While regarding Gregory M. Browne as mainly on target in his Rand-inspired treatment of reference and necessity, as well as in his rejection of the analyticsynthetic dichotomy, Long argues, first, that Browne is mistaken in rejecting some other vital distinctions, such as the a priori / a posteriori distinction; second, that Browne is nevertheless implicitly committed, under different terminology, to these very distinctions that he purportedly rejects; and third, that Browne's treatment of kinds and definitions leads him to misdescribe and (...) misprescribe ordinary language use, and also to embrace unnecessary semantic incommensurability. (shrink)

The beauty contest game is widely used to study the determinants of strategic thinking. Here, we examine the role of theory of mind in strategic reasoning by comparing both performance and the reas...

This is an 18,500 word bibliography of philosophical scholarship on Beauty which was published online in the Oxford Bibliographies Online. The entry includes an Introduction of 800 words, 21 x 400-word sub-themes and 168 annotated references. INTRODUCTION Philosophical interest in beauty began with the earliest recorded philosophers. Beauty was deemed to be an essential ingredient in a good life and so what it was, where it was to be found and how it was to be included in (...) a life were prime considerations. The way beauty has been conceived has been influenced by an author’s other philosophical commitments, metaphysical, epistemological and ethical and such commitments reflect the historical and cultural position of the author. For example, beauty is a manifestation of the divine on earth to which we respond with love and adoration; beauty is a harmony of the soul which we achieve through cultivating feeling in a rational and tempered way; beauty is an idea raised in us by certain objective features of the world; beauty is a sentiment which can nonetheless be cultivated to be appropriate to its object; beauty is the object of a judgment by which we exercise the social, comparative and inter-subjective elements of cognition and so on. Such views on beauty not only reveal underlying philosophical commitments but also reflect positive contributions to understanding the nature of value and the relation of mind and world. One way to distinguish between beauty theories is according to the conception of the human being that they assume or imply, for example, where they fall on the continuum from determinism to free will, ungrounded notions of compatibilism notwithstanding. For example, theories at the latter end might carve out a sense of genuine innovation and creativity in human endeavours while at the other end of the spectrum authors may conceive of beauty as an environmental trigger for consumption, procreation or preservation in the interests of the individual. Treating beauty experiences as in some respect intentional, characterises beauty theory prior to the twentieth century and since, mainly in historically inspired writing on beauty. On the other hand, treating beauty as affect or sensation has always had its representatives and is most visible today in evolutionary inspired accounts of beauty (though not all evolutionary accounts fit this classification). Beauty theory falls under some combination of metaphysics, epistemology, meta-ethics, aesthetics and psychology. While in the twentieth century beauty was more likely to be conceived as an evaluative concept for art, recent philosophical interest in beauty can again be seen to exercise arguments pertaining to metaphysics, epistemology, meta-ethics, philosophy of meaning and language in addition to philosophy of art and environmental aesthetics. (shrink)

The rejection of beauty from a political standpoint is a significant part of the legacy of avant-gardism in contemporary art. In particular, Arthur Danto signaled that artistic activism should avoid beauty simply because beauty induces the wrong perspective on whatever it is desired to have an impact upon. While artistic beauty’s tendency would be to heal, he claimed, political protest needs anger as its trigger. This article challenges such an argument that opposes beauty’s emotional effects (...) on political action by examining the complex nature of both beauty and anger. I contest a mere contemplative view of beauty and, using Carolyn Korsmeyer’s account of “terrible beauties,” bound up with discomforting emotions, I defend that beauty can be compatible with anger albeit, in order to be politically truly effective, anger must move from the wish to punish toward more productive forward-looking thoughts. Though often being necessary as a source of motivation to fight for justice, I believe, with Martha Nussbaum and Myisha Cherry, that anger is truly politically effective and keeps its noble side when detached from revenge and directed by hope, a value related to beauty. (shrink)

The paper introduces the “Contest Paradox”: on the one hand, rational competitors employ the most effective means to achieve the constitutive end of games - winning; On the other hand, apparently rational competitors often employ means that are sub-optimal for winning, e.g., playing beautifully or fairly. Nevertheless, the actions of such competitors are viewed as rational. Are such competitors rational? I reject the possibility of resolving the paradox by appealing to additional ends or norms to winning, such as playing sportingly. (...) Instead, I argue that the constitutive end of games is not a win simpliciter, but a type of win, such as winning-beautifully or winning-fairly. This interpretive framework is theoretically advantageous because it accounts better for the ‘unity of action’ or ‘flow’ competitors experience, better deals with various cases, and accommodates different traditions of competing. (shrink)

