In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what we (...) – as possessors of practical reason – may hope for. The main question of the third Critique is, ‘What may we hope if we act as we should, i.e. act rationally?’ Kant’s implicit answer is, ‘to attain the ideals of reason, which leads to happiness as a consequence of it.’ This novel reconstruction of the argumentative structure of the third Critique contributes to the literature by (i) explaining how the two parts of the third Critique on aesthetics and teleology are connected, (ii) clarifying how the ideals of reason are connected to hope and happiness, and (iii) showing how the spheres of nature and freedom can be synthetically unified through the faculty of judgment. (shrink)

ABSTRACT In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what (...) we – as possessors of practical reason – may hope for. The main question of the third Critique is, ‘What may we hope if we act as we should, i.e. act rationally?’ Kant’s implicit answer is, ‘to attain the ideals of reason, which leads to happiness as a consequence of it.’ This novel reconstruction of the argumentative structure of the third Critique contributes to the literature by (i) explaining how the two parts of the third Critique on aesthetics and teleology are connected, (ii) clarifying how the ideals of reason are connected to hope and happiness, and (iii) showing how the spheres of nature and freedom can be synthetically unified through the faculty of judgment. (shrink)

In this essay, I show how the virtues, for Maximus the Confessor, contribute to the formation of a positive orientation toward (a deep and abiding desire for) the relevant epistemic goods (e.g., contemplation of God in and through nature, illumination of divine truths, wisdom, and experiential knowledge of God). The first section offers a brief overview of how three character-based virtue epistemologies envision the role of the intellectual virtues in the cognitive life. The second section draws attention to Maximus’s understanding (...) of the relationship between the virtues and the relevant epistemic goods. The third section argues that a relationship of this sort entails a seamless connection (though without confusion) between the practical and contemplative aspects of deiform existence. The fourth section clarifies how select virtues foster within the self a praiseworthy desire for the relevant epistemic goods. (shrink)

Hegel repeatedly identifies rational self-consciousness as a real example of the concept, and its tripartite constituents: universality, particularity, and individuality. In what follows I will show that the concept as such, along with its tripartite constituents, are constitutive of rational self-consciousness. On the one hand, by showing how Hegel’s concept of the concept applies to rational self-consciousness, I aim to provide a concrete example of the concept of the concept in a real being whose being is not merely logical. On (...) the other hand, I aim to show that Hegel’s application of the concept to rational self-consciousness is motivated by a problem within the philosophy of mind. For this reason, Hegel’s application of the concept of the concept to the mind is not arbitrary, but motivated by significant philosophical problems. (shrink)

Inspired by Kant, Merleau-Ponty and Sellars, I illustrate and identify certain kinds of unity which are typical (if not universal) features of our conscious experience, and argue that Kant was right to claim that such unities are produced by unconscious processes of synthesis:A perceptual experience of succession is not reducible to a succession of perceptual experiences.The experience of perceiving one object as having several features is not reducible to a conjunction of perceptual experiences of those features.A cross-modal perceptual experience (...) is not reducible to a conjunction of single-modality perceptual experiences.Incoming perceptual information is synthesized into a single scene---a representation of the world as perceived from a spatia-temporal point of view.Any two of the simultaneous features of the experience of a subject S can be thought of together by S.Many of the experiences of a subject S can be thought of by S at a later time as part of his or her history of experience.These can be summarized in the general principle:An experience of a complex is not a complex of experiences.This is consistent with Sellars’ principle that:A sense-impression of a complex is a complex of impressionsbecause the latter applies at the sub-personal, unconceptualized level, and the former at the conscious level of conceptualized experiences. (shrink)

Inspired by Kant, Merleau-Ponty and Sellars, I illustrate and identify certain kinds of unity which are typical (if not universal) features of our conscious experience, and argue that Kant was right to claim that such unities are produced by unconscious processes of synthesis: A perceptual experience of succession is not reducible to a succession of perceptual experiences. The experience of perceiving one object as having several features is not reducible to a conjunction of perceptual experiences of those features. A (...) cross-modal perceptual experience is not reducible to a conjunction of single-modality perceptual experiences. Incoming perceptual information is synthesized into a single scene-a representation of the world as perceived from a spatio-temporal point of view. Any two of the simultaneous features of the experience of a subject S can be thought of together by S. Many of the experiences of a subject S can be thought of by S at a later time as part of his or her history of experience. These can be summarized in the general principle: An experience of a complex is not a complex of experiences. This is consistent with Sellars’ principle that: A sense-impression of a complex is a complex of impressions because the latter applies at the sub-personal, unconceptualized level, and the former at the conscious level of conceptualized experiences. (shrink)

Excerpt from The Principle of Synthetic Unity in Berkeley and Kant This little volume was prepared as a thesis for the degree of Doctor of Philosophy in the University of Michigan. By the advice of Dr. John Dewey I have undertaken to interpret the Metaphysical Notes of Berkeley's Commonplace Book, and as far as possible discover the Principle of Unity which occasionally manifests itself in Berkeley's works and which formed a basis for a Treatise on the Will (...) which Berkeley contemplated but never produced. I wish to express my indebtedness to Dr. Dewey for his assistance in the selection of collateral reading and for his suggestions in the development of the thesis. No literature could be secured bearing upon the interpretation of the Notes, hence the Notes have been classified and such as bear upon the theme under discussion have been used. Often the phraseology has been preserved but where that could not be done the thought has been expressed in phraseology as nearly Berkeleian as the author could select so as to preserve the unity that runs through the Notes. This principle of unity found in Berkely has been compared and contrasted with the Unity of Kant. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

