Abstract

This article looks at Lev P. Karsavin’s experience with the heritage of early Christian Gnosticism, from his attempts at stylization based on his study of genuine Gnostic texts and his systematic presentation of Gnostic systems in art almanacs published in the Soviet Union, to his perception of Gnosticism as a kind of “other principle” in his original religious–philosophical texts. We show that, following Silver-Age traditions, Karsavin uses myth as a form of philosophical thinking. He teeters on the edge of Gnosticism, applying certain Gnostic concepts, but he generally turns to Gnostic thought only to distinguish it from his own, which he presents as authentic to the Christian tradition. He criticizes both ontological and anthropological postulates of Gnosticism: the hierarchization of intradivine life, the introduction of the cosmic feminine into the bosom of the Divine, the interpretation of the Fall as the kenosis of God in time, and the explanation of the perfect God from the imperfect world, as well as the type of religious personhood that leads to a rupture in theory and personal faith. We examine Karsavin’s reception of Gnosticism against the background of interest in Gnosticism in post-revolutionary Russia, as expressed by Kropotkinite anarchists, A. Karelin, V. Murav’ev, Yu. Danzas, and M. Kuzmin.