This paper serves as introduction to a significantly longer paper in progress. It argues that, within the ethics community, the wider philosophical establishment and society in general, people have been far too lax about what to accept as morally “right” behaviour – far too quick to let themselves and, all too often, each other off the hook. By drawing comparisons to artefactual behaviour and the objections people raise to calling that behaviour the morally acceptable behaviour of authentic moral agents, this (...) paper lays out a framework by which human ethics and meta-ethics can more fruitfully be approached. An earlier paper of ours argued that, for an action to be morally right, one must have a convergence of the right motivations, the right means, and the right consequences. The underlying insight is that deontological, virtue-ethics-based, and consequentialist accounts all have their necessary role to play, but each tends to get too focused on itself and its merits to the loss of the bigger picture; while utilitarian accounts, as perhaps the most prominent division within consequentialism, face the further problem of failing to allow for those occasions where the needs of the few, or the one, outweigh the needs of the many, as Ursula K. LeGuin so devastatingly addressed. Although the requirement to align motivations, means, and consequences may seem impossibly onerous, it need not be, provided one is prepared to allow that moral behaviour is far more difficult to achieve, either for artefacts or human beings, than it might seem at first glance. Mistakes will be made. Perhaps it matters more to take responsibility for those mistakes than to assure oneself, despite reasonable argument to the contrary, that one has avoided them. It is time to hold artefactual and natural agent alike to a higher standard. (shrink)

Because of the gross difficulties in measuring the societal impact of academic research, qualitative approaches have been developed in the last decade mostly based on forms of interaction between university and other societal stakeholders. In this paper, we suggest a framework for qualitative analysis based on the distinction between three dimensions of societal impact: epistemological, artefactual and interactive-institutional. The epistemological dimension addresses what new research results and understanding of relevant phenomena have contributed to solving of technological and societal problems. The (...) artefactual dimension comprises analysis of the artefacts, methods, tools and services through the use of which societal impact is realized. Finally, in the interactional–institutional dimension the forms and forums of collaboration between university and other societal actors are explored. The model is elaborated by analyzing the work of three university research groups in different disciplines. The framework may be used in articulating formative and dialogical peer evaluation of research to foster learning and social improvement as well as in evaluation of research proposals and research programs. (shrink)

Artefacts are often regarded as being mere things that possess only instrumental value. In contrast, living entities (or some subset of them) are often regarded as possessing some form of intrinsic (or non-instrumental) value. Moreover, in some cases they are thought to possess such value precisely because they are natural (i.e., non-artefactual). However, living artefacts are certainly possible, and they may soon be actual. It is therefore necessary to consider whether such entities should be regarded as mere things (like most (...) non-living artefacts) or as possessing intrinsic value (like many, if not all) living entities. That is, it is necessary to determine whether artefactualness is a value-relevant property with respect to the intrinsic value of living things. (shrink)

This chapter provides an explanation of precedent as a kind of artefact, in keeping with broader accounts of law that do so, specifically the author’s account of law as a genre of institutionalized abstract artefact. The chapter develops its explanation by responding to an argument by Dan Priel against seeing the common law as an artefact when understood to be a form of custom. The chapter shows that customs can themselves be artefacts but also that the precedential elements of common (...) law are not necessarily quite as customary as sometimes considered, showing that the common law built from precedents fits within a distributed design model of artefacts and that stare decisis has a wider systemic function of upholding certain rule of law principles. It ends with some considerations about the institutional nature of precedents, specifically that judicial decisions are most often both applications and developments of legal norms, but also determinations of legal validity. (shrink)

Synthetic biology makes use of genetic and other materials derived from modern biological life forms to design and construct novel synthetic organisms. Artificial organisms are not constructed from parts of existing biological organisms, but from non-biological materials. Artificial and synthetic organisms are artefactual organisms. Here we are concerned with the non-instrumental value of such organisms. More specifically, we are concerned with the extent to which artefactual organisms have natural value, inherent worth and intrinsic value. Our conclusions are largely supportive of (...) the value of artefactual organisms. However, they do not constitute a comprehensive ethical evaluation of them. (shrink)

The recent discussion on scientific representation has focused on models and their relationship to the real world. It has been assumed that models give us knowledge because they represent their supposed real target systems. However, here agreement among philosophers of science has tended to end as they have presented widely different views on how representation should be understood. I will argue that the traditional representational approach is too limiting as regards the epistemic value of modelling given the focus on the (...) relationship between a single model and its supposed target system, and the neglect of the actual representational means with which scientists construct models. I therefore suggest an alternative account of models as epistemic tools. This amounts to regarding them as concrete artefacts that are built by specific representational means and are constrained by their design in such a way that they facilitate the study of certain scientific questions, and learning from them by means of construction and manipulation. (shrink)

