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Emmanuel Alloa
Université de Fribourg
  1.  12
    Coronavirus: A Contingency that Eliminates Contingency.Emmanuel Alloa - 2021 - Critical Inquiry 47 (S2):S73-S76.
  2.  57
    Differences in Becoming. Gilbert Simondon and Gilles Deleuze on Individuation.Emmanuel Alloa & Judith Michalet - 2017 - Philosophy Today.
    For a long time, Gilbert Simondon’s work was known only as either a philosophy restricted to the problem of technology or as an inspirational source for Gilles Deleuze’s philosophy of difference. As Simondon’s thinking is now finally in the process of being recognized in its own right as one of the most original philosophies of the twentieth century, this also entails that some critical work needs to be done to disentangle it from an all too hasty identification with Deleuzian categories. (...)
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  3.  13
    Looking Through Images: A Phenomenology of Visual Media.Emmanuel Alloa - 2021 - New York: Columbia University Press.
    Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. -/- Emmanuel Alloa retraces the history of Western attitudes (...)
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  4.  6
    Leiblichkeit. Geschichte und Aktualität eines Begriffs.Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.) - 2012 - Tübingen: Mohr-Siebeck / UTB.
    Der Körper hat Konjunktur. Als ausgestellter, verfüg- und verführbarer begegnet er uns täglichim Übermaß. Es war nur eine Frage der Zeit, bis im Spiel der sich in den Wissenschafteneinander ablösenden turns auch ein corporeal (oder body) turn ausgerufen würde. Dabeibleibt im genannten turn der Gegenstand der Untersuchung nicht selten reduziert auf das, wasman im deutschen Sprachgebrauch »Körper« nennt: ein physisches Substrat, das wie ein Dingunter Dingen beschreibbar ist. Gegen diese Verkürzung stellt der Begri des »Leibes«,spätestens seit Edmund Husserl, eine präzise (...)
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  5. The Diacritical Nature of Meaning. Merleau-Ponty with Saussure.Emmanuel Alloa - 2013 - Chiasmi International 15:167-181.
    “What we have learned from Saussure” affirms Merleau-Ponty “is that, taken singly, signs do not signify anything, and that each one of them does not so much express a meaning as mark a divergence of meaning between itself and other signs.” While it has often been stressed that Merleau-Ponty was arguably among the earliest philosophical readers of Saussure, the real impact of this reading on Merleau-Ponty’s thinking has rarely been assessed in detail. By focusing on the middle period – the (...)
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  6.  72
    The Most Sublime of All Laws: The Strange Resurgence of a Kantian Motif in Contemporary Image Politics.Emmanuel Alloa - 2014 - Critical Inquiry 41 (2):367-389.
    In recent years, the claim of the unrepresentability of the Shoah has stirred vivid debates, especially following the strong positions taken by the French filmmaker Claude Lanzmann and author of Shoah (1986). This claim of unrepresentability, it can be shown, draws part of its attraction from the fact that it oscillates undecidedly between a claim of logical impossibility (“the Shoah can’t be represented”) and a normative demand (“the Shoah shouldn’t be represented”). This essay analyzes the argumentative structure of the advocates (...)
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  7.  68
    Writing, Embodiment, Deferral: Merleau-Ponty and Derrida on The Origin of Geometry.Emmanuel Alloa - 2014 - Philosophy Today 58 (2):219-239.
    A simplistic image of twentieth century French philosophy sees Merleau-Ponty’s death in 1961 as the line that divides two irreconcilable moments in its history: existentialism and phenomenology, on the one hand, and structuralism on the other. The structuralist generation claimed to recapture the dimension of objectivity and impersonality, which the previous generation was supposedly incapable of. As a matter of fact, in 1962, Derrida’s edition of Husserl’s The Origin of Geometry was taken to be a turning point that announced the (...)
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  8.  16
    Phasmid thinking: On Georges didi-huberman’s method.Christopher Woodall & Emmanuel Alloa - 2018 - Angelaki 23 (4):103-112.
    This article is an attempt to circumscribe Georges Didi-Huberman’s inimitable practice of theory. It argues that Didi-Huberman’s ethics of looking represents a decided shift away from the traditional position of the critic as a dispassionate, objective observer. A Copernican revolution looms, which inverts the Kantian one: no longer are things adapting to their conceptual scheme, no longer is it the adaequatio rei ad intellectum, but its opposite. Didi-Huberman’s “discourse on method” is to be found in the book Phasmes, where such (...)
