This paper examines a passage in the Theaetetus where Plato distinguishes knowledge from true belief by appealing to the example of a jury hearing a case. While the jurors may have true belief, Socrates puts forward two reasons why they cannot achieve knowledge. The reasons for this nescience have typically been taken to be in tension with each other . This paper proposes a solution to the putative difficulty by arguing that what links the two cases of (...) nescience is that in neither case do the jurors act from an epistemic virtue and that doing so is a necessary condition of knowledge. Appreciating that it is a necessary condition of knowledge that it be the result of an epistemic agent's agency in a distinctive way provides a satisfying solution to the difficulty Burnyeat detected and also does justice to an otherwise neglected aspect of Plato's epistemology: his talk of cognitive capacities and virtues and his focus on what it is that is active and passive in epistemic processes. (shrink)

'What exactly is knowledge?' The Theaetetus is a seminal text in the philosophy of knowledge, and is acknowledged as one of Plato's finest works. Cast as a conversation between Socrates and a clever but modest student, Theaetetus, it explores one of the key issues in philosophy: what is knowledge? Though no definite answer is reached, the discussion is penetrating and wide-ranging, covering the claims of perception to be knowledge, the theory that all is in motion, and the perennially (...) tempting idea that knowledge and truth are relative to different individuals or states. The inquirers go on to explore the connection between knowledge and true judgement, and the famous threefold definition of knowledge as justified true belief. Packed with subtle arguments, the dialogue is also a work of literary genius, with an unforgettable portrait of Socrates as a midwife of wisdom. This new edition uses the acclaimed translation by John McDowell. It includes a valuable introduction that locates the work in Plato's oeuvre, and explains some of the competing interpretations of its overall meaning. The notes elucidate Plato's arguments and draw connections within the work and with other philosophical discussions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

ON ITS surface the Theaetetus ends inconclusively. It has even been said to end in failure. Yet this dialogue is exceptionally full of promise. The speakers are singularly well disposed. Two of them are gifted and resemble one another in looks and interests. Inquiry progresses splendidly through most of a long conversation. Although Theaetetus's first two definitions have to be given up, he is in the process led through a meticulous survey of cognition. These and other circumstances are (...) too auspicious for the termination of the dialogue to be taken at face value. The present essay is meant to disclose a partly hidden successful ending. The latter has to be discovered by readers. However the dialogue itself licenses and encourages active interpretation. The last ten pages of discourse contain so many specific clues that the text can be read as a single development ending in an affirmative conclusion. There is indeed a way to construe "true opinion with logos" so it applies to a cognition worthy of the name "epistémé.". (shrink)

'What exactly is knowledge?' The Theaetetus is a seminal text in the philosophy of knowledge, and is acknowledged as one of Plato's finest works. Cast as a conversation between Socrates and a clever but modest student, Theaetetus, it explores one of the key issues in philosophy: what is knowledge? Though no definite answer is reached, the discussion is penetrating and wide-ranging, covering the claims of perception to be knowledge, the theory that all is in motion, and the perennially (...) tempting idea that knowledge and truth are relative to different individuals or states. The inquirers go on to explore the connection between knowledge and true judgement, and the famous threefold definition of knowledge as justified true belief. Packed with subtle arguments, the dialogue is also a work of literary genius, with an unforgettable portrait of Socrates as a midwife of wisdom. This new edition uses the acclaimed translation by John McDowell. It includes a valuable introduction that locates the work in Plato's oeuvre, and explains some of the competing interpretations of its overall meaning. The notes elucidate Plato's arguments and draw connections within the work and with other philosophical discussions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

This is an English translation of Plato's dialogue concerning the nature of knowledge. In this dialogue, Socrates and Theaetetus discuss three definitions of knowledge: knowledge as nothing but perception, as true judgment and as true judgment with an account. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by (...) Plato’s immediate audience. (shrink)