Natural language provides a mechanism for cultural evolution by ensuring the persistent heredity of variations in both cultural information and information about its own construction. In the process, it not only facilitates but also limits our thinking to the ways its vocabulary and structures make possible. But the human capacity for metarepresentation frees cultural information from the restrictions of any one medium or language, and has also propelled the evolution of artefactual languages, which provide evolutionary mechanisms for specialist areas of (...) culture. And cooperation between diverse cultural specialists can stimulate further, innovative competition between the cultural information that they share. (shrink)

Independent philosopher Lee (recently of the U. of Manchester) attends to the deeper implications of ecologically insensitive technology beyond its polluting effects. Contrasting modern with premodern worldviews provides the context for exploring how new sciences like biotechnology require an expanded environmental ethos encompassing both the biotic and the abiotic. The author considers misconceived the notions of nature as either a work of art or a mere social construct per some postmodern thinking. Annotation copyrighted by Book News, Inc., Portland, OR.

La actitud del diseño es una estrategia interpretativa propuesta por Dennett, que consiste en tratar al sistema, cuyo “comportamiento” se quiere predecir, bajo el supuesto de que sus partes cumplen funciones que obedecen a un diseño satisfactorio. Sin embargo, estudios recientes sobre atribución funcional en artefactos técnicos consideran que la actitud del diseño supone una estrategia inadecuada para entender qué hace un artefacto técnico. En particular, dos críticas han ganado visibilidad. Por una parte, Vermaas et al. (2013) señalan una inconsistencia (...) en la propuesta dennettiana de la actitud del diseño: las intenciones del diseñador a veces desempeñan un papel en la interpretación de los artefactos y a veces no lo hacen, sin tener finalmente una intuición clara sobre su rol. Por otra parte, Vaesen y Van Amerongen (2008) sostienen que la actitud del diseño admite dos interpretaciones, una descriptiva y una normativa, y que ambas son implausibles. No obstante, en este trabajo argumentamos que estas críticas son rebatibles y que el problema reside en que ambas acusaciones, i.e. inconsistencia e implausibilidad, suponen una interpretación incorrecta de la posición de Dennett. The design attitude is an interpretive strategy proposed by Dennett, which consists of treating the system, whose “behavior” is to be predicted, under the assumption that its parts fulfill functions that accomplish a satisfactory design. Recent studies on technical artifacts' functional attribution claim that the design attitude is an inadequate strategy to elicit what a technical artifact does. In particular, two criticisms have gained visibility. On the one hand, Vermas et al (2013) remark an inconsistency in Dennett’s design stance. The very designer's intentions sometimes play a role in the interpretation of artifacts and sometimes they don´t, without finally having a clear intuition about their role. On the other hand, Vaesen and Van Amerongen (2008) argue that the design stance admits two interpretations, a descriptive and a normative one and that both are implausible. However, we argue that these criticisms miss the point given that both accusations, i.e. of inconsistency and of implausibility, result from a wrong interpretation of Dennett's position. (shrink)

This article covers the traditional problems of the philosophy of law: the controversies between realism and normativism, on the one hand, and positivism and non-positivism, on the other. The author, adopting the ontological perspective of the artefactual theory of law, attempts to attain two research aims. First, he argues that artefactual theory of law paves the way towards a moderate position overcoming realism-normativism duality. Second, he advocates the thesis that the supposedly ontological difference between positivist and non-positivist views might be (...) dispelled and described as merely conceptual. Therefore, the opposite points of view could be considered as metaphysically equivalent ways of grasping the same social reality. According to the crucial premise of the argument law is a meliorative thick concept. The essay was inspired by an analogy between the philosophy of law and the philosophy of science first discussed by Lon L. Fuller. (shrink)

Este trabajo versa sobre la aplicación a los artefactos técnicos del enfoque filosófico propuesto por Daniel Dennett para elucidar el ámbito de las cosas artificiales. En particular, sugiere dos cosas. Por una parte, que esta aplicación no nos permite entender acabadamente la dimensión normativa que cubre la esfera práctica de nuestra producción y uso de artefactos técnicos. Por otra, que ella promueve un criterio sumamente liberal de la atribución de funciones a los artefactos técnicos que desfigura la idea misma de (...) función técnica. Este trabajo tiene tres partes. En la primera se caracteriza la hermenéutica artefactual promovida por la propuesta dennettiana. Se analizan, especialmente, las tres actitudes dennettianas, a saber, la actitud física, la actitud del diseño y la actitud intencional. Además, se considera el punto de vista de la ingeniería inversa. En la segunda parte se discute la analogía entre textos y artefactos y se reconstruye la estrategia incrustada en esta analogía. En la última parte se presenta un balance crítico de la propuesta filosófica de Dennett en su aplicación al ámbito de los artefactos técnicos. (shrink)