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  9.  42
    Reflexiones del cuerpo: sobre la relación entre cuerpo y lenguaje.Emmanuel Alloa - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:200-220.
    Aunque fueron muchos los intentos en la modernidad de superar el dualismo cuerpo y mente, las teorías filosóficas del lenguaje en muchos casos lo reintrodujeron de manera sutil pero no menos eficaz. El artículo discute varios teoremas para pensar la materialidad del signo y muestra la preponderancia, desde Kierkegaard hasta el estructuralismo post-Saussuriano, de pensar la materialización como algo necesario, pero arbitrario en su modalidad. En esta concepción, el cuerpo del lenguaje no es solamente aquello que se puede sino aquello (...)
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  10.  58
    Iconic Turn: A Plea for Three Turns of the Screw.Emmanuel Alloa - 2015 - Culture, Theory, and Critique 56 (3).
    In the early 1990s, W.J.T. Mitchell and Gottfried Boehm independently proclaimed that the humanities were witnessing a ‘pictorial’ or ‘iconic turn’. Twenty years later, we may wonder whether this announcement was describing an event that had already taken place or whether it was rather calling forth for it to happen. The contemporary world is, more than ever, determined by visual artefacts. Still, our conceptual arsenal, forged during centuries of logocentrism, still falls behind the complexity of pictorial meaning. The essay has (...)
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  11. Seeing-in, seeing-as, seeing-with: Looking through pictures.Emmanuel Alloa - 2011 - In Elisabeth Nemeth, Richard Heinrich, Wolfram Pichler & Wagner David (eds.), Image and Imaging in Philosophy, Science, and the Arts. Volume I. Proceedings of the 33rd International Wittgenstein Symposium [extended version 2021]. Ontos: 179-190. pp. 179-190.
    In the constitution of contemporary image theory, Ludwig Wittgenstein’s philosophy has undoubtedly become a major conceptual reference. Rather than trying to establish what Wittgenstein’s own image theory could possibly look like, this paper would like to critically assess some of the advantages as well as some of the quandaries that arise when using Wittgenstein’s concept of ‘seeing-as’ for addressing the plural realities of images. While putting into evidence the tensions that come into play when applying what was initially a theory (...)
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  12.  45
    Das durchscheinende Bild. Konturen einer medialen Phänomenologie.Emmanuel Alloa - 2018 - diaphanes.
    Dass Bilder zwischen dem Regime der Dinge und dem Regime der Zeichen niemals einen angestammten Platz erhielten und nicht Gegenstand einer eigenen Wissenschaft wurden, ist keinem wiedergutzumachenden Vergessen geschuldet, sondern Ausdruck eines anfänglichen Skandalons, das historisch auch die Geburtsstunde der Philosophie einläutete. Bilder lassen sich nicht einmal als reine Erscheinungen absondern, weil in ihnen als Wasserzeichen stets durchscheint, was sie sichtbar werden ließ. An Husserls Grundlegung einer Phänomenologie des Bildes lässt sich das obstinate Unterfangen verfolgen, die Bilderscheinung von jeder medialen (...)
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  13.  60
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
    In 20th century thinking, few concepts have provoked as many misunderstandings as Merleau-Ponty’s notion of ‘Flesh’. Such misunderstandings (of which the article sketches the outline of an archaeology) rest on the initial assumption that the Flesh has to be derived from the body. The article suggests that the dominant readings of the Flesh can be organized along what could respectively be called the scenario of propriety and the scenario of expansion, beyond which a third way comes into view which does (...)
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  14.  94
    Could Perspective ever be a Symbolic Form? Revisiting Panofsky with Cassirer.Emmanuel Alloa - 2015 - Journal of Aesthetics and Phenomenology 2 (1):51-72.
    Erwin Panofsky’s essay “Perspective as Symbolic Form” from 1924 is among the most widely commented essays in twentieth-century aesthetics and was discussed with regard to art theory, Renaissance painting, Western codes of depiction, history of optical devices, psychology of perception, or even ophthalmology. Strangely enough, however, almost nothing has been written about the philosophical claim implicit in the title, i.e. that perspective is a symbolic form among others. The article situates the essay within the intellectual constellation at Aby Warburg’s Kulturwissenschaftliche (...)
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  15.  2
    Einleitung.Thomas Telios, Federica Gregoratto, Michael Festl & Emmanuel Alloa - 2019 - In Emmanuel Alloa, Michael G. Festl, Federica Gregoratto & Thomas Telios (eds.), Quertreiber des Denkens: Dieter Thomä - Werk Und Wirken. Transcript Verlag. pp. 7-12.
