purgatory is expensive or fabulous, its loss destroys a community with the dead that involved a reciprocal and continuing relationship, whereby the living can aid the dead towards Heaven and saved souls can eventually become intercessors in Heaven for the living... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Some Aspects of Christian Mystical Rhetoric, Philosophy, and PoetryRyan J. StarkThis is an article about poets and poetic philosophers who make spirited arguments. My purpose in particular is to clarify the nature of mystical rhetoric, which needs to be distinguished from secular rhetoric (i.e., “secular” as nonspiritual). As ways of existing in language, they are ontologically incommensurable, and we should treat them as such. Mystical rhetoric is that into (...) which Spirit enters, conveying to both writer and reader some aspect of providential kairos that cannot otherwise be attained. That is, God completes mystical inferences. God participates, illuminating the hearts of those who open themselves to grace through faith. Or, in other words, writers and readers who want to enter into numinous arguments must shelve the hermeneutics of suspicion. An overly critical stance actually diminishes the possibility of insight, even if it is well intended, much like nervous backseat driving, which—though aimed at producing safety—inevitably works against it. I am not suggesting, however, that skeptics are at a complete loss when approaching mystical rhetorical situations. Rather, they simply do not grasp the metaphysical, enchanted, or occult dimensions of the discourses at work, because they have closed themselves off to Spirit or—more commonly—have attempted to transmogrify Spirit into secular concepts, which distorts spirited language and leads to mischaracterizations of religious experience.1 In contrast, I provide a Christian approach to [End Page 260] mystical rhetoric, one that neither discounts nor sidesteps the real presence of the supernatural.Inspired Rhetoric and HermeneuticsFuror poeticus is a key element of mystical persuasion. The phrase literally means “poetical fury,” and the idea behind it in a Christian framework is that the Holy Spirit aids writers in creating imaginative texts (e.g., sonnets, sermons, essays, novels, blogs, etc.) or, in pernicious instances, demons aid writers.2 In either case, a mysterious force helps the author to compose. Moreover, furor touches readers or listeners, a point seldom emphasized but nonetheless central to this sublime practice of composition. Inspired writing requires inspired reading: furor poeticus needs furor lectoris.3 The Spirit aids readers in understanding mystical rhetoric, as long as those readers participate earnestly in the discourse. John Milton (1674, 7.31), for example, famously envisions such a “fit audience” in the third invocation to the Muse in Paradise Lost (i.e., the “great Argument”), where he calls on the reader for hermeneutical verve, a spirited reading to complement his enthusiastic writing. Søren Kierkegaard also writes to an audience capable of spiritually minded hermeneutics, allowing him to perform various edifying dissimulations through pseudonyms: the despairing aesthete, the unscrupulous seducer, the rigid moralist, and so forth. These inspired writers expect believing readers to contribute to their works, to complete their disputations, in fact, through spirited exegesis. Their methods of composition demand it, which is to say that writers touched by furor leave little room in their arguments for the sustainable disposition of the uninspired reader.Cicero explains spirited rhetoric and hermeneutics in De divinatione, where Quintus talks about how inspired readers experience the same type of furor as inspired writers, seers, and prophets: “Men capable of correctly interpreting all these signs of the future seem to approach very near the divine spirit of the gods whose will they interpret, just as scholars do when they interpret the poets” (1938, 226). Scholarship, in other words, is capable of tapping into mystical energy, making the scholars as prophetic as the vates on which they write. In the second book of On Christian Doctrine (1958, 75–78), Augustine also explains the importance of mystical exegesis as a form of prophecy, where sincere readers undergo the same type of inspiration as mystical writers. For Augustine, spirited reading begins with prayer and ends with revelation. In both accounts of furor, Cicero’s and Augustine’s, [End Page 261] the inspired audience and the inspired writer together experience rapture, a divine vision or illumination, which is precisely the type of communion that occurs during mystical discourses.4Still, the idea of seeking communion with God is potentially unsettling. The notion produces anxieties of psychosis, possession, and self-erasure. Plato famously expresses such concerns in Ion, for example... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 126-127 [Access article in PDF] James Arthur Diamond. Maimonides and the Hermeneutics of Concealment: Deciphering Scripture and Midrash in The Guide of the Perplexed. Albany: State University of New York Press, 2002. Pp. viii + 235. Paper, $20.95. In his text about the nature of Maimonidean text, Diamond shows us firsthand how the great medieval Jewish thinker's use of biblical and (...) rabbinic prooftexts brings life to each page of his Guide by having meaning rely ultimately on the reader's interpretive glance. Inviting us into his study with an epigraph by Rosenzweig on the integral role of quotation in Jewish medieval writing, Diamond concludes that a prooftext within Maimonides' great philosophical text, The Guide of the Perplexed, is "not merely a prop on which to hang certain philosophical propositions regarding God and his relationship to the creation but rather melds with the text to form an organic continuum of thought" (160). By showing how Maimonides has crafted a masterful "interplay of text and prooftext" (30), Diamond presents the Guide to us as "a bridge, drawing the student out of the philosophical text into the sacred texts and back again, dissolving the divide between the two in a perpetual hermeneutical crisscross" (31).Emphasizing the centrality of the role of the reader—and in particular, the reader engaged in an intertextual hermeneutic—in any appreciation of Maimonidean text, Diamond employs Ricoeurian language, speaking, for example, of how Maimonides' text, in its use of prooftexts whose efficacy lies in the reader's interpretive response, constitutes "a network of intersignification, thanks to which the isolated texts signify something else, something more" (40; quote from Ricoeur, "The Bible and the Imagination," 71). In particular, Diamond stresses how these hermeneutically charged prooftexts are used by Maimonides to penetrate through a range of—what are for Maimonides—metaphorical discourses about the Divine within the Jewish tradition. Ranging from straightforwardly anthropomorphic claims about God sitting or standing, to more subtly anthropocentric conceptions of the role of God in Providence, there are a host of biblical and rabbinic claims about God which Maimonides sees as metaphors—statements whose meanings are in no way worn on their sleeves, as it were. Mindful, though, of the potentially devastating effects of alerting all religious folk to the falsity of certain ways of thinking about God, Maimonides crafts his text—in particular, according to Diamond, in his use of intertextually pointing prooftexts—to beckon only the philosophically prepared readers to the real truths about God and Providence. These truths are neither spelled out in the prooftext nor in the further context from which said prooftext is pulled; rather, as Diamond explains, the truths emerge in the hermeneutical unfolding of text and prooftext, in the live process of the reader's intertextual investigation. In an encounter with Maimonides' Guide, intertextually pointing prooftexts thus enable a reader to fashion "a 'surplus of meaning' out of apparent semantic nonsense" (11; reference to Ricoeur's treatment of metaphor in his Interpretation Theory: Discourse and the Surplus of Meaning).What is fresh, creative and new about Diamond's book is not that it alerts us to the presence of secret writing strategies in Maimonides' Guide which reveal unspoken truths about God. This idea in and of itself is quite well-rehearsed within Maimonidean scholarship. What is fresh, creative and new about Diamond's study is that, in its focus on the hermeneutical efficacy of prooftexts as central to that secret writing strategy, it actually walks us through the hermeneutical process in question, step by step, with a number of cases in point. And so, Diamond not only tells us that Maimonides uses prooftexts as a strategy for pointing careful readers to uncover unspoken truths about the Divine, but Diamond actually devotes a full-length study to showing how this works in a number of [End Page 126] concrete cases. Diamond actually engages in exegesis of Maimonides' Guide in this study of Maimonidean exegesis; he actually shows us how he thinks a number of prooftexts ought to be traced through. Using a number of Maimonidean prooftexts as his starting points, Diamond takes us from Maimonides' text... (shrink)