Este trabajo versa sobre la aplicación a los artefactos técnicos del enfoque filosófico propuesto por Daniel Dennett para elucidar el ámbito de las cosas artificiales. En particular, sugiere dos cosas. Por una parte, que esta aplicación no nos permite entender acabadamente la dimensión normativa que cubre la esfera práctica de nuestra producción y uso de artefactos técnicos. Por otra, que ella promueve un criterio sumamente liberal de la atribución de funciones a los artefactos técnicos que desfigura la idea misma de (...) función técnica. Este trabajo tiene tres partes. En la primera se caracteriza la hermenéutica artefactual promovida por la propuesta dennettiana. Se analizan, especialmente, las tres actitudes dennettianas, a saber, la actitud física, la actitud del diseño y la actitud intencional. Además, se considera el punto de vista de la ingeniería inversa. En la segunda parte se discute la analogía entre textos y artefactos y se reconstruye la estrategia incrustada en esta analogía. En la última parte se presenta un balance crítico de la propuesta filosófica de Dennett en su aplicación al ámbito de los artefactos técnicos. (shrink)

This work aims to identify and quantify the biases behind the anomalous behavior of people when they deal with the Three Doors dilemma, which is a really simple but counterintuitive game. Carrying out an artefactual field experiment and proposing eight different treatments to isolate the anomalies, we provide new interesting experimental evidence on the reasons why subjects fail to take the optimal decision. According to the experimental results, we are able to quantify the size and the impact of three main (...) biases that explain the anomalous behavior of participants: Bayesian updating, illusion of control and status quo bias. (shrink)

In debates on the ethics of artificial gametes, concepts of naturalness have been used in a number of different ways. Some have argued that the unnaturalness of artificial gametes means that it is unacceptable to use them in fertility treatments. Others have suggested that artificial gametes are no less natural than many other tissues or processes in common medical use. We suggest that establishing the naturalness or unnaturalness of artificial gametes is unlikely to provide easy answers as to the acceptability (...) of using them in fertility medicine. However, we also suggest that we should be cautious about repudiating any relationship between nature and moral evaluation. The property of being natural or man-made may not per se tell us anything about an entity’s moral status, but it has an important impact on the moral relationship between the creator and the created organism. (shrink)

The key to a perspicuous overview of axiology is the realization that all values arise from life. This chapter provides a brief overview of von Wright's categories, or ‘varieties’, of goodness. Medical goodness is the most elemental variety of natural value and disvalue. Any language‐using creature that has the skills to make and to use tools, instruments, and other artefacts is going to need the concepts of artefactual goodness and its subcategory of instrumental goodness. Morality is essentially a social phenomenon (...) – it is an aspect of the form of life of a community. In evolved societies, it overlaps with and fades into law, into social mores or small morals, and into individual critical morality. Virtue, or moral goodness, as well as the moral virtues, which are moral character traits, are attributes of social beings who are, and who identify themselves as being, members of a community, people, or nation. (shrink)

The artefactual environment is not just the passive, inert background against which the drama of human and non-human animal life plays out; but rather, the built environment plays an active role in the structure of agency. This is an insight that Lambros Malafouris has articulated in his framework of Material Engagement Theory. I will discuss the enactive-embodied and dynamic approaches to cognition and action, emphasizing the ways that this approach leads to taking MET seriously by force of its own theoretical (...) commitments. That is, material engagement is a natural development of these models of mind, specified to the particularities of the human historical situation. I will then discuss Theiner and Drain’s critique of HMA, in which they argue that we should replace material agency with materially-scaffolded agency. Scaffolded agency, however, is too weak of a conception of how material culture shapes agency, and is a notion continues to privilege the sense of agency as a mark of what genuinely constitutes agency proper. Drawing on Steward I propose a definition of material agency that emphasizes the idea that agency is a process, and I suggest that material agency is better captured by the phenomenological experience of flow. This phenomenological understanding of material agency both responds to Theiner & Drain’s critique, and emphasizes the importance of investigating material culture phenomenologically. (shrink)

This book considers the question: to what extent does it make sense to qualify technical artefacts as moral entities? The authors’ contributions trace recent proposals and topics including instrumental and non-instrumental values of artefacts, agency and artefactual agency, values in and around technologies, and the moral significance of technology. The editors’ introduction explains that as ‘agents’ rather than simply passive instruments, technical artefacts may actively influence their users, changing the way they perceive the world, the way they act in the (...) world and the way they interact with each other. This volume features the work of various experts from around the world, representing a variety of positions on the topic. Contributions explore the contested discourse on agency in humans and artefacts, defend the Value Neutrality Thesis by arguing that technological artefacts do not contain, have or exhibit values, or argue that moral agency involves both human and non-human elements. The book also investigates technological fields that are subject to negative moral valuations due to the harmful effects of some of their products. It includes an analysis of some difficulties arising in Artificial Intelligence and an exploration of values in Chemistry and in Engineering. The Moral Status of Technical Artefacts is an advanced exploration of the various dimensions of the relations between technology and morality. (shrink)