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  16.  74
    Prégnances du devenir. Simondon et les images.Emmanuel Alloa - 2015 - Critique 816:356-371.
    Problématisation, individuation, (dés)adaptation L’inventivité du vivant : la « disparation » Mouvements à vide. La spontanéité selon Simondon La prégnance des images Ontogenèse, phylogenèse, eikogenèse. L’image comme médiation .
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  17. Visual Studies in Byzantium. A pictorial turn avant la lettre.Emmanuel Alloa - 2013 - Journal of Visual Culture 12 (1):3-29.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide the life and death of thousands. As this article seeks to argue, Byzantine thinking was not only attentive to conceptual differences, but also to iconic ones. The iconoclastic controversy (726-842 AD) arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental 'iconic identity', iconophile philosophy defends the idea of'iconic difference'. And while the (...)
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  18. The madness of sight.Emmanuel Alloa - 2007 - In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Publishing: 40-59. pp. 40--59.
  19. Bare exteriority. Philosophy of the Image and the Image of Philosophy in Martin Heidegger and Maurice Blanchot.Emmanuel Alloa - 2005 - Colloquy (10):69-82.
    The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
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  20.  48
    The Theatre of the Virtual. How to Stage Potentialities with Merleau-Ponty.Emmanuel Alloa - 2014 - In Laura Cull & Alice Lagaay (eds.), Encounters in Performance Philosophy. PalgraveMacmillan. pp. 147-170.
  21.  9
    Getting in Touch. Aristotelian Diagnostics.Emmanuel Alloa - 2015 - In Richard Kearney & Brian Treanor (eds.), Carnal Hermeneutics. Fordham. pp. 57-72.
  22. Le monde existe-t-il sans nous? Le perspectivisme selon Husserl.Emmanuel Alloa - 2016 - Philosophie 1 (4):3-19.
  23.  13
    A Lesser Being. From Louis Marin to Simondon and Back.Emmanuel Alloa - 2021 - Nordic Journal of Aesthetics 30 (61-62):8-13.
  24.  6
    La chair comme diacritique incarné.Emmanuel Alloa - 2009 - Chiasmi International 11:249-262.
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  25.  3
    Monde humain, monde animal, monde préhistorique.Edmund Husserl & Emmanuel Alloa - 2016 - Philosophie 131 (4):20.
    Les deux textes de Husserl que nous présentons ici en traduction, l’un daté vraisemblablement de 1932 et l’autre de septembre 1926, tournent autour du problème du monde et de son accès, de sa normalité ainsi que de ses variations possibles.
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  26.  69
    Produktiver Schein. Phänomenotechnik zwischen Wissenschaft und Ästhetik.Emmanuel Alloa - 2015 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 60 (2):169-182.
    The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic (...)
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  27.  46
    Escritura, encarnação, temporização: Merleau-Ponty e Derrida acerca de A origem da Geometria.Emmanuel Alloa - 2012 - Dois Pontos 9 (1).
    A história intelectual do século XX tem sido escrita ao longo de um cenário que vê, na morte de Merleau-Ponty em 1961, a linha de divisória entre uma geração existencial e fenomenológica e o evento do estruturalismo imediatamente subsequente. A publicação das notas de leitura de Merleau-Ponty sobre o texto A origem da geometria, de Edmund Husserl, tem mostrado quão frágeis são os alicerces desta leitura simplificadora. Na verdade, enquanto a tradução e introdução de Derrida ao texto de Husserl, de (...)
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  28. Der Leib, ein 'merkwürdig unvollkommen konstituiertes Ding'.Emmanuel Alloa & Natalie Depraz - 2012 - In Emmanuel Alloa, Thomas Bedorf, Tobias Nikolaus Klass & Christian Grüny (eds.), Leiblichkeit. Geschichte und Aktualität eines Begriffs. Mohr-Siebeck / UTB.
  29.  62
    La phénoménologie comme science de l’homme sans l’homme.Emmanuel Alloa - 2010 - Tijdschrift Voor Filosofie 72 (1):79-100.
    Husserlian phenomenology sets off as a fundamental rejection of those psychologisms and anthropologisms that deduce the structures of appearance from some preexisting essence of man. However, despite a clear rejection of all anthropological foundations of phenomenology, the examples of Husserl, Heidegger and Merleau-Ponty show that the question of man continues to haunt the phenomenological project and constitutes something like a ‘blind spot’. Relating these unspoken tensions to another historical ‘scene’ (the debate between the Sophists and Aristotle), the article argues why (...)