In the Transcendental Aesthetic, Kant famously characterizes space as a unity, understood as an essentially singular whole. He further develops his account of the unity of space in the B-Deduction, where he relates the unity of space to the original synthetic unity of apperception, and draws an infamous distinction between form of intuition and formal intuition. Kant ’s cryptic remarks in this part of the Critique have given rise to two widespread and diametrically opposed readings, (...) which I call the Synthesis and Brute Given Readings. I argue for an entirely new reading, which I call the Part-Whole Reading, in part by considering the development of Kant ’s views on the unity of space from his earliest works up through crucial reflections written during the silent decade. (shrink)

The text considers the possibility of studying the Freudian psychoanalysis as a certain form of transcendentalism. In particular, it analyses the relation of Freud’sproposition concerning the strangeness within the subject—a strangeness called unconsciousness—to Kant’s claim about the necessity of the synthetic unity ofapperception. The study commences with Ricoeur’s reading of Freud’s teachings in order to demonstrate how, by introducing the language of transcendental philosophy into the reading of Freud’s works, Ricoeur omits the issue of the subjective conditions for (...) the constitution of any possible meaning. Next, searching for the possibility to formulate these conditions on the grounds of Freudian psychoanalysis, the text investigates relevant Heidegger’s reading of Kant. It finds in it the model justification for such understanding of the unity of “I think” which makes it, already at its core, conditioned by diversity identified with temporality. By attempting to grasp the contradiction between such a temporal condition for subjectivity and Freud’s postulate on the timeless nature of unconsciousness, the text applies Derrida’s criticism of the metaphysical conception of time, which is directed exactly at Heidegger’s metaphysics of Dasein. In consequence, it turns out that a profound justification seems to exist for the seemingly paradoxical Freudian statement about unconsciousness as linked with, on the one hand, the most primal intuitions still grounded in animism, and on the other, with a continuation of Kant’s teachings. (shrink)

Kant calls the Principle of the Synthetic Unity of Apperception the “highest point” to which we “must affix all use of the understanding, even the whole of logic and, after it, transcendental philosophy.” In this article, I offer an original interpretation of this “supreme principle.” My argument is twofold. First, I argue that the common identification of this principle with the “I think” or even the form of the I think misses the basis on which this principle is (...) capable of grounding Kant’s transcendental deduction. It must be understood as a purely formal, transcendental principle. Second, I argue that this highest principle must be understood as a purely formal principle of pure synthesis in order for Kant’s account of the mind to lay valid claim to such spontaneity without invoking the very dogmatic idealism that he critiques. The reduction of this principle to the real I think, or even to the Transcendental Unity of Apperception, undermines the basic distinction on which Kant’s deduction depends. I pay particular attention to important, recent arguments from Longuenesse on the TUA, Williams on the Original Unity of Apperception, Allison and Pollok on the status of a priori principles, and McLear on the claim that unity necessarily presupposes synthesis. (shrink)

In the 3rd Analogy, Kant claims that I can perceive that things coexist by synthesizing my perceptions in an order-indifferent way. Reigning orthodoxy holds that I first successively perceive different things, and then (through some further act) determine that the things I perceive coexist. Focusing on prominent examples of this approach, I argue that these accounts fail to do justice to the order-indifferent synthesis that Kant describes: Strawson explains the synthesis in a way which renders Kant’s argument in the 3rd (...) Analogy obviously unconvincing, Watkins makes the synthesis irrelevant to Kant’s argument, while Longuenesse and Allison make the unity of the synthesis obscure. The problems with these views, I contend, show that Kant thinks the rule for synthesizing my perceptions is already operative in the successive perceptions, such that the fundamental act of perception already involves ‘objective time-determinations.’ This connects with the recent dispute about whether Kant is a conceptualist: my argument provides additional evidence that Kant is a conceptualist, while also extending the conceptualist reading to the 3rd Analogy in a novel way. For those who think conceptualism is wrong, my argument serves as a critical notice that non-conceptualists have yet to offer a satisfying interpretation of the 3rd Analogy. (shrink)

This essay chiefly concerns the unity of self-consciousness expounded under the heading "the original synthetic unity of apperception" in Kant's transcendental deduction. It focuses mainly on Kant's identification of this unity with the understanding, the faculty of knowledge, with the aim of throwing light on the understanding and on knowledge as well as on synthetic unity.

In the context of a critique of James Conant’s (2016) important new reading of the main argument of the Deduction, I present my current, most detailed interpretation of the well-known Leitfaden passage at A79, which in my view has been misinterpreted by a host of prominent readers. The Leitfaden passage is crucial to understanding the argument of, not just the so-called Metaphysical Deduction, but also the Transcendental Deduction. This new account expands and improves upon the account of the Leitfaden I (...) gave in Chap. 5 of Kant’s Deduction From Apperception. While I agree with the core of Conant’s critique of what he calls the ‘layer-cake’ reading of the Deduction argument, in this new account I make clearer my position on why the unity of judgement, in which concepts and intuitions are a priori synthetically unified, is wholly determined in virtue of the unity of apperception as the unitary function of the understanding, without this leading to a strong form of conceptualism such as that of Conant and others. (shrink)

I argue that Kant’s distinction between the cognitive roles of sensibility and understanding raises a question concerning the conditions necessary for objective representation. I distinguish two opposing interpretive positions—viz. Intellectualism and Sensibilism. According to Intellectualism all objective representation depends, at least in part, on the unifying synthetic activity of the mind. In contrast, Sensibilism argues that at least some forms of objective representation, specifically intuitions, do not require synthesis. I argue that there are deep reasons for thinking that Intellectualism (...) is incompatible with Kant's view as expressed in the Transcendental Aesthetic. We can better see how Kant’s arguments in the first Critique may be integrated, I suggest, by examining his notion of the 'unity' [Einheit] of a representation. I articulate two distinct ways in which a representation may possess unity and claim that we can use these notions to integrate Kant’s arguments in the Aesthetic and the Transcendental Deduction without compromising the core claims of either Sensibilism or Intellectualism—that intuition is a form of objective representation independent of synthesis, and that the kind of objective representations that ground scientific knowledge of the world require synthesis by the categories. (shrink)

