Results for 'image-philosophy'

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  1.  91
    Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures.Luca Marchetti - 2022 - British Journal of Aesthetics 62 (3):353-371.
    This paper focuses on whether static images can depict motion. It is natural to say that pictures depicting objects caught in the middle of a dynamic action—such as Henri Cartier-Bresson’s (1932) Behind the Gare St. Lazare—are pictures of movement, but, given that pictures themselves do not move, can we make sense of such an idea? Drawing on results from experimental psychology and cognitive sciences, I show that we can. Psychological studies on implicit motion and representational momentum indicate that motion is (...)
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  2.  19
    Picture this! Words versus images in Wittgenstein's nachlass Herbert Hrachovec.Words Versus Images In Wittgenstein'S. - 2004 - In Tamás Demeter (ed.), Essays on Wittgenstein and Austrian Philosophy: In Honour of J.C. Nyíri. BRILL. pp. 197.
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  3.  18
    Thoughtful images: illustrating philosophy through art.Thomas E. Wartenberg - 2023 - New York, NY: Oxford University Press.
    Thoughtful Images: Philosophy Illustrated is the first systematic investigation of how artists throughout the ages have illustrated philosophical texts, ideas, concepts, and theories. The book begins by developing a theory of visual illustrations of philosophical texts and undermining what the author calls "the denigration of illustration." The book then takes a more historical approach, beginning in Ancient Greece and Rome and proceeding through Medieval illuminations and printed broadsides to the frontispieces of philosophical texts. Throughout, attention is paid to how (...)
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  4. Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.
    This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is (...)
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  5.  16
    On the Materiality of Images: Philosophy, Painting, and Cinema. Review of Mauro Carbone’s The Flesh of Images.Stephen A. Noble - 2017 - Research in Phenomenology 47 (1):142-151.
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  6.  21
    Real Images Flow: Mullā Sadrā Meets Film-Philosophy.Laura U. Marks - 2016 - Film-Philosophy 20 (1):24-46.
    The eastern Islamic concept of the imaginal realm, which explains how supra-sensory realities present themselves to imaginative perception, can enrich the imagination of film-philosophy. The imaginal realm, in Arabic ‘alam al-mithal, world of images, or ‘alam al-khayal, imaginative world, is part of a triadic ontology of sensible, imaginal, and intelligible realms. Diverging from roots shared with Western thought in the concept of the imaginative faculty, the Islamic imaginal realm is supra-individual and more real than matter. The imaginal realm is (...)
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  7.  8
    Image et philosophie: les usages conceptuels de l'image.Augustin Dumont & Aline Wiame (eds.) - 2014 - Bruxelles: P.I.E. Peter Lang.
    Cet ouvrage a pour objectif d'interroger en profondeur la manière avec laquelle, historiquement, les philosophes ont « pratiqué l'image dans le concept ». Les auteurs s'interrogent sur le recours à la visualité et à la métaphore dans l'élaboration des schèmes philosophiques à travers l'histoire de la philosophie et les rapports que cette dernière entend tisser avec l'histoire du monde. On tâche de cerner les raisons que les philosophes ont pu avoir de mobiliser ou au contraire de rejeter cet opérateur (...)
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  8.  8
    Philosophie de l'image.François Dagognet - 1984 - Paris: J. Vrin.
    Ce livre traite de l'image, mais aussi, plus generalement, de la copie, du double, de la representation, du calque, du sosie... La philosophie, a juste titre, a mis en garde contres ces si dangereux reflets. Ne doit-on pas preferer ce qui est a ce qui l'imite ou le mime? Mefions-nous des leurres! Cependant, on est revenu sur cette seculaire et injuste condamnation. La technologie moderne a peu a peu sauve celle qu'on avait trop inferiorisee et eloignee. Et quelle victoire! (...)
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  9.  27
    Evolutionary Philosophy of Science: A New Image of Science and Stance towards General Philosophy of Science.James Marcum - 2017 - Philosophies 2 (4):25.
    An important question facing contemporary philosophy of science is whether the natural sciences in terms of their historical records exhibit distinguishing developmental patterns or structures. At least two philosophical stances are possible in answering this question. The first pertains to the plurality of the individual sciences. From this stance, the various sciences are analyzed individually and compared with one another in order to derive potential commonalities, if any, among them. The second stance involves a general philosophy of science (...)
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  10. The scientific image.C. Van Fraassen Bas - 1980 - New York: Oxford University Press.