God's Word cannot be interpreted within a Church that is constituted either of scholars or of simple faithful, especially when both need to operate within exclusive linguistic and conceptual coordinates. Thanks to its inexhaustible wealth of imagery, Scripture has throughout the centuries been inspiring many artists who launched themselves into a true and proper 'visual' exegesis, as they tried to communicate Truth through the images they created. This articles studies one of Nicolas Poussin's paintings as an example of this (...) interpretative genre. Poussin is one of the fathers of visual exegesis in the West. The paper tries to illustrate how, by painting some Gospel narrative, the artist situates his very person within an interpretative tradition that calls for attention. On the other hand, though, it is the artist himself or herself who rephrases the content of the narrative through techniques of the imagination that do shed new light on Christ's own action. (shrink)

Despite the upsurge of popularity, Hegel still suffers from strangulation in the current philosophical climate. This is all the more surprising as so many American philosophers of importance (and not just Royce and Dewey, but Quine and Goodman and Davidson, as well) display clearly compatible themes in their work. The problem is that most Hegel scholars, and consequently most professional readers of Hegel, and again their students, continue to insist on approaching the great philosopher with awe instead of confidence. Although (...) respect is necessary for a fair reading, a good deal of personal chutzbah (not Hegel's word) is necessary to appropriate Hegel. I find teaching Hegel one of my most rewarding courses just because, of all the philosophers of the modern period, he most inspires his students to stretch their imaginations and rethink virtually everything. How ironie, therefore, that his effect has so often rather been to stultify imagination in deference to textual exegesis. Hegel has not yet been wholly rediscovered. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:PLOTINUS AND THE APEIRON OF PLATO'S PARMENIDES JOHN H. HEISER Niagara Unwersity Niagara University, New York WE USE THE TERM "infinite" so freely to designate what supposedly transcends something called ' the finite " that one might imagine the concept to be entirely unproblematic. Greek philosophy's difficulty even entertaining such an idea then appears as a sort of myopia, which we in our superior enlightenment have escaped. I propose (...) to examine the way in which one Greek mind, that of Hotinus, came to entertain rthe idea. There may be no better wiay to bring out the difficulties, as well as the possibilities, inherent in a concept than to observe a first class philosophical mind wrestling with it. I also hope rto show that we have a lot to learn from Plotinus. Plotinus's doctrine of the infinite has of course been examined before, on more than one occasion.1 But those who have done so, judging from what they say or do not say, appear to find nothing puzzling in the concept of " infinite perfection " or" infinite being." "We" have come to understand exactly what it means (or at least we bandy the term about 1 For instance: A. H. Armstrong, "Plotinus' Doctrine of the Infinite and its Significance for Christian Thought," Downside Review 73 (1955) : 47-58; Leo J. Sweeney, S.J., "Infinity in Plotinus," Gregorianum 38 (1957) : 515535 ; 713-732; W. Norris Clarke, S.J., "Infinity in Plotinus: a Reply,'' Gregorianum 40 (1959): 75-98; John Whittaker, "Philological Comments on the Neoplatonic Notion of Infinity,'' in The Significance of Neoplatonism, ed. R. Baine Harris (Norfolk, Va.: International Society for Neoplatonic Studies, 1976), pp. 155-172. John M. Rist devotes the third chapter, "The Plotinian One," of his Plotinus: The Road to Reality (New York: Cambridge Uninrsity Press, 1967) largely to the infinity of the One. 58 54 JOHN H. HEISER as if we did). Greek difficulties are understandable (ailthough it is hal'd not to be patronizing about them), but once we have taken note of these difficulties the only question of interest would seem to be whether Plotinus learned to discount them and to talk as we do. In my view, the only way to appreciate Plotinus's aichievement, and to learn from him, is to take these difficulties with great seriousness and to stmggle through them with Plotinus. Another point most commentators overlook is something I take to be both a frucit and a clue to much of what Plotinus says about the Infinite Source of the universe. This is that, in explaining why the One should be called " infinite," Plotinu!! is presenting his e:xiegesis of a perplexing passage in Plato's Parmenides.2 Rather than following his own 1ine of thought to the conc1usion that the One must be infinite, we see Plotinus casting about for some meaning he can assign to a term he is confronted with. I happen to think that his exegesis of Plato is mistaken. This raises the interesting possibility that Plotinus 's breakthrough, if it is a breakthrough and not an aberration, resulted by accident from a mis.take. Before examining Greek views on the infinite, I should like to play Socrates for a moment and examine the concept itself of " infinite perfection." A bit of dialectic might help dispel some of the complacency that surrounds it. As it stands, "infinitely perfect" is at least verbally self-contradictory, as if one were to say " endlessly finished." This may explain why even Plotinus never put it quite thaJt way. But even if we can get around that, what could it mean for something to be 2 :M:ost commentators simply ignore the point, but Professor Armstrong, who is usually so alert to sources, makes the surprising statement that "there is no clear evidence that Plato ever thought or spoke of the One or Good as in any sense apeiron" ("Doctrine of the Infinite," p. 48). Professor Rist goes further and claims that "the 'beyond Being' of Plato must mean a finite Being in some way beyond other finite beings" (Road to Reality, p. 24). But Rist appears to assume he and his readers share a common understanding of what it... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Epistemic Leaks and Epistemic Meltdowns: A Response to William Morris on Scepticism with Regard to Reason Mikael M. Karlsson I. In an excellent paper which appeared in the April, 1989 issue of this journal,2 William Morris attemptsto demonstrate thatthe arguments which make up Hume's notorious chapter, "Of scepticism with regard to reason, are, in the first place, coherent—both internally and with the overall strategy of the Treatise—and, in the (...) second place, successful. Morris' paper is an exercise in the noble art of what I style constructive exegesis, an enterprise to which many readers of Hume Studies, and myself as much as any, are committed. It is a guiding principle ofthis art that we donotunderstandaphilosophical textuntil we can interpret it in such a way as to render it both coherent and correct. From this point ofview, coherence and correctness are not as independent of one another as they may seem to be to others who are differently committed. Some texts, such as Hume's chapter, "Ofscepticism with regard to reason," are notoriously resistant to constructive exegesis, despite the formidable bag of tricks which scholars and interpreters have developed; so resistant, that in gloomier moments we may be brought to wonder about our interpretative enterprise itself. Constructive exegesis is indeed a strange, and peculiarly optimistic, enterprise. Someday, I imagine, in a leisurely moment, I will think more reflectively about the principles ofour art. But not now.6 As a fellow practitioner of constructive exegesis, I am in full sympathy with what Morris tries to do in his paper; and I think that he does contribute substantially to our understanding of what Hume is up to in the chapter, "Ofscepticism with regard to reason." The third section of Morris' paper is, in my judgement, particularly successful in showing how Hume's chapter fits into the larger framework of the Treatise: Hume is, we see, attacking both what Morris labels "intellectualist rationalism" and its counterpart, which we may call 'unmitigated scepticism', although the chapter's two main arguments go primarily to the former. I also think that Morris gives very helpful, Volume XVI Number 2 121 MIKAEL M. KARLSSON and to my mind accurate, accounts of these two arguments, which I dub, respectively, the epistemic leak argument, and the epistemic meltdown argument. However, I have personally never found either of these arguments remotely convincing; and I still do not, despite Morris' clarification and defense. In what follows, I shall indicate some ofthe reasons for my dissatisfaction.?. Theepistemicleakargumentpurportsto"prove"(in Hume's sense)that reason or demonstration cannot support knowledge. Morris rightlyreminds us that whatHume meansby knowledge is perfect assurance or conviction: Knowledge is, in short, subjective certainty. This has caused confusion, for this is not what we usually mean nowadays by knowledge; nor was it what people, philosophers included, generally meant prior to Descartes. In Hume itis the product ofthe attempttoresolve all epistemic statesintomental eventsorwhat he calls "perceptions." In any case, we must—as Morris rightly explains—be clear that the epistemic leak argument is aimed at showing that demonstration cannot supportperfect conviction. Inoutline, the argumentissimple: Itworks, asMorrismakes clear, by shifting attention away from the subject-matter or "objects" of demonstration, that is, relations of ideas, to the exercise of demonstrative reason by human agents. The necessity of relations of ideas may suggest to us that we can be certain about them. Against this, one may point out that people do err in the conclusions arrived at by demonstration; this presumably shows that our (rational) understandingis fallible. And once we recognize this, our confidence in any conclusion produced by exercising this facultyislessened—thus do we move from knowledge, or subjective certainty, toprobability: belief, or imperfect conviction. Arguments ofthis general type (we can call them, using Descartes' famous figure, Totten-apple arguments ) were around long before Hume, although they were more commonly directed against the senses than against reason. We find them in antiquity—in Plato and Sextus Empiricus, for instance —and in Descartes, in parallel passages in the Discourse on Method, the First Meditation and the Principles of Philosophy, wherein one can discern a version directed precisely against reason and demonstration.12 To find out what, if anything, Hume has... (shrink)

