In this paper, I build on recent scholarship concerning the early semantic history of the word “smṛti,” which has been shown to denote “tradition” in the early dharmasūtra material. I seek to add nuance to this work by examining the meaning of smṛti in the early Sāmavedic technical literature. This corpus helps elucidate one of the processes whereby smṛti came to refer to something textual. This paper argues that smṛti’s earliest textualized referent may have been fixed or semi-fixed individual statements (...) rather than definite texts. (shrink)

The Rowman & Littlefield Handbook for Critical Thinking provides a quick and authoritative reference for issues regarding reasoning, and provides clear and succinct discussions of issues such as counterfactuals, rational decision-making, and critical thinking in writing.

In this paper, we consider the influence of Gibson's affordance theory on the design of robotic agents. Affordance theory (and the ecological approach to agent design in general) has in many cases contributed to the development of successful robotic systems; we provide a brief survey of AI research in this area. However, there remain significant issues that complicate discussions on this topic, particularly in the exchange of ideas between researchers in artificial intelligence and ecological psychology. We identify some of these (...) issues, specifically the lack of a generally accepted definition of "affordance" and fundamental differences in the current approaches taken in AI and ecological psychology. While we consider reconciliation between these fields to be possible and mutually beneficial, it will require some flexibility on the issue of direct perception. (shrink)

Traduction à l’espagnol de l’original allemand publié en 2003, l’ouvrage présente de manière à la fois synthétique et vivante une histoire des femmes et du genre en Amérique latine en se fondant sur une très ample bibliographie. Les premiers chapitres (Les femmes indigènes et la conquête ; la société coloniale ; le rôle des femmes dans l’économie ; la modernisation du xixe siècle et les deux chapitres sur le xxe siècle) n’ont été repris qu’a la marge tandis que le dernier (...) chapitre sur les rep... (shrink)

A comunidade dos amantes: anacronismo e aforismo em questão em Blanchot e Derrida Resumo: A reflexão sobre o pensamento da “comunidade”, especificamente no séc. XX e, em especial, por pensadores franceses, é tema de diversas obras. Em torno dessa temática, pensadores como Bataille, Deleuze, Foucault, Blanchot, Jean-Luc Nancy e Derrida deram importantes contribuições. Apesar de Derrida recusar a noção de comunidade colocando em seu lugar a noção de coletividade, as concepções que fundamentam uma experiência de comunidade/coletividade são próximas: alteridade; différance; (...) escritura; acontecimento e presença de uma ausência. Nesse contexto, a possibilidade de uma interseção entre esses conceitos, a partir da obras de Blanchot e Derrida, permite pensar a experiência da comunidade em sua relação com a escritura. Palavras-chave: Comunidade; Coletividade; Escritura; Alteridade; Acontecimento. The lovers community: anachronism and aphorism in question in Blanchot and Derrida Abstract: The reflection about the thought of “community”, specifically in the XX century and, specially, by French thinkers, is the theme of many works. Around this theme, thinkers/intellectuals like Bataille, Deleuze, Foucault, Blanchot, Jean-Luc Nancy and Derrida gave important contributions. Despite Derrida's refusal of the notion of community putting in its place the notion of collectivity, the conceptions that ground an experience of community/collectivity are close: otherness; differance; writing; event and absent presence. In this context, the possibility of an intersection between these concepts, starting from the works of Blanchot and Derrida, allows to think the experience of community in its relation to the writing. Keywords: Community; Collectivity; Writing; Otherness; Event. La communauté des amoureux : anacronisme et aphorisme en question chez Blanchot et Derrida Résumé: La réflexion sur la pensée de la “communauté”, spécifiquement au XXe siècle, et particulièrement par les penseurs français, fait l’objet de plusieurs travaux. Autour de ce thème, des penseurs tels que Bataille, Deleuze, Foucault, Blanchot, Jean-Luc Nancy et Derrida ont apporté d'importantes contributions. Bien que Derrida rejette la notion de communauté, en la remplaçant par la notion de collectivité, les conceptions qui fondent une expérience communauté/collectivité sont proches : altérité ; la différance ; écriture ; événement et présence d'une absence. Dans ce contexte, la possibilité d'une intersection de ces concepts, basée sur les travaux de Blanchot et de Derrida, permet de réfléchir à l'expérience de la communauté dans sa relation avec l'écriture. Mots-clés: Communauté ; Collectivité ; Écriture ; Altérité ; Événement. Data de registro: 21/11/2019 Data de aceite: 08/12/2020. (shrink)

Considérant le travail psychique auquel nous sommes contraints – depuis l’excitation à la satisfaction pulsionnelle, mise en mouvement sublimée, inhibée « ou non » quant au but, avec ou sans abandon à la jouissance –, l’auteur tente d’approcher des mouvements d’installation identitaire (fonction, rôle, sexe, génération) à l’aide d’appuis théoriques et cliniques à travers deux cas d’analyse.