    In this book van Fraassen develops an alternative to scientific realism by constructing and evaluating three mutually reinforcing theories.
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  11.  14
    The philosophy of perception: phenomenology and image theory.Lambert Wiesing - 2014 - London: Bloomsbury Academic.
    Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually (...)
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  12. The Scientific Image.William Demopoulos & Bas C. van Fraassen - 1982 - Philosophical Review 91 (4):603.
  13. Seeing and Believing: Metaphor, Image, and Force.Richard Moran - 1989 - Critical Inquiry 16 (1):87-112.
    One way in which the characteristic gestures of philosophy and criticism differ from each other lies in their involvements with disillusionment, with the undoing of our naivete, especially regarding what we take ourselves to know about the meaning of what we say. Philosophy will often find less than we thought was there, perhaps nothing at all, in what we say about the “external” world, or in our judgments of value, or in our ordinary psychological talk. The work of (...)
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  14.  39
    Philosophy of Advanced medical Imaging.Elisabetta Lalumera & Stefano Fanti - 2021 - Springer International.
    This is the first book to explore the epistemology and ethics of advanced imaging tests, in order to improve the critical understanding of the nature of knowledge they provide and the practical consequences of their utilization in healthcare. Advanced medical imaging tests, such as PET and MRI, have gained center stage in medical research and in patients’ care. They also increasingly raise questions that pertain to philosophy: What is required to be an expert in reading images? How are standards (...)
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  15.  25
    Philosophy and the moving image: refractions of reality.John Mullarkey - 2009 - New York: Palgrave-Macmillan.
    ... the first book to examine all the central issues surrounding the vexed relationship between the film-image and philosophy. In it, John Mullarkey tackles the work of particular philosophers and theorists (Žižei, Deleuze, Cavell, Bordwell, Badiou, Branigan, Rancière, Frampton, and many others) as well as general philosophical positions (Analytical and Continental, Cognitivist and Culturalist, Pyschoanalytic and phenomenological). Moreover, he also offers an incisive analysis and explanation of several prominent forms of film theorizing, providing a metalogical account of their (...)
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  16. Philosophy and the scientific image of man.Wilfrid S. Sellars - 1962 - In Robert Colodny (ed.), Science, Perception, and Reality. Humanities Press/Ridgeview. pp. 35-78.
    The aim of philosophy, abstractly formulated, is to understand how things in the broadest possible sense of the term hang together in the broadest possible sense of the term. Under 'things in the broadest possible sense' I include such radically different items as not only 'cabbages and kings', but numbers and duties, possibilities and finger snaps, aesthetic experience and death. To achieve success in philosophy would be, to use a contemporary turn of phrase, to 'know one's way around' (...)
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  17.  22
    Artificial Presence: Philosophical Studies in Image Theory.Lambert Wiesing - 2009 - Stanford University Press.
    These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.
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  18. Image/Images: A Debate Between Philosophy and Visual Studies.Alessandro Cavazzana & Francesco Ragazzi (eds.) - 2021 - Venice: Edizioni Ca' Foscari.
    The third issue of the Journal for the Philosophy of Language, Mind and the Arts is centered on a series of questions related to the nature of images. What properties characterize them? Do they exist also in our minds? What relationship do they have with phenomena such as perception, memory, language and interpretation? The authors participating in this issue have been asked to answer these and other questions starting from and in dialogue with the two philosophical perspectives that have (...)
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  19. Locke's Image of the World.Michael Jacovides - 2017 - [Oxford, United Kingdom]: Oxford University Press.
    Michael Jacovides provides an engaging account of how the scientific revolution influenced one of the foremost figures of early modern philosophy, John Locke. By placing Locke's thought in its scientific, religious, and anti-scholastic contexts, Jacovides explains not only what Locke believes but also why he believes it.
  20.  65
    The Image of a Mind-Skull: Samuel Beckett’s "...but the clouds..." and Television-Philosophy.Atene Mendelyte - 2015 - Film-Philosophy 19 (1):325-343.
    The article offers a new approach for the exploration of media and television studies by extracting the television-philosophy implicit in Samuel Beckett’s television play … but the clouds …. The reading focuses on the immanent logic of the play seen as a televisual and an intermedial whole, instead of constructing it as an intertextual tapestry of references. The article argues against a popular interpretation of Beckett as the artist of failure. The reading of …but the clouds… as illustrating the (...)