1) Gaukroger estimates that there exist two irreconcilable theses in the Cartesian method in the Rules. The first thesis concerns the problem of the cognitive grasp of inference, the other the problem of the method of discovery. Descartes, by integrating deduction as a simple object of intuition, rejects the psychologicalinterpretation of inference, and elevates deduction to the status of a necessary condition of knowledge. On the other hand, the problem of the method of discovery requires that inference produces a new (...) truth as its conclusion. Descartes takes the algebraic solution of equations as the model of this method. But this orientation leads Descartes to deny all cognitive function operating in the inference of synthetic form. Thus, according to Gaukroger, these two theses tendto be opposed, calling into question the unity of the method. 2) We admit the cognitive analysis of Gaukroger on the Cartesian inference. However, Gaukroger does not see the importance of “the natural power of the mind” in the Rules. Indeed, the cognitive role of inference is always understood by Descartes, in light of this natural power. Thus, the main role of the method is to teach ways of increasing this power. Descartes tries to pose, by the algebraic treatment of questions, an analogy between the mathematical order and the order of the operations of the mind, enabling him to discover pure schemes of these operations. And, It is by theses schemes that the mind exercise itself in order to increase its natural power. For this reason, we must reconsider Gaukroger’s thesis that Descartesassimilates literally the method of discovery and algebraic solution, as well as his thesis of the inconsistency of the Cartesian method. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Concepts, Judgments, and Unity in Kant's Metaphysical Deduction of the Relational Categories CHARLES NUSSBAUM 1. INTRODUCTION TO ANY ATTENTIVEREADERof the section of the Critique of Pure Reason' known as the "Metaphysical Deduction of the Categories" (A67/B92-A83/B to9), one paragraph in that section stands out particularly by virtue of its special importance for Kant's developing argument: The same function Which gives unity to the various representations in ajudgment (...) also gives unity to the mere synthesis of various representations in an intuition; and this unity, in its most general expression, we entitle the pure concept of the understanding. The same understanding, through the same operations by which in concepts, by means of analytical unity, it produced the logical form of a judgment, also introduces a transcendental content into its representations, by means of the synthetic unity of the manifold of intuition in general.... (CPR A79/B loS) The importance of this paragraph is, however, more than equaled by its difficulties, which center on the question of how the function which operates by means of analytical unity can be the same as one that operates by means of the synthetic unity of the manifold of intuition in general. Put shortly, the problem is this. If the functions are really the same, then how do we distinguish at all between analytic and synthetic operations? But if they are different, then how can these forms of judgment serve as a clue for the discovery of the categories? ' Immanuel Kant, Critiqueof Pure Reason, trans. Norman KempSmith (London: Macmillan and Co., Ltd., 1963).Hereafter CPR. [89] 9~ JOURNAL OF THE HISTORY OF PHILOSOPHY 28:1 JANUARY 1990 The results of this dilemma which can be observed in the literature are not surprising: commentators tend to grasp one horn or the other. They either emphasize the difference between analysis and synthesis, and reject or dilute the claims as to sameness of function; or they take seriously Kant's argument concerning sameness of functions, and try to minimize the difference between analysis and synthesis. The major twentieth-century representant of the former approach is Kemp Smith," and of the latter, Paton. 3 This latter approach has found a formidable contemporary champion in the person of Henry Allison. By Allison's own admission,4 however, his position on this controversial topic was suggested (in part) by arguments first put forward over fifty years ago by Klaus Reich in a most remarkable book entitled Die Volls~ndigkeit der Kantischen Urteilstafel, 5 a book, by the way, also greatly admired by Paton. 6 In the first section of this paper I will try to show that Reich's arguments are rather more subtle than Allison apparently takes them to be, and that Reich is one commentator who attempts to go between the horns of the dilemma described above, and who essays an interpretation of our crucial paragraph that unifies its seemingly divergent tendencies. In the second section of the paper I will introduce some interpretive elements of my own. 2. Let us begin by reacquainting ourselves with Kant's notion of analytical unity, one aspect of this debate which is not particularly controversial and is largely agreed upon by all parties. For Kant, analytical unity is the sort of unity achieved by all general concepts (conceptus communes) insofar as they abstract from all differences that subsist between the objects under them, or the lower concepts subordinated to them. 7 A general concept unifies these objects or concepts by means of a common mark or set of marks. Thus Kant's example at CPR A69/B94 of the unification of bodies under the concepts 'body' and 'divisible' is a perfectly representative instance of unification via analytical unity, as the function upon which such concepts "rest." Let us note that the " Norman KempSmith,A CommentarytoKant's "Cr/t~rueofPureReason"(NewYork:HumanitiesPress, 196~). 3 H.J. Paton, Kant's MetaphysicofExperience, 2 vols.(London:George Allenand Unwin,Ltd., 1936). 4 Henry Allison,Kant's TranscendentalIdealum (NewHaven:YaleUniversityPress, 1983), 144 n. 3o. Hereafter KTI. 5 KlausReich,Die Vollst~ndigkeitderKantischenUrteilstafel,3rd. ed. (Hamburg: Meiner, 1986). Hereafter VKU. 6 Paton, Kant's Metaphysic, 1:302. Kant, we should note, does not makethis important logicaldistinctionbetweensubordination... (shrink)

