Although efforts have been made to increase the opportunities for American-born minorities to obtain doctoral degrees in business, the actual number of business students who are American-born minorities has been extremely low. At the same time more than half of all PhD candidates in business schools are foreign-born. We suggest that business schools owe an ethical duty to provide role models for minority business students, and that this duty can be achieved by initiating Doctor of Business Administration (DBA) programs that (...) can enable working professionals who are American-born minorities to obtain terminal degrees in business. We outline eight steps that can be taken to implement a viable and cost effective DBA program. (shrink)

In the United States, the northern spotted owl has declined throughout the Pacific Northwest even though its habitat has been protected under the Endangered Species Act. The main culprit for this decline is the likely human-facilitated invasion of the barred owl. The United States Fish and Wildlife Service conducted an experiment in which they lethally removed the barred owls from selected areas in Washington, Oregon, and California. In those locations, the northern spotted owl populations have stabilized and increased. Some (...) have argued that we should kill the barred owl to protect the northern spotted owl. In this essay, I argue that the competitive displacement of northern spotted owls by the barred owl should not be addressed by killing the later to save the former. The most powerful objection to this conclusion is that we will lose old-growth temperate rainforest without an indicator species like the spotted owl protected under the Endangered Species Act. In response, I argue that we should directly conserve old-growth temperate rainforest independent of the northern spotted owl. In effect, we need legislation and policies that protects endangered ecosystems. (shrink)

The paper provides an OWL ontology for legal cases with an instantiation of the legal case Popov v. Hayashi. The ontology makes explicit the conceptual knowledge of the legal case domain, supports reasoning about the domain, and can be used to annotate the text of cases, which in turn can be used to populate the ontology. A populated ontology is a case base which can be used for information retrieval, information extraction, and case based reasoning. The ontology contains not only (...) elements for indexing the case (e.g. the parties, jurisdiction, and date), but as well elements used to reason to a decision such as argument schemes and the components input to the schemes. We use the Protégé ontology editor and knowledge acquisition system, current guidelines for ontology development, and tools for visual and linguistic presentation of the ontology. (shrink)

"Charming, interesting, thought-provoking and a great read." Rosalind Hursthouse The daughter of a pacifist rector who answered "No!" when his congregation asked him "Is everything in the bible true?", perhaps Mary Midgley was destined to become a philosopher. Yet few would have thought this inquisitive, untidy, nature-loving child would become "one of the sharpest critical pens in the west." This is her remarkable story. Probably the only philosopher to have been in Vienna on the eve of its invasion by Nazi (...) Germany in 1938 and dance in Trafalgar Square on VE day seven year later, she studied philosophy at Oxford in the same year as Iris Murdoch, Elizabeth Anscombe and Philippa Foot, all of whom became close friends. Midgley tells us in vivid and humorous fashion how they cut a swathe through the arid landscape of 1950s British philosophy, writing and arguing - often with each other - about the grand themes of character, beauty and the meaning of rudeness while the spectral figure of Ludwig Wittgenstein hovered in the background. She also charts the highs and lows of philosophy and academia in Britain. On joining the Reading philosophy department on £400 a year in 1949, she doubled its staff complement. But her many years at Newcastle University - where Mike Brearley, who later captained England at cricket, also used to teach - were rewarded with the closure of the philosophy department in the 1980s. The mother of three children, her journey is also one of a woman who in the 1950s and 1960s was fighting to combine a professional career with raising a family. In startling contrast to many of the academic stars of her generation, we learn that Midgley nearly became a novelist and started writing philosophy only when in her fifties, suggesting that Minerva's owl really does fly at dusk. Plainly told like her philosophy, this is an elegiac and moving account of friendships found and lost, bitter philosophical battles and of a profound love of teaching all too rarely acknowledged today. (shrink)