Any comprehensive interpretation of the "Theaetetus" has to provide answers to, among others, two very general questions concerning that dialogue: "What is Plato's relation to the problems faced in the "Theaetetus"?" and "What is the significance of the absence of the Forms from the discussion of the "Theaetetus", given their undoubted relevance to the topic of the dialogue, i.e. knowledge?" Predominantly, the answer given to the first question in the literature has been that the problems are those (...) that Plato is trying to tackle and the one to the second question, when it has been addressed at all, that the Forms are left out of the discussion because Plato no longer thought them relevant, either for having abandoned or seriously revised them, by the time of writing the "Theaetetus". In this study of the Wax Block and the Aviary models of judgment that occur in the second part of the "Theaetetus" as part of its discussion of the problem of false judgment, I argue that the problems faced there actually arise because of the neglect of Forms. The discussion of the second part is, I contend, carried out on a materialist ontology, an ontology assumed because it suits the definition of knowledge as true judgment which inaugurates that part of the dialogue, an ontology in no way subscribed to by Plato. The Wax Block is, I explain, a materialist model and fails in the case of judgments about numbers for treating them on a par with material subjects, ignoring their intelligible status. In particular, it fails to distinguish judging 5 and 7 to be 11 from judging 12 to be 11 because of its neglect of Forms; Plato would distinguish those judgments by distinguishing 5 and 7 from 12 with help from his part-whole analysis, to which the Forms are essential. (shrink)

Each of us is a measure. The project of advocates of change in Plato’s Theaetetus as compared with sophistic thought -/- Summary -/- One of the most intriguing motives in Plato’s Theaetetus is its historical-based division of philosophy, which revolves around the concepts of rest (represented by Parmenides and his disciples) and change (represented by Protagoras, Homer, Empedocles, and Epicharmus). This unique approach gives an opportunity to reconstruct the views of marginalized trend of early Greek philosophy - so (...) called „the sophistic movement”. Paradoxically, previous research shows little interest in sophistic thought as a source of the standpoint of advocates of change („the secret doctrine”). The roots of „the secret doctrine” were investigated in the works of Heraclitus, Aristippus, and Antisthenes or those related to “neoheracliteanism”. However, researchers did not make any significant attempt to confront this concept with the contemporary research on the sophistic movement. The conviction that sophistry was primarily humanistically oriented was one of the main reasons why researches were opposed to the fact that „the secret doctrine” could represent a true expression of Protagoras’ views. This is why J. Burnet and F. M. Cornford in their seminal works assumed that “the secret doctrine” should be attributed to Plato, who simply combined a series of loose statements into one single project. In this work, we argue that the thesis which questions the parallels between the sophists’ interests and the philosophers of nature requires a significant revision. There is ample evidence to suggest that the philosophy of nature was a part of sophists’ research. This is supported by two main arguments. First, the tutors of sophists were philosophers of nature. Second, there are numerous sources that explicitly show sophists’ interest in the physical issues. These sources include anecdotal evidence about the fact that sophists wrote works On nature. There is also information confirming that they deliberated on detailed physical issues. The analogies between the concepts attributed to the advocates of change and our knowledge about sophists from other sources is very wide and contains most elements, which are included in the project of “changeable reality” presented in Theaetetus. The deliberations on the mechanism of perception, which are close to those of flux theory of perception in Theaetetus, are present in the sources referring to Gorgias of Leontinoi, the famous sophist and rhetorician. Also, the second element of “the secret doctrine” that is the metaphysics of flux matches up with what we know about the sophists’ views from other sources. On this basis, one can deduce that – contrary to the tradition which marginalized the role of sophistic considerations on the issue of being and non-being – it was one of the major subjects of sophistic research. Its main point was the criticism of the Eleatic conception of a single and unchangeable being, which also plays a key role in the doctrine of flux in Theaetetus. The epistemological theses which are presented in Theaetetus are borne out in sophistic sources. They include the definition of knowledge as perception, the „Man-measure” formula and a number of principles, which result from these foundational theses. Sophists’ empirical preferences resonate with the theses of the advocates of change in Theaetetus. Special attention that is given to the issues of differences among people, and even to cognitive differences in one person depending on the changeable states to which a person is subject, goes well together with what we know about reciprocal influence between the sophistry and medicine. The consequences of the epistemological conception present in Theaetetus have their equivalents in sophists’ works and other testimonies. An example of these consequences may be the abolition of truth and falsehood or the abolition of contradiction, which finds its expression in the thesis ouk estin antilegein. The analogies also concern reflections on the language itself. The project of the “new language” uses categories, which were developed by sophists. These include the antithesis of nomos and physis. The general intentions of this project reflect Protagoras’ ideas, at least to the extent to which they are known from the sources reporting his thoughts on language. Plato’s Theaetetus can thus be considered a veritable treasury of sophistic motifs. Even though the problem remains unsolved and one is still not able to unambiguously decide about the author of “the secret doctrine”, one can come to a certain conclusion – even if Plato synthesized various doctrines, he must have relied in his project mostly on the elements that he borrowed from sophists. Moreover, the value of reconstructing the project of the advocates of change in Theaetetus does not consist of mere enumeration of sophistic motifs. The dialogue is key to understanding the sophistic movement, whose separate doctrines – for the lack of sources and as a result of centuries-old disregard – are usually treated as rhetorical formulae that are interpreted in many ways and have no philosophical foundations. If it is really the case that the theses attributed to Protagoras in Theaetetus were actually a part or a derivative of Protagoras’ thought, or – speaking more conservatively – if they constitute a synthesis of sophistic thought done by Plato, they could represent philosophical foundations for the most important sophistic theses: the “Man-measure” formula, the ouk estin antilegein principle, the concept of language as a tool, the idea of the relativity of good and the whole practical sphere of sophists’ activity. Contrary to the views of many researchers, we are certain that the representatives of the sophistic movement did not limit themselves only to the application of practical rules, which determined the extent of their educational or rhetorical-political activity. They were capable of creating – indeed, they did create comprehensive projects that embraced the whole thematic scope subject to philosophical reflection. (shrink)