Conceptual engineering is to be explained by appeal to the externalist distinction between concepts and conceptions. If concepts are determined by non-conceptual relations to objective properties rather than by associated conceptions (whether individual or communal), then topic preservation through semantic change will be possible. The requisite level of objectivity is guaranteed by the possibility of collective error and does not depend on a stronger level of objectivity, such as mind-independence or independence from linguistic or social practice more generally. This means (...) that the requisite level of objectivity is exhibited not only by natural kinds, but also by a wide range of philosophical kinds, social kinds and artefactual kinds. The alternative externalist accounts of conceptual engineering offered by Herman Cappelen and Derek Ball fall back into a kind of descriptivism which is antithetical to externalism and fails to recognise this basic level of objectivity. (shrink)

In this paper, I discuss the aetiological account of biological interests, developed by Varner, in the context of artefactual organisms envisioned by current research in synthetic biology. In “Sections 2–5”, I present Varner's theory and criticise it for being incapable of ascribing non-derivative interests to artefactual organisms due to their lack of a history of natural selection. In “Sections 6–7”, I develop a new alternative to Varner's account, building on the organisational theory of biological teleology and function. I argue that (...) the organisational account of biological interest is superior to Varner's aetiological account because it can accommodate both artefactual and naturally evolved organisms, provides a non-arbitrary and practical way of determining biological interests, supports the claim that organisms have interests in a sense in which artefacts do not, and avoids the possibility of there being a conflict between what an organismic part is supposed to do and what is in the interest of the organism. (shrink)

This chapter challenges the entailment from physicalism to microphysicalism — the view that all facts metaphysically supervene on the microphysical facts. It observes that physicalists can avoid microphysicalism by rejecting physical microscopism. Humean supervenience is a strong version of microphysicalism, and it is false if a non-Humean view of laws is true. But such a view is consistent with physicalism. A weaker form of microphysicalism adds microphysical non-Humean laws to get a broader microphysicalist supervenience base for all facts. On this (...) view, all the laws are metaphysically determined by microphysical laws and microphysical initial conditions. In response, the chapter argues that the existence of emergent Broad-laws, i.e. macroscopic laws that are not metaphysically dependent on microphysical laws and microphysical initial conditions, is consistent with physicalism. It also argues that physicalists can consistently deny that facts about persisting objects, including organic and artefactual objects, metaphysically supervene on microphysical facts. -/- . (shrink)

One of the main reasons for providing formal semantics for languages is that the mathematical precision afforded by such semantics allows us to study and manipulate the formalization much more easily than if we were to study the relevant natural languages directly. Michael Tye and R. M. Sainsbury have argued that traditional set-theoretic semantics for vague languages are all but useless, however, since this mathematical precision eliminates the very phenomenon (vagueness) that we are trying to capture. Here we meet this (...) objection by viewing formalization as a process of building models, not providing descriptions. When we are constructing models, as opposed to accurate descriptions, we often include in the model extra ‘machinery’ of some sort in order to facilitate our manipulation of the model. In other words, while some parts of a model accurately represent actual aspects of the phenomenon being modelled, other parts might be merely artefacts of the particular model. With this distinction in place, the criticisms of Sainsbury and Tye are easily dealt with—the precision of the semantics is artefactual and does not represent any real precision in vague discourse. Although this solution to this problem is independent of any particular semantics a detailed account of how we would distinguish between representor and artefact within Dorothy Edgington's degree-theoretic semantics is presented. (shrink)

Our concern is in explaining how and why models give us useful knowledge. We argue that if we are to understand how models function in the actual scientific practice the representational approach to models proves either misleading or too minimal. We propose turning from the representational approach to the artefactual, which implies also a new unit of analysis: the activity of modelling. Modelling, we suggest, could be approached as a specific practice in which concrete artefacts, i.e., models, are constructed with (...) the help of specific representational means and used in various ways, for example, for the purposes of scientific reasoning, theory construction and design of experiments and other artefacts. Furthermore, in this activity of modelling the model construction is intertwined with the construction of new phenomena, theoretical principles and new scientific concepts. We will illustrate these claims by studying the construction of the ideal heat engine by Sadi Carnot. (shrink)

The Dictator Game, one of the best-known designs in experimental social science, has been extensively criticized, and declared by some to be defunct, on the grounds that its results are the product of a research artefact. Critics of the DG argue that the behaviour observed in the game is not the outcome of genuine pro-social preferences but must, instead, be interpreted as a response to the cues given by the experimental design, where these cues signal that the game is about (...) ‘sharing’. Despite this criticism, the DG continues to be extensively used, and some have defended its validity as an instrument capable of measuring the role of social pressure and social norms against economic motivations. This article examines the assumptions implicit in the claim that the DG results are artefactual and spells out the conditions under which the game can be used to test hypotheses about pro-social... (shrink)