Though many of us have constructed our lives (or have had them constructed for us) such that it is easy to ignore or forget, human lives are entangled with other animals in many ways. Some interspecies relations would arguably exist in some form or another even under an ideal model of animal ethics. Others have an inescapably non-ideal character – these relationships exist as they do because things have gone wrong. In such circumstances we have reparative duties to animals we (...) have wronged because we have wronged them. Here I draw upon Christine Korsgaard’s “Fellow Creatures” (2018) and other nonideal approaches to animal ethics to critically assess the United States Fish & Wildlife Service practice of killing barred owls to protect endangered spotted owls in the old growth forest of the Pacific Northwest. This is a difficult case to be sure, but one that can benefit from non-ideal moral assessment in terms of interspecies relational repair. I argue for increased spotted owl habitat preservation and forest restoration as an alternative to barred owl removal that better aligns with both nonideal relational animal ethics and stated US Fish & Wildlife Service values. (shrink)

Our main goal in this paper is to study one Hieronymus Bosch’s iconographic motif, an owl, considering the iconography, production of meaning andconnotations. Pursuant to the comparative analysis of the variants of the formal model we intend to ascertain the meaning of Bosch’s “owl” motif. We supplementits pure visual legend throughout European art history with mythological and symbolic (mainly verbal) legend. Methodologically, we base the vast range ofinterpretations on the school of history of ideas (Aby Warburg, Ernst Gombrich, Erwin Panofsky, (...) Francis Yates, Carlo Ginzburg) and the Tartu-Moscow school ofsemiotics of culture and text analysis. The article concludes that the “owl” motif, including in the works of Bosch, conveys the semantic aura of the “blind sight”(“blind foresight”). This ideological concept is in turn included into the archaic concept of mutual communication between the worlds carried out by a mythological observer — shaman, trickster. (shrink)

Our main goal in this paper is to study one Hieronymus Bosch’s iconographic motif, an owl, considering the iconography, production of meaning andconnotations. Pursuant to the comparative analysis of the variants of the formal model we intend to ascertain the meaning of Bosch’s “owl” motif. We supplementits pure visual legend throughout European art history with mythological and symbolic (mainly verbal) legend. Methodologically, we base the vast range ofinterpretations on the school of history of ideas (Aby Warburg, Ernst Gombrich, Erwin Panofsky, (...) Francis Yates, Carlo Ginzburg) and the Tartu-Moscow school ofsemiotics of culture and text analysis. The article concludes that the “owl” motif, including in the works of Bosch, conveys the semantic aura of the “blind sight”(“blind foresight”). This ideological concept is in turn included into the archaic concept of mutual communication between the worlds carried out by a mythological observer — shaman, trickster. (shrink)

Our main goal in this paper is to study one Hieronymus Bosch’s iconographic motif, an owl, considering the iconography, production of meaning andconnotations. Pursuant to the comparative analysis of the variants of the formal model we intend to ascertain the meaning of Bosch’s “owl” motif. We supplementits pure visual legend throughout European art history with mythological and symbolic (mainly verbal) legend. Methodologically, we base the vast range ofinterpretations on the school of history of ideas (Aby Warburg, Ernst Gombrich, Erwin Panofsky, (...) Francis Yates, Carlo Ginzburg) and the Tartu-Moscow school ofsemiotics of culture and text analysis. The article concludes that the “owl” motif, including in the works of Bosch, conveys the semantic aura of the “blind sight”(“blind foresight”). This ideological concept is in turn included into the archaic concept of mutual communication between the worlds carried out by a mythological observer — shaman, trickster. (shrink)

In the preface to the Philosophy of Right, Hegel compares the philosopher’s work to the flight of the owl of Minerva: just as the latter begins only with the fall of dusk, so too is philosophy bound to ‘come on the scene’ too late to teach ‘what the world ought to be’. This well-known passage has been read in many quarters as a heavy, if not fatal blow to philosophy’s critical role. While some interpreters regard Hegel’s metaphor as an outright (...) rejection of critical theory, others see it as a restriction of philosophy’s normative dimension. In this article, I argue against both of these interpretations. In my view, Hegel’s methodological indications are not incompatible with a critical outlook on received reality. What is more, they do not preclude the possibility of a radical critique of received reality. To show why, I argue that the Philosophy of Right is primarily aimed at a normative reconstruction of existing social and political arrangements, which entails both a retrospective and a prospective dimension. Moreover, I claim that this duality is one of the most original features of Hegel’s practical thought, and the key to its enduring political relevance. (shrink)

Reflections on the paradigm shift in philosophizing in Ukraine at the end of the 80s, based on the authors' personal memories of participation in the Alushta Schools of Young Philosophers.