En este artículo discuto las conexiones entre el poeta, los personajes y los lectores. Mi enfoque se funda en lo siguiente: ¿Cómo se imaginan los lectores al autor, cómo imagina el autor a los personajes y de qué modo los lectores son inspirados por los personajes? He seleccionado ejemplos de la tradición homérica y, más específicamente, de algunas estrategias de interpretación en la exégesis antigua, particularmente lo que se ha dado en denominar “soluciones desde el personaje”, para proponer vinculaciones con (...) la interpretación literaria y la crítica textual moderna. In this article I discuss the connections between poet, characters and readers. My focus is based on the following question: How is the author imagined by readers, how are the characters imagined by the author and how the characters inspire readers? I have taken my examples from the Homeric tradition and, more specifically, from some manoeuvres of interpretation in ancient exegesis, particularly the so-called ‘solutions from character’, suggesting a connection with modern textual criticism and literary interpretation. (shrink)

This third volume of the monumental commentary on Wittgenstein's Philosophical Investigations covers sections 243-427, which constitute the heart of the book. Like the previous volumes, it consists of philosophical essays and exegesis. The thirteen essays cover all the major themes of this part of Wittgenstein's masterpiece: the private language arguments, privacy, avowals and descriptions, private ostensive definition, criteria, minds and machines, behavior and behaviorism, the self, the inner and the outer, thinking, consciounesss, and the imagination. The exegesis clarifies (...) and evaluates Wittgenstein's arguments, drawing extensively on all the unpublished papers, examining the evolution of his ideas in manuscript sources and definitively settling many controversies about the interpretation of the published text. This commentary, like its predecessors, is indispensable for the study of Wittgenstein and is essential reading for students of the philosophy of mind. A fourth and final volume, entitled Wittgenstein: Mind and Will will complete the commentary. (shrink)

Although Augustine, Anselm, and Aquinas are often cited in support of “faith and reason,” the doublet achieved prominence in that form only in the nineteenth century. The encyclical Fides et ratio can be seen as forming Aeterni patris, Humani generis, and Dei verbum into a tradition. Indeed, it looks back to the nineteenth century and remains at best uninterested in twentieth-century thought. One difficulty with the expression is that each of “faith” and “reason” can be defined against “experience,” and there (...) is a danger that the doublet “faith and reason” invites abstraction from all contexts, including exegesis and love, imagination, and sacrament. Properly understood, “faith and reason” implies “faith and reason and . . .” The encyclical is unclear at crucial moments. It begins to speak of reason, then slides into talk of rationalism. It regards a crisis of rationalism as leading to nihilism, but the conclusion is hastily drawn, at best. It underlines the importance of metaphysics and is critical of “the end of metaphysics,” but confuses different senses of the word. (shrink)