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  30.  46
    Redeemable Savings, or How to Become Ascetic through Consumption.Emmanuel Alloa - 2017 - Substance 46 (3):3-15.
    During World War II, both the US and Canadian governments issued a series of propaganda posters aimed at reducing spending and redirecting private households’ financial expenditures into the general war effort. Many of those posters, developed by some of the cleverest advertisers of the time, drew on Puritanism’s most deeply rooted principle: self-restraint. One propaganda poster succinctly exemplifies the underlying logic: as an elegant couple looks up at a gigantic elephant for sale, the caption sternly reminds them to be thrifty: (...)
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  31.  25
    L’anthropologie a-t-elle une philosophie?Philippe Descola, Emmanuel Alloa & Mariana Larison - 2020 - Cités 1:23.
  32.  36
    Introduction.Emmanuel Alloa & Judith Revel - 2017 - Chiasmi International 19:31-33.
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  33.  54
    Phantasia. Aristoteles' Theorie der Sichtbarmachung.Emmanuel Alloa - 2014 - In Gottfried Boehm, Emmanuel Alloa, Orlando Budelacci & Gerald Wildgruber (eds.), Imagination. Suchen und Finden. W. Fink. pp. 91--111.
  34.  27
    Du témoignage ou de l’ininterprétable.Emmanuel Alloa - 2015 - Études Ricoeuriennes / Ricoeur Studies 6 (1):94-110.
    This article defends the thesis that the reflection which Ricœur conducts on the notion of testimony is not one research topic among others, but forms one of the keys to understanding the Ricœurian project as such. The notion of testimony enables one to get beyond the polarity of description and ascription, in order to return to the question of the real. Through an examination of the quadruple grammar of testimony that Ricœur proposes and its context in the dialogue with historiography (...)
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  35.  6
    What is Diaphenomenology.Emmanuel Alloa - 2019 - In Cees Leijenhorst & Antonio Cimino (eds.), Phenomenology and Experience. Leiden-Boston: Brill. pp. 12-27.
    The philosophical line of inquiry opened by Edmund Husserl remains one of the most inspiring ones for contemporary thinking, insofar as it places the experiential dimension at its center. Yet its initial disposition rests upon a fundamental misunderstanding. While phenomenology scolded the traditional representationalist accounts, for which we never have the things themselves, but ever only internal representations of it, its major advanced consisted in stressing that in experience, we have the things in themselves and not just emissaries or representatives. (...)
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  36.  47
    Metaxu. Figures de la médialité chez Aristote.Emmanuel Alloa - 2009 - Revue de Métaphysique et de Morale 62 (2):247.
    Depuis la renaissance des études aristotéliciennes avec Werner Jaeger, on a souvent observé la fréquence lexicographique des termes dénotant la médiété et la médiation dans le corpus aristotélicien. Cette récurrence a cependant généralement été traitée comme un effet homonymique, rien ne permettant de relier a priori la médiété éthique, le terme intermédiaire en logique ou encore le milieu perceptif. Et pourtant, le fait qu'Aristote s'interroge lui-même sur cette « plurivocité » du médium peut être lu comme une indication que, sous (...)
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  37.  38
    flected Bodies: on the relationship between body and language.Emmanuel Alloa - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:200-220.
    Although in the modern age there were plenty of attempts to overcome the mind-body dualism, its philosophical theories of language reintroduced it in a subtle but not less effective way.In this article several theorems to think on the materiality of the sign are discussed, and, from Kierkegaard to the post-Saussurean structuralism, the prominent role of thinking the materialization as something necessary but arbitrary in its modality is shown. The body of language under this understanding is not only that which can (...)
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  38.  37
    Bildwissenschaft in Byzanz. Ein iconic turn avant la lettre?Emmanuel Alloa - 2010 - Studia Philosophica: Jahrbuch Der Schweizerischen Philosoph Ischen Gesellschaft, Annuaire de la Société Suisse de Philosphie 69:11-36.
    As Hegel once said, in Byzantium, between homoousis and homoiousis, the difference of one letter could decide over the life and death of thousands. As the present essay would like to argue, Byzantine thinking was not only attentive to conceptual, but also to iconic differences. The iconoclastic controversy arose from two different interpretations of the nature of images: whereas iconoclastic philosophy is based on the assumption of a fundamental ‘iconic identity’, iconophile philosophy defends the idea of ‘iconic difference’. While the (...)