Metaphors allow us to come to terms with abstract and complex information, by comparing it to something which is structured, familiar and concrete. Although modern science is “iconoclastic”, as Gaston Bachelard phrases it, scientists are at the same time prolific producers of metaphoric images themselves. Synthetic biology is an outstanding example of a technoscientific discourse replete with metaphors, including textual metaphors such as the “Morse code” of life, the “barcode” of life and the “book” of life. This paper focuses (...) on a different type of metaphor, however, namely on the archetypal metaphor of the mandala as a symbol of restored unity and wholeness. Notably, mandala images emerge in textual materials related to one of the new “frontiers” of contemporary technoscience, namely the building of a synthetic cell: a laboratory artefact that functions like a cell and is even able to replicate itself. The mandala symbol suggests that, after living systems have been successfully reduced to the elementary building blocks and barcodes of life, the time has now come to put these fragments together again. We can only claim to understand life, synthetic cell experts argue, if we are able to technically reproduce a fully functioning cell. This holistic turn towards the cell as a meaningful whole also requires convergence at the “subject pole”: the building of a synthetic cell as a practice of the self, representing a turn towards integration, of multiple perspectives and various forms of expertise. (shrink)

Pandit Gopinath Kaviraj of Varanasi, India was a well-known interpreter of the Hindu Tantric traditions, who also practiced kundalini yoga according to his own understanding of four sequential paths. This study attempts to reconstruct the stages of Kaviraj's system of Tantric yoga by analyzing and integrating innumerable partial discussions scattered throughout his writings, in an effort to reveal the hidden structure of transformations. Primary research materials include collections of Kaviraj's essays on the Hindu Tantric traditions written in Bengali and Hindi, (...) and his philosophical notebook, Svasambedana . ;The concepts of formal and material ontologies, developed for linguistic theory by Ashok Kumar Gangadeen, are adopted in analyzing the category structure of Kaviraj's four paths. A synchronic methodology is used to present Kaviraj's interpretations of the Kashmir Saiva, S akta Tantric and Sahajiy a Vaisnava traditions in relation to known Tantric concepts and practices, found in the classical texts and secondary literature on these traditions. Categories that belong to the material ontologies of the various Tantric sects are examined for trans-sectarian thematic unity and for explicating the processual patterns that constitute the formal ontology which Kaviraj sees as underlying his own four paths. This formal ontology is based on the principle of increments of consciousness by which kundalini/ develops. ;Each of Kaviraj's Tantric paths incorporates orthodox Hindu forms of spiritual realization, but utilizes different means to them, as well as moves beyond them to uniquely Tantric forms of integral realization. Technical terms are discussed from the relevant traditional Hindu perspective and then from their revalorization in relation to uniquely Tantric forms of yogic realization. ;Kaviraj's systemic perspective on the architectonics of his four Tantric paths is also reconstructed and systematized from various schemata found in Svasambedana. Analyses are concerned both with structural replication and with understanding the series of paths as a single continuum based on laws of dialectical synthesis. Finally, there is a discussion of Kaviraj's supreme integral yoga , his own advanced practice for universal integral Self-realization, as taught by his guru and other adepts of the Jnanaganj asram of Tibet. An inquiry is made into its kala-structure, and it is suggested to be an innovative fifth path which utilizes the structure of the other four paths for the bestowal of universal grace. (shrink)

The European project was aimed from the outset, alongside reconciliation (peace) and economic reconstruction (prosperity), at a degree of political integration too. Political integration has progressed modestly. Not everybody is convinced of its benefits. Besides, the notion of a European polity opens the question about its sources of cohesion. Those sources are more or less evident in the member states – language, history, legal, political and religious traditions, for instance. They give, say, Latvia, Italy or Hungary a certain degree of (...) unity – a national identity. But what ought to be that source of cohesion – or identity – for the European Union (EU) considered as a whole? This paper analyses five normative conceptions about such ‘European identity’ (EI) – cultural, legal, economic, international and cosmopolitan – and suggests that they are not mutually exclusive, but can be combined in a synthetic notion that promises to reflect in a more comprehensive and accurate way the sources of the minimal unity required to hold the EU polity together. (shrink)

The article focuses on re-evaluating Kant’s Transcendental Dialectic by initially highlighting its seemingly negative function within the Critique of Pure Reason as a mere regulative form for cognition and experience. The Dialectic, however, does not only have such a negative-regulative function but also its very own positive and founding character for cognition that even is present in the supposedly most immediate forms of intuition. In exploring this positive side of the Transcendental Dialectic it becomes clear that it manifests itself as (...) a bridge between the so-called theoretical and practical reason inasmuch as it fills in their gap within Kant’s philosophy. From the practical side, the Dialectic is manifest as an action full of purposiveness, maxims, and imperatives within cognition, from a theoretical side it assumes the form of syllogistic inference, which is the adequate and acting theoretical form of practical reason. Therefore, the unity of reason is shown in presenting its inner gap as a dialectical misunderstanding that Kant not only highlights in the Transcendental Dialectic but also tends to leave unsolved mostly. Nevertheless, the Dialectic can be shown as the a priori synthetic act of unifying reason, if investigated in the context of Kant’s complete critical endeavour. (shrink)