This paper charts P.A.M. Dirac’s development of his theory of the electron, and its radical picture of empty space as an almost-full plenum. Dirac’s Quantum Electrodynamics famously accomplished more than the unification of special relativity and quantum mechanics. It also accounted for the ‘duplexity phenomena’ of spectral line splitting that we now attribute to electron spin. But the extra mathematical terms that allowed for spin were not alone, and this paper charts Dirac’s struggle to ignore or account for them as (...) a sea of strange, negative-energy, particles with positive ‘holes’. This work was not done in solitude, but rather in exchanges with Dirac’s correspondence network. This social context for Dirac’s work contests his image as a lone genius, and documents a community wrestling with the ontological consequences of their work. Unification, consistency, causality, and community are common factors in explanations in the history of physics. This paper argues on the basis of materials in Dirac’s archive that — in addition — mathematical beauty was an epistemological factor in the development of the electron and hole theory. In fact, if we believe that Dirac’s beautiful mathematics captures something of the world, then there is both an epistemology and an ontology of mathematical beauty. (shrink)

Paul de Man calls for rhetorical reading attentive to the materiality of language and the metaphorical nature of all words and concepts. He insists that tropes are purely cognitive and devoid of any aesthetic function, and describes language as mechanical and non-human. He contests Schiller’s account of aesthetic education, in which the ‘aesthetic state’– enjoyment of beauty or pure aesthetic form – leads man to truth and moral freedom. He links Schiller’s advocacy of pure form with the idea (...) in Kleist’s short story about marionette theatre that human perfection in dance can best be achieved by mechanization and mutilation. Schiller argued that the ideal man is represented by the State; de Man quotes Goebbels on how the statesman is an artist who ‘mechanizes’ the masses and shapes an aesthetic State out of the people, just as artists shape their material. But even though the Nazis aestheticized politics, the essence of fascism remains power rather than language or form. Whether or not the late de Man’s account of the aesthetic is a consequence of his wartime espousal of an implicitly fascist notion of aesthetic totality, the aesthetic is not as inherently dangerous as he describes it. (shrink)

Inspired by the Monty Hall Problem and a popular simple solution to it, we present a number of game-show puzzles that are analogous to the notorious Sleeping Beauty Problem (and variations on it), but much easier to solve. We replace the awakenings of Sleeping Beauty by contestants on a game show, like Monty Hall’s, and increase the number of awakenings/contestants in the same way that the number of doors in the Monty Hall Problem is increased to make it (...) easier to see what the solution to the problem is. We show that these game-show proxies for the Sleeping Beauty Problem and variations on it can be solved through simple applications of Bayes’s theorem. This means that we will phrase our analysis in terms of credences or degrees of belief. We will also rephrase our analysis, however, in terms of relative frequencies. Overall, our paper is intended to showcase, in a simple yet non-trivial example, the efficacy of a tried-and-true strategy for addressing problems in philosophy of science, i.e., develop a simple model for the problem and vary its parameters. Given that the Sleeping Beauty Problem, much more so than the Monty Hall Problem, challenges the intuitions about probabilities of many when they first encounter it, the application of this strategy to this conundrum, we believe, is pedagogically useful. (shrink)

This article focuses on the relationship between evaluations of beauty and the ethics of living well. Separating these ideas typically involves understating how racism and patriarchy shape wider cultural and aesthetic sensibilities. I counter this tendency by foregrounding the precarity of vulnerable black children and the importance of self‐love in their efforts to flourish. My strategy involves placing Toni Morrison in conversation with Alexander Nehamas and Harry Frankfurt, philosophers who have carefully engaged the topics of beauty and love. (...) By situating aesthetic judgment within ongoing practices of social formation and political contestation, I reveal the importance of linking beauty with practices of self‐regard while also detailing my criticisms of thinkers who downplay their significance. The effect is to position Morrison as an instructive guide for scholars interested in aesthetics, ethics, and politics. (shrink)

Beauty is a contested concept insofar as it seeks to mark a categorical distinction among the sources of pleasure, typically in terms of oppositions such as objective/subjective, universal/particular, necessity/contingency. Kant represents a culmination of this tradition in defining the judgment of beauty in terms of the requirement for universal agreement, modeling the judgment of beauty as closely as possible to ordinary factual judgments. A different tradition of thinking about beauty, however, while still seeking to mark a (...) categorical distinction by reference to the idea of necessity, finds the relevant sense of necessity not in conditions of agreement but necessities of erotic love and the sense of requirement felt toward its objects. This paper explores the consequences of taking this other tradition seriously, using Proust as a representative exemplar, as a way both of making sense of some of the features Kant ascribes to the concept of the beautiful, while avoiding the paradoxes stemming from his focus on the conditions for universal agreement. (shrink)

While Theodor Adorno is known for his philosophical reconstruction of aesthetic modernism, he also analyzes—and is critical of—the demotion of natural beauty in the hierarchy of aesthetic concerns following Kant. Recent scholars have acknowledged that natural beauty is important in Adornian aesthetics, but many do so in a manner that repeats the subordination of natural beauty and the aesthetic experience of nature to that of art. Against this tendency, in this article I demonstrate that not only does (...) Adorno contest the inferiority of the aesthetic experience of nature but his unconventional description and theoretical articulation of natural beauty is especially pertinent for our time of climate crisis. By unpacking his endorsement of Walter Benjamin's casting both nature and history in terms of transience, I argue that Adorno proposes an experience of natural beauty that is expressive of social historical content, offers a vision of a different relationship with nature, and discloses ethical claims on us to act in this world. (shrink)

This unique collection of essays focuses on various aspects of Plato's Philosophy of Art, not only in The Republic , but in the Phaedrus, Symposium, Laws and related dialogues. The range of issues addressed includes the contest between philosophy and poetry, the moral status of music, the love of beauty, censorship, motivated emotions.

