This chapter contains sections titled: ‘The Breath of Possibility’: Imaginative Education and Jungian Motifs Gnostic Jung and Esoteric Iterations In Search of Sophia : TheWay of the Lost Goddess Conclusions References.

In several iterations of the Gnostic ontogenetic myth, we find variations on an intriguing notion: namely, that the first rupture in the otherwise eternal and continuous procession of ‘aeons’ in the divine ‘pleroma’ is caused by a cognitive overreach and failure (the “fall of Sophia”). As much as it might contain a distant echo of certain myths concerning hubris in the classical tradition or in biblical literature, this general schema of cognitive overreach—cognitive failure—fall has no obvious parallel in Greek (...) philosophy prior to Plotinus, in some of whose more pessimistic accounts of hypostatic procession we find a similar schema, in which the generation of each ontological stratum occurs as the result of a cognitive failure on the superjacent level. If Plotinus borrowed this schema from the Gnostics, one might ask how the latter came up with it in the first place. In response, this paper makes the following three points. [1] Gnostic thinkers ultimately derived this schema from a particular juxtaposition of two profoundly aporetic Platonic passages referring to the travails of the individual soul, one certainly genuine (the description of the unexplained but catastrophic fall of the soul that fails to follow the heavenly train of the gods through the intelligible realm at Phaedrus 248c2-d3), the other quite possibly spurious (the claim that the cause of all evils is the desire, and the failure, of the soul to understand the nature of the notoriously enigmatic ‘King,’ ‘Second,’ and ‘Third,’ at 2nd Letter 312e1-313a6). [2] The Platonizing Sethian Gnostics closest to Plotinus also employed this latter source text to justify their conception of the individual soul, whose vicissitudes were understood to parallel those of Sophia. [3] This hypothesis is confirmed by evidence of tacit anti-Gnostic argumentation alluding to the 2nd Letter throughout Plotinus’ oeuvre. (shrink)

This study is an Asian ecofeminist reading of two Great Mother Goddesses, Seolmundae (the Creator of Jeju Island in Korea) and Nüwa (the Protector Goddess of Chinese mythology). Nüwa (yin) cannot be reduced to just a counter part of Fuxi (yang) while Seolmundae cannot be shadowed as one of many other creation myths. Rather, they are the Great Mother, the Divine Feminine as the fecundity of Life, the healing Spirit, and the caring Heart which we have to discover and (...) rescue from our forgotten histories to transform violent culture into caring and healing culture. The purpose of this study is to say yes to salim (enlivening, healing, caring-Life with a capital L) and to say no to disruptions of Life (war, violence, destroying nature) as we witness the physical and spiritual sufferings and degradation caused by oppression of those that rendered subaltern. Discovering the Goddess is our ethical imperative for expanding healing culture and loving nature and recognizing the agencies/subjectivities of the subaltern, including Asian women and nature. (shrink)

In Paul’s argument against dissensions, Paul is said to have tried to regain his authority before the Corinthians. The first rhetorical unit is thus seen as an apologia. In his argument, he seemingly uses the concept of paterfamilias known to have evoked power and control. However, such a proposal neglects the fact that Paul’s argument is against exactly such type of discourse in which one seeks to elevate one teacher against another. Rather, in the use of the concept of paterfamilias (...) we should see Paul redefining the concept and filling it with affection. (shrink)

This article explores the life and work of Emma Goldman to formulate a radical critique of intimacy. Goldman’s theory of sexual freedom and revolutionary love offers a feminist vision that challenges contemporary debates concerning uses of the language of feminine desire. Goldman appealed to ideals of feminine instinct and feminine desire in order to challenge the conventional meanings attached to femininity in her day. Her views on marriage, love, sexuality and the feminine are analysed (...) alongside her writings on her own personal experience, in order to illuminate the continuing paradoxes feminists face in regard to definitions and experiencesof femininity. (shrink)

At the turn of the century an intimate alliance of philosophers, poets and theologians discovered the incarnation of their aspirations for a spiritually transformed world in the symbol of Sophia, the Divine Wisdom of God. Under her various aliases as the Divine Feminine, the Wisdom Clothed in the Sun and the Beautiful Lady, this feminine archetype usurped the traditional role of Christ as the mediator between heaven and earth. She was, however, primarily the inspiration of the Russian philosopher-poet, (...) Vladimir Solov’ev (1853–1900), who created of her the cornerstone for both his metaphysical and aesthetic systems. This spiritual courtship of the Divine Sophia deeply patterned the literary works and interrelationships not only of such prominent symbolist writers as Aleksandr Blok and Andrej Belyj, but brought to light religious eccentrics like Anna Schmidt in a scandalous fashion. Sophia’s influence ranged far beyond the narrower confines of literature and eventually provoked one of the most fascinating debates within the modern émigré Russian Orthodox Church through the offices of Sergej Bulakov, an apparent student of Solovev’s Sophiology. (shrink)

This article explicates the meaning of the paradox from the perspective of sexual difference, as articulated by Simone de Beauvoir. I claim that the self, the other, and their becoming are sexed in Beauvoir’s early literary writing before the question of sexual difference is posed in The Second Sex (1949). In particular, Beauvoir’s description of Françoise’s subjective becoming in the novel She Came to Stay (1943) anticipates her later systematic description of ‘the woman in love’. In addition, I argue (...) that the different existential types appearing at the end of The Second Sex (the narcissist, the woman in love, the mystic, and the independent woman) are variations of a specific feminine, historically changing paradox of subjectivity. According to this paradox, women, in a different mode than men, must become what they ontologically “are”: beings of change and self-transcendence that have to realise the human condition in their concrete, singular lives. My interpretation draws on Kierkegaardian philosophy of existence, phenomenology, and early psychoanalysis. (shrink)