The question of whether it is possible to philosophize outside the categories of rationalist philosophy is not limited to methodology. It has ideological overtones. Namely, the rationalism that has developed in philosophy in modern times, after Descartes, is inevitably supplemented by mechanics. The world is seen as a machine, the living is reduced to mechanisms. Rationalism becomes a machine of mentality. Taking it as a model of normal thinking, giving it a universal value, we thereby impose Western way of thinking (...) on other cultures with a different mentality. The question, therefore, is not about the method of scientific knowledge but about the power realized through the transformation of mentality. Scientific knowledge conquers space. Philosophy produces a transformation of mentality. New rationalism, according to G. Bachelard, is in dialectical relation with the usual realism of the natural Sciences. In this process, there is the implementation of new schemes developed in the complex interaction of “ratio” and experiment. Modern science is the collective creation of a new reality. This is the reality of the “picture of the world.” There is another view of science, rationalism and modern philosophy. According to him, rationalism is dualism, atomism and social individualism. These features reveal the anti-traditional and anti-metaphysical spirit of modern Western civilization. The traditional approach is non-duality, unity provided by metaphysical principles. The new rationalism in science is characterized by the belief in the infinite progress of knowledge. But knowledge itself, from the point of view of tradition, is devoid of great value. Philosophy uses categories of ancient Greek philosophy or German classical philosophy, but they cannot be considered universal. They corresponded not only to the time and place, the conditions in which they arose, but also to the characteristic mentality of the peoples and individuals who created them. They are not suitable for understanding the metaphysical doctrines of traditional cultures. The language of traditional cultures is symbolic and synthetic in contrast to the analytical language of Western science and philosophy. (shrink)

According to the standard interpretation, Italian pragmatism is split into two groups. On the one hand is the mathematician Giovanni Vailati, Peano’s former collaborator, and his disciple, the economist Mario Calderoni. On the other hand, there are the two “brats,” Giovanni Papini and Giuseppe Prezzolini, naïve philosophers with eccentric ideas. While Vailati and Calderoni followed Peirce’s mathematical and logical pragmatism, the other two articulated a “magical” pragmatism, a kind of relativist, post-modern version of the original American movement. The paper shows (...) that this narrative is incomplete. During the years 1905-6, while Vailati was living in Florence, Italian pragmatists listed three kinds of pragmatism among themselves. Relying on the third stripe, attributed to Vailati, they found a more Unitarian, theoretical project that united the will to belief and the precision of reasoning. The unity did not last very long because Vailati moved from Florence in 1906. However, the common project from 1905-6 remains the highest peak of their awareness of pragmatism and, possibly, an original way to interpret it. (shrink)

From 1918 to the late 1940s, a host of influential scientists and intellectuals in Europe and North America were engaged in a number of far-reaching unity of science projects. In this period of deep social and political divisions, scientists collaborated to unify sciences across disciplinary boundaries and to set up the international scientific community as a model for global political co-operation. They strove to align scientific and social objectives through rational planning and to promote unified science as the driving (...) force of human civilization and progress. This volume explores the unity of science movement, providing a synthetic view of its pursuits and placing it in its historical context as a scientific and political force. Through a coherent set of original case studies looking at the significance of various projects and strategies of unification, the book highlights the great variety of manifestations of this endeavour. These range from unifying nuclear physics to the evolutionary synthesis, and from the democratization of scientific planning to the utopianism of H.G. Wells's world state. At the same time, the collection brings out the substantive links between these different pursuits, especially in the form of interconnected networks of unification and the alignment of objectives among them. Notably, it shows that opposition to fascism, using the instrument of unified science, became the most urgent common goal in the 1930s and 1940s. In addressing these issues, the book makes visible important historical developments, showing how scientists participated in, and actively helped to create, an interwar ideology of unification, and bringing to light the cultural and political significance of this enterprise. (shrink)

The main thesis defended in this paper is that Hildebrand’s distinction between what we could call quiddities—or “quasi-essences,” endowed with chaotic and accidental unity—and genuine essences possessing an intrinsically necessary unity, grounds the radical distinction between analytic and synthetic a priori knowledge. This thesis has not been expressly emphasized by Hildebrand himself. In order to prove it, we: (1) relate the three types of unities distinguished by Hildebrand with the three kinds of judgments discriminated by Kant; (2) (...) outline what we can call the “crux of empiricism”; (3) analyze four characteristic examples of synthetic a priori judgements; and (4) elaborate a provisional typology of synthetic a priori propositions, trying to include in it Hildebrand’s favorite examples. (shrink)

The main thesis defended in this paper is that Hildebrand’s distinction between what we could call quiddities—or “quasi-essences,” endowed with chaotic and accidental unity—and genuine essences possessing an intrinsically necessary unity, grounds the radical distinction between analytic and synthetic a priori knowledge. This thesis has not been expressly emphasized by Hildebrand himself. In order to prove it, we: relate the three types of unities distinguished by Hildebrand with the three kinds of judgments discriminated by Kant; outline what (...) we can call the “crux of empiricism”; analyze four characteristic examples of synthetic a priori judgements; and elaborate a provisional typology of synthetic a priori propositions, trying to include in it Hildebrand’s favorite examples. (shrink)

