Despite intensive exegetical work, Plato’s description of dialectic in the Sophist still raises many questions. Through a close reading of this passage that contextualizes it in the general organisation of the Sophist, this paper provides answers to these questions. After presenting the difficult text, I contend that the “vowel-kinds” are necessary conditions for the blending of kinds. Then, I interpret the “cause of divisions” mentioned by the Stranger as the kinds responsible of the dichotomous division in the first half of (...) the dialogue. In the next part, I show that 235d5-e2 does not describe a procedure of “meta-divison” as some commentators have it, but that it describes the method of division itself. Finally, I connect the difficulty and the obscurity of the passage to the fact that dialectic is the supreme science and I explain why dialectic is the science of free men. (shrink)

In Plato’s Statesman, the Eleatic Stranger leads Socrates the Younger and their audience through an analysis of the statesman in the service of the interlocutors’ becoming “more capable in dialectic regarding all things”. In this way, the dialectical exercise in the text is both intrinsically and instrumentally valuable, as it yields a philosophically rigorous account of statesmanship and exhibits a method of dialectical inquiry. After the series of bifurcatory divisions in the Sophist and early Statesman, the Stranger changes to a (...) non-bifurcatory method of dividing to account for the statesman, but does not explain the reason for this change. I argue that the change is prepared by the elements discussed in the digression from 277a2 to 287b2. Here the Stranger makes use of four concepts that are crucial for understanding this change: the notion of paradigm, the paradigms of care and the weaver, and the notion of due measure. I claim that the notion of paradigm clarifies the nature of dialectical inquiry, care and weaving act as paradigms appropriate to dialectical practice, and an account of due measure offers insight into the constitutive ratios that govern the structuring of kinds pursued through dialectical inquiry. I suggest that the non-bifurcatory method is intended to articulate knowledge in the strictest sense, or knowledge of the forms, presenting a method of inquiry into being and its structure that will foster the turning of the soul from things to forms that Socrates describes in the Republic. (shrink)

Are all forms of difference contained in what is, or is there some form of difference that escapes, negates, or constitutes what is? Parmenides and Heraclitus may have had the greatest effect on how philosophy has answered this question. This paper shows that Heraclitus is not a partisan of difference: identity and difference are mutually generative and equally fundamental. For his part, Parmenides both makes an argument against opposing being and non-being in the False Road Story, and then uses precisely (...) this opposition to put up signs on the Way of Truth. The paper responds to this impasse by making the case that the poem’s philosophical character is didactic, rhetorical, and mythological, which is why both these signs, and the opposition between non-being and being, are presented as names created by mortals. (shrink)

A variety of theoretical positions are emerging to explain the judicial process from such perspectives as hermeneutics, semiotics, critical theory and argumentation/rhetoric. They ask such questions as these: What is the source of judicial authority? How do judges arrive at their decisions? By what logic are decisions to be tested? In this essay I argue that a focus on decisions and their justifications alone masks the broader process in which judges, along with all the other relevant groups, engage in a (...) continuing and evolving dialogue to structure their normative universe through the complementary processes of dialectic and rhetoric. Contemporary concepts of argumentation can serve to analyze this process critically. (shrink)

The paper seeks to specify how, according to Plato’s Sophist, true statements achieve their being about objects and their saying that ‘what is about such objects is’. Drawing on the 6th definition of the sophist, I argue for a normative-teleological conception of truth in which the best condition of our soul –in its making statements or having mental states– consists in its seeking to attain the telos of truth. Further, on the basis of Plato’s discussion of original and image, his (...) distinction between correct and incorrect image, and the 7th definition, I argue that achieving the telos of truth involves preserving the original’s proportions and appropriate features. The view that Plato’s conception of truth takes statements or mental states to be certain types of image is not ground-breaking. The important contribution of my argument is that it offers a plausible way to understand two recalcitrant claims made by Plato: first, that falsity obtains not only in the region of incorrect images (appearances) but also within correct images (likenesses); second, that some incorrect images are based on knowledge and so could be true. (shrink)

Contextualização e identificação dos processos dialéticos em alguns diálogos de Platão. Constituição da dialética platônica, a partir da dialética socrática e eleática. Caracterização dos diferentes níveis e modalidades do processo dialético, desde a dialética negativa ou dicotômica até a evolutiva tripartida.

