On the Materiality of Images: Philosophy, Painting, and Cinema. Review of Mauro Carbone’s The Flesh of Images

Research in Phenomenology 47 (1):142-151 (2017)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1163/15691640-12341361

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,571

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Mauro Carbone (ed.) - 2015 - Albany: State University of New York Press.
La chair des images: Merleau-Ponty entre peinture et cinéma.Mauro Carbone - 2011 - Vrin.
Merleau-ponty E O Pensamento Do Cinema.Mauro Carbone, Débora Quaresma & Davide Scarso - 2011 - Cinema:184-195.
Flesh: Towards the History of a Misunderstanding.Mauro Carbone - 2002 - Chiasmi International 4:49-62.
Review of Mauro Carbone, The Thinking of the Sensible: Merleau-Ponty's a-Philosophy. [REVIEW]Taylor Carman - 2005 - Notre Dame Philosophical Reviews 2005 (9).
Representation or Sensation?Christian Lotz - 2009 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 13 (1):59-72.
Representation or Sensation? A Critique of Deleuze’s Philosophy of Painting.Christian Lotz - 2009 - Sympsium. Canadian Journal for Continental Philosophy 13 (1):59-73.
Flesh: Towards the History of a Misunderstanding.Mauro Carbone - 2002 - Chiasmi International 4:49-62.
Representation or Sensation?Christian Lotz - 2009 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 13 (1):59-72.
Emmanuel Alloa et Adnen Jdey (éds.), Du sensible à l’oeuvre: Esthétiques de Merleau Ponty; Mauro Carbone (éd.), L’empreinte du visuel: Merleau-Ponty et les images aujourd’ hui.Clélia Zernik - 2013 - Chiasmi International 15:433-435.
Emmanuel Alloa et Adnen Jdey (éds.), Du sensible à l’oeuvre: Esthétiques de Merleau Ponty; Mauro Carbone (éd.), L’empreinte du visuel: Merleau-Ponty et les images aujourd’ hui. [REVIEW]Clélia Zernik - 2013 - Chiasmi International 15:433-435.
The Flesh of Images: Merleau-Ponty Between Painting and Cinema.Marta Nijhuis (ed.) - 2015 - State University of New York Press.
Pensare (con) Patočka oggi: filosofia fenomenologica e filosofia della storia.Mauro Carbone & Caterina Croce (eds.) - 2012 - Napoli: Orthotes.
O que é uma filosofia-cinema?Mauro Carbone - 2013 - Revista de Filosofia Aurora 25 (37):343.
Painting/Cinema: A Study on Saturated Phenomena: Alain Bonfand (2007) Le cinéma saturé: Essai sur les relations de la peinture et des images en mouvement.Julien Guillemet - 2008 - Film-Philosophy 12 (2):131-141.

Analytics

Added to PP
2017-03-02

Downloads
15 (#940,347)

6 months
7 (#419,635)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Add more references