Reseña de Gardella & Vecchio, Amantes rivales. Sobre la filosofía. Diálogo pseudo-platónico.

La notion d’« Esprit » que chérit le système hégélien a été tellement galvaudée qu’on n’associe souvent de nos jours ce dernier qu’à l’opposé de la nature sans trop comprendre ce que cela signifie vraiment en termes hégéliens. Dans un même élan, on prend un malicieux plaisir à soulever le haut niveau d’abstraction de cette philosophie qui, aux dires de ses détracteurs, délaisse complètement ce qui est naturel au profit de ce qui est spirituel. La nature et le monde matériel (...) se trouvent-ils si mal servis par l’hégélianisme ? Nous allons montrer que non, en expliquant que cette apparence dérive directement d’un refus de prendre en compte la métaphysique qui oeuvre à l’arrière-plan du désir hégélien d’articuler la totalité de ce qui est dans le discours philosophique.The notion of “Spirit” so championed in the Hegelian system has been so trivialised, that nowadays one tends to link it to the very opposite of nature without really understanding what it truly means in Hegelian terms. Furthermore, critics take a malicious pleasure in emphasizing the high level of abstraction of this philosophy which, still according to them, results in completely neglecting the natural in favor of the spiritual. Are nature and the material world so poorly served by Hegelianism ? We will prove that statement wrong by explaining that this criticism of Hegel’s philosophy directly derives from a refusal to consider the metaphysics at work behind the Hegelian desire to thoroughly explain the totality of what is in the philosophical discourse. (shrink)

At that crucial moment in the Roman de la Rose when Faus Semblant and Astenance Contrainte set off in the guise of pilgrims to silence Male Bouche, Astenance Contrainte, disguised as a beguine, is compared to.

RESUMO Neste artigo, objetivamos compreender os discursos que compõem a condição histórico-social de uma amante. Para isso, procuramos refletir sobre o modo como uma mulher em uma relação extraconjugal constrói ético-discursivamente a visão da sociedade a respeito da sua condição amorosa. Inseridos no campo de estudos da Linguística Aplicada, buscamos interpretar a historicidade dos atos discursivos e a repercussão desses atos na representação das subjetividades, por meio da análise dos discursos envolventes ali presentificados. Em vista disso, consideramos os estudos sobre (...) as relações dialógicas do discurso e a compreensão responsiva ativa do chamado Círculo de Bakhtin. Os resultados apontam para um discurso que resgata a noção de mulher amante subserviente, dependente, culpada e destruidora de lares. Apesar dessas conotações, a entrevistada demonstra um relevante grau de responsividade ativa ao renomear e, consequentemente, ressignificar a sua condição amorosa. ABSTRACT The purpose of this paper is to understand the discourses that compose a mistress's social-historical condition. We reflect on how a woman in an extramarital relationship ethically and discursively constructs the society's view on her love life. Within the scope of Applied Linguistics, we interpret the historicity of discursive acts and the repercussion of such acts on the representation of subjectivities, by analyzing the involving discourses in such subjectivities. Accordingly, we consider the studies on the dialogic relationships of the discourse and on the active responsive understanding of the so-called Bakhtin Circle. The findings point to a discourse that resumes the notion of a mistress who is subservient, dependent, guilty, and a homewrecker. Despite these connotations, the interviewee demonstrates a relevant degree of active responsiveness when she renames and, consequently, re-signifies her condition as a mistress. (shrink)

El ensayo examina el carácter crítico de la ironía romántica de Friedrich Schlegel siguiendo las consideraciones y apropiaciones de Walter Benjamin, Harold Bloom y Paul de Man. También, el ensayo pretende mostrar el paralelismo de la actitud crítica de la ironía con tres figuras literarias románticas: el esteta, el dandy y el âneur. Estas criaturas, unidas por una fe profética en el arte, hacen de la ironía una profesión que se mueve entre la creación y la destrucción. La apropiación en (...) el contexto post-estructuralista nos permite percibir a la ironía en una incomprensión radical, desarrollando un patrón estético que opera entre la creación y la aniquilación. (shrink)

Héloïse est sans aucun doute l’une des figures féminines les plus illustres du Moyen Âge. Elle propose l’exemple même d’un mythe tellement universel qu’il masque la vraie femme. Associée à Abélard, Héloïse offre l’image de l’amour le plus profond, le plus éternel qui unit les amants au-delà même de la mort. La légende s’est emparée de la femme qui reste encore aujourd’hui une inconnue. Deux ouvrages essentiels viennent heureusement combler cette lacune. Le premier est la traduction et la prés...