Heidegger’s discussions of beauty in the 1930s and ’40s arguably have more to do with a confrontation with Hegel than with a revisiting of the question of how best to analyse our experience of the beautiful. Beauty, for Heidegger as for Hegel, takes its definition from truth. At issue is a forcible rewriting of the harmony of the faculties to which Kant appeals in his defence of pure aesthetic judgements. The highest truth, and the truth of beauty, (...) lies in a proper understanding of harmony, whether as the comprehensive reconciliation of the absolute Idea or as the non-closure in which truth as unconcealment remains contested by concealment. While neither Hegel nor Heidegger abides by the subjectivism of Kant’s aesthetics, insisting instead that beauty is more than a mere feeling, Hegel’s beauty as reconciliation and Heidegger’s beauty as strife both attest to the ongoing sway of Kant’s harmony of the faculties. (shrink)

Heidegger’s discussions of beauty in the 1930s and ’40s arguably have more to do with a confrontation with Hegel than with a revisiting of the question of how best to analyse our experience of the beautiful. Beauty, for Heidegger as for Hegel, takes its definition from truth. At issue is a forcible rewriting of the harmony of the faculties to which Kant appeals in his defence of pure aesthetic judgements. The highest truth, and the truth of beauty, (...) lies in a proper understanding of harmony, whether as the comprehensive reconciliation of the absolute Idea or as the non-closure in which truth as unconcealment remains contested by concealment. While neither Hegel nor Heidegger abides by the subjectivism of Kant’s aesthetics, insisting instead that beauty is more than a mere feeling, Hegel’s beauty as reconciliation and Heidegger’s beauty as strife both attest to the ongoing sway of Kant’s harmony of the faculties. (shrink)

In June 1931, on the eve of the invasion of Manchuria, the Japanese mass media announced the winner of the first Miss Nippon contest. Applicants were limited to rank amateurs whose photographs, and not bodies, were judged by a panel of mostly elderly men who regarded the contest as `culture work'. A second contest was held in 1934. One of the main objectives of the Miss Nippon contests was to locate and record photographically, young women whose allegedly `pure blood' (...) and ideal bodily proportions demonstrated the success of eugenics and social hygiene programs launched decades earlier. Japan's imperialist aggression in Asia and the Pacific forms the backdrop to this study on the centrality of popular cultural events and media in the state's attempt to improve the `Japanese race' through technologies of eugenics and social hygiene. The article explores the politics of blood, body and beauty, three interrelated subjects, framed by the Miss Nippon contests, that were common to the colonial project and the discourse of eugenics alike. (shrink)

This article uses a comparative-case research design of two different national beauty pageants in Nigeria to ask how and why gendered nationalisms are constructed for different audiences and aims. Both contests claim to represent “true Nigerian womanhood” yet craft separate models of idealized femininity and present different nationalist agendas. I argue that these differences stem from two distinct representations of gendered national identities. The first pageant, “Queen Nigeria,” whose winners do not compete outside of Nigeria, brands itself as (...) a Nigerian-based pageant, centered on a cultural-nationalist ideal, which is focused on revitalizing and appreciating Nigerian culture to unify the nation. In contrast, the second contest, “The Most Beautiful Girl in Nigeria,” utilizes “international standards” to select and send contestants to Miss World and Miss Universe, the top pageants in the world, and promotes a cosmopolitan-nationalist ideal, which remains concentrated on propelling and integrating Nigeria into the international arena. (shrink)

Fodor's doubts about neo‐Darwinism are driven by something other than familiarity with evolutionary biology, so they should be set aside. His claim that a theory of intentionality cannot be constructed on an evolutionary foundation because there is no representation in the process of natural selection reveals that he has been blind to the chief beauty of Darwin's vision: its capacity to explain not just how the living can come, gradually, from the non‐living, but also how meaning can come, by (...) incremental steps, out of the meaningless. (shrink)

We propose a two-step guessing game to measure the depth of thinking. We apply this method to the P beauty contest game. Using our method, we find that 81% of subjects do not make choice following best response reasoning while the classical method would suggest only 12%. The result suggests that the classical method has the fundamental problem that it cannot distinguish if a submitted number is due to best response reasoning or not. It also suggests that traditional level (...) k analysis falsely attributes some sophistication to random players, and that the degree of false attribution is large. Our procedure provides an alternative way to identify whether the individual has best response reasoning which is essential for any positive level of depth of thinking and differentiates between the depth of thinking and random choice, and hence provides a very different conclusion, which is suggestive of limitations of the classical method. (shrink)