In the various texts the phrase “something does not exist there” was interpreted in the following way: “elephants, cows, etc.” (Cūlasuññata-sutta) “the imagined, or conceptualized” (Yogācāra tradition), “the five skandhas, the elements, the sensory fields as eternal and solid entities” (Abhidharmasamuccaya), “all conventional phenomena” (Dolpo-pa), “inherent reality” (rGyal-tshab-rje), “accidental pollution with regard to the tathāgatagarbha (Gung-thang). The phrase “something that remains there does exist as a real existent” was interpreted also in different ways: “monks, palace, world, etc” (Cūlasuññata-sutta), “the perfect, (...) or accomplished” (Yogācāra tradition), “the Selflessness” (Abhidharmasamuccaya), “the perfect, emptiness exists eternally” (Dol-po-pa), “the lack of inherent reality” (rGyal-tshab-rje), “the purity of tathāgatagarbha 's nature” (Gung-thang).This survey shows that the Buddhist tradition interpreted the same scriptural sentence in radically different ways. Each commentator attempted to present the scriptural statement in a way which suited best his own philosophical view. It is evident that no agreement with regard to the exegesis of this sentence can be obtained. After all, the Buddha has set up a model in the (Cūlasuññata-sutta), where he interpreted the statement in a process-manner. There is no definitive description of voidness. (shrink)

Mohammed Arkoun is one of the Muslim world's foremost thinkers. His efforts to liberate Islamic history from dogmatic constructs have led him to a radical review of traditional history. Drawing on a combination of pertinent disciplines ? history, sociology, psychology and anthropology ? his approach subjects every system of belief and non-belief, every tradition of exegesis, theology and jurisprudence to a critique aimed at liberating reason from the grip of dogmatic postulates. By treating Islam as a religion as well (...) as a time-honoured tradition of thought, Arkoun's work aims at overcoming the limitations of descriptive, narrative and chronological modes in history by recommending that the entire development of Islamic thought ? from Quranic to present-day fundamentalist discourses ? be subjected to a critical analysis guided by these categories. The expected outcome of such a strategy is an emancipated political reason working hand in hand with a truly creative imagination for a radical re-construction of mind and society in the contemporary Muslim world. (shrink)

Moses Mendelssohn is considered the foremost representative of Jewish Enlightenment. In _No Religion without Idolatry_, Gideon Freudenthal offers a novel interpretation of Mendelssohn’s general philosophy and discusses for the first time Mendelssohn’s semiotic interpretation of idolatry in his _Jerusalem _and in his Hebrew biblical commentary. Mendelssohn emerges from this study as an original philosopher, not a shallow popularizer of rationalist metaphysics, as he is sometimes portrayed. Of special and lasting value is his semiotic theory of idolatry. From a semiotic perspective, (...) both idolatry and enlightenment are necessary constituents of religion. Idolatry ascribes to religious symbols an intrinsic value: enlightenment maintains that symbols are conventional and merely signify religious content but do not share its properties and value. Without enlightenment, religion degenerates to fetishism; without idolatry it turns into philosophy and frustrates religious experience. Freudenthal demonstrates that in Mendelssohn’s view, Judaism is the optimal religious synthesis. It consists of transient ceremonies of a “living script.” Its ceremonies are symbols, but they are not permanent objects that could be venerated. Jewish ceremonies thus provide a religious experience but frustrate fetishism. Throughout the book, Freudenthal fruitfully contrasts Mendelssohn's views on religion and philosophy with those of his contemporary critic and opponent, Salomon Maimon. _No Religion without Idolatry _breaks new ground in Mendelssohn studies. It will interest students and scholars in philosophy of religion, Judaism, and semiotics. "In this lucid and provocative study, Gideon Freudenthal offers an original and compelling reading of Mendelssohn as well as a defense of the possibility of religious rationalism more generally. This book is not only an excellent contribution to a growing body of scholarship on Mendelssohn and early modern philosophy, but it also significantly sharpens and advances contemporary conversations about the relations between religion and reason." —_Leora Batnitzky, Princeton University_ "In this masterful study, Gideon Freudenthal demonstrates how Mendelssohn’s philosophy, including his philosophy of religion, is grounded in semiotics. The result is a landmark work that not only successfully challenges standard interpretations of Mendelssohn’s 'enlightened Judaism' and its alleged inconsistency but also effectively invites reconsideration of the very possibility of 'religion without idolatry.'" —_Daniel O. Dahlstrom, Boston University_ "In focusing on Mendelssohn's 'semiotics of idolatry,' Gideon Freudenthal writes as a philosopher fully at home in multiple traditions: contemporary philosophy, eighteenth-century philosophy, Jewish biblical exegesis, and comparative religion. The result is a systematic and penetrating study, based on the Hebrew as well as the German texts, that engages Mendelssohn on perhaps the most critical issue of his understanding of religion with unprecedented philosophical rigor and imagination." —_David Sorkin, City University of New York Graduate Center_. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:508 BOOK REVIEWS Margerie tells us that Augustine surely held that Genesis contains such a plural sense, with the added affirmation that Moses, whom Augustine considers to be the author ofthe Pentateuch, thanks to a transient beatific vision, personally foresaw and intended all the interpretations that would later be given. In keeping with his careful and cautious approach, near the end of the book Father de Margerie admits the (...) limitations of Augustine, limitations which Augustine himself often perceived. "First, Augustine's strictly exegetical works are rather limited.... His sustained commentaries are few, those which have reached us concern Genesis, Job, the Letters to the Galatians and part of that to the Romans, the Gospel, and the First Letter of John" (126). Secondly, Augustine had only a slight knowledge of Biblical Greek. He usually worked from the Latin Bible. He seldom referred systematically to the Greek. Further, he had "but a smattering of Hebrew, acquired indirectly through his familiarity with Punic" (126). Finally-a very large admission- "he, along with nearly all the Fathers, failed to analyze adequately the literal meaning of numerous texts he sought to interpret" (126). In spite of such limitations, Augustine and the other Fathers do provide us with many insights into sound doctrine. This is especially useful since so many of the errors of today, advertised as new, are merely ancient mistakes rejected centuries ago by the Fathers. Therefore we are all indebted to Father de Margerie for helping to call us back to what is so very good in the Fathers. Father de Margerie has rendered a singular service to scholarship in his first two volumes of study of Patristic exegesis. The present volume, the third, is a worthy successor to the first two. Notre Dame Institute Alexandria, Virginia WILLIAM G. MOST The Primacy of Love: An Introduction to the Ethics of Thomas Aquinas. By PAUL J. WADELL, C.P. Mahwah, N.J.: Paulist Press, 1992. Pp. 162. $11.95. Friends of God: Virtues and Gifts in Aquinas. By PAUL J. WADELL, C.P. American University Studies, Series VII: Theology and Religion, vol. 76. New York: Peter Lang, 1991. Pp. x + 148. Drawing from the virtue-ethics orientation of his earlier work, Friendship and the Moral Life (Notre Dame: University of Notre Dame Press, 1990), Paul Wadell has written two books that seek to accomplish two distinctly different BOOK REVIEWS 509 objectives: to produce a work that can serve as a general introduction to Thomas Aquinas's teaching about ethics, and to produce a monograph that urges a different approach to the interpretation of Thomas's ethical teaching. But both books share a common interest of Wadell's: showing that Thomas's ethics is an ethics of genuine affection. Whether he is judged to have reached the two objectives is a question that is likely to be answered differently by moralists, depending upon the issues and approaches that shape their own understanding of Thomistic moral theology. At the very least, Wadell has produced two well-crafted books that are trend-setting works in a long and promising career, works whose approach is surely to become familiar as more and more writers emphasize virtue ethics with regard to the moral teaching of Aquinas. And at most, Wadell has shown himself to be both a fine teacher of Thomas's ethical thought and an incisive scholar in identifying the subterranean movements of the Common Doctor's thought. I shall consider The Primacy ofLove first, which, although it appeared second, is a good intelligible backdrop for presenting the more sophisticated and important argument of Friends ofGod. Waddell's introduction to Thomas's ethics is not really a synopsis of the Secunda pars of the Summa theologiae, though the lion's share of the material he employs is from there, and in something of its original order. It is rather a sympathetic, almost affectionate, portrait of Thomas's ethical teaching. The book does not introduce the reader to the technicalities of Thomas's thought, or to the bewildering debates surrounding the practical syllogism and natural law that have characterized the secondary literature in the second half of this century. Wadell-and others, I imagine-would consider this a strength... (shrink)