The aim of this text is to relate the three triads presents on the Plotinus’ Enneads - 1. the three types of man: the musician, the lover, and the philosopher; 2. the three men: the sensible man, the rational man and the Form of man; 3. the potencies, faculties or capacities of the soul: the desiring one, the perceiving one, and the reasoning faculty or discursive one - in order to clarify the conditions or presuppositions of man’s ascent to the (...) One through the ways of the musician, the lover, and the philosopher. We analyze how these men use soul’s faculties to return to the One and, in consequence, we propose a delimitation of the differences between men and their capacities for such ascent. (shrink)

RESUMEN Una vez que el foco de la reflexión pasa de las teorías ideales a la aplicación de la justicia social, centrada en las instituciones de las sociedades democráticas, se requiere prestar especial atención a los estilos de vida. Estos tienen una alta incidencia en cómo la justicia es realizada y afectan tanto a la desigualdad económica como a la disponibilidad de los recursos naturales. En nuestras sociedades es posible establecer restricciones a los estilos de vida, especialmente en aquellos casos (...) en que, por el efecto de algunas dinámicas sociales, aquellos se desacoplan de las concepciones del bien. Se defiende que, en tales casos, la base normativa que permite exigir el respeto a los estilos de vida se disuelve y por ello es posible justificar su restricción. ABSTRACT Now that the focus of reflection has shifted from ideal theories to the application of social justice, centered on the institutions of democratic societies, it is necessary to pay special attention to lifestyles, since they not only influence the realization of justice, but also have an effect on economic inequality and the availability of natural resources. In our societies, it is possible to place restrictions on lifestyles, especially in those cases in which, influenced by certain social dynamics, they disengage from conceptions of the good. The article argues that, in those cases, the normative base grounding the demand that lifestyles be respected is dissolved, thus justifying their restriction. (shrink)

La qualité du lien de tendresse et de confiance dans un couple permet la constitution d’un espace intertransférentiel au sein duquel tendent à se répéter les traumatismes archaïques non symbolisés des deux conjoints. Il est également le lieu où se définissent pour chacun les problématiques identitaires de conjoint, d’amant et de parent.

À la différence du maternel, périodique et temporel, le féminin érotique est régi par la poussée constante de la libido. Au cours des cinq étapes de la vie d’une femme, l’auteur suit le parcours des antagonismes susceptibles d’intervenir entre ces deux pôles du destin féminin et leur souhaitable réconciliation. L’essentiel, pour une femme, n’est-il pas de pouvoir vivre physiquement et psychiquement ces trois expériences : être femme-sujet, mère et amante?

Resumen: En La actualidad de lo bello, Gadamer hace una referencia reveladora a la improvisación musical y a la importancia de la escucha musical, además de poner en primer plano la necesidad de justificación del arte. Situando este debate a través de Goethe y Platón, junto con las Lecciones de Estética de Adorno de finales de la década de 1950 y una discusión sobre Nietzsche y la Antigüedad, es posible establecer que lo que está en juego es la afinación, así (...) como una tensión que invita a un debate ulterior tanto sobre la detención del amante en Carson como el demorarse en Heidegger. Al revisar la hermenéutica gadameriana de la programación y la interpretación musical, incluida la improvisación y el desafío de la nueva música, las reflexiones de Gadamer sobre la cultura musical en el contexto de la cultura social y su reflexión no solo pueden ser leídas a través de Platón y Goethe, sino también a partir de las concepciones de "lo bello" en Hölderlin y Rilke. Se trata de una "conversación" cultural en la que la contribución del público puede estar en tensión con la programación musical progresiva, además de la dinámica de respuesta que surge en la energeia de la improvisación tanto para el intérprete como para el oyente.// Abstract: Gadamer’s On the Relevance of the Beautiful makes telling reference to musi-cal improvisation and the importance of musical listening in addition to fore-grounding the need for justification. Situating this discussion via Goethe and Plato along with Adorno’s late 1950s lectures on Aesthetics together with a discussion of Nietzsche and antiquity, what is at stake is attunement and a tension which invites a discussion of Carson on the lover’s arrest and Heidegger on tarrying. By reviewing Gadamer’s hermeneutic of musical pro-gramming and performance, including improvisation and the challenge of new music, Gadamer may be read on music culture in the context of social culture and his reflection not only via Plato and Goethe but Hölderlin and Rilke on ‘the beautiful.’ At work is a cultural ‘conversation’ where audience input can be in tension with progressive musical programing along with the dynamic of response emergent in the energeia of improvisation for performer and listener. (shrink)