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  21.  26
    Plato's Sophist: the drama of original and image.Stanley Rosen - 1983 - South Bend, Ind.: Yale University Press.
    Stanley Rosen's book is the first full-length study of the Sophist in English and one of the most complete in any language. He follows the stages of the dialogue in sequence and offers an exhaustive analysis of the philosophical questions that come to light as Theaetetus and the Eleatic Stranger pursue the sophist through philosophical debate. Rosen finds the central problem of the dialogue in the relation between original and image; he shows how this distinction underlies all subsequent technical (...)
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  22.  7
    Image and imaging in philosophy, science and the arts: Volume 1: proceedings of the 33rd International Ludwig Wittgenstein-Symposium in Kirchberg, 2010.Richard Heinrich, Elisabeth Nemeth, Wolfram Pichler & David Wagner (eds.) - 2011 - Lancaster, LA: Ontos Verlag.
    What is an image? How can we describe the experience of looking at images, and how do they become meaningful to us? In what sense are images like or unlike propositions? Participants of the 33rd International Wittgenstein Symposium--philosophers as well as historians of art, science, and literature--provide many stimulating answers. Some of the contributions are dedicated to Wittgenstein’s thoughts on images while others testify to the important role notions coined or inspired by Wittgenstein--“seeing as”, “picture games” and the dichotomy (...)
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  23. Imaging Technology and the Philosophy of Causality.Jon Williamson - 2011 - Philosophy and Technology 24 (2):115-136.
    Russo and Williamson (Int Stud Philos Sci 21(2):157–170, 2007) put forward the thesis that, at least in the health sciences, to establish the claim that C is a cause of E, one normally needs evidence of an underlying mechanism linking C and E as well as evidence that C makes a difference to E. This epistemological thesis poses a problem for most current analyses of causality which, in virtue of analysing causality in terms of just one of mechanisms or difference (...)
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  24. Image and Metaphor in the Philosophy of Wittgenstein.Kristóf Nyíri - 2011 - In David Wagner, Wolfram Pichler, Elisabeth Nemeth & Richard Heinrich (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17. De Gruyter. pp. 109-130.
    There is the tension between, on the one hand, Wittgenstein’s not giving theoretical weight to metaphor, and on the other, his exuberant use of it. On a more fundamental level, there is a straightforward contradiction between Wittgenstein’s claim of the primordial literalness of everyday language, and his stress on the multiplicity and flexibility of language-games. Wittgenstein’s problem was that he did not succeed in making his ideas on metaphor, and indeed his ideas on metaphor and images, converge with the main (...)
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  25. Theorizing the moving image.Noël Carroll - 1996 - New York: Cambridge University Press.
    A selection of essays written by one of the leading critics of film over the last two decades, this volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory, and heralding a new (...)
  26.  82
    The Scientific Image by Bas C. van Fraassen. [REVIEW]Michael Friedman - 1982 - Journal of Philosophy 79 (5):274-283.
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  27.  64
    Images.John V. Kulvicki - 2013 - New York: Routledge.
    The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art. Can images be a source of knowledge? Are images merely conventional signs, like words? What is the relationship between the observer and the observed? In this clear and stimulating introduction to the problem John V. Kulvicki explores these questions and more. He discusses: the nature (...)
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  28.  72
    New Philosophies of Film: Thinking Images.Robert Sinnerbrink - 2011 - Continuum.
    Introduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande à part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism (...)
  29.  72
    Philosophy of chemistry and the image of science.Rein Vihalemm - 2007 - Foundations of Science 12 (3):223-234.
    The philosophical analysis of chemistry has advanced at such a pace during the last dozen years that the existence of philosophy of chemistry as an autonomous discipline cannot be doubted any more. The present paper will attempt to analyse the experience of philosophy of chemistry at the, so to say, meta-level. Philosophers of chemistry have especially stressed that all sciences need not be similar to physics. They have tried to argue for chemistry as its own type of science (...)
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  30.  78
    Thomas Kuhn, the Image of Science and the Image of Art: The First Manuscript of Structure.J. C. Pinto de Oliveira - 2017 - Perspectives on Science 25 (6):746-765.
    Thomas Kuhn's philosophy of science, which he developed by focusing on physics, was later applied by other authors to virtually all areas or disciplines of culture. What interests me here, however, is the movement in the opposite direction: the role that one of these disciplines, history of art, played in the conception of Kuhn'stheoryof science.In a 1969 article, his only published text concerning science and art, Kuhn makes a brief and intriguing observation about The Structure of Scientific Revolutions. He (...)