This dissertation is a study of Plato's Theaetetus . I argue that the Theaetetus is fundamentally an extended reductio of a radical materialist view---the view that the only things that there are perceptible, material particulars with no properties or relations. Based on evidence from the Sophist---the sequel dialogue to the Theaetetus---I show that, according to Plato, this radical materialism results from ignoring the intelligible Forms and the participation of things in them. The radical materialist ontology also implies (...) a certain view of judgments and statements, essentially the view that judging or stating is naming or identifying the thing that is judged or stated. ;I read the discussion of the thesis that knowledge is true judgment in the second part of the Theaetetus as, first illustrating difficulties that the radical materialist view gives rise to in explaining the possibility of false judgment, but then indicating how false judgment can occur on that view, only to show that the radical materialist cannot give an account of simple arithmetical mistakes on his assumptions. ;The third part of Theaetetus, dealing with the thesis that knowledge is true judgment with an account, concentrates on the implications of radical materialism for the unity and complexity of objects; the radical materialist cannot give an account of how there can be a whole with parts. He also cannot explain the possibility of systematic knowledge and expertise in a field, such as arithmetic or grammar, because of his commitment to the particularity of what there is, and therefore, of what is known. (shrink)

This paper argues that the Theaetetus establishes conditions on objects of knowledge which entail that only of Forms can there be knowledge. Plato's arguments for this are valid. The principles needed to make Plato's premises true will turn out to have deep connection with important parts of Plato's over-all theory, and to have consequences which Plato, in the middle dialogues, seems to welcome on other grounds as well.

Plato's Theaetetus investigates the nature of knowledge. Socrates converses with two mathematicians, Theaetetus and Theodorus, who cannot arrive at the necessary and sufficient conditions of knowledge. Theaetetus offers three definitions, none of which can withstand scrutiny. Most commentators on the Theaetetus examine the arguments put forward and, by constructing a definition of knowledge, attempt to complete what Plato began. But analysis of the various definitions offered is incomplete as an investigation of the dialogue. ;Before Socrates elicits (...) from Theaetetus the first definition of knowledge as perception, he characterizes himself as a midwife. And before readers are introduced to Socrates, we encounter Euclides as the alleged "author" of the dialogue. It is incumbent upon the reader to notice all the elements that Plato offers and to examine whether the dramatic setting of the arguments sheds light on their outcome. The inner frame of the dialogue reveals that the nature of Theaetetus's soul is under investigation as much as the nature of knowledge. The nature of writing and memory, discussed in the outer frame, are incorporated in the second definition of knowledge as opinion, and in the third definition as true opinion with logos. Logos is the unifying principle of the dialogue, in that Socrates' dissection of the three meanings of logos recapitulates the three definitions of knowledge. ;A rigorous reading, incorporating both the action and the speeches of the dialogue, shows that the Theaetetus exhibits the essential ingredients of knowledge. The lengthy examination of perception shows it as model for knowledge, in that an account is needed of both the knower and the known, before a complete definition is possible. Thus the Theaetetus is a guide on the way to knowledge. By the end we have a thorough understanding of both the need for a structure of soul and for the structure of that which is to be known, as well as the tool, logos, which would enable us to put the two together in a definition of knowledge. (shrink)