The resignation from the editorship of the Owl by Frederick Weiss is news that will be received with much regret by all members of the Hegel Society and with dismay by quite a few. Under Rick’s direction the Owl has become something more than a simple news letter. Rather, I think we may claim that it is a distinguished and much valued organ of Hegelian studies in America and elsewhere, even despite its modest dimensions. From this source we have had (...) news, not only of the Society and its members, but of everything of interest and concern to Hegelian scholarship; and not only news, but also views and opinions about current literature and translations from the foremost Hegelian shcolars. Just how important a publication the paper has become was immediately felt when Rick’s predicament that led to his resignation resulted in a back-log and delays in the appearance of the newsletter. The Society’s Treasurer was at once inundated with inquiries about, and anxious requests for, forthcoming numbers, both from Libraries and from individuals. (shrink)

The paper gives ontologies in the Web Ontology Language (OWL) for Legal Case-based Reasoning (LCBR) systems, giving explicit, formal, and general specifications of a conceptualisation LCBR. Ontologies for different systems allows comparison and contrast between them. OWL ontologies are standardised, machine-readable formats that support automated processing with Semantic Web applications. Intermediate concepts, concepts between base-level concepts and higher level concepts, are central in LCBR. The main issues and their relevance to ontological reasoning and to LCBR are discussed. Two LCBR systems (...) (AS-CATO, which is based on CATO, and IBP) are analysed in terms of basic and intermediate concepts. Central components of the OWL ontologies for these systems are presented, pointing out differences and similarities. The main novelty of the paper is the ontological analysis and representation in OWL of LCBR systems. The paper also emphasises the important issues concerning the representation and reasoning of intermediate concepts. (shrink)

Since 1945, there have been two waves of Anglo-American writing on Hegel's political thought. The first defended it against works portraying Hegel as an apologist of Prussian reaction and a theorist of totalitarian nationalism. The second presented Hegel as a civic humanist critic of liberalism in the tradition of Rousseau. The first suppressed elements of Hegel's thought that challenge liberalism's individualistic premises; the second downplayed Hegel's theism. This book recovers what was lost in each wave. It restores aspects of Hegel's (...) political thought unsettling to liberal beliefs, yet that lead to a state more liberal than Locke's and Kant's, which retain authoritarian elements. It also scrutinizes Hegel's claim to have justified theism to rational insight, hence to have made it conformable to Enlightenment standards of admissible public discourse. And it seeks to show how, for Hegel, the wholeness unique to divinity is realizable among humans without concession or compromise and what role philosophy must play in its final achievement. Lastly, we are shown what form Hegel's philosophy can take in a world not yet prepared for his science. Here is Hegel's political thought undistorted. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Gary Shapiro THE OWL OF MINERVA AND THE COLORS OF THE NIGHT Hegel is known to many readers mainly for a few striking figurative passages which he himself excluded from the central structures of his major texts as extrinsic remarks. His mature system justifies this exclusion by claiming that philosophy operates in the realm of the pure concept, having surpassed the sensuous narrative images of art and religion. Nevertheless, (...) the very forcefulness of the passages themselves indicates that the mature Hegel may never have peacefully aufgehoben the young man who believed in 1796 that philosophy, in order to resume its original role as educator of mankind, must become aesthetic, mythological, and poetic. (I am assuming that Hegel either wrote "the earliest system-program of German idealism" or endorsed its principles.) A reading of the famous elegiac passage in the "Preface" to the Philosophy of Right suggests not only problems of meaning, but of philosophical rhetoric: One more word about giving instruction as to what the world ought to be. Philosophy in any case always comes on the scene too late to give it. As the thought of the world, it appears only when actuality is already there cut and dried after its process of formation has been completed. The teaching of the concept, which is also history's inescapable lesson, is that it is only when actuality is mature that the ideal first appears over against the real and that the ideal apprehends this same real world in its substance and builds it up for itself into the shape of an intellectual realm. When philosophy paints its gray in gray, then has a shape of life grown old. By philosophy's gray in gray it cannot be rejuvenated but only understood. The owl of Minerva spreads its wings only with the falling of the dusk.1 The first focus of attention here is usually on the mood of philosophical resignation in which completion of a rational development leaves no room for action or advice. Theory must necessarily give up any Utopian 276 Gary Shapiro277 or activist pretentions it may have harbored once it sees that it can only describe what has been. Despite the fact that Hegelian actuality (Wirklichkeit) is the result of a rational and dialectical process, ascetic renunciation of any relation to action puts Hegel in the strange company of nineteenth century positivists and empiricists; it also establishes a tone fundamentally different from classical European political philosophy of thinkers like Machiavelli, Hobbes, and Rousseau, a tone which Marx, provoked by Hegel, was to revive. The statement can also be read on a scale much larger than the political, in which it suggests a resigned acceptance of the completion of Western philosophy and civilization. Hegel is notorious for his view that spirit (Geist), the fundamental reality, has completed itself through the self-knowledge which it attains in his system of philosophy. That he sometimes speaks of his enterprise as a Wissen or Wissenschaft (knowledge, science, or wisdom) suggests how far he has come from the Socratic conception of philosophy as always characterized by a lack of that which it loves. It would be intriguing to explore these themes. Such exploration would involve a more thorough knowledge of what Hegel understands by end, completion, and fulfillment when he speaks of political life and the higher forms of spirit—art, religion, and philosophy. We might even be led by such an inquiry into Hegel's meaning to see his claims as historically and philosophically plausible and to reconsider our own resistance to believing that we live in a deepening twilight. What I wish to do, however, is to call attention to the manner in which Hegel speaks of Minerva's owl and to juxtapose both the manner and the substance of his thought about the twilight of philosophy and civilization with some of Hölderlin's dichterisch and Heidegger's denkerisch meditations on similar themes. For if Hegel has announced the coming of the night, Hölderlin and Heidegger have sought to make the night their very own territory and to comprehend it from within. If Hegel has rather gingerly allowed himself to lapse into that famous figurative discourse of the... (shrink)