Parker’s article is a welcome attempt to address the importance of environmental sustainability in the realm of clinical ethics.1 We support the recent movement to seriously consider the environmental impact of healthcare institutions in bioethics.2 3 Still, we find two partly linked weaknesses of Parker’s analysis and guideline suggestion. These relate to a need in ‘green’ bioethics to see beyond the normal healthcare ethical focus on health-related values related to individual patients, and to primarily adopt institutional ways of framing central (...) decision problems. Traditional bioethics applies a restricted scope of values to assess clinical decisions: primarily health-related patient well-being (including life) and patient autonomy. If a decision improves (or, as in Parker’s inhaler case, maintains) a patient’s health-related well-being, this supports it. However, if a decision improves a patient’s non health-related well-being, say, winning a beauty contest or securing a job by having cosmetic surgery, it is not supported. And so on. This idea of healthcare as, in Michael Walzer’s classic terminology, a separate ‘sphere of justice’ has two interrelated limitations: it reflects a bias towards individual patients over other people, and it restricts the scope of values allowed to influence healthcare ethical judgements. These limitations appear once we see that the issue addressed by Parker can be framed either as prescription decisions taken by individual doctors against the background of …. (shrink)

Why is the average quality of research in open science so high? The answer seems obvious. Science is highly competitive, and publishing high quality research is the way to rise to the top. Thus, researchers face strong incentives to produce high quality work. However, this is only part of the answer. High quality in science, after all, is what researchers in the relevant field consider to be high quality. Why and how do competing researchers coordinate on common quality standards? I (...) argue that, on the methodological level, science is a dynamic beauty contest. (shrink)

This paper analyses Soros' theory of reflexivity by breaking it down into several component concepts that are individually well analysed in existing literature – including performativity, self-reinforcing feedback loops and uncertainty. By focusing on the cognitive myopia implied by analytical monocultures and on the indeterminacy implied by innovation, it helps establish boundaries of applicability for reflexivity models. It argues that Soros largely ignores a key element in the formation of self-reinforcing delusions or market bubbles – the role played in conditions (...) of uncertainty by homogeneous social narratives and shared mental models. This paper also examines how social learning, rhetoric, power, emotional contagion, the discourse of ‘best practice’, ‘and Keynes' beauty contest may lead to such shared narratives and analytical homogeneity in markets. It concludes that market instability results when there is insufficient cognitive diversity or heterogeneity of beliefs among actors to enable them to spot anomalies and novelties. (shrink)

This chapter contains section titled: On What the Forms Are: the Present State of the Question Sketch of the View to be Offered Here Plan of this Discussion of the Forms The Republic's Project as a Whole The First Group of Passages on the Forms (V.472b—e with 454a–456c) The Second Group of Passages (X.596a–602b) The Third Group of Passages on the Forms (V.475e–480b, VI.484b–485b, 486d‐e, 490a—b, 493e–494a, 500b–502d) The Fourth Group of Passages (VI.502c‐VII.541b: Sun, Line, and Cave) as Describing the (...) “Longer Road”: Plato's Identification of the Good with the Form of the Good The Anti‐reductionism of the Sun, Line, and Cave about the Real Natures of Things that Structure the Universe Conclusion. (shrink)

A significant strand of the ethical psychology, aesthetics and politics of Plato's Republic revolves around the concept of poikilia, ‘fascinating variety’. Plato uses the concept to caution against harmful appetitive pleasures purveyed by democracy and such artistic or cultural practices as mimetic poetry. His aim, this article shows, is to contest a prominent conceptual connection between poikilia and beauty (kallos, to kalon). Exploiting tensions in the archaic and classical Greek concept, Plato associates poikilia with dangerous pleasures to redirect admiration (...) toward a distinctly philosophical pursuit of the nature of beauty. This is to displace a prominent and problematic cultural sensibility—the aesthetics of poikilia—not to deny that fascinating variety, even in mimetic poetry, may be beautiful. Rather, Plato's cultural critique lays bare an epistemological problem in the ethical psychology of beauty: since they cannot be distinguished from what seems beautiful, how should one respond to fascinating yet dangerous attractions? (shrink)

William James is famous for his investigations of the “Varieties of Religious Experience” in which people encounter (what they take to be) the divine. But in his essay, “On a Certain Blindness in Human Beings,” his interest is in our experiences, not of anything purportedly supernatural, but of one another. He thinks we need to cultivate the capacity to apprehend the intrinsic value of others, even and especially of strangers. We do so in experiences of the wonder and beauty (...) of our fellow citizens, and of our harmony with them. Democratic societies require a sense of attraction to one another’s form of life if they are to inspire shared commitments to public goods. Whereas we shouldn’t reject the political significance of aversion, contestation, and dissonance, these negative attitudes do not suffice. Sustaining democratic engagement requires attractive attitudes, and among these are the wonder, beauty, and harmony that James promotes. (shrink)