Contemporary science seems to be caught in a strange predicament. On the one hand, it holds a firm and reasonable commitment to a healthy naturalistic methodology, according to which explanations of natural phenomena should never overstep the limits of the natural itself. On the other hand, contemporary science is also inextricably and now inevitably dependent on ever more complex technologies, especially Information and Communication Technologies, which it exploits as well as fosters. Yet such technologies are increasingly “artificialising” or “denaturalising” the (...) world, human experiences and interactions, as well as what qualifies as real. So the search for the ultimate explanation of the natural seems to rely upon, and promote, the development of the artificial, seen here as an instantiation of the non-natural. In this article, I would like to try and find a way out of this apparently strange predicament. I shall argue that the naturalisation of our knowledge of the world is either philosophically trivial, or mistaken. First, I shall distinguish between different kinds of naturalism. Second, I shall remind the reader that the kinds of naturalism that are justified today need to be protected and supported pragmatically, but they are no longer very interesting conceptually. We know how to win the argument. We just have to keep winning it. Whereas the kind of naturalism that is still interesting today is now in need of revision in order to remain acceptable. Such a kind of naturalism may be revised on the basis of a realistic philosophy of information, according to which knowing is a constructive activity, through which we do not merely represent the phenomena we investigate passively, but create more or less correct informational models of them, proactively and interactively. I shall conclude that the natural is in itself artefactual, and that the information revolution is disclosing a tension not between the natural and the non-natural, but a deeper one between a user’s and a producer’s interpretation of knowledge. The outcome is a philosophical view of knowledge and science in the information age that may be called constructionist and a revival of philosophy as a classic, foundationalist enterprise. (shrink)

According to recent work in experimental philosophy, folk intuitions concerning various metaphysical issues are heavily teleological. The experiments in question, which belong to a broader research program in psychology about ‘promiscuous teleology’, have featured prominently in debates about the methodology of metaphysics, with some authors claiming that the folk’s teleological bias debunks everyday intuitions concerning composition, persistence, and organisms. The present paper argues for a possibility that is very rarely discussed in that debate, namely the idea that the folk’s intuitions (...) could be veridical. Our argument is based on an emerging naturalistic theory of biological functions called “the organismic view”. The gist of the organismic view is that biological systems are characterized by a special circular causal regime where each part of the system contributes to the boundary conditions of some other parts, as well as of the whole. We argue that teleological folk intuitions are veridical in the biological domain under such a view, and they are veridical in the social and artefactual domains under coherent extensions of the organismic view. (shrink)

In “Psychopower and Ordinary Madness” my ambition, as it relates to Bernard Stiegler’s recent literature, was twofold: 1) critiquing Stiegler’s work on exosomatization and artefactual posthumanism—or, more specifically, nonhumanism—to problematize approaches to media archaeology that rely upon technical exteriorization; 2) challenging how Stiegler engages with Giuseppe Longo and Francis Bailly’s conception of negative entropy. These efforts were directed by a prevalent techno-cultural qualifier: the rise of Synthetic Intelligence (including neural nets, deep learning, predictive processing and Bayesian models of cognition). This (...) paper continues this project but first directs a critical analytic lens at the Derridean practice of the ontologization of grammatization from which Stiegler emerges while also distinguishing how metalanguages operate in relation to object-oriented environmental interaction by way of inferentialism. Stalking continental (Kapp, Simondon, Leroi-Gourhan, etc.) and analytic traditions (e.g., Carnap, Chalmers, Clark, Sutton, Novaes, etc.), we move from artefacts to AI and Predictive Processing so as to link theories related to technicity with philosophy of mind. Simultaneously drawing forth Robert Brandom’s conceptualization of the roles that commitments play in retrospectively reconstructing the social experiences that lead to our endorsement(s) of norms, we compliment this account with Reza Negarestani’s deprivatized account of intelligence while analyzing the equipollent role between language and media (both digital and analog). (shrink)

Any artefact – a hammer, a telescope, an artificial hip – may malfunction. Conceptually speaking, artefacts have an inherent normative aspect. I argue that the normativity of artefacts should be understood as part of reality, and not just “in our concepts.” I first set out Deflationary Views of artefacts, according to which there are no artefactual properties, just artefactual concepts. According to my contrasting view – the Constitution View – there are artefactual properties that things in the world really have. (...) For example, there is a property of being a telephone per se; we apply our concept telephone to things that have that property. Things that have the property of being a telephone are constituted by, but not identical to, aggregates of particles. To be an artefact, an object must have an intended function, among other things. Telephones – in virtue of being the kind of objects that they are – are always subject to malfunction. And malfunctions, when they occur, are just as much part of the world as telephones are. The example of artefacts shows that what is in the world – what really exists – need not be “mind-independent” nor independent of our concepts. (shrink)