Greek mythology developed ideas about the mythical birth of Athena from the head of Zeus in enigmatic allusions. Hephaestus performed the obstetrics. This cryptic mythologem, an imaginative structure of strange shape, contains a message from archaic Greece of unfathomable depth and furthermore has an extensive history of influence. After introductory remarks, the first part (A) of this paper contains a collection of the most important written sources that convey basic elements of the birth myth of Athena. Its allegorical interpretation (...) was initially undertaken by Stoic philosophers. Therefore, the second part (B) first reconstructs the integration and transformation of traditional myths into Stoic philosophy. Because the Stoics used basic aspects of their psychology for this purpose, investigations into Stoic psychology and localisation theory follow in the third part (C). Chrysippus used these constructions for an allegorical interpretation of the birth myth of Athena. Therefore, the fourth part (D) analyses his exegesis of this mythologem, about which extensive information is available, and subsequently Galen’s criticism of it. The famous philosophising physician moreover developed his own allegorical interpretation of the birth myth of Athena, drawing on his wealth of knowledge about the anatomy and physiology of the brain. The analysis of some significant statements on the ‘cerebral birth of Athena’ then follows in the fifth and last part (E). Documents from late antique literature, from Byzantine exegetes of Homer, comments from early medieval writers, the reflection of a modern brain anatomist and interpretations of this myth from the 19th century are discussed. An outlook with information on interdisciplinary brain research concludes the study. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:An Introduction to Mādhva VedāntaRobert ZydenbosAn Introduction to Mādhva Vedānta. By Deepak Sarma. Ashgate World Philosophies Series. Aldershot: Ashgate, 2003. Pp. xiii + 159. Paper.The school of Vedānta philosophy founded by Madhva (1238-1317 C.E.) is popularly known as Dvaita, a name Madhva himself never used and which is somewhat misleading, as it suggests a dualism while Madhva's philosophy is rather a pluralistic one. The adjective Mādhva, derived from (...) Madhva's name, is used to designate the followers of Madhva's Vaiṣṇava variety of brahminical Hinduism, and may be used to unambiguously identify this kind of Vedānta. Although this school plays an important role in the history of Indian thought, it has been sadly neglected by modern Vedānta scholarship, which tends to focus on Advaita and Viśiṣṭādvaita. The first serious modern study, written in German by Helmut von Glasenapp, was Madhva's Philosophie des Vishnu-Glaubens (Bonn, 1923), of which the English translation by S. Shrothri, Madhva's Philosophy of the Vishnu Faith (Bangalore, 1992), is not beautiful but has the merit that a few minor errors in von Glasenapp's pioneer work have been corrected in footnotes. In the well-known histories of Indian philosophy, Surendranath Dasgupta's treatment of Madhva (A History of Indian Philosophy, vol. 4) is considerably better than the rather scanty one by Sarvepalli Radhakrishnan (Indian Philosophy, vol. 2, chap. 10, sections 6-14).The amount of Sanskrit writing in the tradition of Madhva is considerable, and in this still very living tradition there is a huge production of literature in modern Indian languages, almost all of it in Kannada, the tradition having originated and still having its stronghold in what today is the Kannada-speaking state of Karnataka in southern India (Madhva was a native speaker of Tulu, a language spoken in southwestern Karnataka, which has hardly any written literature). Among modern authors writing in English, the best known is B.N.K. Sharma (The Philosophy of Śrī Madhvācārya: A History of the Dvaita School of Vedānta and Its Literature), most of whose writings unfortunately suffer from a polemically sectarian outlook. As a general historical and systematic introduction to Madhva, his works, and his thought, the French La doctrine de Madhva by Suzanne Siauve (Pondichéry, 1968) remains unsurpassed. More recently, the most important studies of Madhva's works that appeared outside India are again in German, by Roque Mesquita: Madhva und seine unbekannten literarischen Quellen (Vienna, 1997; now also available in an English translation as Madhva's Unknown Literary Sources: Some Observations. New Delhi: Aditya Prakashan, 2000) and his superb translation and study of one of Madhva's most important works, Madhva: Viṣṇutattvanirṇaya (Vienna, 2000).Madhva's doctrine is considered one of the three main currents in Vedānta, next to Viśiṣṭādvaita-Vedānta (the monistic doctrine formulated by Rāmānuja) and the variety that is best known in the Western world, Advaita-Vedānta (the illusionistic [End Page 665] monism that received its classical form at the hands of Śankara). According to the hagiography, Madhva grew up in an Advaitin environment but came to consider the Advaitins his main philosophical opponents, because monism, and particularly one that essentially denied the reality of the phenomenal world, did not support his Vaiṣṇava (recognizing Viṣṇu as the supreme being) devotional religiosity. He therefore sought to establish a pluralistic philosophy that did not dismiss phenomenal reality as illusory.Dvaita- or Mādhva-Vedānta is actually much more than the exegesis, sometimes rather imaginative, of the standard set of mainstream brahminical texts that one would expect from Vedānta. Madhva was a creative thinker, and his doctrine is an intellectual tour de force that seeks to combine elements from several sources and currents of religious and philosophical thought into one coherent whole: a philosophical terminology from Vedānta; ritualism from the Pāñcarātra āgamas; mythology from the Vedas, Upanishads, the great epics, and the purāṇas (Madhva wrote an extensive commentary on the Bhāgavatapurāṇa); and an ontology and epistemology that reveal the influence of Jainism.It... (shrink)