Any comprehensive interpretation of the "Theaetetus" has to provide answers to, among others, two very general questions concerning that dialogue: "What is Plato's relation to the problems faced in the "Theaetetus"?" and "What is the significance of the absence of the Forms from the discussion of the "Theaetetus", given their undoubted relevance to the topic of the dialogue, i.e. knowledge?" Predominantly, the answer given to the first question in the literature has been that the problems are those (...) that Plato is trying to tackle and the one to the second question, when it has been addressed at all, that the Forms are left out of the discussion because Plato no longer thought them relevant, either for having abandoned or seriously revised them, by the time of writing the "Theaetetus". In this study of the Wax Block and the Aviary models of judgment that occur in the second part of the "Theaetetus" as part of its discussion of the problem of false judgment, I argue that the problems faced there actually arise because of the neglect of Forms. The discussion of the second part is, I contend, carried out on a materialist ontology, an ontology assumed because it suits the definition of knowledge as true judgment which inaugurates that part of the dialogue, an ontology in no way subscribed to by Plato. The Wax Block is, I explain, a materialist model and fails in the case of judgments about numbers for treating them on a par with material subjects, ignoring their intelligible status. In particular, it fails to distinguish judging 5 and 7 to be 11 from judging 12 to be 11 because of its neglect of Forms; Plato would distinguish those judgments by distinguishing 5 and 7 from 12 with help from his part-whole analysis, to which the Forms are essential. (shrink)

Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, (...) yet at the same time he is forced by that very claim to admit that no one does" (Burnyeat 1976b: 48). I discuss and criticise both readings, and present a third, according to which the point of the argument is, very roughly, that Protagoras is committed to equating truth and truth-for, and so, further, to their intersubstitutability. This further commitment proves fatal to his argument. (shrink)

Most scholars agree that Plato’s concept of freedom, to the extent he has one, is ‘intellectualist’: true freedom is submission to the rule of reason through philosophical knowledge of rational order. Surprisingly, though, there are few explicit linkages of philosophy and freedom in Plato. Socrates is called many things in the dialogues, but not ‘free’. I aim to understand why by studying the Theaetetus, heretofore ignored in discussions of Platonic freedom. By examining the Digression and Socrates’ ‘dream’ about (...) wholes and parts, I show that describing freedom as ‘rule of reason’ simplifies what, for Plato, is a more tangled skein. In the Digression, philosophers are free in occupying a comprehensive standpoint transcending all limited and partial perspectives. Socrates’ dream, however, shows that logos cannot completely account for the knowledge of complex wholes or for itself as such a whole. Philosophical freedom cannot mean comprehensive discursive knowledge, then, since reason lacks a comprehensive grasp of itself. Socrates dreams of the rational whole, but is aware of why it remains only a dream, rather than wakeful knowledge. This awareness constitutes a freedom attained, not in total liberation from the confines of the partial human perspective, but within those confines. (shrink)

Two readings of the much-discussed περιτροπή argument of "Theaetetus" 170c-171c have dominated the literature. One I call "the relativity reading". On this reading, the argument fails by ignoratio elenchi because it "carelessly" omits "the qualifications 'true for so-and-so' which [Protagoras'] theory insists on" (Bostock 1988: 90). The other reading I call "the many-worlds interpretation". On this view, Plato's argument succeeds in showing that "Protagoras' position becomes utterly self-contradictory" because "he claims that everyone lives in his own relativistic world, (...) yet at the same time he is forced by that very claim to admit that no one does" (Burnyeat 1976b: 48). I discuss and criticise both readings, and present a third, according to which the point of the argument is, very roughly, that Protagoras is committed to equating truth and truth-for, and so, further, to their intersubstitutability. This further commitment proves fatal to his argument. (shrink)