Impressions, energy radiated by phenomena in the momentary environmental scene, enter sensory neurons, creating in afferent nerves a data stream. Following Kant, by our inner sense the mind perceives its own thoughts as it ties together sense data into an internalized scene. The mind, residing in the brain, logically a Language Machine, processes and stores items as coded grammatical entities. Kantian synthetic unity in the linguistic brain is able to deliver our experience of the scene as we appear (...) to see it. Uniquely, the brain records its own history, synthesizing a Movie-in-the-Brain, called the Noumenal Cosmos. Attempting thereby to represent the actual Universe, this makes for a sovereign brain that governs itself. The brain is domicile of an Ego, with its selfhood at stake at all times. Yet, it can know itself only by its actions, in which it appears as an actor in its own movie. Phenomena enter garbled, as confused apparitions, and must be put in good form using top–down feedback control by Ego, so that each movie frame makes rational sense within the overall context of the Noumenal Cosmos. A stack of frames is processed typically in 40 Hz rhythm with 300 ms process time each, for about 12 in the stack at any time. Successive neural centers are processing the stack in the brain assembly line, based on data from increasingly global receptive fields. Ego stitches together the movie frames, but only the top frame is in consciousness for 25 ms. The top frame contains the whole scene where the Ego makes an appearance as the actor that imposes Kantian synthetic unity on the scene, merely an assembly of grammatical texts, in a system-internal coded process language, fitting the scene into the Noumenal Cosmos. But Ego observes Ego only to the extent permitted by the objectivity rule, only what it does and thinks, not its true face. From the Noumenal Cosmos, the Ego receives grammatical messages in the internal sense code. They are integrated into a whole in the reaction of the Ego to the momentary scene. The voluntary nature of Ego’s decisions is explained, based on its ability to code in advance its own actions sequentially in time, as it sees fit with a view to an orderly Noumenal Cosmos, records of code being arranged spatially in neural structures. (shrink)

“Mathematics, synthetic unity and constitutive a priori”. Starting from the emphasis about the Kantian idea of the originary synthetic unity of apperception like the basic function on which rest the production of all synthetic judgment, in this paper I defend the idea of constitutive a priori of experience under the form of a similar synthetic principle but essentially formal, namely, the concept of transformation and group of transformations. To the same time, I try to (...) show that Kant himself inspired, for articulate his own position, on mathematics, especially on synthetic geometry. (shrink)

Both descending love of western erotic novels and eastern poetry that ascends love to heavens are considered non-acceptable. Neither eastern maximalism and mysticism, nor western extreme rationalism and pragmatism are approved. Studying the “rational” appearance standing between these two extremes is preferred. Individual-human, real love stands somewhere between the Earth and sky, erotic and divine love. Differing from the understanding of love as a pure idea (Plato, Pushkin), and as a pure psychophysiological phenomenon (“Kama Sutra”, Sigmund Freud), synthetic (...) class='Hi'>unity of these two factors that leads to more realistic description of love is preferred in this article. (shrink)

This paper provides an account of Kant's categories of freedom, explaining how they fit together and what role they are supposed to play. My interpretation places particular emphasis on the structural features that the table of the categories of freedom shares with the table of judgements and the table of categories laid out by Kant in the Critique of Pure Reason. In this way we can identify two interpretative constraints, namely (i) that the categories falling under each heading must form (...) a synthetic unity whereby the third one derives from the combination of the other two. and (ii) that the first two categories falling under each heading must be morally undetermined and sensibly conditioned, while the third category is sensibly unconditioned and determined only by the moral law. (shrink)

In this paper I investigate the developments of the notion of “transcendental apperception” in Fichte’s writings of the period 1811-1813. I pay particular attention at the second lessons on transcendental Logic, as well as at the lessons on the WL 1812 and 1813 and at the diarium 1813. I follow and closely examine the philosophical work Fichte does regarding the concept of apperception, which is at the core of Kant’s transcendental deduction in the Critique of pure reason. Claiming that Kant’s (...) notion of apperception was a mere factual one, Fichte aims at providing the genetic foundation of apperception, in order to avoid Kant’s shortcomings. I argue that Fichte submits therefore the concept of apperception to a double revision and that this entails the re-organization of his own transcendental-philosophical project. On the one hand, he carries out an epistemological revision of Kant’s thinking on apperception, by means of establishing the priority of the analytic unity over the synthetic unity and changing the formulation notoriously used by Kant for the explanation of apperception. On the other hand, Fichte’s work consists in grounding apperception ontologically. The issue I will focus on regarding this ontological foundation is the relation between apperception and life, which on my view proves to be key for the last exposition of Fichte’s transcendental-philosophical thought, despite the fact that Fichte could not complete and organize his reflection on this point, due to his death occurred in 1814. In the course of the paper I insist on the systematic link between Fichte’s epistemological and ontological re-elaboration of apperception and the self-reflection of transcendental philosophy. (shrink)

Episodic memory is usually regarded in a Conceptualist light, in the sense of its being dependent upon the grasp of concepts directly relevant to the act of episodic recollection itself, such as a concept of past times and of the self as an experiencer. Given this view, its development is typically timed as being in the early school‐age years (Perner, 2001;Tulving, 2005). We present a minimalist, Non‐Conceptualist approach in opposition to this view, but one that also exists in clear contrast (...) to the kind of minimalism (‘episodic‐like’) espoused byClayton and Dickinson (1998)with regard to memory in food‐caching birds. While emphasising the nonconceptual elements of episodic memory (in common with the ‘episodic‐like’ approach) we also insist on the essentially phenomenological nature of the memory (as does the Conceptualist approach). We propose the third year of life as a plausible onset period. Our view is rooted in Kantian assumptions about the spatiotemporal content of experience (and thus of re‐experience) and about the synthetic unity of experience—and thus of re‐experience. We answer two objections to this position. (shrink)

Episodic memory is usually regarded in a Conceptualist light, in the sense of its being dependent upon the grasp of concepts directly relevant to the act of episodic recollection itself, such as a concept of past times and of the self as an experiencer. Given this view, its development is typically timed as being in the early school-age years. We present a minimalist, Non-Conceptualist approach in opposition to this view, but one that also exists in clear contrast to the kind (...) of minimalism espoused by Clayton and Dickinson with regard to memory in food-caching birds. While emphasising the nonconceptual elements of episodic memory we also insist on the essentially phenomenological nature of the memory. We propose the third year of life as a plausible onset period. Our view is rooted in Kantian assumptions about the spatiotemporal content of experience and about the synthetic unity of experience—and thus of re-experience. We answer two objections to this position. (shrink)