o amor e 0 6dio, dois sentimentos fundamentais do ser humano, estao ligados as fases evolutivas do desenvolvimento sexual infantil, as quais, por sua vez, sao sobredeterminadas pelas relacees intersubjetivas que a crianc;:a experimenta. Tentando precisar 0 significado do amor como 0 sentimento de unidade entre dois seres diferentes, no qual 0 amado assume uma importancia vital para 0 amante, somos levados a definir 0 6dio como 0 sentimento de oposicao entre diferentes seres que estao afetivamente ligados, onde 0 ser (...) odiado representa aquilo que deve ser eliminado, expulso, destruido. Se 0 amor liga-se a fase oral, ao 6dio compulsivo parace ligar-se em determinadas pessoas a uma certa consfituicao da fase anal, onde 0 comportamento transgressor surge como uma forma<;ao de compromisso entre a repeticao de uma viol!ncia sofrida e a tentativa de libertar-se dela. PALAVRAS-CHAVE: amor, 6dio, libido. (shrink)

Dans les sociétés démocratiques contemporaines, les individus revendiquent le droit d'aimer librement. Ils sont attachés à la réussite de leur vie sentimentale et à l'épanouissement de leur sexualité. Mais le corps épris nous permet-il d'accéder à l'existence heureuse que nous désirons? Dans ce livre, Jean-Marie Frey met au jour les ressorts de l'inquiétude suscitée par l'amour charnel. Il montre comment la pudibonderie et le libertinage expriment, chacun à leur manière, une tentative pour se rassurer. Les prudes désireux de voiler les (...) femmes et les libertins exhibant un corps morcelé dans l'imagerie pornographique, n'éprouvent-ils pas les uns et les autres une crainte devant la chair désirable? L'auteur oppose les figures du pudibond et du libertin à celle d'un amant disposé à jouer le jeu d'une passion amoureuse à la fois inquiétante et joyeuse. (shrink)

En el presente trabajo intentaremos mostrar cómo la experiencia de la muerte pone en jaque la categoría metafísica de presencia, que se encuentra en el corazón de la obra de Gabriel Marcel. A diferencia de otras filosofías de la existencia, la significación metafísica de la muerte no la encontramos en la conciencia de la muerte propia, sino en el acontecimiento de la muerte de la persona amada. Por esta razón, el sentido de la muerte solo es inteligible en el marco (...) de la experiencia de la fidelidad y del amor, y su carácter trágico reside en que parece deslegitimar la promesa de eternidad en la comunión de los amantes y la consistencia ontológica de la existencia. Lejos de ser extraño al ritmo dramático de la filosofía marceliana, la reflexión en torno a la muerte subraya la necesidad de pensar la presencia en conjunción con la ausencia, lo cual nos abre a una filosofía que trasciende el ser entendido como presencia y apariencia, para abrazar lo inaparente como lo realmente significativo. De este modo, encontramos la radicalización de la fenomenología como hiperfenomenología en la propuesta de Gabriel Marcel, quien podría considerarse uno de los iniciadores de la tradición que hoy recibe el nombre de “giro teológico de la fenomenología”. (shrink)

De Orbitis Planetarum, tesis presentada por Hegel en 1801 para acceder a la Universidad de Jena, es el texto menos conocido del filósofo alemán. Considerado un inmaduro ejercicio de juventud, este libro muestra no sólo el pensamiento del joven Hegel, sino que también refleja el ambiente que enmarcaba el idealismo alemán en torno a la filosofía de la naturaleza. Sin embargo Hegel mantuvo un concepto referido al funcionamiento y legitimidad de los procesos científicos que aparece esbozado en este texto. Esta (...) obra es de gran interés para amantes de la filosofía, astrónomos e historiadores de la ciencia, pues en ella aparece la difícil relación que actualmente mantienen filosofía y ciencia. Uno de los motivos que impulsó a Hegel a escribirla fue el deseo de mantener en relación estos dominios del saber, hasta entonces un único cuerpo de conocimiento. (shrink)

"Lettre à l'Autre. Comment empêcher que la présence, en s'instaurant, s'installe? Qu'elle s'enlise de ce qu'elle se réalise et s'abîme dans la durée? Les Amants en sont menacés..."--Page 4 of cover.