This essay will investigate the context – in terms of both sources (by means of influence, transformation, or contrast) and ancient reception – of the concept of the dynamic unity of the Father in the Son and the Son in the Father (John 10:38, 14:10, 17:21) in both ‘pagan’ and Christian Middle-Platonic and Neoplatonic thinkers. The Christians include Clement of Alexandria, Origen, and Gregory of Nyssa, but also Evagrius Ponticus and John Scottus Eriugena. The essay will outline, in ‘Middle Platonism’, (...) the hierarchical theology of a first and second God (and sometimes a third), and in Neoplatonism, Plotinus’ three hypostases arranged in hierarchical order, which will be contrasted with Origen’s and the Cappadocians’ three divine hypostases that are equal – like those of Augustine. Thus, for Origen not only is the Son in the Father, as in a ‘pagan’ Middle and Neoplatonic scheme, but also the Father is in the Son, in a perfect reciprocity of dynamic unity. Origen subscribes to this reciprocity because, as I argue, he is no real ‘subordinationist’, but the precursor of the Nicene and Constantinopolitan line (the Cappadocians, especially Nyssen, developed and emphasised the notion of equality, bringing the three Hypostases of the Trinity to the level of Plotinus’ One, but the premises were all in Origen’s theology and his concept of the coeternity of the three Hypostases and their common divinity: Nyssen, like Athanasius, even use Origen’s arguments in his own anti-Arian polemic, as we shall see). Origen even interpreted Philo’s theology, also close to so-called Middle Platonism, in a non-subordinationistic sense, attributing to the Hypostasis of Logos/Sophia the various dynameis, such as Logos and Sophia, that Philo used most probably in a non-hypostatic sense. I shall also demonstrate how Gregory of Nyssa, significantly following Origen, in his work Against Eunomius used John 14:10a to refute the philosophical argument of Eunomius, who had a profoundly subordinationistic view of Christ with respect to the Father. Gregory’s solution is that neither the Father nor the Son are in an absolute sense, but both are in a reciprocal relation or σχέσις, what I shall present as Gregory’s own version of the dynamic unity (in turn grounded in Origen). I shall also concentrate on the use that Gregory makes of John 17:21-23 to argue that the unity of the Father and the Son, and of all believers – and eventually all humans – in them, is substantiated by the Holy Spirit, who is seen as a bond of unity. I shall study how the notion of the Father in the Son and the Son in the Father relates to the parallel statements in John 14:10, that Christ is in the disciples (and all believers) and these are in Christ – what I will call an ‘expansive’ notion of dynamic unity – and John 17:21, that just as the Father is in the Son and the Son in the Father, so the disciples and all believers too should become ‘one’ in the Father and the Son. Here, as I shall argue, Middle and Neoplatonic henology comes to the fore as a possible background and interpretive lens at the same time. I shall show how Origen joined it to the unifying force of charity-love (agape), in turn a central theme in John, and how Evagrius, performing his exegesis of these verses, interpreted henosis. A coda will explore the corollary of the Divinity ‘all in all’, which is not only a central tenet of Origen’s theology, but also of that of Proclus. It will be pointed out how this concept relates to the issue of the dynamic unity within the divine. (shrink)

My conversion into a knower has been a long and winding road. From childhood reverie to the years of formal schooling, education has never ceased to lure me into its magical power. How do we really get to know/see/learn whatever happens on our educational journey? In this paper, I will re-trace my quest for knowledge that reaches beyond the boundaries of traditional epistemology. My wonderings will take me to explore, via Jung, the possibilities of imaginative education through Gnosis and Sophia. (...) The paper intends to weave together several Jungian discourses with their versions by other thinkers who have contributed to the fields of depth psychology, esotericism, and educational philosophy. (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, _Dialogue on the Infinity of Love_ casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona dared (...) to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

In this essay, Russell G. Moses argues that Charles S. Peirce’s article “Evolutionary Love” establishes a general normative framework for a logic of evolutionary, progressive imagination that can be used to elucidate an evolutionary continuity between the normative works of Jane Addams, John Dewey, and Alain Locke. This exercise contributes to an understanding of pragmatism as a philosophy that seizes insights from evolution in order to normatively reconstruct dynamic meanings of truth, reality, ethics, politics, and art. In a dynamic (...) model of progressive evolution — one homologous to the Golden Rule of “love your neighbor” — we find a normative cosmology that animates the moral imagination of philosophy toward what Addams called “democracy and social ethics.” Moses concludes that in the Peircean model, together with subsequent developments, we may ultimately apprehend that evolution suggests a general form of development that may be hypothesized as a worthy normative guide for universal progressive education. (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia d'Aragona (...) dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

In two chapters of Enn. II.9 [33], Plotinus discusses the Gnostic idea that the creation of the world is due to the ‘decline’ of a principle that he variously calls Soul or Sophia. The identity of Plotinus' Gnostics is notoriously difficult to establish with any degree of precision; I can only note here that the idea of Sophia's ‘decline’ features in a number of extant Gnostic texts, such as those from Nag Hammadi and the Berlin Codex, as a (...) recent survey of the evidence by Poirier has demonstrated. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Lily of the Valley, or Love as Breathing in the ScentChantal Jaquet (bio)The Lily of the Valley, published by Balzac in 1836, can be considered as a standard in olfactory literature since the novel is entirely built on the perception of odors and the central role of breathing in romantic relationships. As the title indicates, it is in the floral and olfactory registers that the essence of (...) love expresses itself. Perfume presides over the birth of love, the recognition of the other, and the definition of the woman's identity. We can read it as a poetics of breathing that tells another story and re-enchants the world. The Lily of the Valley offers a powerful antidote to the impediments to breathing nowadays. I try here to interpret it like an ode celebrating another way of inhaling the world through love and perfumes.Love at first scentThe Lily of the Valley tells the story of the platonic love of a young man, Felix, for a married woman, Madame de Mortsauf. From the beginning, their first meeting takes place under the auspices of breath and perfume. During a party, Felix, who is extremely bored, finds refuge on an abandoned bench; a woman, taking him for a child, sits next to him. Felix is then immediately drawn to the stranger's perfume and is pulled out of his sullen torpor to feel an unparalleled fascination:Immediately, I smelt a woman's fragrance which shone in my soul as oriental poetry was to shine later. I looked at my neighbour and was more dazzled by her than I had been by the ball.(15)Perfume thus triggers love and becomes the very essence of the beloved woman. Before he perceives any visual detail, Felix is flooded with an olfactory emotion, which will be taken over and amplified by the poetic evocation of the Orient and its fragrances. The woman's scent, which re-enchants his morose universe, dazzles him with its brilliance and eclipses vision by taking possession of its attributes. It is only afterward that he begins to examine the shoulders, bosom, and hair of the woman with the luminous perfume. It is the act of inhaling her perfume that triggers his [End Page 34] love at first sight and wrests the following confession from him: "All of a sudden, I was in love" (16).This primacy of olfaction and breathing continue to hold true in the absence of the beloved when the latter is no longer smelled, but simply evoked: "At the thought that my queen-elect lived in Touraine I breathed the air with delight [...]" (16). The feelings that develop even before a second meeting takes place do not belie the first romantic olfactory sensation, but strengthen it following a process of crystallization that transforms the soulmate into a fragrant flower. The stranger, under the influence of Felix's poetic imagination, becomes the lily of the valley, a symbol of beauty and purity. Despondent over the disappearance of the woman he loves, whose name he does not even know, the young man, pressured by his family to seek distraction, travels to Touraine, to the Château de Frapesle, to stay with a friend of his mother's. He discovers a magnificent valley near Montbazon, which, in his eyes, can only be where his beloved resides. Here we see the perspicacity of the lover who picks up the scent of his beloved and sees her face in the landscape:She lived there. My heart had not misled me. [...] She was, as you already know, though you know nothing yet, THE LILY OF THIS VALLEY, where she grew for Heaven, filling it with the perfume of her virtues.(18)The olfactory dimension of the lily prevails here over floral vision. It is the perfume of her virtues exhaled in the valley that defines the beloved permanently and immemorially, and makes her into a celestial creature with the odor of sanctity. The use of the imperfect tense in "she was the lily" evokes the magic of a love story that seems like a fairy tale. She was the lily, because once upon a time there was a woman who... (shrink)