Hegel's project of elaborating a "speculative logic" is representative of a distinctively post-Kantian trend.2 Hegel shares his like-minded contemporaries' critical assessment that Kant had failed to offer a proper deduction of the cornerstone of his philosophical edifice, the so-called 'categories' or 'pure concepts of the understanding'.3 Kant does of course offer what he calls a deduction of the categories, namely, an argument for his claim that, in cognizing the matter passively given to it in sensibility, the finite subject's activity necessarily (...) manifests itself through the "functions of synthetic unity" that constitute the structure... (shrink)

Immanuel Kant, with his “brilliantly dry style” (Schopenhauer), expounds the notable theory that “objects are approaching to the mind” via the spectacle metaphor by addressing transcendental idealism in support of the mind as an active knower (mind-making nature), not passive in a realistic sense, while objects of knowledge conform to the mind begotten in categories of understanding. On Kant’s view, James Conant writes, “Kant’s term for this unity, considered at this level of abstraction, is the original synthetic (...) class='Hi'>unity of the understanding. This admits of forms of further determination, one sensible and one intellectual. This form of unity – categorial unity – characterizes both the manner in which objects are given to us in intuition and the manner in which concepts are combined in judgments” (Conant 2016: 114). -/- Insofar the same pioneering stance is reflected in the Groundwork of Metaphysics of Morals (Kant 1972) and the Critique of Practical Reason (Kant 1996), where Kant underscores the accessible account of reason and freedom as the content of fundamental moral principle toward a kind of universalizable moral duty attuned with the formulation of categorical imperative. The justification and groundwork of these moral laws cannot be liaison in sensory experience but on pure reason, which Kant calls “a priori,” a conviction stems from the understanding of rational necessitation of moral obligation and free autonomous agency. This interpretation absorbs the practical principle that underlies the subjective maxim to justify the necessary and sufficient conditions for a universal moral law. Kant starts out saying that an act is morally right if it is performed for the sake of broadening the vista of maxim infused by goodwill consisting of the categorical imperative that sounds an exceptionless command, abstract law, and universally applicable normative principle as well. For Kant, the categorical imperative has many-sided structures: a. Ethical requirements are rational requirements of the moral agent. b. The rational requirement goes toward universal laws. c. These moral requirements must be followed by equality, freedom, and goodwill. (shrink)

There is no necessary connection between the ideas of history and of narration. The historical work should be explanatory, but a narrative is not itself a form of explanation. Walsh, despite Danto's objections, is correct in distinguishing "plain" from "significant" narratives. Both White's causal-chain model and Danto's model of causal input suggest that an historical narrative can be eq~planatory only if it offers causal explanation. But Gallie's followable contingency model contains several structural ideas which bring him into logical conflict with (...) the claims of these causal models. According to Gallie, explanations are intrusive, required only by failure of narrative continuity. A narrative becomes explanatory when it can incorporate contingencies, which may be necessary conditions instead of causes. History, unlike science, strives for synthetic unity rather than for the removal of all contingency from its subject matter. The role narrative plays in achieving this unity deserves increased philosophic attention. (shrink)

In this chapter, I show that there is at least one crucial, non-short, argument, which does not involve arguments about spatiotemporality, why Kant’s subjectivism about the possibility of knowledge, argued in the Transcendental Deduction, must lead to idealism. This has to do with the fact that given the implications of the discursivity thesis, namely, that the domain of possible determination of objects is characterised by limitation, judgements of experience can never reach the completely determined individual, i.e. the thing in itself (...) or the unlimited real, but only objects as objects of possible experience. As such, it can be shown by reference to a key argument from Kant, that Hegel’s famous criticism that Kant is not licensed, on the basis of his core arguments concerning the original-synthetic unity of apperception, to restrict our knowledge to appearances, is mistaken on purely systematic grounds. More specifically, I argue that idealism follows already from the constraints that the use of the categories, in particular the categories of quality, places on the very conceivability of things in themselves. My claim is that, although it is not only possible but also necessary to think things in themselves, it does not follow that by merely thinking them we have a full grasp of the nature of things in themselves, as some important commentators claim we have. We must therefore distinguish between two kinds of conceiving of things in themselves: conceiving in the standard sense of ‘forming the notion of’, and conceiving in the narrow sense of ‘having a determinate intellectual grasp’. So although we must be able notionally to think things in themselves, as the grounds of their appearances, we cannot even conceive, through pure concepts, of how they are in themselves in any determinate, even if merely intellectual, sense. To put it differently, we cannot have a positive conception of things in themselves (this is in line with Kant’s distinction between noumena in the negative and positive senses; cf. B307–9). For support, I resort to a much overlooked chapter in the Critique, concerning the transcendental Ideal, where Kant discusses what it is for a thing to be a thing in itself proper, namely, something that is thoroughly determined. This concerns the real ontological conditions of things, which are not satisfied by the modal categories alone, namely, their existence conditions. I claim that the chief reason why, given Kant’s view of determinative judgement, we cannot determine a thing in itself is because of two connected reasons: (1) a thing in itself is already fully determined and therefore not further determinable and (2) we cannot possibly determine all of the thing’s possible determinations. In this context, I also discuss the notion of material (not: empirical) synthesis—of which Kant speaks in the chapter on the transcendental Ideal—which must be presupposed as the ground of the formal a priori synthesis that grounds possible experience. This material synthesis, which is an idea of reason that defines a thing as thoroughly determined with regard to all of its possible predicates and has mere regulative status, can by implication not be determined by the forms of the understanding, which synthesise only a limited set of predicates. As a result, given this definition of ‘thing in itself’, any object (appearance) as at best44 a limited set of determinations of the thing can never be numerically identical to the thing in itself as thoroughly determined individual. This undercuts a standard assumption about the identity relation between appearances and things in themselves in many contemporary interpretations of Kant’s transcendental idealism. (shrink)