Plato argues, at Theaetetus 170e-171c, that Protagoras’ relativism is self-refuting. This argument, known as the ‘exquisite argument’, and its merits have been the subject of much controversy over the past few decades. Burnyeat (1976b) has argued in defense of Plato’s argument, but his reconstruction of the argument has been criticized as question-begging. After offering an interpretation of Protagoras’ relativism, I argue that the exquisite argument is successful, for reasons that Burnyeat hints at but fails to develop sufficiently. I consider (...) Protagorean relativism under both of the two possible readings with respect to its scope: global relativism, according to which all truths are only relatively true, and qualified relativism, according to which the relativistic thesis itself is excepted. Taking into consideration some contemporary work on relativism and self-refutation, I show that Plato’s argument succeeds on both of these readings. Given that Protagoras could avoid self-contradiction simply by denying that an enduring subject exists, I argue that the exquisite argument is best understood as confronting Protagoras with a dilemma between self-contradiction and self-defeat of various sorts, all of which lead to the same result, that Protagoras violates the requirements of rational discourse in such a way that he becomes an absurd figure who has nothing to say to us. (shrink)

Replying to Theaetetus’ suggestion that knowledge is true opinion at Tht. 200e, Socrates remarks that ‘a whole profession’ testifies against this definition. The orator practises the art of persuasion, not to teach people, but make them believe whatever he wants. If a robbery has taken place, for example, he cannot in a short time teach adequately the truth about what happened to people who were not on the scene.

The digression of Plato’s Theaetetus (172c2–177c2) is as celebrated as it is controversial. A particularly knotty question has been what status we should ascribe to the ideal of philosophy it presents, an ideal centered on the conception that true virtue consists in assimilating oneself as much as possible to god. For the ideal may seem difficult to reconcile with a Socratic conception of philosophy, and several scholars have accordingly suggested that it should be read as ironic and directed (...) only at the dramatic character Theodorus. When interpreted with due attention to its dramatic context, however, the digression reveals that the ideal of godlikeness, while being directed at Theodorus, is essentially Socratic. The function of the passage is to introduce a contemplative aspect of the life of philosophy into the dialogue that contrasts radically with the political-practical orientation characteristic of Protagoras, an aspect Socrates is able to isolate as such precisely because he is conversing with the mathematician Theodorus. (shrink)

The Theaetetus is about the definition of knowledge, but also about the young Theaetetus acquiring knowledge and sophia. By defining knowledge he gives an account of his personal vocation. According to the Protagorean interpretation of his first definition, any object of knowledge is at least co-determined by the subject who grasps it. There is no proper distinction between subject and object, no right or wrong epistemic approach or perspective on any object. The digression presents Theaetetus with a (...) comparison of this Protagorean sophia and true sophia which is the aim of the philosopher. It shows Theaetetus and the reader what a life that has either kind of sophia as its end amounts to. It also shows him that true sophia does involve a proper perspective toward its objects, that Theaetetus has to be careful which perspective he chooses, that he can improve upon his perspective, and that not everyone will approve of his choice of perspective and of the ensuing activities. The Thracian servant is an example for someone who does not approve, since she doesn’t know about perspectives. This is brought out in the anecdote, which presents the servant’s point of view. It is only the servant’s assumption that Thales fell into the well while observing stars. In fact, Thales wanted to observe zenith stars and deliberately chose a point of view, namely the bottom of a well, which allowed him to focus his field of vision on a well-defined section of the sky. Theaetetus must come to understand that the servant is missing the point of Thales’ actions. It must become clear to him that epistemic and moral success requires a careful choice of one’s perspective – and that this choice matters despite all adverse reaction he may have to face because of it. (shrink)

Socrates' dream puts in generalized form the difficulty that plato saw in the mathematician's procedure of hypothesis, I.E., Of positing undemonstrated first principles ("prota") or elements ("stoicheia") as starting-Points of demonstration. If the elements are unknown, How can what is constructed from them be known?--A difficulty to which plato had earlier called attention in the 'republic' (510cd, 533cd.) this interpretation accords with the mathematical setting and personages of the dialogue, And explains why the explicit refutation of theaetetus' third proposal, (...) That knowledge be defined as true belief accompanied by a logos, Is so perfunctory and unconvincing. Furthermore, The dilemma thus brought to light is reflected in 'posterior analytics' (book i, Chap. 3), Which was presumably written during aristotle's residence in the academy in association with plato and the other mathematicians gathered around him. (shrink)