The Master from Mountains and Fields is a fully annotated translation of the prose texts from the "collected works" of Sŏ Kyŏngdŏk (1489-1546), an influential Confucian scholar from the early Chosŏn period (1392-1910). A native of Songdo (also known as Kaesŏng) in present-day North Korea, Sŏ has loomed large in the Korean cultural imagination and appeared as an exceptional sage and popular hero in numerous tales, dramas, and films, yet his writings are little known outside the academic milieu. Also called (...) Master Hwadam, Sŏ embodied an archetype of the secluded scholar who remains hidden in "mountains and forests" to devote himself to his studies. Held in esteem in both South and North Korea today (a notable exception in contemporary studies on Chosŏn Neo-Confucianism), Sŏ and his ideas about Vital Energy influenced the great Korean Neo-Confucian debates of the sixteenth and seventeenth centuries surrounding the psychophysiological origins of morality as well as various non-orthodox intellectual trends in the late Chosŏn. His thought is fundamentally rooted in the cosmology based on the exegesis of the Book of Changes and follows the teachings of various early Chinese Neo-Confucian thinkers; it presents a vivid example of the eclectic nature of ideas and intellectual trends coexisting within what is generically called Neo-Confucianism out of convenience. This volume presents the first English translation of all prose writings attributed to Sŏ and most of the peritexts from his posthumously published collection Hwadam chip. It reflects the importance of literary compilations (munjip) in the intellectual history of Chosŏn and the complex process of the making of Confucian masters in Korea. Sŏ's prose works are concise and diverse and offer a glimpse at an author who thwarts stereotyping; an introduction and annotations provide further context. The lengthy endnotes that accompany each text make this a useful handbook for anybody interested in Chosŏn Korea and Confucianism, from students in East Asian and Korean studies to specialists in literary Chinese (hanmun) or East Asian intellectual history. (shrink)

Alfred North Whitehead's first book as a professor of philosophy at Harvard University, Science and the Modern World, is not only a historical treatment of the rise and fall of scientific materialism. It also marks his turn to metaphysics in search of an alternative cosmological scheme that would replace matter in motion with organic process as that which is generic in Nature. Among the metaphysical innovations introduced in this book are the somewhat enigmatic “eternal objects.” The publication of the first (...) and second volumes of Whitehead's Harvard Lectures on the philosophical presuppositions (HL1) and general metaphysical problems (HL2) of science provides students of his corpus with an opportunity to catch the thinker in the act of creating his concepts. In searching through student notes for glimpses of what Whitehead really meant, I have kept in mind his admonition that “no thinker thinks twice” (PR 29). Whitehead never ceased philosophizing, and surely he intended for us to continue thinking with but beyond the letter of his ideas. In this spirit and in light of HL1 and HL2, this article seeks to elucidate the role of eternal objects as a category of existence in Whitehead's Philosophy of Organism, with the goal not simply of textual exegesis, but of showing how the meaning of the fifth category of existence (as he refers to eternal objects in PR) is exemplified in the gradual ingression of the idea in Whitehead's imagination. My aim is to sustain the effort at constructive thought he began, making his speculative hypothesis as explicit as possible so as to better prepare it for critical improvement (PR xiv). (shrink)

The present volume honors Rabbi Professor Nehemia Polen, one of those rare scholars whose religious teachings, spiritual writings, and academic scholarship have come together into a sustained project of interpretive imagination and engagement. Without compromising his intellectual integrity, his work brings forth the sacred from the mundane and expands the reach of Torah. He has shown us a path in which narrow scholarship is directly linked to a quest for ever-broadening depth and connectivity. The essays in this collection, from his (...) students, colleagues, and friends, are a testament to his enduring impact on the scholarly community. The contributions explore a range of historical periods and themes, centering upon the fields dear to Polen's heart, but a common thread unites them. Each essay is grounded in deeply engaged textual scholarship casting a glance upon the sources that is at once critical and beneficent. As a whole, they seek to give readers a richer sense of the fabric of Jewish interpretation and theology, from the history of Jewish mysticism, the promise and perils of exegesis, and the contemporary relevance of premodern and early modern texts. (shrink)

Languages play an essential role in communicating aesthetic, scientific and religious convictions, as well as laws, worldviews and truths. Additionally, metaphors are an essential part of many languages and artistic expressions. In this paper I will first examine the role metaphors play in religion and art. Is there a specific focus on symbolic and metaphoric language in religion and art? Where are the analogies to be found in artistic metaphors and religious ones? How are differences to be described? How do (...) various concepts of aesthetics and theological concepts explain those different kinds of language and how, if at all, do they make use of them? Lastly: what could be added to aesthetics, philosophy and theology by examining carefully the role and importance of language, including nonverbal, sign language and especially metaphorical language? Without the human capacity for language, religions are scarcely imaginable. A widening of traditional exegesis and hermeneutics by taking into account nonverbal semantics is needed. Religion is a cognitive and linguistic phenomenon. By taking this seriously, we set and enable an agenda to discuss religion scientifically, leaving aside for the purpose of a scientific understanding and discourse about the inter-religious and the inner-religious claims of truth and absolutist claims. To sum it up: metaphor is introduced as an important means of language when it comes to religious conceptualization. Next, I will show that art, more than religion, deals with visual metaphor – the latter being an image that suggests a particular association, similarity or analogy between two generally unconnected visual elements. This often, but not always, functions in a roughly comparable fashion to the better-known concept of verbal metaphor. In addition, visual metaphor has developed many original and unique characteristics. These two sections are followed by another one dealing with cultural philosophy of religion and aesthetics, as well as the meaning of metaphors for these disciplines. The next section is on metaphor and metaphorical language in mathematics, natural sciences and art and how they are related, i.e. influence and help each other. I will discuss the critical approach to metaphors in natural science and provide a short introduction to the cultural history of mathematics and art. Mathematicians and artists have long been on the quest to understand the physical world they see before them and the abstract objects they know by thought alone. How have art and mathematics helped each other in representing each other’s concepts? A final section provides a summary and an outlook: theology is contextual as is science – and so is art. All these disciplines partly rely upon metaphor and by the help of metaphor get closer to an intercultural and interdisciplinary understanding. I shall argue that, by dealing more carefully with their metaphorical language and their own metaphors, together they become better equipped to map the world. (shrink)