Celebrated as a courtesan and poet, and as a woman of great intelligence and wit, Tullia d'Aragona (1510–56) entered the debate about the morality of love that engaged the best and most famous male intellects of sixteenth-century Italy. First published in Venice in 1547, but never before published in English, Dialogue on the Infinity of Love casts a woman rather than a man as the main disputant on the ethics of love. Sexually liberated and financially independent, Tullia (...) d'Aragona dared to argue that the only moral form of love between woman and man is one that recognizes both the sensual and the spiritual needs of humankind. Declaring sexual drives to be fundamentally irrepressible and blameless, she challenged the Platonic and religious orthodoxy of her time, which condemned all forms of sensual experience, denied the rationality of women, and relegated femininity to the realm of physicality and sin. Human beings, she argued, consist of body and soul, sense and intellect, and honorable love must be based on this real nature. By exposing the intrinsic misogyny of prevailing theories of love, Aragona vindicates all women, proposing a morality of love that restores them to intellectual and sexual parity with men. Through Aragona's sharp reasoning, her sense of irony and humor, and her renowned linguistic skill, a rare picture unfolds of an intelligent and thoughtful woman fighting sixteenth-century stereotypes of women and sexuality. (shrink)

The aim of this article is to reveal with an overall approach, how the psycho-social background, starting from woman image in first periods and reach modern day, is embraced by outstanding theorists of modern psychology, and also how these collected works are reflected in their definitions of woman. If it is considered that woman has been discussed with reflections against and not from primary sources throughout history, it can be seen that the most essential roots of woman narrations can be (...) found in oral culture and the parts of written texts are made over symbol, metaphor, proposition and story. However myths (stories) that take place in oral and partly written culture about primitive man, are sacred tales, they will also present data regarding human image. Therefore with a limited effort of human being to understand the infinite, it can be understood what human being think, feel and how they interpret rather than gods/goddesses ontology. From this point of view, this article that consists of two parts, first of all will mention especially about perception of Goddess in those reflected to image of God, maintaining its efficiency in conscious or unconscious as a system of symbols intrinsic to human nature and cultural code background and then the woman image will be roughly discussed with a descriptive style over the world of mythology, psychology and faith. In the second part, it will be examined in detail how all the written and oral information about understanding woman by modern anthropologists are interpreted with the perspective of modern psychology specific to theorists such as Freud, Jung and Fromm. Eventually, it will be emphasized that past and future are integrated with information, experience and feelings with an active relationship; perception and approach of woman have stayed up to date in time continually; mythology, psychology and religion are important factors within this matter.Summary: Human being has also used historical, temporal and spatial attributions for God. Infinite human being has expressed their thoughts about the finite God by analogy. Despite the dominance of male gender in the images of God in these analogies which are the products of human experience, female Gods that is to say Goddesses are not few. The matter of how the image of goddess come to the fore in a distinctly male-dominant society is a noteworthy matter. The narration of Earth Mother over female symbol in myths in which the harmony is constantly secured within the inner and exterior world and mention about living in harmony with the universe is an important data in order to understand female characteristics attributed to God. Human being has also used historical, temporal and spatial attributions for God. Infinite human being has expressed their thoughts about the finite God by analogy.The woman subject is influenced by transferred life experience within the historical process, and it is an undeniable fact that ancient “woman perception” has reflections to the present day. Within the history of humanity, striking definitions about woman can be seen in sacred statements in symbol language. Therefore, it is proper to examine primarily the image of sacred and then examine female meaning that is charged on that image. The aim of this study can be summed up with two themes: a) try to understand the general framework of reflections of the present image of woman, style of narration and comprehension in psychological, sociological, and religious terms by getting help from myths which mention about ancient image of God, although there is centuries old difference between those stories and us, b) reveal the image of woman in Freud, Jung, and Fromm’s approach which establishes a bond between mythology that is a system of symbols special to human nature and human psychology and discuss this subject by using psychology of religion.When reviewed ancient Far East and Middle East myths and also Ancient Greek mythology, it can be seen that gods are not cloistered supernatural beings who do not have abstract personalities and also do not lead a wholly metaphysic life. The crucial issue here is; the reality that Gods and Goddesses are shown as a model to both man and woman. Psychologists who examine religion in terms of psychology state that first outcomes about the image of God come up not with behavior but with emotion. The attributions of gender, related to the emotion in question are cited during the transfer of those emotions as well. Therefore; philosophers, culture and religion historians, theologians, anthropologists, archaeologists, psychologists, and sociologists have contributed to this transfer when they discuss the cult of God or Goddess throughout the history. It is interesting that the usage of the term of God maintains while the usage of the term of Goddess decreases. Civilization historians claim that the appearance of divine religions particularly quickens the course of transition from goddess to god. According to them, during this period in which there is a transfer from polytheist image of God to monotheist image of God, the quantitative change in the perception of God comes with a qualitative change. According to Fromm, during this power gathering period, there has been a transfer from mother and feminine (woman) centered religion to father and masculine (man) centered religious experience/ God image. According to him, in the second stage of humanity development, “the children of Earth Mother turn into the children of divine father”, there is a transition from unconditional love of mother to authoritarian sympathy of father, from an image of supplemental and surrounding Goddess to authoritarian image of God who makes requests by his nature, lays down principles and laws, and supports the power and search for a successor to deliver the power.The perception of women who led to Prophet Adam deviated from the truth and expelled from heaven is spread around especially the regions of one-God religions. This has strengthened the idea that divine religions have a negative view towards women. Including Islam, the reason of all divine religions’ encountering with claims that they have a negative approach against woman stem from applying to that religions’ human resources rather than essential religious sources which are existing or lost earliest forms.Oedipus complex is an important thesis of Freud which explains the development of religion and morals; establish the base of his psychology, and in fact, important in terms of his making connection with difference of kinds and flow or non-flow of request and needs while explaining human behaviors. According to Freud who points to sexuality and aggression which are the most powerful two instinct in the biology of male or female; the first three or five years of a newly born human- this is the period in which the basic part of personality is formed- the definition of self is extremely influenced by his/her gender (in both biological and sociocultural terms). Freud who put forward father-son conflict in the struggle to survive between Zeus and his sons in Moses and Monotheism (1998c) and Totem and Taboo (1998a), makes an explanation about the origin of religion and humanity over two male characters. Jung pays attention to goddess image as much as the image of god and do not approach this situation only as a polytheism or sociocultural explanation or childish appearances of a primitive mind. He accepts goddesses as a reflection of archetypes in human. Male has a feminine side, female has a masculine side, and a unity occurs when both complete each other. According to Fromm, a taxonomy referring to woman and man is primarily a sociology-based approach rather than a biology-based one. Fromm (1995) thinks that the whole depiction shows individuals’ own desire and needs, that is to say, their psychology rather than a theology. Transition from mother (woman) centered religion to father (man) centered religious experience and God image is essentially one of the most important breaking/inversion points of human being, not humanity. As a result, it can be said that it is an important point to clearly understand the story of mankind to examine that intense freshness at hand and centeredness of quantitative and qualitative changes of divine or God image of ancient societies come down after psychological, sociological, religious, economic, political, and cultural changes. (shrink)