In this second installment on the Theaetetus, I discuss Theaetetus' second and third definitions of knowledge, namely, ‘true judgment’ and then ‘true judgment with the addition of an account’. I offer a brief description of Socrates' intricate examination of these suggestions, concentrating especially on the discussion of false judgment and that of the so-called ‘Dream Theory’. I then proceed to map different lines of interpretation for these passages that have been offered by scholars writing in the (...) last 40 years. (shrink)

PHILOSOPHY BEGINS IN WONDER--so says Socrates in the Theaetetus-- but where does it end? The Theaetetus itself ends in such a puzzling way as to be the cause of apparently interminable dispute. Although its theme is the nature of knowledge, neither Socrates nor his interlocutors ever present a definition that gains unanimous approval. The definitions of knowledge as perception, as true opinion and as true opinion with an account are all rejected. This fact has understandably inclined (...) most interpreters to maintain that the dialogue fails to reach its explicit goal. Nevertheless, Socrates' attitude about the apparent failure of his conversation with Theaetetus is markedly distinct from his express attitude in those early dialogues with which the Theaetetus is often compared. Whereas early dialogues conclude with self-deprecation and exhortation to continue the quest, the Theaetetus concludes in satisfaction, indifferent to the possibility of further study. As midwife Socrates has successfully delivered Theaetetus of his phantom offspring; beyond that he can do no more. Thus the apparently negative conclusions of the dialogue are at least not negatively intoned, and readers can barely avoid the suspicion of having missed something. One response is to argue that an authorized definition of knowledge can be found by a careful reexamination of the very arguments Socrates rejects. But the fact that our suspicion is aroused by a dramatic consideration commends a search for resolution through the drama, however that might happen to bear on the problem of knowledge. (shrink)

Towards the beginning of the self-refutation argument, at 171A1-6, Socrates reaches the conclusion that even if Protagoras believes his Truth, it is still more false than true. This conclusion is puzzling in that it is unclear why it should worry a Protagorean. I argue that the passage presents a genuine dilemma between Protagoras’ claims that we can judge only of our own private worlds and that cities have collective judgements.

The account of knowledge in Plato’s Theaetetus, as true belief meta logou, seems to lead to a regress, which may be avoided by defining one kind of knowledge as true belief that rests on a different kind of knowledge. I explore a specific version of this move: to define knowledge as true belief that results from a successful and proper exercise of a rational capacity (a dunamis meta logou).

This book takes a new approach to the question, "Is the philosopher to be seen as universal human being or as eccentric?". Through a reading of the Theaetetus,Pappas first considers how we identify philosophers - how do they appear, in particular how do they dress? The book moves to modern philosophical treatments of fashion, and of "anti-fashion". He argues that aspects of the fashion/anti-fashion debate apply to antiquity, indeed that nudity at the gymnasia was an anti-fashion. Thus anti-fashion provides (...) a way of viewing ancient philosophy's orientation toward a social world in which, for all its true existence elsewhere, philosophy also has to live. (shrink)