What is the value of fictions, metaphors, figures and scenarios in adjudication? This book develops three models to help answer that question: inquiry, artefacts and imagination. -/- Legal language, it is argued, contains artefacts – forms that signal their own artifice and call upon us to do things with them. To imagine, in turn, is to enter a distinctive epistemic frame where we temporarily suspend certain epistemic norms and commitments and participate actively along a spectrum of affective, sensory and kinesic (...) involvement. -/- The book argues that artefacts and related processes of imagination are valuable insofar as they enable inquiry in adjudication, ie the social (interactive and collective) process of making insight into what values, vulnerabilities and interests might be at stake in a case and in similar cases in the future. -/- Artefacts of Legal Inquiry is structured in two parts, with the first offering an account of the three models of inquiry, artefacts and imagination, and the second examining four case studies (fictions, metaphors, figures and scenarios). -/- Drawing on a broad range of theoretical traditions – including philosophy of imagination and emotion, the theory and history of rhetoric, and the cognitive humanities – this book offers an interdisciplinary defence of the importance of artefactual language and imagination in adjudication. (shrink)

On the face of it, the expression "nature restoration" may seem an oxymoron, for one may ask whether it makes any sense to suppose that human beings could restore that which is not human. Several writers recently have argued that, strictly speaking, this is nonsense and, furthermore, that the conceptual confusion involved may lead to ethically problematic consequences. In this essay I begin by discussing the problematic perceived in the notion of nature restoration. I proceed to consider Japanese gardens and (...) earthworks, insofar as both types of art forms foreground the relationship of artefactuality to nature. I conclude that the counterintuitive way in which these arts engage us with nature may help us understand the manner in which nature restoration is plausible. (shrink)

This article considers naturalistic analyses of the concepts of health and disease in light of the possibility of constructing novel living systems. The article begins by introducing the vision of synthetic biology as the application of engineering principles to the construction of biological systems, the main analyses of the concepts of health and disease, and the standard theories of function in artefacts and organisms. The article then suggests that reflection on the possibility of artefactual organisms amounts to a challenge to (...) the functional theories of health and disease proposed by Wakefield and Boorse. More specifically, Wakefield and Boorse's theories are reconstructed as responses to a dilemma concerning how to allow for the ascription of health and disease to artefactual organisms without at the same time opening up the possibility of diseased nonliving artefacts such as cars and computers. It is argued that neither response will enable us to ascribe health and disease to artefactual organisms, because both theories, in order to rule out the possibility of ascribing health and disease to nonliving artefacts, make such ascriptions conditional on having a natural-selection history or being part of a species which has been designed by evolution. (shrink)

The paper addresses the integration of ethics into professional education related to the disciplines responsible for the conception and creation of the artificial (artefactual or technology). The ontological-epistemological paradigm of those disciplines is understood within the frame of the sciences of the artificial as established by Herbert Simon (1969). According to that paradigm, those sciences include disciplines not only related to the production of artefacts (technology), such as engineering, architecture, industrial design, etc, but also disciplines related to devised courses of (...) action aimed at changing existing situations into preferred ones, like medicine, law, education, etc. They are centered on intentional action and at their core is the activity of design, which is their common foundation and attitude, or their common culture. The science of design becomes the broader foundational discipline for any professions engaged in the intentional transformation of the world. The main distinction between design disciplines and scientific ones rests on the object-project dichotomy. Indeed, contrary to Science that sees the world as an object to be observed, Design sees the world as a project and acts upon the world through projects, which are grounded in intentions, ends, and values. Design disciplines are meant to transform the world, or part of it, and are teleological. Being so, they are embodied in an act that is ethical and their ontology-epistemology must be addressed also through practical reason to resituate all professional disciplines according to their involved nature. (shrink)

This paper explores the problem of how we perceive built space and the ways that we relate to its abstract representations. Poincaré presented the problem that space poses for the 20th century in his essay ‘The Relativity of Space’, in which the human body and technics are already a part of our spatial perceptions. Merleau-Ponty, the “philosopher of the body”, and Don Ihde, a philosopher of technology, ground their work on the phenomenology of Edmund Husserl and Martin Heidegger (to different (...) degrees). For Merleau-Ponty, our primordial perception is general, pre-reflective, and ambiguous. One’s own body (body-subject) is the means of having an already inter-subjective world. Merleau-Ponty explicates our irreducible relation to the world by showing that bodily motility, the spatiality of one’s body, and habit acquisition inform our spatial experiences, as well as the syntheses of our perceptions and the unity of the world. Merleau-Ponty describes the constitution of embodiment relations (by means of habit acquisition) with artefacts that mediate our interaction and perceptions in the world. Ihde poses his intentional human-technology (artefactual) relations that transform our perceptions of the world and ourselves. These relations are ever-present in our everyday lifeworld of which built space forms the background or foreground of our projects and actions. In this paper, I provide a phenomenological explication of a specific space to test how both philosophers’ work compare to and/or supplement each other. (shrink)