In the Renaissance the beauty of a garden was for people a source of energy, it nurtured their inherent love of plant life, enchanted them and gave them a sense of pure aesthetic contentment. This fascination with nature and the values nurtured by the emerging culture of the garden also had broader reasons than just the desire for subjective experience. They can be sought in the belief that the style of an epoch is reflected not only in all the (...) forms of pure art, but also in the sphere of applied art. The aesthetic criteria which determined the early-Renaissance conception of the garden were at least twofold: first, the then-emerging culture of the garden co-formed the identity of the entire era as one of the few enclaves of a rising trend away from the classical tradition. The culture of the garden contested the adulation of the Antique that was common at the time and ruled supremely in art. (shrink)

Debra Bergoffen’s Contesting the Politics of Genocidal Rape shows us beautifully what is gained by considering rape as a consequence of genocide. What gets lost here, in relation to considering cases of rape that are not the result of such, such as gang rape, “mass rape,” or other instances of rape? Is rape qua rape a human rights violation of a sort that is articulated within the context of the “right to sexual integrity”? Can a case be made, even in (...) “non-wartime” societies where rape occurs systematically as an instance of patriarchy and misogyny, that rape is a human rights violation of the right to sexual self-determination? Or is it the case that the conditions of wartime rape merit a different set of considerations in order to locate it as a human rights violation? My comments attempt to think through some of these questions with Bergoffen. (shrink)

Du début du xxe siècle aux années 1950, en Égypte, le geste de se dénuder se politise. Cet article s’intéresse à la façon dont des militantes et artistes mobilisent le dénudement dans leurs répertoires d’actions et dans leurs stratégies rhétoriques à des fins nationalistes ou féministes. Cette recherche propose ainsi un panorama chrono-thématique des questions relatives à la corporalité féminine, mises au-devant de la scène par ces femmes engagées. Des années 1900 aux années 1920, l’étude se focalise sur les corps (...) féminins dans la rue, visibles, mobilisés et révélés au nom du « bien-être de l’humanité ». Puis, pour évoquer le tournant des années 1920 et 1930, l’analyse porte sur les corps dans les sports ou à la plage, exposés et « bons » pour la nation. Enfin, la réflexion se déploie sur les « beaux » dénudements et la patrie dans les arts, la mode et les concours de beauté, du milieu des années 1930 aux années 1950. (shrink)

The word 'athletics' is derived from the Greek verb 'to struggle for a prize'. After reading this book, no one will see the Olympics as a graceful display of Greek beauty again, but as war by other means. Nigel Spivey paints a portrait of the Greek Olympics as they really were - fierce contests between bitter rivals, in which victors won kudos and rewards, and losers faced scorn and even assault. Victory was almost worth dying for, and a (...) number of athletes did just that. Many more resorted to cheating and bribery. Contested always bitterly and often bloodily, the ancient Olympics were not an idealistic celebration of unity, but a clash of military powers in an arena not far removed from the battlefield. (shrink)