Nine introductory theses about dystopia Resumen: Este artículo proporciona una introducción actualizada a la distopía y una exégesis del apogeo ilimitado que esta vive. Y lo hace planteando nueve tesis. El supuesto de partida es que el término “distopía” no designa solamente una forma literaria. Sus premisas, metodologías y actitudes elementales son visibles en el pensamiento social contemporáneo y otras muchas expresiones culturales. En las dos primeras tesis diferencio el género distópico de otros géneros afines y sondeo las coincidencias temáticas (...) que atesoran sus expresiones literarias y filosóficas. A lo largo de las tres tesis posteriores, señalo las causas sociales e ideológicas que subyacen a su hegemonía actual. Finalmente, dedico las cuatro últimas tesis a calibrar las implicaciones políticas de la distopía y a determinar las relaciones que guarda con la utopía.: This article provides an up-to-date introduction to dystopia and an exege- sis of its huge heyday, in nine theses. The starting point is that the term “dystopia” does not designate only a literary form. Its basic premises, methodologies and attitudes are visible in contemporary social thought and many other cultural expres- sions. In the first two theses, I distinguish the dystopian genre from other related genres and probe the thematic coincidences among their literary and philosophical expressions. Throughout the three subsequent theses, I point out the social and ideological causes that underlie its current hegemony. Finally, I devote the last four theses to calibrating the political implications of dystopia and to determining its relationship with utopia. Palabras clave: distopía, utopía, antiutopía, progreso, imaginación. Keywords: dystopia, utopia, anti-utopia, progress, imagination. (shrink)

This third volume of the monumental commentary on Wittgenstein's Philosophical Investigations covers sections 243-427, which constitute the heart of the book. Like the previous volumes, it consists of philosophical essays and exegesis. The thirteen essays cover all the major themes of this part of Wittgenstein's masterpiece: the private language arguments, privacy, avowals and descriptions, private ostensive definition, criteria, minds and machines, behavior and behaviorism, the self, the inner and the outer, thinking, consciounesss, and the imagination. The exegesis clarifies (...) and evaluates Wittgenstein's arguments, drawing extensively on all the unpublished papers, examining the evolution of his ideas in manuscript sources and definitively settling many controversies about the interpretation of the published text. This commentary, like its predecessors, is indispensable for the study of Wittgenstein and is essential reading for students of the philosophy of mind. A fourth and final volume, entitled Wittgenstein: Mind and Will will complete the commentary. (shrink)

In contemporary debates about religion, both proponents and opponents seem to share a parental view on God without ever questioning it. This text seeks to trace back that view and compare it with a Biblical alternative. First it is argued that it was Spinoza who needed to depict the Biblical God as a mere father in order to justify his exegesis of him. By connecting all religious imagery to the faculty of imagination and by consequently denying the imagination any (...) direct claims on truth and reason, Spinoza could develop the modern consciousness of progress, as the ‘outgrowing,’ the leaving behind of an age of irrationality and untruth. With a God reduced to a father, the human identity is reduced to a child and the dramatics between the two to growing up and making space. This idea seems to further underpin the whole modern and even postmodern image of God. But if we read the Biblical God from a different perspective we end up with a very different view. Moshe Halbertal claims that the basic image of Biblical anthropomorphism is not the parental but the marital relation between God and man. This new reading is analysed and compared with Spinoza’s exegesis. It turns out that the marital metaphor allows for a whole new and better understanding of God, and connected with that, of religious life, of the value of the Bible, and of the ideas of reason, truth and freedom. (shrink)

In this article I argue for the pedagogical complementarity of the perennial wisdom of St. Thomas and Mortimer Adler’s dialectical method of the Great Books, where the Great Books highlight the ministerial function of the imagination to the will and intellect in the order of learning. Characterized by communal inquiry, the thought of St. Thomas and the Great Books are shown to be well matched instruments of the special Providence by which we direct one another to our proper end. A (...) review of key Thomistic dispositions of teaching and learning, the nature of authentic conversation, and various objections and replies to the Great Books method of education and its alliance with the thought of St. Thomas focus the analysis. Several points of contact enrich the task of liberal learning. The Great Books are seen to supply students of St. Thomas with the spontaneous play of associations, rapprochements and comparisons as they strive to apply texts to the practices of virtue and truth seeking, while the perennial wisdom directs the students’ personal exegesis through the rigor of philosophical principles, logic, and distinctions. (shrink)

"The Master from Mountains and Fields is a fully annotated translation of the prose texts from the "collected works" of Sæo Kyæongdæok, an influential Confucian scholar from the early Chosæon period. A native of Songdo in present-day North Korea, Sæo has loomed large in the Korean cultural imagination and appeared as an exceptional sage and popular hero in numerous tales, dramas, and films, yet his writings are little known outside the academic milieu. Also called Master Hwadam, Sæo embodied an archetype (...) of the secluded scholar who remains hidden in "mountains and forests" to devote himself to his studies. Held in esteem in both South and North Korea today, Sæo and his ideas about Vital Energy influenced the great Korean Neo-Confucian debates of the sixteenth and seventeenth centuries surrounding the psychophysiological origins of morality as well as various non-orthodox intellectual trends in the late Chosæon. His thought is fundamentally rooted in the cosmology based on the exegesis of the Book of Changes and follows the teachings of various early Chinese Neo-Confucian thinkers; it presents a vivid example of the eclectic nature of ideas and intellectual trends coexisting within what is generically called Neo-Confucianism out of convenience. This volume presents the first English translation of all prose writings attributed to Sæo and most of the peritexts from his posthumously published collection Hwadam chip. It reflects the importance of literary compilations in the intellectual history of Chosæon and the complex process of the making of Confucian masters in Korea. Sæo's prose works are concise and diverse and offer a glimpse at an author who thwarts stereotyping; an introduction and annotations provide further context. The lengthy endnotes that accompany each text make this a useful handbook for anybody interested in Chosæon Korea and Confucianism, from students in East Asian and Korean studies to specialists in literary Chinese or East Asian intellectual history"--. (shrink)

There are several Africas; the continent does not have a single homogeneous reality. Instead we should talk of shifting territorialities. The crucial questions, when thinking about emergent humanisms, have to do with the exegesis of the political, and at its heart democracy, citizenship and the management of violence, which obstinately appears as a constant in the political experience in Africa. It operates as one of the political idioms at the very moment when democracy is becoming essential as a universal, (...) unavoidable reference. The African state seems unable any longer to guarantee its citizens’ security. The human body is becoming an integral part of the territories where conflict is occurring. What is being challenged is the sovereignty of the state, which means that the symbolic construction of a people transforming the state into a nation state is no longer possible. So how can we imagine a space for interaction where collective issues are put up for discussion? The case of Côte d’Ivoire, the reform of the Family Code in Senegal, and the tragedy in Rwanda are examined. The author wishes to follow the perspective set out by Wiredu, the principle of compassionate impartiality, the principle on which moral universality is based and built up. (shrink)