This article combines situational analysis with situationists dérive to weave a seemingly disjointed series of historical tableaux, materialities, marginalia, combustion and corporeal techniques in embryology, chemistry, geology, synthetics and magic. The double locus structuring this constellation is Hilde Proescholdt (1898–1924), a gifted German experimental biologist; and Abraham Gesner (1797–1864), Canadian physician, geologist and inventor of kerosene. Following Adele Clark’s SA research programme, I attend to situational maps recurring the experimental repertoires Gesner and Proescholdt with the material, social and artefactual historicities (...) they environed. Through dérive, I narrate by displacement, cutting along the bias, rather than with the historical fabric. My aim is to contribute media ethology as variation on Robert Logan’s call for a broad spectrum media ecology that is agnostic to stable distinctions between content and container. I pay special appropriation to the signalling dynamics of the Spemann-Mangold organizer as an active media or, in complimentary phenomenal guise, Marshall McLuhan’s characterization of acoustic space as ‘all centres and no margins’. Proceeding through double-locus and doublemethod appropriates what Proescholdt’s supervisor, Hans Spemann, would have cautioned us against as bad magic by co-inducing interference between primary and the implanted organizing centres. Within the chapter, media ethology contributes a complex sum of SA+ dérive as a symmetrical mappings and non-obligate appropriations across inquiry and technique in the arts and the sciences. My discussion more broadly offers to enter debates on the relative merits and stakes for performative knowledge production and communication through the nexuses of art, science and technology studies. (shrink)

According to Sparse views of perceptual content, the phenomenal character of perceptual experience is exhausted by the experiential presentation of ‘low-level’ properties such as (in the case of vision) shapes, colors, and textures Whereas, according to Rich views of perceptual content, the phenomenal character of perceptual experience can also sometimes involve experiencing ‘high-level’ properties such as natural kinds, artefactual kinds, causal relations, linguistic meanings, and moral properties. An important dialectical tool in the debate between Rich and Sparse theorists is the (...) so-called ‘method of phenomenal contrast’. I explore how this method of phenomenal contrast interacts with the sort of content-externalism made familiar by Putnam. I show that the possibility of Twin Earth style cases places important restrictions on the range of properties that the method of phenomenal contrast could plausibly apply to. Moreover, these restrictions would apply to some paradigmatically low-level properties as well as to some of the frequently advanced high-level properties. I also draw some general lessons about the different ways one might conceive of the relation between phenomenal character and representational content. (shrink)

This paper discusses the metaphysical status of artefacts and their forms in the ancient commentators on Aristotle’s Metaphysics. Specifically, it examines the Peripatetic tradition and Alexander of Aphrodisias to then turn to the commentaries of the late Neoplatonist Asclepius of Tralles, and the Byzantine commentator Michael of Ephesus. It argues that Alexander is the pioneer of the interpretation of artefactual forms as qualities and artefacts as accidental beings. The fortune of this solution goes through Asclepius and Michael to influence Thomas (...) Aquinas. (shrink)

In 1908, Henri Poincar? claimed that: ...the mathematical facts worthy of being studied are those which, by their analogy with other facts, are capable of leading us to the knowledge of a mathematical law, just as experimental facts lead us to the knowledge of a physical law. They are those which reveal to us unsuspected kinship between other facts, long known, but wrongly believed to be strangers to one another. Towards the end of the twentieth century, with many more mathematical (...) facts since discovered, several mathematicians proposed overarching schemes to organise the facts they considered most significant. In this paper, I shall briefly discuss three of these schemes (those of Arnold, Atiyah, and Baez and Dolan), before drawing some philosophical consequences from their attempts. Rather than the kind of claim made by Frege that with the entry of imaginary numbers we reach the ?natural end of the domain of numbers?, we are dealing here with a more open-ended sense of conceptual growth. I shall illustrate this theme by discussing the elaboration of algebraic structures designed to measure symmetry. What emerges is that at any one time mathematicians are operating with a notion very similar to that discussed in the philosophy of science under the heading of ?natural kinds?. We find ?quasi-causal? talk of properties being ?responsible? for a phenomenon, projectability, the transfer of robust mechanisms between domains, and reference to entities not yet fully determined. Debates in philosophy of science prompt further questioning as to the ?naturalness? of these mathematical kinds, whether one should expect them to be dependent on varying human interests, whether there is a distinction between artefactual and real kinds, and whether there is convergence of kinds. I believe that these questions present a wonderful opportunity for a philosophy of mathematics to treat ?real? mathematics, while making powerful points of contact with philosophy of science, and philosophy in general. (shrink)

This paper is a tentative step towards a historical cognitive science, in the domain of memory and personal identity. I treat theoretical models of memory in history as specimens of the way cultural norms and artifacts can permeate ('proto')scientific views of inner processes. I apply this analysis to the topic of psychological control over one's own body, brain, and mind. Some metaphors and models for memory and mental representation signal the projection inside of external aids. Overtly at least, medieval and (...) Renaissance theorists agreed that such models had to allow for, or even guarantee, some conception of cognitive order and discipline. Individual memory traces had to be independent, not mixed up or interfering with others. The long tradition of improving or bypassing 'natural memory' by deliberately internalizing artefactual models was part of an arduous process of self-fashioning. Moral panic about confusion and mixture features centrally in the imposition of cognitive discipline in local memory traditions. (shrink)