I distinguish, describe and explore two different conceptions of love that inform our lives. One conception found its classic philosophical articulation in Plato, the other its richest expressions in Christian thought. The latter has not had the same secure place in our philosophical traditon as the former. By trying to bring out what is distinctive in this second conception of love, centrally including its significance in revealing the fundamental value of human beings, I aim to show the importance (...) of extending our philosophical reflection to acknowledge it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Modern Maistre. The Social and Political Thought of Joseph de MaistreAbraham AndersonOwen Bradley. A Modern Maistre. The Social and Political Thought of Joseph de Maistre. Lincoln: University of Nebraska Press, 1999. Pp. 320. $55.00.In A Modern Maistre, Owen Bradley has sought to defend both the theoretical penetration and the practical wisdom of Joseph de Maistre, most famous of all "reactionaries" or royalist opponents of the French Revolution. (...) Bradley's own explicit philosophical premises are those of the contemporary academic Left—the blend of Foucault, Adorno, and other authors commonly known as "theory." He defends Maistre's claims on our attention partly by pointing to the kinship between the latter's critique of the Enlightenment and that of Foucault, Adorno, et al. Further, Bradley reminds us of the intimate relation between anti-revolutionary thought and historicism, here understood as the doctrine that new climates of belief and social arrangements always have their roots in what precedes them. In this as in other respects he allows us to see the kinship between the thought of Maistre and that of his younger and more liberal contemporary Tocqueville.Maistre was, moreover, a seminal thinker for the French tradition of sociology whose best-known representatives are Comte and Durkheim, and which, like him, was concerned above all with the religious conditions of social order. Maistre was himself a disciple not just of Vico's New Science but of Plato's Republic and Laws, works equally preoccupied with this topic. One of the most interesting themes of the book, in fact, is Maistre's concern with political theology.Maistre was particularly attracted, Bradley shows, to the neo-Platonic and possibly heterodox theology of Origen. The neo-Platonic emphasis on symbols, talismans, and cosmic hierarchy, according to Bradley, helped Maistre formulate his criticism of the "mechanical philosophy" of the Cartesian Enlightenment, the metaphysical premise, according to Maistre, of the Revolution. Maistre, Bradley shows us, argued against the Enlightenment's attempt to replace a politics dependent on faith with one based on modern science partly by showing that modern science itself has its roots in mysticism, magic, and enthusiasm. The Enlightenment, which understood itself as entirely secular in spirit, was ruled by a project of salvation descended from ancient gnosticism. As the gnostics sought salvation through the rejection of the world of creation, the Enlighteners sought political salvation through a rejection of all traditions and institutions, a project which culminated in the Jacobin Terror.But political violence, in Maistre's view, does not stem from theological error alone. According to Maistre, "sacrifice" in the larger sense is central to all human societies. The problem of political order is in large part how to channel the impulse to collective cruelty, which is necessary to political order but can be restrained or allowed to run [End Page 287] wild. Politics is largely theater and symbol; the wise use of these elements is indispensable for taming the love of violence.Maistre's famous assertion of the authority of the Pope is not, Bradley insists, a formula for theocracy; rather, the preservation of a spiritual power distinct from and independent of the sovereign serves to check tyranny without subverting sovereignty (132). Such a spiritual power is necessary partly to preserve "unity of fables, which will never happen without unity of doctrine and authority" (195).Maistre's interest in political theology is continuous with an interest in the political significance of cosmology. Every society, Maistre held, including the Enlightenment, has a view of the cosmos to which its conception of society precisely corresponds. Maistre himself seeks to inflect modern cosmology in various ways. Like Tocqueville and Vico, Maistre uses the doctrine of historical forces to propound a teaching on Providence. The Jacobins themselves, Maistre asserts, were instruments of Providence. Far from emancipating mankind, the Revolution "abruptly shortened" the "chain that binds man" within his proper bounds (215).Bradley does Maistre a valuable service by criticizing misinterpretations of his thought by later defenders of extra-constitutional authority, like Maurras and Carl Schmitt; Maistre himself, Bradley shows, was deeply concerned to preserve constitutional legitimacy and opposed absolutism. Bradley's most interesting chapter is his last one, on Maistre... (shrink)

While histories of literature and philosophy have till now presented Calcidius as if he were no more than a secondhand mediator of Platonic thought, Peter Dronke, in The Spell of Calcidius, shows that this judgement must be radically revised. Calcidius' commentary (probably of the early fourth century) on Plato's Timaeus is a deeply individual work, which was able to inspire a fresh way of looking for truth, of searching for a world-picture that was not ready-made, among exceptional thinkers across eight (...) centuries. The spell Calcidius cast was intellectual freedom, a Christian's refusal to make Christian propaganda, a spirit of open enquiry. After the discussion of some key cosmological motifs in Calcidius himself and in Boethius, there follow chapters on the brilliant transformations of Calcidian thought in the ninth century by Eriugena and others; on the odi et amo towards Calcidius of Manegold of Lautenbach in the eleventh century; and on the ardent assimilation of his thought in the early twelfth by “us who love Plato”, as William of Conches proclaimed. The final chapter shows how in Bernardus Silvestris' epic, the Cosmographia (1147/8), the daring uses of language and speculation begun by Calcidius find their culminating creative renewal. (shrink)

This article presents an axiological reading of Simone de Beauvoir’s The Second Sex, reframing its most famous sentence ‘one is not born, but becomes, a woman’ as a claim about femininity, love, and alienation under particular conditions of sexual hierarchy. Because this sentence is often taken to express the thesis of The Second Sex on social constructionist readings, Section 1 rejects the aptness of this approach on three grounds. Section 2 outlines an alternative, axiological reading, which better attends to (...) all of the work’s parts, and to Beauvoir’s emphasis on the concrete inseparability of the physiological, sexual, economic, legal, religious, moral, and aesthetic dimensions of women’s situations. Section 3 turns to the sister ‘one is not born’ clause, in Volume I—‘one is not born, but becomes, a genius’—to show that Beauvoir’s account of frustrated freedom in The Second Sex concerns not only alienated labour, sex, and love, but also aesthetic creativity and moral invention. (shrink)

Resumen La figura del Abba, central en el monacato cristiano primitivo, recibe en el pensamiento de Evagrio Póntico, primer sistematizador de la espiritualidad monástica, la significativa denominación de “Gnóstico” pues se trata del monje que ha alcanzado un cierto grado de ciencia espiritual -natural primero, sobrenatural después- luego de haber atravesado la Praktiké. Esta última constituye, en la comprensión evagriana del itinerario cristiano, la primera etapa del progreso espiritual caracterizada principalmente por el cumplimiento de los mandamientos con el fin de (...) obtener la virtud. Al cabo de la Praktiké, se alcanza la apátheia que constituye una condición propicia del alma para recibir la ciencia presente en las cosas y en los seres racionales. Evagrio llama “gnóstico” a quien ha recibido por lo menos las primicias de esta ciencia o gnosis. Sitúa así aquel “ministerio de la palabra” que el monacato asigna al Abba, en el marco de su esquema de la vida cristiana, atribuyéndole una función medicinal que encuentra en la figura - cara al cristianismo tardo antiguo- del Cristo médico su arquetipo, su especificidad y su raíz. Nos interesa examinar en esta ocasión el modo en que aparece esta figura del Cristo en la obra de Evagrio Póntico y cómo ella constituiría el modelo y la raíz del ministerio terapeútico que, en el pensamiento evagriano, puede ejercer el gnóstico.The Abba figure, central to early Christian monasticism, receives in the thought of Evagrius Ponticus the significant denomination of "Gnostic" because it is the monk who has attained a certain degree of spiritual science after having crossed the Praktiké. The latter constitutes, in the evagriana understanding of the Christian itinerary, the first stage of the spiritual progress characterized mainly by the fulfillment of the commandments in order to obtain the virtue. At the end of the Praktiké, the apátheia is reached, which constitutes a propitious condition of the soul to receive the science present in things and rational beings. Evagrius calls "gnostic" who has received at least the first fruits of this science or gnosis. The "ministry of the word" that monasticism assigns to the Abba, is, for Evagrius, within this framework of Christian life. Our Author attributes the gnostic a medicinal function which finds in the figure - very important for the Late Antique Christianity- of the “Christ Physician”, its archetype, its specificity and its root. We are interested in examining on this occasion how this figure of Christ appears in the work of Evagrius Ponticus and how it would constitute the model and root of the therapeutic ministry that, in Evagrian thought, can be exercised by the Gnostic. (shrink)