This is a fine book that sticks with its stated ambition of introducing critical theory. It is meant for Anglo-American philosophers, who have had little interest in and less enthusiasm for, those loosely grouped under the label. Held lays out the details of each critical theorist's work, and avoids the sweeping, provocative slogans that mar other introductory texts. His book's exegesis has more breadth and depth than, say, Schroyer's The Critique of Domination; his work's assessment more balance and support (...) than, say, Slater's Origin and Significance of the Frankfurt School. Held does not match Jay's flair for spotting a unifying theme amid a welter of data. These two authors differ in purpose, however. Jay's outstanding The Dialectical Imagination locates CT broadly within social and political theory, while Held's book situates it more narrowly within the philosophical tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:120 HISTORY OF PHILOSOPHY weapons," the emotive meanings of propaganda (p. 168). Thus his main distinctions between understanding and will, science and art, knowing and doing, civil and penal, were repeatedly blurred as his tactics shifted. Bentham's originality, says Mack, "lay just here, in putting moral insights to use by first incorporating them in a systematic analytic structure." Yet he "never fully explained what he intended to include under (...) a 'logic of the will.' He began with individuals, their immediate pleasures and pains, and a Utilitarian rationale or consideration of consequences..." but the essential connective tissues were never sufficiently supplied (pp. 160-161). But at least the logic of the will and Bentham's bitter frustrations as a reformer combined to make him a radical democrat by 1790, and not, as the author clearly and for the first time demonstrates, because of the influence of James Mill some twenty years later. With a wealth of detail the author accompanies Bentham just beyond the mid-point of his odyssey, and fully justifies her admiration for what he attempted to do. She recognizes the obvious "gap between his ambition and his achievement," to which must be added the distance between his psychology and sociology and ours. Many of the questions he raised are still with us, and have even been sharpened, as the late David Baumgardt pointed out, by the logical positivists and the emotivists. In today's discussions, as he indicates, we are often confronted with a choice between but two alternatives: uncritical normative ethics and ethical or non-ethical psychology. Bentham offers at least the possibility of "basing ethics critically upon psychological observations." And Stevenson speaks of attitudes which can be "supported" by some "reasoned argument " (David Baumgardt, Bentham and the Ethics oI Today [Princeton, New Jersey: 1952], pp. 137-150). Nothing in this excellent beginning leads the reader to expect the second volume to portray the completion by Bentham of the majestic structures which he planned and replanned. But a case has been made for a reassessment of Bentham as an adventurer, if not as a builder in philosophy, so that one looks forward to the next installment of his odyssey. HAROLD A. LARRABEE Union College,Schenectady,New York Positives Antichristentum: Nietzsches Christusbild im Brennpunkt nachchristlicher Anthropologie. By Hermann Wein. (The Hague: Martinus Nijhoff, 1962. Pp. 114. 9.50 G.) For understandable reasons, a definitive study of the philosophy of Nietzsche has never been written-and may never be written. Nietzsche's predilection for dialectics, the restless to-and-fro with which he at once affirms and negates virtually every cultural and intellectual phenomenon of the western world, including some products of his own creative imagination, is the despair even of those commentators who would heed his warning that there is no fixed center to his thought. Thus we have had interpretations of Nietzsche as atheist, as secular eschatologist, as nihilist, as cultural relativist, as Dionysian yea-sayer, as Darwinian eugenicist, and the like--none of them altogether mistaken, all of them, singly and collectively, beset by a frustrating one-sidedness. It would be too much to say that Professor Wein has succeeded where all others have [ailed. But he has managed to present more of a "whole" Nietzsche than have his prede- BOOK REVIEWS 121 r He has honored his own sound methodological precept that "only in a farspanning synopsis of what constitutes the aphoristically dispersed Nietzschean corpus does the contrapuntal order of this open, nonsystematic philosophy become apparent" (p. as). Nietzsche, Professor Wein insists, was not an out-and-out nihilist. But in the face of his wholesale negations of what the West has traditionally understood by and accepted as real, true, and valuable, what was left for Nietzsche to affirm? By way of answer, Wein devotes more than half of his book to a multiperspectival exegesis of Nietzsche's briefest and best-known pronouncement: "God is dead." In the first place, the pronouncement is an historical report. "God," a shorthand expression for the hierarchized meanings and values developed by the Judeo-Christian tradition, is all but extinct. Thus for Nietzsche the contemporary era is the epoch of the ascendancy of nihilism. In the second place... (shrink)

This is a translation of the second revised edition of Geist in Welt. It was J. B. Metz, a Rahner pupil, who carried out the revision with Rahner's full approval. Metz has added a brief foreword to this translation. Also included is an excellent and jam-packed Introduction by Francis P. Fiorenza which attempts to set the background for Spirit in the World, in terms of its being an attempt to ground a metaphysics by going through Kant back to an Aquinas (...) who is now viewed through the spectacles of transcendental method. Rahner was influenced in this attempt by Maréchal, of course, but also by Heidegger. The work itself is built around an exegesis of a key text from the Summa Theologiae I, Q. 84, a. 7. The title of the article in question is "Whether the intellect can actually know anything through the intelligible species which it possesses without turning to the phantasm." Since Thomas answers no to this question, it becomes clear that metaphysics for him is possible only on the foundation of imagination. It also becomes clear, through Rahner, that the feature of Thomas' epistemology which requires the most clarification is his doctrine of sensibility. Rahner's handling of this question is not altogether satisfactory. At crucial points he switches from an intentional analysis to a metaphysical analysis. But it is not entirely clear how phenomenological otherness can be reduced to the metaphysical otherness supposedly guaranteed by differing potentialities within the formal identity between knower and known in both sensibility and intellection. The work is overpowering in the execution of its intent, however, despite what seemed to this reviewer a crucial unclarity. It is interesting to note that the contents of this book were originally Rahner's doctoral thesis finished in 1936, turned down by Rahner's director M. Honecker, but first published anyway in 1939. It is surprising that these historical facts are not presented by the translator in at least a brief introduction to this important work. It must be lamented also that no attempt was made to compile any sort of index. Finally, while the translator cannot be envied the task of having to come to grips with Rahner's German, the English we are provided with leaves a great deal to be desired.--E. A. R. (shrink)

The wealth of scholarship on Christian mysticism attests an enduring interest in this subject matter. Amidst the immense collection of commentaries on Christian mysticism lies this valuable book by Nelstrop, Magill, and Onishi. Their book, far from merely offering a survey of current theories on Christian mysticism, does make significant inroads in teasing out logical connections amongst interpretive theories and interpreted themes.Four different theories on mysticism, namely, perennialist, contextualist, performative language, and feminist, are set to work on examining themes within (...) the Christian tradition such as Neoplatonic influences, apophatic language, erotic imagery, scriptural symbolism and exegesis, self-introspection, church hierarchy, female mysticism, and imaginative meditations. The first two parts of the book range over the readings of these themes through the lenses of the four mentioned theoretical approaches. The last chapter of part two presents viewpoints of the four. (shrink)