This book presents a unique rethinking of G. W. F. Hegel's philosophy from unusual and controversial perspectives in order to liberate new energies from his philosophy. The role Hegel ascribes to women in the shaping of society and family, the reconstruction of his anthropological and psychological perspective, his approach to human nature, the relationship between mental illness and social disease, the role of the unconscious, and the relevance of intercultural and interreligious pathways: All these themes reveal new and inspiring aspects (...) of Hegel’s thought for our time. (shrink)

Although capital punishment has been gradually disappearing from liberal democracies, philosophers remain divided as to its permissibility. The first part of this chapter considers arguments in favor of retention and abolition, with particular attention to recent contractualist arguments. I then consider the United States Supreme Court’s incrementalist approach, under the rubric of “evolving standards of decency.” On this view, the Constitution is limited to sweeping up stragglers; like Minerva’s owl, the Constitution announces a philosophy of punishment only in hindsight. The (...) final section draws on Feinberg’s suggestion that punishment reflects a society’s particular “symbols of infamy.” A society may come to rethink its symbols of infamy, such as capital punishment, but that is unlikely to be because philosophical argument has silenced all reasonable doubt. (shrink)

The quote that inspires a part of my title will be familiar to most readers. In the concluding paragraphs of the Preface to his Philosophy of Right, Hegel examines the role of philosophy in prescribing principles on how the world ought to be. ‘When philosophy paints its grey in grey’, Hegel writes, citing a part of Goethe’s Faust,'A shape of life has grown old, and it cannot be rejuvenated, but only recognized by the grey in grey of philosophy; the owl (...) of Minerva begins its flight only when the shadows of night are gathering.'. (shrink)

