This essay considers, among other paintings, two of the most important of Caravaggio's works in reference to the theological debate concerning the inspiration of the Bible and of the Gospel of Matthew, a lively debate among contemporaries of the painter. The focus of the essay is to demonstrate a method for the analysis of figurative representations of religious themes. Liberating these works from the confines of art history, it analyzes them in the context of the Christian experience, as it was (...) in the period in which these paintings were made. (shrink)

In christian experience, the flesh of Christ is not only a theological concept relating to Church or Eucharisty, but a place where spiritual an psychological desires establish themselves. In this essay we would illustrate the artistic and visionary access to an essential section of Christ's body, his protective and nourishing breast.

God's Word cannot be interpreted within a Church that is constituted either of scholars or of simple faithful, especially when both need to operate within exclusive linguistic and conceptual coordinates. Thanks to its inexhaustible wealth of imagery, Scripture has throughout the centuries been inspiring many artists who launched themselves into a true and proper 'visual' exegesis, as they tried to communicate Truth through the images they created. This articles studies one of Nicolas Poussin's paintings as an example of this interpretative (...) genre. Poussin is one of the fathers of visual exegesis in the West. The paper tries to illustrate how, by painting some Gospel narrative, the artist situates his very person within an interpretative tradition that calls for attention. On the other hand, though, it is the artist himself or herself who rephrases the content of the narrative through techniques of the imagination that do shed new light on Christ's own action. (shrink)