At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor explains why philosophy is a science. Like the art of grammar, philosophical knowledge corresponds to a generic structure of discrete kinds and is acquired by systematic analysis of how these kinds intermingle. In the literature, the Visitor’s science is either understood as an expression of a mature and authentic platonic metaphysics, or as a sophisticated illusion staged to illustrate the seductive lure of sophistic deception. By showing how the Visitor’s account (...) of the science of philosophy is just as comprehensive, phantasmatic and self-concealing as the art of sophistry identified at the dialogue’s outset, this paper argues in favor of the latter view. (shrink)

Platonic dialogues are self-concealing, presenting ideas by indirection or in riddling form, often exploring a difficulty or aporia without arriving at a solution. Since philosophers have begun to see Plato's work as imbued with irony, double meaning, and ambiguity, literary techniques that accommodate such layered meanings become a necessary adjunct to interpretation. The dialogue Politicus explores through an aporetic process a central Platonic concern, the relation between ideal and real. Close analysis of the important section dealing with law and constitutions (...) reveals some of the complexity. By his wayward conduct of the argument, the Eleatic stranger repeatedly forces reevaluation of earlier arguments or conclusions. At the close of the cosmic myth , the Stranger warned against confusing the divine monarch, a true shepherd, with his mortal counterpart, the best ruler, whose discovery is the aim of the dialogue. The distinction that was made then is simple in context, but complex in view of the conclusion at 303b8-c5 that the participants in all governments except the ideal monarchy are supreme wizards and fakers. The truly real statesman thus recedes into a distance remote from the world of practical politics, while the familiar regimes are marked as irretrievably flawed and inauthentic. The ability of the fake statesmen to deceive by impersonating the true king also means that it may be impossible to make the crucial distinction between king and tyrant, since either may disregard the laws. The strange fable of legalism run wild confirms the ludicrous and destructive results of rigid obedience to law, but concludes that rigidity is necessary to the false regimes. The corollary is that seekers after truth, like Socrates or even the Stranger himself, must always be rejected by law-based societies. (shrink)

Deleuze adopts Nietzsche's manifesto for an overturning of Platonism. However, the consensus view is that Deleuze's project is best understood as a revision not a repudiation of Platonism. Deleuze's engagement with Platonism centres on The Sophist. Out of Plato's concept of phantasm, Deleuze fashions a new concept: simulacrum. In Difference and Repetition, simulacra are invited to rise and affirm their rights; and yet Deleuze later abandons the concept entirely. Why? Although suitable for the purposes of critique, it became otiose in (...) wider applications. More generally, and against the consensus view, I argue that the trajectory of the concept of the simulacrum is emblematic of Deleuze's anti-Platonism. (shrink)

This article examines Heidegger’s interpretation of Plato’s Sophist, focusing on his attempts to grasp Plato’s original thinking of being and non-being. Some contemporary thinkers and commentators argue that Heidegger’s view of Plato is simply based on his criticism against the traditional metaphysics of Platonism and its language. But a close reading of his lecture on the Sophist reveals that his view of Plato is grounded in Plato’s questioning struggle with the ambiguous nature of human speech or language. For Heidegger, Plato’s (...) way of philosophizing is deeper than the metaphysical understanding of Platonism which sees only fixed ideas of being. In the Sophist, dialectical thinking of Plato constantly confronts the questionable force of the logos which betrays the natural possibility of non-being based on the tension between movement and rest. Thus, from Plato’s original insight Heidegger uncovers the dynamic association of being and non-being as a natural ground of everyday living with others. However, although Heidegger’s understanding of the Sophist powerfully demonstrates the lively possibility of being beyond the customary perspective of Platonic metaphysics, his interpretation fails to further disclose Plato’s political question of being emerging in the Sophist, which seeks the true associative ground of human beings. (shrink)