In the Qur’an, human distinctiveness was first questioned by angels. These established denizens of the cosmos could not understand why God would create a seemingly pernicious human when immaculate devotees of God such as themselves existed. In other words, the angels asked the age-old question: what makes humans so special and different? Fast forward to our present age and this question is made relevant again in light of the encroaching arrival of an artificial superintelligence (ASI). Up to this point in (...) history, humans have exceeded other creatures in various respects; now a possibility has arisen that another entity, namely ASI, will exceed humans at least on the level of intelligence and power. In relation to the age of angels, pre-modern Sunni exegesis construed human distinctiveness along the axes of reproductive knowledge and stewardship. Both brittle, distinguishing markers will disappear in the age of the ASI. Conversely, a more resilient and creative Islamic response can be derived from Ibn al-ʿArabī’s (d. 1240) views on God and the imago Dei. Inspired by the Akbarian perspective, this paper construes human distinctiveness in relation to a capacity to expansively respond to God’s love to be recognized, a response that relies on (a) imitating divine virtues that operate in counterintuitive and illogical ways, and (b) exhibiting fragility and lack rather than exceptionalism. ASI, while responding already in part to God’s love, needs to make strides towards these traits before it can answer divine love as commensurately as humans can. (shrink)

In the appendix of his latest book, Incontinence of the Void, Žižek presents an account of how, according to his dialectical materialism, love can overcome death. This article situates Žižek ’s argument in the context of his ontology and his theory of the subject to explicate how Žižek arrives at this position: one that appears, on the surface, to be inconsistent with a staunch materialist and atheistic stance. Building on Žižek ’s references to Kierkegaard in this appendix, I will (...) furthermore argue that the figure of the Knight of Faith from Kierkegaard’s Fear and Trembling can be as another instantiation of the revolutionary subject of the act. This figure can be said to participate in a type of love that overcomes death insofar as its attachment to objects of desire embodies the acephalous, undead drive that is not reducible to ontic or symbolic structures of reality. (shrink)

Lorsque parut en 1977 l’article de Joan Kelly Gadol, « Did women have a Renaissance? », on commençait à parler de gender. Dans sa formulation, qui appelait évidemment une réponse négative, c’était bien une question « renversante » : elle soumettait à interrogation une notion rarement mise en doute, la Renaissance, et introduisait comme critère possible de sa pertinence, le Féminin. Cet article a profondément marqué les générations suivantes d’historiens, spécialistes de l’histoire des femmes et du genre, suscitant de profondes (...) remises en question, des controverses et une multitude de textes reprenant ce questionnement des fondamentaux de nos disciplines. Trois historiennes, deux médiévistes et une moderniste tentent ici, plus de trente ans après, une relecture faisant le point sur les apports et les remises en question de ce texte fondateur. (shrink)

“Lash is capable of explaining the mind-bending concepts of Gnosticism and pagan mystery cults with bracing clarity and startling insight.... [His] arguments are often lively and entertaining.”—Los Angeles Times Fully revised and with a new preface by the author, this timely update is perfect for readers of The Immortality Key. Since its initial release to wide acclaim in 2006, Not in His Image has transformed the lives of readers around the world by presenting the living presence of the Wisdom Goddess (...) as never before revealed, illustrating that the truth of an impactful Gnostic message cannot be hidden or destroyed. With clarity, author John Lamb Lash explains how a little-known messianic sect propelled itself into a dominant world power, systematically wiping out the great Gnostic spiritual teachers, the Druid priests, and the shamanistic healers of Europe and North Africa. Early Christians burned libraries and destroyed temples in an attempt to silence the ancient truth-tellers and keep their own secrets. Not in His Image delves deeply into ancient Gnostic writings to reconstruct the story early Christians tried to scrub from the pages of history, exploring the richness of the ancient European Pagan spirituality—the Pagan Mysteries, the Great Goddess, Gnosis, the myths of Sophia and Gaia. In the 15th Anniversary Edition, Lash doubles down on his original argument against redemptive ideology and authoritarian deceit. He shows how the Gnostics clearly foresaw the current program of salvation by syringe, and places the Sophianic vision of life centrally in the battle to expose and oppose the evil agenda of transhumanism, making this well-timed update more relevant than ever. “Sometimes a book changes the world. Not in His Image is such a book. It is clear, stimulating, well-researched, and sure to outrage the experts.... Get it. Improve not just your own life, but civilization’s chances for survival.”—Roger Payne, author of Among Whales. (shrink)

This article looks at Lev P. Karsavin’s experience with the heritage of early Christian Gnosticism, from his attempts at stylization based on his study of genuine Gnostic texts and his systematic presentation of Gnostic systems in art almanacs published in the Soviet Union, to his perception of Gnosticism as a kind of “other principle” in his original religious–philosophical texts. We show that, following Silver-Age traditions, Karsavin uses myth as a form of philosophical thinking. He teeters on the edge (...) of Gnosticism, applying certain Gnostic concepts, but he generally turns to Gnostic thought only to distinguish it from his own, which he presents as authentic to the Christian tradition. He criticizes both ontological and anthropological postulates of Gnosticism: the hierarchization of intradivine life, the introduction of the cosmic feminine into the bosom of the Divine, the interpretation of the Fall as the kenosis of God in time, and the explanation of the perfect God from the imperfect world, as well as the type of religious personhood that leads to a rupture in theory and personal faith. We examine Karsavin’s reception of Gnosticism against the background of interest in Gnosticism in post-revolutionary Russia, as expressed by Kropotkinite anarchists, A. Karelin, V. Murav’ev, Yu. Danzas, and M. Kuzmin. (shrink)

In Luce Irigaray's thought, Socrates is a marginal figure compared to Plato or Hegel. However, she does identify the Socratic dialectical position as that of a ‘phallocrat’ and she does conflate Socratic and Platonic philosophy in her psychoanalytic reading of Plato in Speculum of the Other Woman. In this essay, I critically interpret both Irigaray's own texts and the Platonic dialogues in order to argue that: the Socratic dialectical position is not ‘phallocratic’ by Irigaray's own understanding of the term; that (...) Socratic philosophy should not be conflated with the mature Platonic metaphysics Irigaray criticizes; and that Socratic dialectical method is similar in some respects with the dialectical method of Diotima, Socrates’ instructress in love and the subject of Irigaray's “Sorcerer Love” essay in An Ethics of Sexual Difference. (shrink)