The definition of the sophist as "image-maker" allows Plato to add to the novelties he presents in the _Sophist_ two topics he hadn't deepened in his previous dialogues: (a) a "definition" of being (247e) and (b) the influence this position will have on the relationship between image and truth. From a first definition of the image proposed by Theaetetus in 240a we deduce that, even if it is not true, it is "really" (_óntos_) an image, which does not (...) coincide with the devalued or secondary reality that Plato had always attributed to this notion, from which all truth was absent. This conclusion, indeed, astonishes Theaetetus, attached to the Platonic "orthodoxy". This astonishment is not present in the orthodox version of the text of the passage 240a-c of the _Sophist_, which inherits from a modification of the widespread text from 1851. Once the original version is restored, the definition of the fact of being proposed in 247e justifies the "really real" character of the image, which respects the condition required to everything that "possesses" being: the possibility of acting or being affected. Indeed, the image is "affected" by the model, that it tries to imitate, because the model "affects" it. The image, even if it is not true, is real. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public (...) domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Book Reviews Kenneth Dorter. Form and Good in Plato's Eleatic Dialogues: The "'Parmenides," "Theaetetus," "Sophist," and "Statesman." Berkeley and Los Angeles: University of California Press, 1994. Pp. x + 256. Cloth, $45.00. Dorter's title suggests an engagement with Eieaticism, and, certainly in three of" the dialogues, Parmenides was much on Plato's mind. In a book otherwise sensitive to implications of dramatic setting for the argument, little is said (...) of Eleaticism. If the "Eleatic" in the title was selected instead of "critical" for purposes of neutrality (x), "form" and "good" are more revealing of Dorter's approach. The introduction gives a rendering of revisionist and unitarian arguments about the late dialogues, pondering the effects of interpretive style, while Dotter attempts to retain some element of interpretive neutrality without disguising his own preference for finding a reaffirmation, not a critical rejection of the forms. About the forms Dorter would extract two fundamental claims, conspicuous throughout his commentary: forms are "universals, instances of 'sameness' in reality" and "values, articulations of the goodness of reality" (l 5)Keeping these two points in view, Dorter sees all four dialogues united by the method of hypothesis as outlined in the Phaedo, supplemented in the latter two by the more rigorous method of division. Dorter follows the analytic interpretive tradition in taking the Parmenides to raise serious criticisms against the theory of forms; all criticisms have, however, rejoinders anticipated in the middle dialogues. It seems Socrates, being but a boy at the time, is too young to formulate responses to the attack, if not too young to fully and accurately articulate the theory under attack. The generation of contradiction upon contradiction out of the hypotheses about the one illustrates negatively that the unity of form, in particular the form of the good, is indispensible. Forms are recovered in a hypothetical exposition carried on throughout the subsequent three dialogues, each representing a hypothesis that responds one step more adequately than the previous dialogue in the series, each dialogue itself comprising a progression of hypotheses. The Theaetetus argues by reductio for the forms. While the theory of universal flux allows that all things are produced by mixture, a process of"parentage" (75ff.), knowledge is missing one parent, the forms, which are not admitted in the dialogue. Nevertheless, each failed account of knowledge comes closer to the truth, the most promising account being the definition of knowledge as true opinion with an account, where the account is an analysis into parts. This fails in Dorter's view because, in assuming the whole to be nothing other than the parts, it does not say how parts can be intelligible apart from a prior whole. A reader might find it as hard to say how this is a hypotheti- [679] 680 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER 1995 cal advance over the criticisms of the Parmenidesas to say how the Theaetetusshould be called an "Eleatic" dialogue. The Sophist then reintroduces form, but in its epistemological aspect alone. Extensive use is made of the method of division, presented in the commentary as a rigorous method for precise definition, yet the Sophistfails to distinguish sophistry from philosophy. Two reasons are given. The final division locates sophistry under the productive, rather than the acquisitive arts. (The commentary indicates no surprise at sophistry being categorized as an art at all.) Moreover, the method of division makes no use of value, the real distinguishing feature of the two types of art, although Dorter argues that allusion is made to value through references to the Republic'stheory of soul. The Statesman fills in the missing feature by introducing measurement against the standard of the mean as opposed to relative measurement, finally reintegrating both features that Dorter considers salient aspects of Platonic forms: universality (sameness) from the Sophistand now value (the mean) in the Statesman. The commentary finds that the use of division in the Statesman, where it is not strictly dichotomous, evidences a "decline from the rigor and precision of the divisions in the Sophist"(l 8 l), despite the rejection of division by strict halving in the Phaedrusand in Aristotle. Lack of rigor is not, however, a reproach in Dorter's... (shrink)