« D’où jaillit la Musique? Des bruits du monde? Des clameurs issues des assemblées? De nos émotions? Et comment la définir? Rien de plus difficile que de répondre à ces questions. J’ai préféré dire ce qu’elle est en trois contes. Légendaire, le premier suit la vie d’Orphée, son initiation auprès des Bacchantes et des Muses, puis sa plongée dans les Enfers à la recherche d’Eurydice, son amante. Comment aimer en Musique? Autobiographique, le second envahit le Grand Récit de la connaissance (...) qui devient ici une Grande Symphonie. Peut-on penser en Musique? Biblique enfin, le dernier psalmodie, de la Genèse à la Nativité. Doit-on prier en Musique? » Michel Serres. (shrink)

Noli me tangere - Ne me touche pas : c'est une scène singulière de l'évangile de Jean, et c'est une parole emblématique pour des situations de violence ou de désir. C'est aussi, et d'abord, le rappel lapidaire d'un tabou majeur de toutes les cultures : celui du toucher. Or Marie-Madeleine, à qui cette parole est adressée par Jésus, a connu dans l'hagiographie un destin bien particulier : amante tantôt physique et tantôt mystique du Christ, double féminin et sensuel de l'incarnation (...) que son Seigneur est censé représenter, pécheresse dont le repentir poursuit la volupté, son personnage est fait pour troubler aux deux sens du mot la légende religieuse. Comment donc interpréter la scène, et la " résurrection " qu'elle veut annoncer? Comment les peintres l'ont-ils interprétée? Que nous font-ils voir entre ces deux corps levés l'un vers l'autre, qui se frôlent et qui s'écartent? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 371-373 [Access article in PDF] Book Review French Fiction in the Mitterrand Years: Memory, Narrative, Desire French Fiction in the Mitterrand Years: Memory, Narrative, Desire, by Colin Davis & Elizabeth Fallaize; 160pp. Oxford: Oxford University Press, 2000, $24.95. Like the Mitterrand era itself, Davis and Fallaize's French Fiction in the Mitterrand Years is somewhat uneven. The election of François Mitterrand in 1981 as the (...) President of the Fifth Republic was a milestone in modern French history. After the conservative politics of the 1960s and 70s, the election of a socialist president and legislature seemed to offer the possibility of a new political and intellectual atmosphere. Indeed, the first two years of Mitterrand's presidency brought sweeping reforms. However, several scandals, continued economic problems and later "cohabitation" with a right-wing legislative majority muted the original verve. Mired in partisan politics, the government often appeared ineffectual.As with the political arena, French fiction of the 1980s was produced under the shadow of another long-standing French institution--the nouveau roman. Again we find a new direction, a turning-away from the past during the 1980s. Yet there was no outright refusal. There were no manifestos or polemical articles written by budding novelists, no claim to Literature. As Annie Ernaux describes her work Une Femme (1987): "Mon projet est de nature littéraire [...]. Mais je souhaite rester, d'une certaine façon, au-dessous de la littérature" (My project is of a literary nature [...]. But I wish to remain, in a certain way, beneath literature (p. 144).This lack of pretension is important, for it helps us better understand the writing of the period. As Davis and Fallaize point out, in the fiction of the Mitterrand years we find a return to history, to the subject, and to storytelling, three areas disdained by the new novelists of the 1950s and 60s (pp. 12-15). But at the same time, there is not an elegiac return to the conventions of the past. There are no didactic tales of Lucien de Rubempré's lost illusions. A good example of this is Patrick Roegiers's Beau Regard (1990), the account of a dinner during which hardly anyone speaks, told by a narrator who knows no one else at the table. Davis and Fallaize note: "In these novels the event is merely an incident, the story no more than an anecdote, and the anecdote merely a fait divers" (p. 147). Although not inconsequential, argue Davis and Fallaize, there is an unquestionable modesty to these texts.In the introduction to their work Davis and Fallaize write: "The aim of the current book is to analyze some of the most important and interesting directions in French fiction through detailed discussions of a selection of texts, all published during François Mitterrand's period as President of the Fifth Republic (1981-95)" (p. 1). This is exactly what they accomplish, selecting six novels--Duras's L'Amant (The Lover, 1984), Pennac's Au bonheur des ogres (The Scapegoat, 1985), Semprun's La Montagne blanche (1986), Echenoz's Lac (Lake, 1989), Guilbert's A l'ami qui ne m'a pas sauvé la vie (To the Friend Who Did Not Save [End Page 371] my Life, 1990), and Ernaux's Passion simple (Simple Passion, 1991)--and spending one chapter on each. They also discuss some of the important features of the era's fiction including memory, especially of World War II, contemporary culture and postmodernism, and autofiction.However, the book's limited goal also leads to some of its problems. As a whole, the work lacks cohesion. Chapters often read like individual essays. Moreover, although some chapters are well-grounded critically and contextually, others are not. Finally, the conclusion is too brief to synthesize aptly the various topics discussed in the previous chapters. The reader does not have a solid grasp of the fictional landscape of the Mitterrand years, but rather, as the introduction indicated, knowledge of "some of the [...] interesting directions in French fiction."One of the most illuminating chapters considers Daniel... (shrink)