I claim that Heisenberg’s notion of a closed theory and its analysis by Erhard Scheibe fit well with the philosophy of later Wittgenstein or its generalization. The notion of a closed theory corresponds to the notions of a form of life and rule/concept. I suggest the possibility of reconciling the views of Heisenberg, Dirac, and Bohr about inter-theoretical relations within a rational naturalistic pragmatism à la Wittgenstein and Robert Brandom’s analytic interpretation of Kantian synthetic unity of apperception. In (...) particular, I explain why a “closed theory” is “closed”, “accurate” (and even “perfect”), and “final” (as Heisenberg claims), and why it is also “open” and “approximate” in Dirac’s sense. That being said, unlike Alisa Bokulich (2004, 2006, 2008), I rather favour Heisenberg’s philosophical position. (shrink)

Abstract: My aim is to reconstruct Kant's argument for the principle of the synthetic unity of apperception. I reconstruct Kant's argument in stages, first showing why thinking should be conceived as an activity of synthesis (as opposed to attention), and then showing why the unity or coherence of a subject's representations should depend upon an a priori synthesis. The guiding thread of my account is Kant's conception of enlightenment: as I suggest, the philosophy of mind advanced in (...) the Deduction belongs to an enlightenment epistemology. Kant's conception of enlightenment turns on the requirement that a subject be able to recognize herself as the source of her cognitions. The argument for the apperception principle is reconstructed under the guidance of this conception of the ideal of enlightenment. (shrink)

This paper is a new non-descriptivist defense of nonconceptualism based on a new interpretation of Kant’s metaphysics of concepts. We advance the following claim: What distinguishes non-conceptual from conceptual singular representations is the way partial representations of the object’s features are integrated into the whole representation of the object, while at the non-conceptual level, this integration takes the form of images of the object’s features that are stored and projected, at the conceptual level this integration takes the form of the (...) recognition that those features are properties of a same object, what Kant calls “synthetic unity of Aperception”. (shrink)

In this chapter, I expound Hegel’s critique of Kant, which he first and most elaborately presented in his early essay Faith and Knowledge (1802), by focusing on the criticism that Hegel levelled against Kant’s (supposedly) arbitrary subjectivism about the categories. This relates to the restriction thesis of Kant’s transcendental idealism: categorially governed empirical knowledge only applies to appearances, not to things in themselves, and so does not reach objective reality, according to Hegel. Hegel claims that this restriction of knowledge to (...) appearances is unwarranted merely on the basis of Kant’s own principle of transcendental apperception, and just stems from Kant’s empiricist bias. He argues that Kant’s principle of apperception as the foundational principle of knowledge is in fact incompatible with his empiricism. Hegel rightly appraises the centrality of transcendental apperception for the constitution of objectivity. But he is wrong about its incompatibility with Kant’s empirical realism. By virtue of a misapprehension of the formal distinction between the accompanying ‘I think’, i.e. the analytical principle of apperception, and what Hegel calls “the true ‘I’” of the original-synthetic unity of apperception, Hegel unjustifiably prises apart the productive imagination, which is supposedly this “true ‘I’”, and the understanding, which is supposedly just a derivative, subjective form of the productive imagination; the latter, according to Hegel, is Reason or Being itself, and is the truly objective. This deflationary reading of the understanding, which hypostatises the imagination as the supreme principle, rests on a distortion of key elements of Kant’s theory of apperception. In this chapter, I show that Hegel’s charge of inconsistency against Kant, namely, Hegel’s claim that the principle of apperception as the highest principle of cognition does not comport with Kant’s restriction thesis, is the direct consequence of a psychological misreading of Kant’s subjectivism. (shrink)

This article reconstructs the development of Kurt Walter Zeidler's argument for a reformulation of Kant's transcendental dialectic as a theory of the foundation of transcendental logic. It therefore examines his doctoral dissertation "Logik des Erkenntnisprozesses. Dedukton - Induktion - Abduktion" (1979), where he discusses Norwood Russell Hansons 'logic of discovery' and finds an analogy between Charls S. Peirce's definiton of 'abduction' and Hegel's defintion of 'analogy', as well as his early papers, collected in "Grundlegungen. Zur Theorie der Vernunft und Letztbegründung" (...) (2015), and his habilitation dissertation "Vernunft und Erfahrung. Untersuchungen zum Erkenntnisproblem in Philosophie und Wissenschaftstheorie" (1986), where he first seeks to verify the claim of Hegel and Peirce, that the synthetical unity of apperception is to be analyzed as a unity of three forms of syllogism corresponding to Aristotle's three figures of syllogism, through a close study of Kant's transcendental deduction of the categories as well as of the transcendental ideas, before he comes to reformulate these deductions in the light of the original unity of sensuality and understanding. The development of this argument is critically examined in three respects, first, in reference to Zeidler's reading of Peirce, Hegel and Schelling, second, with respect to Zeidler's analysis of scientific rationality as well as of the architectonic of the Critique of pure reason, and third, in view of the influence of Erhard Oeser and Erich Heintel on Zeidler's thought. (shrink)

Objects of representation: Kant's Copernican revolution re-interpreted -- Synthetic unities of experience -- Three ways in which space and time might be said to be transcendentally ideal -- The given, the unconditioned, the transcendental object, and the reality of the past -- A theory of everything?: Kant speaks to Stephen Hawking -- Opinion, belief or faith, and knowledge -- Freedom of judgment in Descartes, Spinoza, Hume and Kant -- Six levels of mentality -- A Kantian defense of freewill.