On 27 February 1998, the Indian Institute of Management, Calcutta and the office of the Fulbright binational educational exchanges in Calcutta jointly hosted a seminar on 'The Tradition of Non Violence: The American Experience and the Gandhian' at the Management Centre for Human Values. There were two keynote presentations. The one on the American experience was by Michael True, Professor of English Literature at Assumption College, Massachusetts, who was teaching as Fulbright visiting lecturer at Utkal University, Bhubaneswar. The Gandhian (...) case was presented by Profes sor Amlan Datta, economist and writer, also former Vice-Chancellor of Visva-Bharati University, Santiniketan. The session was chaired by Professor Amitava Bose, Director, Indian Institute of Management. To close the discussions, a summing up was presented by Professor S.K. Chakraborty, Convenor, Management Centre for Human Values. The importance of discussions on the subject of non-violence and the Gandhian alterna tive cannot be overestimated in this year of the 50th anniversary of Indian independence and a nationwide soul-searching over these five decades. The US Educational Foundation in India contributed to the national discussion through this bilateral seminar and its comparative perspective. (shrink)

What does world peace mean? Peace is more than the absence and prevention of war, whether international or civil, yet most of our ways of conceptualizing and measuring peace amount to just that definition. In this essay, as part of the roundtable “World Peace,” I argue that any vision of world peace must grapple not only with war but with the continuums of violence and peace emphasized by feminists: running from the home and community to the public spaces of international (...) relations. Breaking free of the constraints of the last century's intellectual boundaries, I suggest that war and peace are not a dichotomy but rather are intimately related. Yet the dearth of feminist perspectives in global debates prevents us from seeing how violence and harm are exacerbated in households and through the global economy under conditions of both “war” and “peace.” To understand the possibilities for world peace, we must understand these varieties of violence and harm that threaten peace. And tosustainpeace we must address the harmful gendered identities, ideologies, and social dynamics that support violence in every society. A narrow understanding of peace as merely the absence of organized violence does not engender the kind of nuanced and rich understanding of human history and human relations needed to bring an end to the structural and physical violence that remains pervasive worldwide. (shrink)

This volume addresses the way ethics is taught in American Business Schools. The Editors has assembled a collection of timely essays offering practical experienced-based insights in business education. The authors of these essays address a diversity of topics yet are unanimous in calling for change (even if they occasionally disagree on the best means of accomplishing it). For business faculties seeking to meet this growing and multifaceted challenge within their discipline, this book offers a wealth of useful insights and practical (...) solutions. (shrink)

What are we to make of the New Christian Right’s loss of political influence and the rise of the Tea Party and libertarianism more broadly? Rather than imagine a coalition of resentment as does William E. Connolly, this paper argues that several key religious ideas of protestant fundamentalism have become secularized and now function as a political theology that privileges the personal and marginalizes the public arena. American fundamentalism shares several characteristics with protestant fundamentalism—even as it represents what might be (...) called a migration of the holy. (shrink)

After the re-emergence of the tradition of virtue ethics in the early 1980s Reinhold Niebuhr has often served as a foil for authors who locate themselves in that tradition. However, this exercise has often proved controversial. This collection of essays continues this work, across a wide range of subjects, with the aim of avoiding some of the polemics that have previously accompanied it. The central thesis of this book is that putting the work of Reinhold Niebuhr and Christian realism in (...) dialogue with contemporary virtue theory is a profitable undertaking. An introductory essay argues against locating Niebuhr as a consequentialist and in favour of thinking of his work in terms of a dispositional ethics Contributors take different positions on whether Niebuhr's dispositional ethics should be considered a form of virtue ethics or an alternative to virtue ethics. Several of the articles relate Niebuhr and Christian realism to particular virtues. Throughout there is an appreciation of the ways in which any Niebuhrian approach to dispositional ethics or virtue must be shaped by a sense of tragedy, paradox, or irony. The most moral disposition will be one which includes doubts about its own virtue. This volume allows for a repositioning of Niebuhr in the context of contemporary moral theory as well as a rereading of the tradition of virtue ethics in the light of a distinctly Protestant, Christian realist and paradoxical view of virtue. As a result, it will be of great interest to scholars of Niebuhr and Christian Ethics and scholars working in Moral Philosophy and the Philosophy of Religion more generally. (shrink)

La comparaison des portraits à l’huile réalisés par Romaine Brooks dans les années 20 et les photographies de Claude Cahun et sa partenaire Marcel Moore de la même époque rend visible les positions idéologiques conflictuelles que ces women of vision défendirent dans les milieux artistique et politique où les débats sur la femme moderne se sont élaborés.