With this issue, The Owl of Minerva begins its life under a new administration. This change will bring with it some changes in the journal’s policies, its design, the constitution of its Boards. Readers of The Owl, however, will understand why a journal dedicated to the study of Hegel’s thought must acknowledge the moment of transition. They will know, too, that transitions have two moments: one that looks back to the previous life-form and discerns in it the seeds of a (...) new spirit; one that rethinks the old life in a new form. In what follows, we will do both. Section I looks back to what we owe Larry Stepelevich and his staff. Section II describes the new form this legacy will take under the new administration. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:OwlJohn HollanderOwlNow that the owl-light—in the time between Dog and wolf, as some call it—ends, we wait As you alight on an unseen Branch to interrogateThe listener and the rememberer; Lost outlines heighten—as last colors fade— The sounder darkness you confer Upon the spruce’s shade.Deluded by the noonlight’s wide display Of everything, our vision floats through thin Spaces of ill-illumined day: How we are taken inBy what we take (...) in with our roving eyes! Your constant ones, if moved to track or trace, Take their head with them, lantern-wise Taking heed, keeping faceIn the society of night, and keeping Faith with the spirit of pure fixity That sets the mind’s great heart to leaping At what you more than see. [End Page 163]Medusa’s visage gazed our bodies to Literal stone unshaded: your face, caught In our glance widely eyes us through, Astonishing our thought. You who debated with the nightingale The rectitude of northern wisdom, cold Against the love-stuff of the tale The laid-back south had told; And yet who stood amid the lovely, thick Leaves of the ivy, while in all their folly The larks and thrushes sought the prick And berries of the holly; You who confounded the rapacious crow Thus to be favored by the great sky-eyed Queen of the air and all who know, Now ever by her side; With silent wing and interrogative Cry in lieu of a merely charming song, You sound the dark in which you live Perched above right and wrong. Resonance is not vacancy: although He could hear nothing in your hollow howls But woe and his own guilt, Thoreau Rejoiced that there were owls. Scattered and occasional questionings With here and there too late a warning shout, Wisdom arises on the wings Of darkness and of doubt. Where in day’s vastnesses does truth reside? In noon’s uncompromising light and heat When even our own shadows hide Under our very feet? Or in the hidden center of the quick Resilient dark on which your narrowed sight So pointedly alights to pick Not the day, but the night, [End Page 164] Its fruitful flower, petaled a hundredfold? Oh it is there, truth, with the poor blind prey Trembling with prescience or cold Waiting for how your way Of well-tuned suddenness and certitude Tight-strung and execution highly wrought Leads to the pounced-on object, food For something beyond thought, By overlooking nothing, overseeing In all the stillness hidden, tiny motions Squirming with the life of being Inferences and notions. With patient agency the beak and claws Of fierce sublime awareness pluck it clean Deriving what for us are laws Governing the unseen. Under torn canvas we put out to sea Trusting, though puzzled by what glows above, To something like philosophy To be the helmsman of Life (but whose life?). Your lessons of the land, Down-to-tree, then, if not -to-earth, indict Our helplessness to understand Just what we are at night. Immensities of starlight told us lies Of what and where we are; but, we allow, Drunk with the Milky Way, our eyes Are on the Wagon now, Fugitive slaves, leaving despair for dread As if in search of the cold, freeing North, Keep gazing steadily ahead Keep on Keep knowing forth You urge us, as your silences address The power that Minerva chose you for: Great-winged, far-ranging consciousness Now come to rest in your [End Page 165] Olympian attentiveness that finds The affrighted heartbeat on the ground, perceives The flutter of substances, the mind’s Life in the fallen leaves.John HollanderYale UniversityCopyright © 1996 The Johns Hopkins University Press... (shrink)

This paper offers a theologically‐orientated examination of some core themes of the works of the philosopher Mary Midgley (1919–2018), identifying areas of possible theological exploration and development. Particular attention is paid to her critique of the reductionist strategies of writers such as Richard Dawkins, her development of the ‘mapping’ metaphor for engaging complex issues, and her emphasis on the critical role of philosophy. Although the paper offers some brief examples of theological issues which are illuminated by Midgley’s philosophical approach (such (...) as soteriological mapping), the primary purpose of the paper is to highlight the theological hospitality that it offers. (shrink)

The resignation from the editorship of the Owl by Frederick Weiss is news that will be received with much regret by all members of the Hegel Society and with dismay by quite a few. Under Rick’s direction the Owl has become something more than a simple news letter. Rather, I think we may claim that it is a distinguished and much valued organ of Hegelian studies in America and elsewhere, even despite its modest dimensions. From this source we have had (...) news, not only of the Society and its members, but of everything of interest and concern to Hegelian scholarship; and not only news, but also views and opinions about current literature and translations from the foremost Hegelian shcolars. Just how important a publication the paper has become was immediately felt when Rick’s predicament that led to his resignation resulted in a back-log and delays in the appearance of the newsletter. The Society’s Treasurer was at once inundated with inquiries about, and anxious requests for, forthcoming numbers, both from Libraries and from individuals. (shrink)