One of this century’s most important philosophers here focuses on Plato’s Protagoras, Phaedo, Republic, and Philebus and on Aristotle’s three moral treatises to show the essential continuity of Platonic and Aristotelian reflection on the nature of the good.“Well translated and usefully annotated by P. Christopher Smith.... Gadamer’s book exhibits a broad and grand vision as well as a great love for the Greek thinkers.”-Alexander Nehemas, New York Times Book Review“The translation is highly readable. The translator’s introduction and frequent annotation (...) provide special elucidation on points of doctrinal complexity, giving ample references to other works and rival interpretations.”-Choice“This book is an important addition to the steadily growing number of Gadamer’s works available in English. In it, we see Gadamer at his best, that is, engaged in the practice of interpreting important texts from the philosophical tradition, and also at his most controversial.... I enthusiastically recommend this...challenging book as one that rewards all efforts to understand the important claims it makes on its readers.”-Francis J. Ambrosio, International Philosophy QuarterlyHans-Georg Gadamer is professor of philosophy emeritus at the University of Heidelberg. He is the author of numerous books, including two others translated by Smith: Dialogue and Dialectic: Eight Hermeneutical Studies on Plato and Hegel’s Dialectic: Five Hermeneutical Studies. (shrink)

The article is devoted to a comparative analysis of the role of the feminine principle in the cosmogonic ideas of the Slavic peoples and the philosophy of the Ancient East, in particular, India and China, to the establishment of common and distinctive features of female personification. The authors conclude that the ancient tribal culture, which was based on the logic of nature, the maintenance of the world in unity and the balance of opposites, was much more favorable to women (...) than monotheistic religions, which affirmed the sinful nature of women. Ideas about the origin and development of the universe occupy a central place in the mythological heritage, in the cosmic processes and powerful forces of nature, the unbreakable harmony of male and female principles can be traced, where male energy consists in the idea of fertilization, and female energy – in birth and creation. In every mythological system, there is a character of the Mother Goddess, who acts as a co-creator of the world and living beings, but with the establishment of the patriarchal system, the mythological paradigm undergoes changes, and the female principle is gradually recognized as secondary, or it was completely leveled in the processes of world creation. The archetype of the Great Mother reflects the functioning of human values and runs through the entire history of philosophy and culture. (shrink)

The decline in autobiographical memory function in people with Alzheimer’s dementia has been argued to cause a loss of self-identity. Prior research suggests that people perceive changes in moral traits and loss of memories with a “social-moral core” as most impactful to the maintenance of identity. However, such research has so far asked people to rate from a third-person perspective, considering the extent to which hypothetical others maintain their identity in the face of various impairments. In the current study, we (...) examined the impact of perspective, comparing first- and third-person perspectives, as well as memory type. This online study asked 201 participants to consider hypothetical scenarios in which either themselves or another person experienced different types of memory failures associated with a diagnosis of AD. For each scenario, participants rated the degree to which the depicted individual remained the same person, and how impactful the impairment was. Social semantic memory failures – involving failures to recognise a loved one – were rated as most detrimental to self-continuity, and procedural memory failures the least. Averaged across all memory types, people considered their own and their partner’s self-continuity to be more resilient to memory failures than that of a parent or stranger. However, this pattern was reversed for some memory types: forgetting semantic or episodic information about close relationships was rated as more detrimental from a first-person than third-person perspective. Our findings suggest that perspective and type of memory impairment interact to impact judgements about the extent to which people maintain their identity when they experience dementia, and highlight the importance of social relationships to maintaining a sense of self. (shrink)

Belonging to Hebrew Wisdom literature, the Song of Songs offers a fresh look at love and relationships through its main female character, the Shulamite, which profoundly differs from traditional, religious approaches to love and sexuality. Drawing from exegetical as well as philosophical resources, Abi Doukhan follows the Shulamite's journey away from patriarchy to her own self-individuation as she discovers a wisdom that is deeply personal and feminine.

The paper analyzes the final proof with Greek mathematics and the possibility of intermediates in the Phaedo. The final proof in Plato’s Phaedo depends on a claim at 105c6, that μονάς, ‘unit’, generates περιττός ‘odd’ in number. So, ψυχή ‘soul’ generates ζωή ‘life’ in a body, at 105c10-11. Yet commentators disagree how to understand these mathematical terms and their relation to the soul in Plato’s arguments. The Greek mathematicians understood odd numbers in one of two ways: either that which is (...) not divisible into two equal parts, or that which differs from an even number by a unit. Plato uses the second way in the final proof. This paper argues that a proper understanding of these mathematical terms within Greek mathematics shows that the argument for the final proof is better than previously thought. Such an interpretation of the final proof lends credence to Platonic intermediates. (shrink)

One of this century’s most important philosophers here focuses on Plato’s _Protagoras, Phaedo, Republic, _and _Philebus_ and on Aristotle’s three moral treatises to show the essential continuity of Platonic and Aristotelian reflection on the nature of the good. “Well translated and usefully annotated by P. Christopher Smith…. Gadamer’s book exhibits a broad and grand vision as well as a great love for the Greek thinkers.”—Alexander Nehemas, _New York__ Times Book Review_ “The translation is highly readable. The translator’s introduction and (...) frequent annotation provide special elucidation on points of doctrinal complexity, giving ample references to other works and rival interpretations.”—_Choice_ “This book is an important addition to the steadily growing number of Gadamer’s works available in English. In it, we see Gadamer at his best, that is, engaged in the practice of interpreting important texts from the philosophical tradition, and also at his most controversial…. I enthusiastically recommend this…challenging book as one that rewards all efforts to understand the important claims it makes on its readers.”—Francis J. Ambrosio, _International Philosophy Quarterly_ Hans-Georg Gadamer is professor of philosophy emeritus at the University of Heidelberg. He is the author of numerous books, including two others translated by Smith: _Dialogue and Dialectic: Eight Hermeneutical Studies on Plato _and _Hegel’s Dialectic: Five Hermeneutical Studies._. (shrink)

In the whole universe, from the lowest beings to the highest ones, love permeates through the entire world of existence. Love is one of the hallmarks and perfections of existence in animals. This survey was done to illuminate and explain Mullah Sadra’s ontological viewpoint on the entity of sentiments and the inborn and innate love in the existence of non-human animals. The analytic and descriptive method was used to conduct this study and research. An animal is one (...) of the creatures in the essence of the existence that possesses its own perfect attributes. Animals have souls, the effects of which are life, perception, free choice, and emotions. Animals have an order for their existence, and they are attributed with perfection to the extent of their intensity and weakness. That is to say, all animals are not at the same level. Their perfection is also the same as their existence is. There is life, perception, and love in animals, but it depends on their proportion of existence. All animals are in love, but every animal having the highest share of its rank enjoys more love. Mullah Sadra’s ontological principles in proving the existence and flow of love in animals are that the existence is ‘original,’ ‘non-composite,’ ‘equivocal,’ and ‘coextensive’ with life, conception and love, and ‘God, the Almighty, is the true Beloved of all beings including animals’ souls.’ Evolutionarily, animals can only move to the point where humanity of human beings begins. (shrink)