Do we watch sport for pure dumb entertainment? While some people might do so, Stephen Mumford argues that it can be watched in other ways. Sport can be both a subject of high aesthetic values and a valid source for our moral education. The philosophy of sport has tended to focus on participation, but this book instead examines the philosophical issues around watching sport. Far from being a passive experience, we can all shape the way that we see sport. Delving (...) into parallels with art and theatre, this book outlines the aesthetic qualities of sport from the incidental beauty of a well-executed football pass to the enshrined artistic interpretation in performed sports such as ice-skating and gymnastics. It is argued that the purist literally sees sport in a different way from the partisan, thus the aesthetic perception of the purist can be validated. The book moves on to examine the moral lessons that are to be learned from watching sport, depicting it as a contest of virtues. The morality of sport is demonstrated to be continuous with, rather than separate from, the morality in wider life, and so each can inform the other. Watching sport is then recognised as a focus of profound emotional experiences. Collective emotion is particularly considered alongside the nature of allegiance. Finally, Mumford considers why we care about sport at all. Addressing universal themes, this book will appeal to a broad audience across philosophical disciplines and sports studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics and Politics in Tagore, Coetzee, and Certain Scenes of TeachingGayatri Chakravorty Spivak (bio)It is practically persuasive that the eruption of the ethical interrupts and postpones the epistemological—the undertaking to construct the other as object of knowledge, an undertaking never to be given up. Lévinas is the generic name associated with such a position. A beautiful passage from Otherwise than Being lays it out, although neither interruption nor postponement (...) is mentioned. That connection is made by Derrida [Adieu 51-59].Here, then, is Lévinas, for whom Kant's critical perspectivization of the subject and the rigorous limits of pure theoretical reason seem to have been displaced by the structuralist hermeneutics of suspicion. For Lévinas, structuralism did not attend to what in Kant was the mechanism that interrupted the constrained and rigorous workings of pure reason: "The interests that Kant discovered in theoretical reason itself, he subordinated to practical reason, become mere reason. It is just these interests that are contested by structuralism, which is perhaps to be defined by the primacy of theoretical reason" [Otherwise than Being 58; trans. modified].The relationship between the postponement of the epistemological in Lévinas and the subordination of pure reason in Kant is a rich theme, beyond the scope of this essay. Let us return to what Lévinas will perceive as a general contemporary hermeneutics of suspicion, related to the primacy of theoretical reason: "The suspicions engendered by psychoanalysis, sociology and politics weigh on human identity such that we never know to whom we are speaking and what we are dealing with when we build our ideas on the basis of the human fact."1 The political calculus thematizes this suspicion into an entire code of strategy defined as varieties of game theory and rational choice. This can be verified across cultural difference, backwards through history, and in today's global academic discourse. Over against this Lévinas posits the ethical with astonishing humility: "but we do not need this knowledge in the relationship in which the other is the one next to me [le prochain]" [Otherwise 59].Kant thought that the ethical commonality of being (gemeines Wesen—repeatedly mistranslated as "the ethical state") cannot form the basis of a state. Surprisingly, there is a clear line from the face-to-face of the ethical to the state in Lévinas.2 It has long [End Page 17] been my habit to scavenge and tinker in the field of practical philosophy. I will conserve from Kant the discontinuity between the ethical and the political, from Lévinas the discontinuity between the ethical and the epistemological. I will suggest that the discontinuities between the ethical and the epistemological and political fields are tamed in the nestling of logic and rhetoric in fiction.3Enabled by such a suggestion, I can move to another bit of prose on that page in Lévinas: "for reasons not at all transcendental but purely logical, the object-man must figure at the beginning of all knowing."The figure of the "I" as object: this representation of the holy man in Lévinas does not match our colloquial and literal expectations. My general suggestion, that the protocol of fiction gives us a practical simulacrum of the graver discontinuities inhabiting (and operating?) the ethico-epistemic and the ethico-political, can, however, take such a figure on board. I will continue to want to say that fiction offers us an experience of the discontinuities that remain in place "in real life." That would be a description of fiction as an event—an indeterminate "sharing" between writer and reader, where the effort of reading is to taste the impossible status of being figured as object in the web of the other. Reading, in this special sense, is sacred.In this essay I consider not only fiction as event but also fiction as task. I locate in Rabindranath Tagore (1861-1941) and J. M. Coetzee (1940-) representations of what may be read as versions of the "I" figured as object and weave the representations together as a warning text for postcolonial political ambitions.4 I am obviously using "text" as "web," coming from Latin texere—"to... (shrink)

First coined in modernity, the aesthetic is a vague, polysemic and contested concept whose complexities arise from the variety of the ways it has been defined in the history of its theorization, but also in its formative prehistory in theories of art and beauty that preceded its modern coinage. After noting key points of that prehistory, the article traces three major modern tendencies in construing the aesthetic: as a special mode of sensory perception or experience that is relevant to (...) life in general; as a special faculty or exercise of taste focused on judgments of beauty and related qualities such as the sublime; and as a theory of fine art. The idea of aesthetic disinterestedness is critically examined, and contrasts between the concept of art in Western modernity and in pre-modern and Asian culture are also considered. (shrink)

Green consumerism is on the rise in America, but its environmental effects are contested. Does green marketing contribute to the greening of American consciousness, or does it encourage corporate greenwashing? This tenuous ethical position means that eco-marketers must carefully frame their environmental products in a way that appeals to consumers with environmental ethics and buyers who consider natural products as well as conventional items. Thus, eco-marketing constructs a complicated ethical identity for the green consumer. Environmentally aware individuals are already guided (...) by their personal ethics. In trying to attract new consumers, environmentally minded businesses attach an aesthetic quality to environmental goods. In an era where environmentalism is increasingly hip, what are the implications for an environmental ethics infused with a sense of aesthetics? This article analyzes the promotional materials of three companies that advertise their environmental consciousness: Burt's Bee's Inc., Tom's of Maine, Inc., and The Body Shop Inc. Responding to an increasing online shopping market, these companies make their promotional and marketing materials available online, and these web-based materials replicate their printed catalogs and indoor advertisements. As part of selling products to consumers based on a set of ideological values, these companies employ two specific discursive strategies to sell their products: they create enhanced notions of beauty by emphasizing the performance of their natural products, and thus infuse green consumerism with a unique environmental aesthetic. They also convey ideas of health through community values, which in turn enhances notions of personal health to include ecological well-being. This article explicates the ethical implications of a personal natural care discourse for eco-marketing strategies, and the significance of a green consumer aesthetic for environmental consciousness in general. (shrink)

