Why Do The Sirens Sing?: Figuring the Feminine in Dialectic of Enlightenment

Theory and Event 3 (1) (1999)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,774

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Where Music Plays and the Sirens Sing: Hope and Despair in George Steiner's Tragic Vision.Ricardo Gil Soeiro - 2010 - In Janette McDonald & Andrea M. Stephenson (eds.), The resilience of hope. New York: Rodopi. pp. 41.
Figuring Authority.Kirstie McClure - 1999 - Theory and Event 3 (1).
Habermas and Adorno on "Dialectic of Enlightenment".Alex Pienknagura - 1991 - Dissertation, University of Massachusetts Amherst
Reason, power and history.Amy Allen - 2014 - Thesis Eleven 120 (1):10-25.
Why do we like to dance and sing.Stephen Malloch - 2005 - In Robin Grove, Kate Stevens & Shirley McKechnie (eds.), Thinking in Four Dimensions: creativity and cognition in contemporary dance. Melbourne UP. pp. 14--28.

Analytics

Added to PP
2013-12-01

Downloads
35 (#121,482)

6 months
7 (#1,397,300)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Nancy Sue Love
Appalachian State University

References found in this work

No references found.

Add more references