The philosophy of loveFor centuries, popular writers and respected scholars have written about and analyzed the phenomenon of love without exhausting its potential for contemporary debate. By representing the three major traditions in the philosophy of love--Platonic eros, Christian agape, and Aristotelian philia--editor Alan Soble has not only examined the intellectual problem of what "love" is, but has designed a dialogue among the three traditions in genuine philosophical style. "Eros is acquisitive, egocentric or even selfish; agape is (...) a giving love. Eros is an unconstant, unfaithful love, while agape is unwavering and continues to give despite ingratitude. Eros is a love that responds to the merit or value of its object; while agape creates value in its object as a result of loving it... Finally, eros is an ascending love, the human's route to God; agape is a descending love, GodÆs route to humans... Philia is caught between eros and agape."--From the Introduction to Eros, Agape and Philia ISSUES EXPLORED: --What is the state of love today as seen through the eyes of Plato, Aristotle, and Paul? --How do relations between the sexes illustrate the difficulties of love? --What are the nature and effects of exclusivity, reciprocity, and constancy? --What are the conceptual and psychological ties between sex and love? --Does it make any sense to think of love in moral terms? (shrink)

This chapter analyzes traditional archetypes of divan literature—‘āşık (lover), ma‘şūk (beloved), and rakīb (opponent)—to show the presence of a dialectical discourse in classical Ottoman divan love poems. In both style and content divan poems display a comprehensive understanding of the postclassical Islamic philosophical conception of dialectic and argumentation theory, known as ādāb al-baḥth wa al-munāẓara. The focus on Ottoman love poetry and argumentation theory in this paper aims to demonstrate how the love poetry that developed in Ottoman (...) culture is more dialectical in form and content than Ottoman literary studies have recognized. (shrink)

One of this century's most important philosophers here focuses on Plato's Protagoras, Phaedo, Republic, and Philebus and on Aristotle's three moral treatises to show the essential continuity of Platonic and Aristotelian reflection on the nature of the good. "Well translated and usefully annotated by P. Christopher Smith.... Gadamer's book exhibits a broad and grand vision as well as a great love for the Greek thinkers."--Alexander Nehemas, New York Times Book Review "The translation is highly readable. The translator's introduction and (...) frequent annotation provide special elucidation on points of doctrinal complexity, giving ample references to other works and rival interpretations."--Choice "This book is an important addition to the steadily growing number of Gadamer's works available in English. In it, we see Gadamer at his best, that is, engaged in the practice of interpreting important texts from the philosophical tradition, and also at his most controversial.... I enthusiastically recommend this...challenging book as one that rewards all efforts to understand the important claims it makes on its readers."--Francis J. Ambrosio, International Philosophy Quarterly Hans-Georg Gadamer is professor of philosophy emeritus at the University of Heidelberg. He is the author of numerous books, including two others translated by Smith: Dialogue and Dialectic: Eight Hermeneutical Studies on Plato and Hegel's Dialectic: Five Hermeneutical Studies. (shrink)

Al-Ghazālī and the Idea of Moral Beauty rethinks the relationship between the good and the beautiful by considering the work of eleventh-century Muslim theologian Abū Ḥāmid al-Ghazālī. A giant of Islamic intellectual history, al-Ghazālī is celebrated for his achievements in a wide range of disciplines. One of his greatest intellectual contributions lies in the sphere of ethics, where he presided over an ambitious attempt to integrate philosophical and scriptural ideas into a seamless ethical vision. The connection between ethics and aesthetics (...) turns out to be a signature feature of this account. Virtue is one of the forms of beauty, and human beings are naturally disposed to respond to it with love. The universal human response to beauty in turn provides the central paradigm for thinking about the love commanded by God. While al-Ghazālī's account of divine love has received ample attention, his special way of drawing the good into relation with the beautiful has oddly escaped remark. In this book Sophia Vasalou addresses this gap by offering a philosophical and contextual study of this aspect of al-Ghazālī's ethics and of the conception of moral beauty that emerges from it. This book will be of interest to scholars and students in Islamic ethics, Islamic intellectual history, and the history of ethics. (shrink)

"The unexamined life is not worth living." Socrates's ancient words are still true, and the ideas sounded in Plato's Dialogues still form the foundation of a thinking person's education. This superb collection contains excellent contemporary translations selected for their clarity and accessibility to today's reader, as well as an incisive introduction by Erich Segal, which reveals Plato's life and clarifies the philosophical issues examined in each dialogue. The first four dialogues recount the trial execution of Socrates--the extraordinary tragedy that changed (...) Plato's life and so altered the course of Western though. Other dialogues create a rich tableau of intellectual life in Athens in the fourth century B.C., and examine the nature of virtue and love, knowledge and truth, society and the individual. Resounding with the humor and astounding brilliance of Socrates, the immortal iconoclast, these great works remain powerful, probing, and essential. (shrink)

: In the poetry of Daud Kamal, water figures as an image of mercy, as in the Quran, and as a mirror that reflects divine hidden presence. The rock pool evokes the memory of Gandhara and other foundational civilizations born in love and creative ferment. Conversely, the images of drought, heat, and dust symbolize a parched spiritual order. The river, a recurring archetypal image in Kamal’s poetry, represents the fluid self that is subsumed into collective identity to become (...) a poetic distillate of history. Key words: Daud Kamal, water imagery, drought imagery, Pakistani poetry in English, Gandhara civilization, Islamic poetry. Resumen: En la poesía de Daud Kamal, el agua figura como una imagen de misericordia, como en el Corán, y como un espejo que refleja la presencia divina oculta. El estanque evoca la memoria de Gandhara y otras civilizaciones fundamentales nacidas en el amor y el fermento creativo. Por el contrario, las imágenes de sequía, calor y polvo simbolizan un orden espiritual reseco. El río, una imagen arquetípica recurrente en la poesía de Kamal, representa el yo fluido que se subsume en la identidad colectiva para convertirse en un destilado poético de la historia. Palabras clave: Daud Kamal, imágenes de agua, imágenes de sequía, poesía paquistaní en inglés, civilización de Gandhara, poesía islámica. (shrink)

Bonaventure in his Itinerarium mentis in Deum traces the mystical journey of the spiritual wayfarer from the state of man posterior to the Fall of Adam and Eveto union with the Trinity as a partaker of the inter-Trinitarian love life. This journey takes the form of an ascent characterized by a Procline and Augustinian influenced ontology. I argue that the first two levels of the three-tiered ascent are understood ontologically as feminine and masculine principles, or evaluative metaphors, and (...) mirror the coinciding of the opposites of Good and Being in Bonaventure’s Trinitarian theology. Furthermore, the process of the ascent is operative by means of yearning, or desire, acting as a unitive force in the ascent. The ascent of the Itinerarium is best realized in the person of Francis of Assisi upon whose very corpus is the ascent impressed according to the signs of the crucified Christ, the stigmata. (shrink)