The place of eros in Christian theology has always been a contested one, not least because it is positioned as being at odds with agape, the kind of love that embodies gospel ethics. Matthew 25:31–46 calls us to “feed the hungry,” “quench the thirsty,” “shelter the homeless,” “clothe the naked,” and “visit the imprisoned” as emblematic examples of agapic love. This essay shows how a queer act, specifically that of a woman breastfeeding a starving man as depicted in the tradition (...) of Caritas Romana, can fulfill the ethical demands in Matthew's pericope. It demonstrates how the action first narrated by Valerius Maximus and then represented by Paul Peter Rubens beautifully fulfills the Matthean agapic demands, and concludes that queer practices have the potential to fulfill the gospel demands, situating the erotic at the core of the agapic. (shrink)

Introduction : normative aesthetics and artistic value -- Culture and artistic value -- Cultural exclusion and the definition of art -- Defining art, defending the canon, contesting culture -- The aesthetic and the artistic -- From beauty to art : developing Kant's aesthetics -- The scope and value of the artistic image -- Distinctive modes of imaging -- Twofoldness : pictorial art and the imagination -- Between language and perception : literary metaphor -- Musical meaning and value -- Eternalizing (...) the moment : artistic projections of time -- Conclusion : the status and future of art. (shrink)

I want to consider the suggestion that certain essential components of human experience are by their nature distinctively religious, and thus that the atheist is either debarred from participating fully in such experiences, or fails to understand their real nature. I am going to look at five kinds of experience: • the experience of the moral 'ought'; • the experience of beauty; • the experience of meaning conferred by stories; • the experience of otherness and transcendence; • the experience (...) of vulnerability and fragility. These seem to me to be integral features of any meaningful human life. They are aspects of what it is to be human. Some theists would simply agree with that statement. Others, however, would say that though essentially human they are also essentially religious, and that the secular humanist's participation in such experiences is in some way defective. That is the claim which I want to consider and contest. (shrink)

In what is quite possibly the most famous passage of the De revolutionibus, Copernicus implies that nobody could ever place this supreme flaming torch that is the Sun in another or better place than that from which it can illuminate everything simultaneously, namely the centre of this extremely beautiful temple that is our world. Considering the fact that he leaves an interrogatory twist to this argument of convenience, and since he makes this statement without any justification as it seems entirely (...) evident to him, certain Copernicans choose to illustrate this by means of an analogy: if indeed the Sun must be positioned thus, it is because the most appropriate place for the torch intended to illuminate the room is at its centre, and not in one of its corners. Despite the heliosophy of the Renaissance having been shared by both geocentrists and Copernicans alike, this "torch" argument does not appear to have achieved much success: rarely adopted by the Copernican camp, it was even contested by some of them; as for the geocentrists, it held no appeal for them whatsoever. Did this argument of convenience therefore not benefit from the self-evidence attributed to it by Copernicus, and from, in his wake, it's continued support by a good many commentators? As is often the case when it comes to the history of thought, the pseudo-obviousness of this argument is merely the fruit of a blatant anachronism: presenting heliocentrism as the cosmological system that finally grants the Sun its worthy centrality by placing it in the centre of the room and not in a corner, is to ignore the fact that this star of the day already enjoyed, in geocentrism, a centrality esteemed to be perfectly in keeping with both its dignity and its inherent illuminative function. Having lost their grasp on this worldview that no longer belonged to them, the Copernicans thus put forward an argument which, for the geocentrists, is worthless. Yet they could have argued the objective superiority of their centrality over that accorded to the Sun by geocentrism: while the latter is only numerical, on a purely planetary scale, and frankly fictitious, the former is thoroughly spatial, of cosmic proportions and, at least on first approximation, very real. In order to produce arguments of convenience that could carry their own weight, the protagonists of the new cosmology would have benefited from getting to know the world vision of their adversaries a little better instead of addressing them from their own point of view; similarly, instead of treating as an obvious fact that which is only evident to one of the two parties present, historians of scientific thought would also be well advised to have a better understanding of the world vision of those who history now considers as the losers! (shrink)

In 2013, Kurt Ullrich set out to chronicle the magic of the Iowa State Fair in words and photographs. Join him as August days and nights blow warm and easy over the fairgrounds, brushing lightly against fellow travelers on this earth, both human and not. He captures precious moments of extreme joy and unbridled delight in these beautiful black-and-white images, celebrating the brash rural energy of the fair, from Big Wheel races to people-watching goats, fair queen contestants to arm wrestlers, (...) Percherons to ponies. Prize pigs, prize sheep, prize apples, and the famous butter cow all have their moment in the limelight. Iowa s very best ear of corn and old friends reminiscing outside their RVs draw the photographer s fond eye, as do brightly lit beer stands and the brilliant arc of the Ferris wheel against the night sky. ". (shrink)