Seit über 30 Jahren gibt es in den deutschen wie französischen Kultur- und Geisteswissenschaften das Bestreben, den Begriff der »Lesbarkeit« von seiner engen Bindung an den geschriebenen Text zu emanzipieren. Die vorliegende Ausgabe von Trivium lässt einige der maßgeblichen Stimmen in dieser Debatte zu Wort kommen. Auf der gemeinsamen Schnittfläche von Mikrohistorie, Semiologie, Psychoanalyse, Kulturgeschichte, Physiognomie und Mantik zeichnet sich ein neues und zugleich altes Verständnis des Lesens ab. Wenn sich in der Moderne die Frage nach dem Lesen von Spuren (...) – und damit im weiteren Sinne von Indizien, Symptomen, Vorzeichen etc. – neu stellt, so wird damit an eine archaische Praxis des Lesens neu angeknüpft, welche uns vor das unabschließbare Problem der Lesbarkeit der Welt stellt. -/- Lire. Voilà une chose que ne réfléchissent plus les sur-alphabétisés que nous sommes, habitués à ingérer les signes sans y prendre garde. Repenser la lecture et l’investir d’une fonction critique suppose de méditer la lettre en revenant à son antériorité : se souvenir que, de tout temps et avant tout livre, il y a eu des lecteurs. Des lecteurs – littéralement – avant la lettre. L’art de la lecture réunit le chasseur lisant les déjections des animaux dans les forêts, l’astronome babylonien scrutant les cartographies stellaires, le pêcheur hawaïen lisant les courants marins en plongeant dans l’eau sa main et l’amant déchiffrant aveuglément le corps de l’aimée. On apprend à lire non seulement des textes, mais encore des partitions de musique, des tableaux de peinture, des cartes à jouer, des notations chorégraphiques, des sillons dans la terre, des tourbillons dans l’eau, des gestes révélateurs ou bien des rêves. (shrink)

En este escrito se analiza la significación y el uso filosófico que Wittgenstein dio en su pensamiento maduro al concepto de forma de vida. Así, aunque se señala que Wittgenstein sólo hizo uso de dicho concepto en el contexto de la justificación de la praxis lingüística como límite epistemológico, se enfatiza no obstante que en ese uso ya es posible vislumbrar una cierta concepción antropológica sobre los seres humanos como animales de conducta expresiva, intencional, simbólica, lingüística generadora de reglas y (...) amante de regularidades. El artículo acaba con un análisis del problema de la forma de vida de los animales y su relación con la forma de vida humana: en concreto se destaca el carácter lingüístico y cultural de la forma de vida humana, y se muestran los límites en la atribución a los animales no-humanos de los predicados mentales humanos. (shrink)