Sami Pihlström argues in his “Ethical Unthinkabilities and Philosophical Seriousness” that there are some philosophical views that are so dangerous that we should not discuss them. He advances this argument with special reference to my (anti-natalist) view that being brought into existence is always a serious harm. In response I argue: (a) that there are major flaws in his argument for the conclusion that we should not think about (purportedly) unthinkable views; and (b) that my views about the harm of (...) coming into existence are in any event neither unthinkable nor dangerous. (shrink)

It is rare to see books whose titles compare them to philosophical masterpieces. In Hollywood, a sequel is most often a calculated, crass attempt to cash in on the financial success of a popular movie. Given this current usage, it is curious to take up the gambit of a sequel in less greed-driven areas of culture. An additional curiosity in the title is the metaphor of the owl as the sun rises, a reversal of the flight of the owl of (...) Minerva. The first question a reader asks is, what sense do the phrases which compose the title make? (shrink)

A present-day continuation of the philosophical narrative presented in G.W.F. Hegel's Phenomenology of Spirit that confronts every major post-Hegelian philosophical position and arrives at an original reconception of the purpose of dialectical phenomenology.

The fallacy fallacy is either the misdiagnosis of fallacy or the supposition that the conclusion of a fallacy must be a falsehood. This paper explores the relevance of these and related errors of reasoning for the appraisal of arguments, especially within virtue theories of argumentation. In particular, the fallacy fallacy exemplifies the Owl of Minerva problem, whereby tools devised to understand a norm make possible new ways of violating the norm. Fallacies are such tools and so are vices. Hence a (...) similar problem arises with argumentative vices. Fortunately, both instances of the problem have a common remedy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On John Hollander’s “Owl”Eleanor CookSuppose we start with grammar, assuming we’ve glanced at the look of “Owl” on the page, as if through the eyes of May Swenson. Here is the way she began to read a poem: “I like to see the poem first as a shut box or package to be opened, within which is an invention whose particular working I hope to discover. Something can be (...) felt about it even before beginning to read: its profile on the page, its regular or irregular pattern of stanzas, length of lines, their symmetry, its wide or thin shape, its look of bulk or lightness.” 1 So here, we observe a one-word title: a noun, no article, and so more like Bishop’s “Sandpiper” than Frost’s “The Oven Bird.” Then quatrains, twenty-four of them, each shorter in its third and more in its fourth line; the pulse iambic and 5 5 4 3 (pentameter twice, tetrameter, trimeter), the rhyme a b a b. Each stanza, in little, looks and listens like an owl, narrowing down to its fourth line, listening to the sounds and silences both—the sounds of the full end-rhymes, assonance, midline rhyming, schematic echoes, and so on; and the silences resonating in the vacant space left by one fewer foot in the third line, then two in the fourth, an effect especially noticeable in the end-stopped lines. This stanza form is (I believe) John Hollander’s own, 2 and it teaches us how to listen better. Owls hunt with their ears as well as their eyes, and with only their ears if necessary.In starting with grammar, I am simply choosing one partner in the dance of grammar, rhetoric, and dialectic that constitutes all writing. I shall touch on lexical questions and two senses of voice, before turning to the heart of the matter, the poem’s figuration and fable, then end [End Page 167] with some remarks on “Owl” as part of all Hollander’s work and also as a poem of our moment.The grammar, then, and first the syntactic variety of the sentences. T. S. Eliot wrote in 1918 that technique is not simply “what may be learned from a manual of prosody. This is making technique easy.... Technique is more volatile; it can only be learned, the more difficult part of it, by absorption. Try to put into a sequence of simple quatrains the continuous syntactic variety of Gautier or Blake....” 3 Something of Hollander’s distinctive voice in both poetry and prose lies in his great command of grammatical structures, including his syntactic variety. “Owl” is strongly predicative in style (note the complex syntax, and the remarkably high use of participles, past and present). The sentences give the effect of generating themselves, especially through their parallel grammatical constructions, where the last term in a double or triple set is likely to be modified by a clause or phrase—the whole sentence ramifying and exfoliating, as if we were watching a zoological or genealogical tree grow under our eyes. [See, for example, the parallel participles in the last line of stanza 4 and stanza 5: “Taking heed... you more than see.” Or consider how one participle leads to another in stanzas 15 through 17, beginning with “Trembling....”]Such syntactic energy gives a quick, vital rhythm to the sentence—a fast pace, given the richness of thought, hints, implications. A pace sometimes slightly nervous, curbing and steadying its own energies, partly through the regular beat of the simple rhyme scheme and quatrain. It seems to me that the forward propulsion of both the grammar and dialectic is steadied, directed, by the rhetorical schemes—that rhetoric here offers what I want to call something like a discipline of simplicity. This is a function we may not associate with rhetorical schemes, those “surface patterns of words” that “carry no meanings per se.” 4 In Roman Jakobson’s terms—and his discussion of parallelism was really the only thing that helped with what I was hearing—what I am hearing is the pull between a regular, simple parallelism of stanza form and a much-varied, complex parallelism of... (shrink)