In his well-known essay, ‘What Is a Sign?’ (CP 2.281, 285) Peirce uses ‘likeness’ and ‘resemblance’ interchangeably in his definition of icon. The synonymity of the two words has rarely, if ever, been questioned. Curiously, a locus classicus of the pair, at least in F. M. Cornford’s English translation, can be found in a late dialogue of Plato, namely, the Sophist. In this dialogue on the myth and truth of the sophists’ profession, the mysterious ‘stranger’, who is most likely Socrates’ (...) persona, makes the famous distinction between eikon (likeness) and phantasma (semblance) (236a,b). For all his broad knowledge in ancient philosophy, Peirce never mentioned this parallel; nor has any Peircean scholar identified it. There seems to be little problem with eikon as likeness, but phantasma may give rise to a puzzle which this paper will attempt to solve. Plato uses two pairs of words: what eikon is to phantasma is eikastikén (the making of likeness [235d]) to phantastikén (semblance making [236c]). In other words, icons come into being because of the act of icon-making, which is none other than indexicality. Witness what Peirce says about the relationship between photographs and the objects they represent: “But this resemblance is due to the photographs having been produced under such circumstances that they were physically forced to correspond point by point to nature.” (Ibid.) Thus the iconicity which links the representamen (sign) and its object is made possible not only by an interpretant, but also by idexisation. Their possible etymological and epistemological links aside, the Peircean example of photographing and the Platonic discussion of painting and sculpturing in the Sophist, clearly show the physio-pragmatic aspect of iconicity. The paper will therefore reread the Peircean iconicity by closely analysing this relatively obscure Platonic text, and by so doing restore to the text its hidden semiotic dimension. (shrink)

Within the framework of the discussion about the existence of a spokesman in the Platonic dialogues, we look, in the first part, into the possible transfer of this spokesman’s function from Socrates to the Eleatic Stranger, identifying the contact and divergence points between both characters. In the second part, we try to show that this transfer has a dramatic staging at the beginning of the Sophist dialogue, where Socrates makes a demand that enables the Stranger to demonstrate his genuine philosophical (...) condition. (shrink)

The Parmenides poses the question for what entities there are Forms, and the criticism of Forms it contains is commonly supposed to document an ontological reorientation in Plato. According to this reading, Forms no longer express the excellence of a given entity and a Socratic, ethical perspective on life, but come to resemble concepts, or what concepts designate, and are meant to explain nature as a whole. Plato’s conception of dialectic, it is further suggested, consequently changes into a value-neutral method (...) directed at tracing the interrelation of such Forms, an outlook supposedly documented in certain passages on method from the Sophist and the Statesman as well. -/- The article urges that this reading is untenable. For in the Parmenides the question for what entities one should posit Forms is left open, and the passages on method from the Sophist and Statesman neither encourage a non-normative ontology nor a value-neutral method of inquiry. What the three dialogues encourage us to do is rather to set common opinions about the relative worth and value of things aside when conducting ontological inquiries; and this attitude, the article concludes, demonstrates a close kinship, rather than a significant difference, between Plato’s Socrates and his Eleatic philosophers. (shrink)

This paper analyses the opposing accounts of ‘the ordinary’ given by Jacques Derrida and Stanley Cavell, beginning with their competing interpretations of J. L. Austin¹s thought on ordinary language. These accounts are presented as mutually critiquing: Derrida¹s deconstructive method poses an effective challenge to Cavell¹s claim that the ordinary is irreducible by further philosophical analysis, while, conversely, Cavell¹s valorisation of the human draws attention to a residual humanity in Derrida¹s text which Derrida cannot account for. The two philosophers’ approaches are, (...) in fact, predicated on each other like the famous Gestalt-image of a vase and two faces: they cannot come into focus at the same time, but one cannot appear without the other to furnish its background. (shrink)