: Green consumerism is on the rise in America, but its environmental effects are contested. Does green marketing contribute to the greening of American consciousness, or does it encourage corporate greenwashing? This tenuous ethical position means that eco-marketers must carefully frame their environmental products in a way that appeals to consumers with environmental ethics and buyers who consider natural products as well as conventional items. Thus, eco-marketing constructs a complicated ethical identity for the green consumer. Environmentally aware individuals are already (...) guided by their personal ethics. In trying to attract new consumers, environmentally minded businesses attach an aesthetic quality to environmental goods. In an era where environmentalism is increasingly hip, what are the implications for an environmental ethics infused with a sense of aesthetics? This article analyzes the promotional materials of three companies that advertise their environmental consciousness: Burt's Bee's Inc., Tom's of Maine, Inc., and The Body Shop Inc. Responding to an increasing online shopping market, these companies make their promotional and marketing materials available online, and these web-based materials replicate their printed catalogs and indoor advertisements. As part of selling products to consumers based on a set of ideological values, these companies employ two specific discursive strategies to sell their products: they create enhanced notions of beauty by emphasizing the performance of their natural products, and thus infuse green consumerism with a unique environmental aesthetic. They also convey ideas of health through community values, which in turn enhances notions of personal health to include ecological well-being. This article explicates the ethical implications of a personal natural care discourse for eco-marketing strategies, and the significance of a green consumer aesthetic for environmental consciousness in general. (shrink)

One of Hans Christian Andersen's most beautiful tales is "The Emperor's Nightingale." Its message—an exceptionally sobering one in the present context—is that nature is altogether finer and more enduring than art. It tells how a Chinese emperor, beguiled by a precious imitation bird that had been given him, forsook a natural songster he had once favored. But when that glittering counterfeit broke down, its clockwork sound silenced, the now aged ruler found welcome solace in the real bird's return, in its (...) more reliable and spiritually healing song. . . . Despite the artist's foregone defeat in any contest with nature , over the ages artists have been irresistibly drawn to the challenge of imitating nature. The persistence of these claims upon their skills and the inventive flight that have been elicited in the process testify to the extraordinary hold that the desire to mirror nature, or better still, to capture something of its essence, can exert over artists and their public. Accounts of imitative prowess go back to the most ancient days, beyond the fabled skills of Zeuxis and Apelles. There is no need here to summarize the complicated but almost domestically familiar history of illusionism. Rather, it is my present intention to reflect upon some contradictions inherent in the conception of art as illusion and to review some of the more exaggerated forms in which efforts have been made to break down the boundaries between art and nature. Frank Anderson Trapp, William Rutherford Mead Professor of Fine Arts, chairman of the department of art, and director of the Mead Art Museum at Amherst College, is the author of The Attainment of Delacroix and a number of essays on the history of art. (shrink)

This book compares two major leisure activities – watching sport and engaging with art. It explores a range of philosophical questions that arise when sport and art are placed side by side: The works of Shakespeare, Rembrandt and Mozart have continued to fill playhouses, galleries and concert halls for centuries since they were created, while our interest in even the most epic sporting contests fades after just a few years, or even a single season. What explains this difference? Sporting (...) contests are merely games. So why do sports fans attach such great importance to whether their team wins or loses? Do sporting contests have meaning in the way works of art do? Beauty is a central value in art. Is it important in sport? What role does morality play in sport and art? What value do sport and art contribute to the world and to the meaning of people’s lives? (shrink)

In 2013 the mayor's office of Bogotá organized the first ever Mujer T. The event, originally conceived as a beauty pageant, generated considerable controversy. Unexpectedly, however, most of the criticism came not from conservative groups, but from well-known cisgender feminist scholars who criticized the event from a traditional gender perspective. A heated debate about the needs, challenges, desires, and opportunities of trans women continued during the weeks prior to the event. The discussion played out through blogs, social media, and (...) private and public conversations. Nevertheless, although there was much talk about transwomen, there was little room for their voices. This article argues that because of the actors involved, the dynamics and content of the conversations, and the changes that took place in its aftermath, Mujer T 2013 highlights how trans people's bodies, expressions—whether related to gender, culture, or politics—and self-determination processes are intensely policed and contested, even by those whose explicit intent is to support and celebrate them. Therefore, understanding the dynamics of what happened around Mujer T 2013 has important lessons for the development of trans-inclusive policies and initiatives, feminist scholarship and practice, and institutional and societal change. (shrink)

I want to consider the suggestion that certain essential components of human experience are by their nature distinctively religious, and thus that the atheist is either debarred from participating fully in such experiences, or fails to understand their real nature. I am going to look at five kinds of experience: • the experience of the moral ‘ought’; • the experience of beauty; • the experience of meaning conferred by stories; • the experience of otherness and transcendence; • the experience (...) of vulnerability and fragility. These seem to me to be integral features of any meaningful human life. They are aspects of what it is to be human. Some theists would simply agree with that statement. Others, however, would say that though essentially human they are also essentially religious, and that the secular humanist's participation in such experiences is in some way defective. That is the claim which I want to consider and contest. (shrink)