L’argomento che si intende sviluppare nel presente intervento è quello del rapporto di reciprocità tra amore e conoscenza nella riflessione mistica di Riccardo di San Vittore, autore di alcune delle pagine più belle sulla dignità conoscitiva dell’amore nella filosofia medievale. Si metterà a fuoco come la prospettiva mistica e il linguaggio metaforico descrivano un preciso percorso conoscitivo nel quale il soggetto si assimila all’oggetto conosciuto in una dinamica che, analogicamente, riprende la relazione tra amante e amato. In particolare, assumendo come (...) note le riflessioni di Riccardo circa la contemplazione, avanzate nei libri quarto e quinto del _De arca mystica_, ci si volgerà all’approfondimento della _dimensione trinitaria_, trattata sia nello scritto sopra citato, in quanto oggetto dell’ultimo tipo di contemplazione, sia, e soprattutto, nel _De Trinitate_, in quanto _fonte e figura_ dell’amore e, dunque, del suo rapporto con la dimensione conoscitiva. Si tenterà di chiarificare la visione riccardiana circa la reciprocità di amore e conoscenza e, successivamente, si mostrerà come la _forma_ di tale rapporto sia la vita trinitaria. The topic that we intend to develop in this essay is the relationship between love and knowledge in the mystical reflection of Richard of Saint Victor, author of some of the most significant pages on the cognitive dignity of love in medieval philosophy. It will focus on mystical perspective and metaphorical language and how these dimensions describe a precise cognitive strategy in which the subject is assimilated to the known object in a dynamic that takes up the relationship between lover and loved one. In particular, taking as notes the reflections of Richard about contemplation, advanced in the fourth and fifth books of _De arca mystica_, we will turn to the deepening of the Trinitarian dimension as an object of the last type of contemplation, both, and above all, in the _De Trinitate_, as a source and figure of love and, therefore, of its relationship with the cognitive dimension. An attempt will be made to clarify the Richard’s view of the reciprocity of love and knowledge and, subsequently, it will be shown how the _form _ of this relationship is the Trinitarian life. (shrink)

Este trabajo describe la vida y escritos de L. Polo hasta 1996. A los 25 años descubrió su método de pensamiento: el abandono del limite mental. Vivió en Madrid, Roma, Granada y Pamplona. Amante de la verdad y de la libertad personal. Entre sus obras más profundas se encuentran las que componen su Curso de teoría del conocimiento y su Antropología trascendental.

Se interroga la atencionalidad propia del amor en cuanto que experiencia privilegiada y primordial del cuidado. En busca de un acceso al fenómeno del amor, se propone interrogarlo conforme al tipo de atención que promueve, asumiendo y discutiendo los recursos aportados por la fenomenología husserliana, así como por las fenomenologías contraintencionales, en particular la de Waldenfels. De este modo, si para describir este fenómeno es preciso dar cuenta del fundamento afectivo de la atención, también hay que reconocer que el amor (...) es vivido como un hecho original o un acontecimiento que implica para el amante una reorientación existencial y atencional. (shrink)

RESUMEN Se interroga la atencionalidad propia del amor en cuanto que experiencia privilegiada y primordial del cuidado. En busca de un acceso al fenómeno del amor, se propone interrogarlo conforme al tipo de atención que promueve, asumiendo y discutiendo los recursos aportados por la fenomenología husserliana, así como por las fenomenologías contraintencionales, en particular la de Waldenfels. De este modo, si para describir este fenómeno es preciso dar cuenta del fundamento afectivo de la atención, también hay que reconocer que el (...) amor es vivido como un hecho original o un acontecimiento que implica para el amante una reorientación existencial y atencional. ABSTRACT The article inquires into the attentionality inherent to love as a privileged and primordial experience of care. Seeking access to the phenomenon of love, we suggest inquiring into it according to the type of attention it promotes, drawing on and discussing the resources provided by Husserlian phenomenology, as well as by counter-intentional phenomenologies, particularly Waldenfels'. Thus, while it is necessary to account for the affective grounds of attention in order to describe this phenomenon, it is also essential to recognize that love is experienced as an original fact or as an event that entails an existential and attentional reorientation of the lover. (shrink)