The aim of this paper is to propose an exploratory artefactual theory of fictional objects based on Evnine’s amorphism, with the goal of reconciling the inconsistent intuitions surrounding these entities. While not presenting a fully developed and comprehensive theory, I aim to explore the possibilities of amorphism and to offer a preliminary investigation into the nature of fictional objects and the challenges posed by our basic intuitions regarding their non-existence, creation, and property attribution. I formulate a two-level criterion of identity-based (...) on creative acts and utilize the notion of internal predication to account for how fictional objects possess the properties attributed to them in relevant stories. Additionally, I propose considering a subset of essential properties to fix the identity of ficta across stories. Lastly, I address the challenge of negative existential statements by equating non-existence with unreality, asserting that fictional objects are constituted by the properties attributed to them but do not fully exemplify them. (shrink)

Things change. If anything counts as a datum of metaphysics, that does. Change occurs in many ways: it can be accidental or substantial; essential or non-essential; intrinsic or extrinsic; subjective or objective. Changes can be physical, spatial, quantitative, qualitative, natural, artefactual, conceptual, linguistic. Events are arguably best defined as changes in an object or objects. All change is from something and into something, and hence is at least a two-term relation, involving a term from which and a term to which.

Argumento, seguindo a perspectiva de Amie Thomasson acerca da metafísica da ficção, que os objetos ficcionais são artefatos abstratos. No entanto, o artefactualismo encontra dificuldades em fazer sentido das propriedades que podemos atribuir corretamente a um objeto ficcional: como é possível que um personagem ficcional, como L. B. Jefferies do filme Janela Indiscreta, seja um fotógrafo e um artefato abstrato ao mesmo tempo? Tal personagem pode fazer algo como investigar um crime? A fim de solucionar essa tensão conceitual, introduzo o (...) vocabulário desenvolvido por Andrea Bonomi que trata dos proferimentos ficcionais, metaficcionais e paraficcionais. Então, em oposição às perspectivas que usam a noção de faz-de-contas para analisar o discurso ficcional, apresento a teoria dos adjetivos modificacionais de Hans Kamp e Barbara Partee e argumento que os usos que fazemos do adjetivo ‘ficcional’ são intersectivos no que diz respeito à metafísica dos objetos ficcionais, enquanto são privativos no que diz respeito às propriedades que lhes são atribuídas de acordo com a história. Consequentemente, apesar dos objetos ficcionais não exemplificarem as propriedades que lhes são atribuídas em uma história, uma vez que artefatos abstratos não têm localização espacial e não podem estabelecer interações causais com outros objetos, essas são as propriedades que temos permissões e somos obrigados a lhes atribuir. Assim, apresento uma perspectiva unificada sobre como as nossas práticas de ficção são inteligíveis e estão de acordo com a perspectiva artefactual. (shrink)

In this book, Kate Distin proposes a theory of cultural evolution and shows how it can help us to understand the origin and development of human culture. Distin introduces the concept that humans share information not only in natural languages, which are spoken or signed, but also in artefactual languages like writing and musical notation, which use media that are made by humans. Languages enable humans to receive and transmit variations in cultural information and resources. In this way, they provide (...) the mechanism for cultural evolution. The human capacity for metarepresentation - thinking about how we think - accelerates cultural evolution, because it frees cultural information from the conceptual limitations of each individual language. Distin shows how the concept of cultural evolution outlined in this book can help us to understand the complexity and diversity of human culture, relating her theory to a range of subjects including economics, linguistics, and developmental biology. (shrink)

There is a well-known gap between metamathematical theorems and their philosophical interpretations. Take Tarski’s Theorem. According to its prevalent interpretation, the collection of all arithmetical truths is not arithmetically definable. However, the underlying metamathematical theorem merely establishes the arithmetical undefinability of a set of specific Gödel codes of certain artefactual entities, such as infix strings, which are true in the standard model. That is, as opposed to its philosophical reading, the metamathematical theorem is formulated (and proved) relative to a specific (...) choice of the Gödel numbering and the notation system. A similar observation applies to Gödel’s and Church’s theorems, which are commonly taken to impose severe limitations on what can be proved and computed using the resources of certain formalisms. The philosophical force of these limitative results heavily relies on the belief that these theorems do not depend on contingencies regarding the underlying formalisation choices. The main aim of this paper is to provide metamathematical facts which support this belief. While employing a fixed notation system, I showed in previous work (_Review of Symbolic Logic_, 2021, 14(1):51–84) how to abstract away from the choice of the Gödel numbering. In the present paper, I extend this work by establishing versions of Tarski’s, Gödel’s and Church’s theorems which are invariant regarding _both_ the notation system and the numbering. This paper thus provides a further step towards absolute versions of metamathematical results which do not rely on contingent formalisation choices. (shrink)