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  31.  8
    The Image of C.S. Peirce in Russian Philosophy: From the History of the Creation of the “Canon” of American Philosophers.Vasily V. Vanchugov & Ванчугов Василий Викторович - 2024 - RUDN Journal of Philosophy 28 (1):229-243.
    The study presents the Russian historical-philosophical process in the context of the discovery of a new object, themes, personae, set of reactions and formation of a product for the intellectual community. The author's reliance on philosophical empirical material and appropriate hermeneutics in its processing allows the author to highlight those factors that influenced individual and collective reception. The author sees as a convenient case study the “discovery” by the Russian philosophical community of the early 20th century of both American (...) in general and C.S. Peirce in particular. Since the beginning of the 19th century, Russian thinkers have turned their attention to American philosophy in all the diversity of its manifestations. Russian intellectuals paid special attention to American pragmatism and everything associated with it. In Russia, in addition to translations, numerous reviews of foreign publications on this topic are appearing. Of particular interest to us in the Russian “collective reflection” of American ideas is the system of preferences for ideas, texts, events, and names. The point is that what might have been a priority for a European thinker, for a Russian one turned out to be on the “periphery” of his consciousness, as well as vice versa. While James appeared among the priority figures for Russian thinkers, Peirce was in his “shadow”. Using rich empirical material, the author shows all the stages of Peirce’s image formation in the Russian intellectual community. The research shows that “image” of Peirce, which represents not so much the thinker himself, but characterizes the intellectual community that turned to him. The results of the study may be useful both for contemporary foreign and Russian interpreters of Peirce and for historians of philosophy who are rethinking the past and forming in the present new objects of reception and reflection. (shrink)
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  32.  33
    Images of the Human: The Philosophy of the Human Person in a Religious Context.Hunter Brown & Dennis L. Hudecki - 1997 - International Philosophical Quarterly 37 (2).
    Images of the human is the collective effort of thirteen philosophy professors to address the questions human beings have been asking for centuries. The book presents selections from the major works of eighteen of the best-known philosophers from ancient to modern times. Each chapter focuses on the writings of a different philosopher - from Plato to Nietzsche, Augustine to Sartre - and includes an introduction and critical comentary.
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  33. Vitalism and the scientific image: an introduction.Sebastian Normandin & Charles T. Wolfe - 2013 - In Sebastian Normandin & Charles T. Wolfe (eds.), Vitalism and the scientific image, 1800-2010. Springer.
    Introduction to edited volume on vitalism and/in the life sciences, 1800-2010.
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  34. Philosophy and Film: Bridging Divides.Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.) - 2019 - New York: Routledge Press, Research on Aesthetics.
    This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads (...)
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  35. Philosophy and the Scientific Image Of Man.Wilfrid Sellars - 1963 - In Science, Perception and Reality. New York,: Humanities Press.
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  36.  17
    In Search of a New Image of Thought: Gilles Deleuze and Philosophical Expressionism.Gregg Lambert - 2012 - Univ of Minnesota Press.
    Gregg Lambert demonstrates that since the publication of _Proust and Signs_ in 1964 Gilles Deleuze’s search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this “the image of thought.” Lambert’s exploration begins with Deleuze’s earliest exposition of the Proustian image of thought and then follows the “tangled history” of the image that runs through subsequent works, such as _Kafka: (...)
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  37.  5
    Deleuze's New Image of Thought, or Dewey Revisited.Inna Semetsky - 2003 - Educational Philosophy and Theory 35 (1):17-29.
  38. Security and Liberty: The Image of Balance.Waldron Jeremy - 2003 - Journal of Political Philosophy 11 (2):191-210.
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  39.  31
    Articulating the World: Conceptual Understanding and the Scientific Image.Joseph Rouse - 2015 - Chicago: University of Chicago Press.
    Naturalism as a guiding philosophy for modern science both disavows any appeal to the supernatural or anything else transcendent to nature, and repudiates any philosophical or religious authority over the workings and conclusions of the sciences. A longstanding paradox within naturalism, however, has been the status of scientific knowledge itself, which seems, at first glance, to be something that transcends and is therefore impossible to conceptualize within scientific naturalism itself. In Articulating the World, Joseph Rouse argues that the most (...)
  40.  10
    Puissances de l'image.Jean-Claude Gens & Pierre Rodrigo (eds.) - 2007 - Dijon: Editions universitaires de Dijon.