In the Symposium of Plato, Socrates reports that Diotima once described to him a process of initiation by which a lover rises from desiring one beautiful body to catching sight of what seems to be the Platonic form of beauty. Scholars have debated whether the lover is to make this ascent by a rational process or a non-rational one, or by both working either in concert or independently. This paper argues that love leads and guides a process in this (...) initiation that necessarily involves rational activity. No teaching is necessary or appropriate, so that the process is an example of learning without being taught. The philosophical insight that results is life-changing, but it does not amount to the kind of knowledge that would fully satisfy a Socratic seeker after knowledge. (shrink)

This article examines the definitions of place or location (topos) and as a consequence, space, in Byzantine philosophy, from Maximos the Confessor to Photios. These philosophers draw, on one hand, on the Aristotelian, Platonic, and Neoplatonic sources, and on the other hand, on the Judeo-Christian tradition. Firstly, Maximos the Confessor sets out a novel definition in which place is conceptually inseparable from time, is needed for substances to exist, and in which place is the boundary between the created and uncreated. (...) In Anastasios of Sinai’s writing, God is the archetypical place for all things and is likewise necessary for substances. John of Damascus, in contrast, extends Aristotle’s definition of place in the Physics in new directions, by investigating the place of angels, which is determined by their incorporeal limits. Finally, Photios produces a systematic and astute account of how the properties of the containing and contained bodies come together to make places. The article concludes with an evaluation of these theories, and briefly considers their relationship to theories of place and location in modern physics. (shrink)

Reviewers of Bertrand Russell’s Marriage and Morals (MM) came to no consensus on the purpose of the work. Some saw it as advocating love in marriage, others as destroying marriage and still others as an attempt to justify promiscuity (Kayden, Tract on Sex and Marriage: Review of Marriage and Morals by Bertrand Russell. The Sewanee Review 38(1), 104–108, 1930; Pan, Review of Marriage and Morals by Bertrand Russell. The China Critic 3(8), 186–187, 1930). Their confusion is understandable given the (...) tensions in the book. This chapter proposes that these were partly the result of an unsuccessful attempt to combine two incompatible value systems: aristocratic values and the new morality which Bertrand Russell and his wife at the time, Dora, promoted. The book also reveals a couple in crisis—whose ideals had proved impossible to realize in their life together. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 33.3 (2000) 221-242 [Access article in PDF] Reigning in the Court of Silence: Women and Rhetorical Space in Postbellum America Nan Johnson [Figures]Nervous, enthusiastic, and talkative women are the foam and sparkle, quiet women the wine of life. The senses ache and grow weary of the perpetual glare and brilliancy of the former, but turn with a sense of security and repose to the mild, mellow (...) glow irradiating the sphere of the latter. We associate all ideas of rest with quiet women. They are soul-divinities reverently guarding their sacred trusts in the Court of Silence. When she speaks, her words are aptly chosen and fitly spoken. She is wise and thoughtful, but loving and meek. "Still waters run deep," but not in the world-applied sense; babbling rills do not wear their channels deep, but streams of calmest flow have hidden depths undreamed of, unsuspected.--Anonymous, "Quiet Women" 461In an article entitled "Quiet Women," which appeared in The Ladies' Repository in 1868, an anonymous author argues that "quiet women are the wine of life." Capturing the deep cultural longing of the postbellum period for the icon of the American woman as angel of the hearth, this portrait deifies the quiet woman and demonizes the other possibilities: the enthusiastic woman, the talkative woman, the brilliant woman, and the babbling woman. The mild and mellow queen of the "Court of Silence" is graceful, calm, and, most important of all, silent. In this characterization, an idealized woman is defined as necessarily rhetorically meek. By worshiping "the quiet woman," influential proponents of public opinion such as The Ladies' Repository reinscribed for a postbellum readership a definition of true womanhood that equated silence with feminine virtue and enthusiastic vocality with its opposite. The argument that the rhetorical conduct of the "wise and thoughtful" woman could be contrasted instructively with the trivial and ultimately inconsequential rhetorical behavior of loud and talkative women is one that was made in so many cultural conversations of the postbellum period that it achieved the power of an ideological trope. 1 [End Page 221]Efforts to regulate women's rhetorical behavior intensified rather than abated in the decades following the Civil War as women pursued education, the right to vote, property rights, and mobility in public life. In conduct literature, a genre that proliferated during the postbellum period, the preferred construction of the "quiet" woman was a mainstay in an ideological agenda that supported the generally held nineteenth-century view that character and the nature of one's rhetoric are mutually revealing. Like other types of self-help materials marketed in the last decades of the century, such as elocution manuals and letter-writing guides, conduct manuals included among their vast tables of contents the matters of how and where one ought to speak. In their coverage of deportment in all areas of life, conduct manuals promised the aspiring middle-class American an education in the home in the culturally valuable skills of public speaking and writing. 2 The collective enterprise of the parlor rhetoric movement and conduct literature in particular was to offer happiness and success to those who would follow certain rules. Enormously popular in the postbellum period and well into the turn of the century, conduct manuals argued a conservative gender agenda that appealed to the middle-class readers of a nation who seemed eager to accept the idea that correct deportment in daily life could help to restore the social calm the postwar nation longed for. Although by the 1880s the American public had well in mind notable examples of women, such as Lucretia Mott, Sojourner Truth, Frances Willard, and Elizabeth Cady Stanton, who had assumed powerful reformist voices in the causes of abolition, temperance, and women's rights, the rhetorical space these women occupied in shaping political and cultural life was viewed as the exception rather than the rule. 3 In spite of the high profile rhetorical careers of a handful of women, or, perhaps, because of them, postbellum America wondered uneasily just how public women's lives... (shrink)

In this article I explore love's relation to gendered power asymmetries by comparing Anna Jónasdóttir's, Jessica Benjamin's and Teresa Brennan's respective theorizations of this theme. Despite the considerable differences between these feminist frameworks, they can all be read in terms of what I call the figure of the Dominant and its Constitutive Other. This refers to the contradictory relation whereby the powerful and ‘independent’ existence of the one is premised on that which is other to it, as well as (...) on the denial and obscuring of this constitutive dependence. Via a dialogue with critical realist and metaReal themes I move from a concern with how the feminine ‘Other’ tacitly constitutes the masculine Dominant through practices of love, to thematizing the basic stratum of being as the constitutive Other of the oppressive economy of love. The structure of the self emerges as a central organizing principle in the oppressive relations considered, and the article explores what might be a non-violent mode.. (shrink)

: In Luce Irigaray's thought, Socrates is a marginal figure compared to Plato or Hegel. However, she does identify the Socratic dialectical position as that of a 'phallocrat' and she does conflate Socratic and Platonic philosophy in her psychoanalytic reading of Plato in Speculum of the Other Woman. In this essay, I critically interpret both Irigaray's own texts and the Platonic dialogues in order to argue that: (1) the Socratic dialectical position is not 'phallocratic' by Irigaray's own understanding of the (...) term; (2) that Socratic (early Platonic) philosophy should not be conflated with the mature Platonic metaphysics Irigaray criticizes; and (3) that Socratic dialectical method is similar in some respects with the dialectical method of Diotima, Socrates' instructress in love and the subject of Irigaray's "Sorcerer Love" essay in An Ethics of Sexual Difference. (shrink)