Aspásia de Mileto (470?-400?) é uma figura cuja história nos é nebulosa e ao mesmo tempo muito clara. Nebulosa pois, como sugere Marta Andrade (2022, p. 24), trata-se de uma existência, como muitas outras, cuja memória a posteridade raramente se ocupou ou simplesmente esqueceu. Mas também clara pois Aspásia possui uma persona constituída no que chamamos de "tradição". A amante de Péricles. A professora de Sócrates. A esposa de Lísicles. Sua figura é frequentemente resgatada à sombra das figuras masculinas com (...) as quais se envolveu. Em grande medida porque as fontes que a resgatam trazem seu nome à margem, mas também em parte devido a uma postura metodológica que, por vezes, ignora nomes de mulheres. Neste artigo, viso recorrer às fontes para trazer à tona o protagonismo de Aspásia no que tange à educação e seu pioneirismo no pensamento retórico. Na primeira seção, desenvolverei uma breve biografia de Aspásia, sua possível influência política e suas habilidades pedagógicas. Na segunda seção, tratarei especialmente de suas contribuições para a retórica, abordando o discurso atribuído a si no Menêxeno de Platão e a Oração Fúnebre atribuída a Péricles por Tucídides. Por fim, na conclusão, diante das teses desenvolvidas, chegaremos a uma imagem mais digna de Aspásia, vislumbrando o retrato de uma mulher que dirige um elogio à coragem e cuja opinião incide diretamente em seu corpo social e político. Desse modo, compreenderemos melhor seus avanços nos âmbitos pedagógicos e retóricos, tidos como cruciais para o desenvolvimento dos cidadãos gregos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Time Together and Time ApartNeha Choksi (bio)The drawings to scale on the following pages depict multiple views I outlined while holding in my hand a single, small particolored stone. The silhouette leaves a hole for the stone to inhabit, were it still to exist. The colored pigment that shapes the absence of the stone is made by pulverizing this same stone.I pushed the pigment aside on the recto to (...) create the evacuated silhouette. Imagining the hole bored through to the other side, I colored the verso, too. All the pigment from the stone was used up in painting these multiple views.________The Crete Senesi area in Tuscany, where I found the stone, is formed from tiny fragments of small shells and sea organisms compacted with sediments of clays and sands from a sea that covered it millions of years ago. I fancy the stone contains evidence of the missing sea.I dislocated this stone during one of my multiple walks on a local strada bianchi near my temporary residence in a tiny village in Tuscany. I shared a summer there with six other artists and the coordinator as part of the Amant Residency Siena. I painted one stone view per member of our group. I made these drawings as a gift for them, for us, for our time together, and our time apart.October 11, 2023 Mumbai7 cotton paper sheets with stone pigment paint on recto and verso Each 7 ¾ x 5 inches [End Page 64] Click for larger view View full resolution[End Page 65] Click for larger view View full resolution[End Page 66] Click for larger view View full resolution[End Page 67] Click for larger view View full resolution[End Page 68] Click for larger view View full resolution[End Page 69] Click for larger view View full resolution[End Page 70] Click for larger view View full resolution[End Page 71] Click for larger view View full resolution[End Page 72] Click for larger view View full resolution[End Page 73] Click for larger view View full resolution[End Page 74] Click for larger view View full resolution[End Page 75] Click for larger view View full resolution[End Page 76] Click for larger view View full resolution[End Page 77] Click for larger view View full resolution[End Page 78]Neha Choksi Neha Choksi, in her work across performance, moving image, sculpture, and installation, probes lived experiences that negotiate relationships in unconventional settings. Harnessing stone to plant, animal to friends, publics to philosophy, her materially bound art engages the terms of our existence in ways personal and planetary. Choksi’s work has been widely exhibited, screened, or performed in the United States, Asia, the Middle East, Australia, the UK, and Europe; and is in notable public collections worldwide. Recent honors include the Amant Siena Studio & Research Residency, the City of Los Angeles Individual Artist Fellowship, the California Community Foundation Fellowship for Visual Artists, and the India Today Best New Media Artist of the Year Award. A monograph on a single artwork, Dismantling, was published in 2018. She currently co-edits Mimesis: Film as Performance Magazine. She lives and works in Los Angeles and Bombay.Copyright © 2023 Johns Hopkins University Press and SubStance, Inc... (shrink)

Nuestra hipótesis consiste en considerar la alegría como fruto del dinamismo interpersonal entre Dios y el hombre bajo la figura de la nupcialidad, cuyas notas de reciprocidad, exclusividad, intimidad y fecundidad especifican esta dimensión particular de vida teologal. Al desplegarse en la historia, la nupcialidad adquiere una tensión escatológica pues el diálogo amante de libertades intensifica la presencia recíproca de Dios y el hombre hasta desembocar en una radicalidad que puede conducir al martirio. Tales fueron los casos de dos místicos (...) y mártires contemporáneos, Christophe Lebreton y Edith Stein, cuyos textos testimonian que la alegría se manifiesta como un fruto visible de la entrega definitiva de sus cuerpos. Our hypothesis is to consider joy as a result of the interpersonal dynamics between God and man under the figure of marriage, whose traits of reciprocity, exclusivity, intimacy and fecundity give a distinctive specifity to this particular dimension of theological life. As it unfolds in history, nuptiality develops an eschatological tension, as the loving dialogue of freedoms intensifies God and man's mutual presence, leading to a radicality which can usher into martyrdom. Such were the cases of two contemporary mystics and martyrs, Christophe Lebreton and Edith Stein, whose texts testify that joy is manifested as a visible fruit of the final offering of their bodies. (shrink)