    L'omniprésence des images dans la société mass-médiatique est corrélative de leur évanescence et du constant renouvellement qui conditionne le processus de leur consommation. Leur omnipotence se réduit ainsi à celle de stimuli destinés à induire des comportements. Or, il convient d'autant plus de revenir d'une telle exténuation de l'image que cette dernière constitue l'une des dimensions essentielles du déploiement de la vie humaine. L'image est traditionnellement rapportée à l'activité imaginante d'un sujet. Mais, s'il est vrai que l'étoffe des (...)
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  41. Image and Mind: Film, Philosophy, and Cognitive Science.Gregory Currie - 1995 - Philosophy 71 (278):617-622.
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  42. The (Lack of) Evidence for the Kuhnian Image of Science.Moti Mizrahi - 2018 - Social Epistemology Review and Reply Collective 7 (7):19-24.
    In their reviews of The Kuhnian Image of Science: Time for a Decisive Transformation? (2018), both Markus Arnold (2018) and Amanda Bryant (2018) complain that the contributors who criticize Kuhn’s theory of scientific change have misconstrued his philosophy of science and they praise those who seek to defend the Kuhnian image of science. In what follows, then, I would like to address their claims about misconstruing Kuhn’s theory of scientific change. But my focus here, as in the (...)
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  43. Liberal naturalism and the scientific image of the world.David Macarthur - 2019 - Inquiry: An Interdisciplinary Journal of Philosophy 62 (5):565-585.
    ABSTRACTThis paper distinguishes between the theoretical scientific image and the practical scientific image. The popular idea that there is a conceptual clash between the scientific and manifest images of the world is revealed as largely illusory. From the perspective of a liberal naturalism, the placement problem for ‘problematic’ entities or truths is not solved but dissolved. Persons, say, are not posits of any explanatory science, but beings acknowledged as rational agencies in second-personal space. Core elements of the manifest (...)
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  44.  21
    How to read Barthes' Image-music-text.Ed White - 2012 - London: Pluto Press.
    Roland Barthes remains one of the most influential cultural theorists of the postwar period and Image-Music-Text is his most widely taught work. Ed White provides students with a clear guide to this essential but difficult text. As students are increasingly expected to write across a range of media, Barthes' work can be understood as an early mapping of what we now call interdisciplinary or multidisciplinary study. The book's detailed section-by-section readings makes Barthes' most important writings accessible to undergraduate readers. (...)
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  45.  66
    When is an Image Not an Image?Joseph C. Pitt - 2005 - Techné: Research in Philosophy and Technology 8 (3):24-33.
  46.  11
    Une philosophie ricoeurienne de l’image.Samuel Lelièvre - 2023 - Studia Phaenomenologica 23:245-267.
    While inheriting from Husserl’s phenomenology, Ricoeur aims at determining a philosophical anthropology. Imagination can then be thought as what makes possible a mediation dealing with the disproportion between sensibility and understanding; it can be seen as one of the guiding threads of Ricoeur’s anthropology before becoming a theme or a field of analysis. But if this philosophy of imagination encompasses the issue of image, to the point of making these two terms mostly interchangeable, it too includes a specific (...)
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  47. The Space-Time Image: the Case of Bergson, Deleuze, and Memento.Melissa Clarke - 2002 - Journal of Speculative Philosophy 16 (3):167 - 181.
  48.  98
    The New Mechanical Philosophy.Stuart Glennan - 2017 - Oxford: Oxford University Press.
    This volume argues for a new image of science that understands both natural and social phenomena to be the product of mechanisms, casting the work of science as an effort to understand those mechanisms. Glennan offers an account of the nature of mechanisms and of the models used to represent them in physical, life, and social sciences.
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  49.  36
    Image and Mind: Film, Philosophy, and Cognitive Science.Berys Gaut & Gregory Currie - 1998 - Philosophical Review 107 (1):138.
    In this important and impressive book, Gregory Currie tackles several fundamental topics in the philosophy of film and says much of general interest about the nature of imagination. The first part examines the nature of film representation, rejecting the view that spectators are subject to any kind of cognitive or perceptual illusions. Currie also argues against Walton’s transparency claim, which holds that when we look at a photograph we are literally seeing the object photographed. He instead defends perceptual realism, (...)
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  50. Developing Philosophy´s Latent Image.James Watson - 2003 - Existentia 13 (3-4):197-206.
     
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