It is rare to see books whose titles compare them to philosophical masterpieces. In Hollywood, a sequel is most often a calculated, crass attempt to cash in on the financial success of a popular movie. Given this current usage, it is curious to take up the gambit of a sequel in less greed-driven areas of culture. An additional curiosity in the title is the metaphor of the owl as the sun rises, a reversal of the flight of the owl of (...) Minerva. The first question a reader asks is, what sense do the phrases which compose the title make? (shrink)

Study one: Between phenomenology and hermeneutics -- Study two: Between imagination and language -- Study three: Between myth and tradition -- Study four: Between ideology and utopia -- Study five: Between good and evil -- Study six: Between poetics and ethics -- Dialogue 1: Myth as the bearer of possible worlds -- Dialogue 2: The creativity of language -- Dialogue 3: Universality and the power of difference -- Dialogue 4: Imagination, testimony, and trust -- Dialogue 5: On life stories.

While genomic and proteomic information describe the overall cellular machinery available to an organism, the metabolic profile of an individual at a given time provides a canvas as to the current physiological state. Concentration levels of relevant metabolites vary under different conditions, in particular, in the presence or absence of different disorders. Metabolite concentrations thus mediate an important link between chemistry and biology, contributing to a systems-wide understanding of biological processes and pathways. However, there are a number of challenges in (...) the ontological representation of such information. Firstly, concentration information is numeric and ranges over continuous values, while ontologies consist of discrete classes. Secondly, ontologies usually model only what is certain, and their logical formalisms are adapted to reasoning from certain axioms to logical deductions, however, the link between chemicals and diseases via concentration levels, like many threshold phenomena, is both uncertain and vague. In this paper we evaluate the representation of this knowledge using a combination of concrete domains and probabilistic reasoning. We parse concentration values from HMDB and create an ontology able to distinguish normal from abnormal concentrations and able to evaluate a probabilistic risk category for the presence of an associated disorder. (shrink)

Despite its title and stated objectives this edited volume does not provide a broad and inclusive survey of post-apartheid South African historiographical developments. Its main topic is the unexpected demise in the post-apartheid context of the radical or revisionist approach that had invigorated and transformed the humanities and social studies during the 1970s and 1980s. In the context of the anti-apartheid struggle the radical historians had developed a plausible model of praxis for progressive scholarship, yet in the new post-apartheid democratic (...) South Africa radical historical scholarship itself encountered a crisis of survival. This should not be confused with a general “crisis” of historical scholarship in South Africa, as some of the uneven contributions to this volume contend, as that remains an active and diversely productive field due also to substantial contributions by historians not based in South Africa. If the dramatic and ironic fate of radical historical scholarship in the context of the transition to a post-apartheid democracy is the volume's primary topic, then it unfortunately fails to provide serious and sustained critical reflection on the origins and possible explanations for that crisis. A marked feature of the accounts of “history making” provided in this volume is the radical historians' lack of self-reflexivity and the scant interest shown in the underlying history of their own intellectual trajectories. (shrink)