18 found
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  1.  8
    Ich für mich: Phänomenologie des Selbstbewusstseins.Lambert Wiesing - 2020 - Berlin: Suhrkamp.
  2.  10
    Artifizielle Präsenz: Studien zur Philosophie des Bildes.Lambert Wiesing (ed.) - 2005 - Frankfurt am Main: Suhrkamp.
    Die Studien zur Philosophie des Bildes verfolgen eine doppelte Absicht: Sie bemühen sich einerseits um einen Überblick über die grundlegenden Positionen innerhalb der gegenwärtigen Bildwissenschaft und versuchen andererseits stets einen systematischen Hauptgedanken zu verteidigen: Bilder präsentieren; nur Bilder ermöglichen die artifizielle Präsenz von ausschließlich sichtbaren Dingen, die den Gesetzen der Physik enthoben sind. Vor dem Hintergrund dieses Bildbegriffs wird die Verwendung von Bildern als Zeichen aus einer phänomenologischen Sicht beschrieben, Platons Mimesis-Begriff anhand seiner kanonischen Bildvorstellungen rekonstruiert und die besondere Bedeutung (...)
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  3.  22
    Artificial Presence: Philosophical Studies in Image Theory.Lambert Wiesing - 2009 - Stanford University Press.
    These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.
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  4.  7
    Sehen lassen: die Praxis des Zeigens.Lambert Wiesing - 2013 - Berlin: Suhrkamp.
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  5.  11
    The visibility of the image: history and perspectives of formal aesthetics.Lambert Wiesing - 2016 - New York: Bloomsbury, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.
    Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of (...)
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  6.  12
    Fotografieren als phänomenologische Tätigkeit. Zur Husserl-Rezeption bei Flusser.Lambert Wiesing - 2010 - Flusser Studies 10 (1).
    Vilém Flusser not only defines his theoretical work as phenomenology, he considers the act of photography itself a phenomenological act. For this reason this contribution seeks to answer the question how much Flusser’s conception of phenomenology owes to Edmund Husserl and in what ways he has transformed Husserl’s own philosophical tenets. The main idea of this essay is that Flusser has reduced Husserl’s phenomenology to the concept of phenomenography. Nowhere in Flusser, in fact, can we trace any mention of Husserl’s (...)
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  7.  7
    Das Mich der Wahrnehmung: Eine Autopsie.Lambert Wiesing - 2009 - Frankfurt am Main: Suhrkamp.
    Philosophische Mythen und Modelle. Unzufriedenheit auf höchstem Niveau ; Der Mythenvorwurf in der Philosophie ; Modellierende Philosophie : eine contradictio in adjecto ; Der Mythos des Gegebenen ; Vom Mythos desGegebenen zum Mythos des Mittelbaren ; Interpretationismus und Wahrnehmungsphilosophie ; Transzendentaler Interpretationismus ; Die Verbindung des Mythos des Gegebenen mit dem Mythos des Mittelbaren : Repräsentationalismus ; Das Paradigma des Zugangs -- Phänomenologie : die Philosophie ohne Modell. Phänomenale Gewißheit ; Vom cartesischen Cartesianismus zum phänomenologischen Cartesianimus ; Intentionalität : das (...)
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  8.  14
    The philosophy of perception: phenomenology and image theory.Lambert Wiesing - 2014 - London: Bloomsbury Academic.
    Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate (...)
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  9.  47
    Phänomenologische und experimentelle Ästhetik.Lambert Wiesing - 2012 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 57 (2):68-82.
    The article tries to defend three theses: First the opinion that in fact philosophical and empirical aesthetics can be clearly distinguished and as well juxtaposed, but the term experimental aesthetics should not only be reserved for aesthetics, which can be found outside of philosophy. Because notably phenomenological aesthetics, so the second thesis, are in a certain way experimental aesthetics – namely if and only if the method of Eidetic Variation is used and insofar this method can be understood as a (...)
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  10.  13
    Medienphilosophie Des bilDes.Lambert Wiesing - 2005 - In Mike Sandbothe & Ludwig Nagl (eds.), Systematische Medienphilosophie. De Gruyter. pp. 147-162.
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  11.  20
    Il bello dell'esperienza: la nuova estetica tedesca.Alessandro Bertinetto, Georg W. Bertram & Lambert Wiesing (eds.) - 2016 - Milano: Christian Marinotti edizioni.
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  12.  21
    Artificial Presence: Philosophical Studies in Image Theory.Lambert Wiesing & Nils F. Schott - 2009 - Stanford, CA: Stanford University Press.
    These collected studies on the philosophy of the image offer the fundamental insight that images alone make the artificial presence of things possible. Images present things as exclusively visible, released from the laws of physics. Taking this idea as his point of departure, Wiesing provides an overview of the fundamental positions in contemporary image studies. He describes the use of images as signs from a phenomenological perspective, reconstructs Plato's concept of mimesis by way of the canon of images it presupposes, (...)
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  13. „Aesthetic forms of philosophising “.Lambert Wiesing - 1995 - In Caroline van Eck, James McAllister & Renée van de Vall (eds.), The Question of Style in Philosophy and the Arts. Cambridge University Press. pp. 108--123.
     
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  14. eine Weltbeziehung.Lambert Wiesing - 2017 - In Konrad Paul Liessmann (ed.), Über Gott und die Welt: Philosophieren in unruhiger Zeit. Wien: Paul Zsolnay Verlag.
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  15.  2
    Luxus als Kritik der zweckrationalen Lebensform.Lambert Wiesing - 2015 - Phänomenologische Forschungen 2015:225-241.
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  16.  6
    Montrer des causes et des effets : visages et photographies.Lambert Wiesing - 2022 - Archives de Philosophie 1:27-44.
    Montrer des émotions sur un visage ou montrer quelque chose par une photographie, est-ce identique? Que signifie montrer ( das Zeigen ) ou faire voir ( sehen lassen )? La question engage une réflexion sur la nature de l’image photographique : en refusant de faire du cliché photographique (comme du visage) la trace ou l’index d’un quelque chose, l’auteur affirme importance du langage et de l’usage pour tout artefact, où l’équivalence linguistique du dissemblable devient un aspect nécessaire de la praxis (...)
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  17.  3
    Phänomene im Bild.Lambert Wiesing - 2000 - München: W. Fink.
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  18.  78
    Pause of Participation. On the Function of Artificial Presence.Lambert Wiesing - 2011 - Research in Phenomenology 41 (2):238-252.
    The foundation of phenomenological image theories is the view that image perception leads to a perception sui generis . In order to grasp this peculiarity of image perception, two ways have traditionally been considered: either through a description of the particular object of image perception or through a description of the unique origin of image perception. This article explores a third way within the phenomenology of the image by trying to determine the uniqueness of image perception through its peculiar, necessary (...)
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