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  39. Annette Hilt. Ousia -- Psyche -- Nous. Aristoteles' Philosophie der Lebendigkeit. [REVIEW]Emmanuel Alloa - 2008 - Allgemeine Zeitschrift für Philosophie 33 (1):85-88.
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  40.  1
    Bildtheorien aus Frankreich. Eine Anthologie.Emmanuel Alloa (ed.) - 2011 - Fink.
    In den Diskussionen um die Rolle der Bildwissenschaft und den iconic bzw. pictorial turn stellen die Bildtheorien des französischen Gegenwartsdenkens eine entscheidende Ressource der Auseinandersetzung dar. Während einige Texte mittlerweile kanonisch geworden sind, sind zahlreiche andere nach wie vor schwer zugänglich bzw. noch immer unübersetzt. Die Anthologie erschließt erstmals zentrale Quellen für ein Verständnis der bildlichen Wende und kartographiert, indem sie die Konsistenz der Bildfrage in theoretischen Entwürfen von Bergson bis heute sichtbar werden lässt, das französische Denken des 20. Jahrhunderts (...)
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  41. Betroffenheit: Zur Konstitution responsiver Gemeinschaft jenseits von Recht und Gefühl.Emmanuel Alloa & Florian Grosser - 2020 - Philosophisches Jahrbuch 127 (1):2-25.
    The paper aims at showing the potential of a phenomenologically informed approach for contemporary debates on democratic legitimacy and community. While the role of affectivity has recently been reconsidered in social and political theory, phenomenological insights into affective moments of subject- and community-formation can contribute to further methodological refinement. Inversely, it is suggested that phenomenological analyses on subjectivity and intersubjectivity should be broadened so as to include what often remained a blind spot: the political dimension. Drawing on descriptive resources offered (...)
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  42.  3
    Choses en soi: Métaphysique du réalisme.Emmanuel Alloa & Elie During - 2018 - Paris: PUF.
    En philosophie, l'impossible a un nom : c'est, depuis Kant, la "chose en soi". La notion n'a pas bonne presse. A peine introduite, elle a connu un discrédit durable. Curieuse idée en effet que celle d'une réalité reconnue comme inconnaissable sans être pour cela impensable. Et pourtant, la chose en soi résiste et ne cesse de revenir sous diverses dénominations : "matière", "facticité", "résistance", "inconstructible", etc. Aujourd'hui encore, son idée hante les débats, du côté de la philosophie comme des sciences (...)
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  43.  5
    Dynamis of the image. Moving Images in a Global World.Emmanuel Alloa & Chiara Cappelletto (eds.) - 2019 - Berlin, Germany: De Gruyter.
    Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among (...)
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  44.  32
    Du Sensible À L’Oeuvre : Esthétiques de Merleau-Ponty.Emmanuel Alloa & Adnen Jdey (eds.) - 2012 - Bruxelles: La lettre volée.
    Plusieurs générations de chercheurs internationaux interrogent l’esthétique de Merleau-Ponty suivant deux axes : d’une part, le dialogue constant et passionné avec des arts (peinture, littérature, cinéma) et ses protagonistes (Cézanne, Proust, Claude Simon) qui est à l’origine de l’esthétique de Merleau-Ponty, et dans d’autre part, l’impact de la pensée merleau-pontienne sur les arts, depuis le Minimal Art américain en passant par le Body Art et la danse contemporaine. Tandis que certaines contributions s’intéressent, en s’appuyant sur les inédits, au rapport jusqu’ici (...)
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  45. Ex propria industria.Emmanuel Alloa - 2011 - In Sibylle Schmidt, Sybille Krämer & Ramon Voges (eds.), Politik der Zeugenschaft: Zur Kritik Einer Wissenspraxis. Transcript. pp. 67-90.
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  46. Erscheinung und Ereignis. Zur Zeitlichkeit des Bildes.Emmanuel Alloa (ed.) - 2013 - München: Fink.
    Bilder sind, anders als es eine hartnäckige ästhetische Tradition will, nicht bloß Raumkünste, sondern gehorchen einer ganz eigenen Zeitlichkeit. Was auf der Bildoberfläche liegt, ist bereits mit einem Blick zu erfassen, und doch entfaltet sich der ganze Detailreichtum der Bilderscheinung erst ganz allmählich. Diesem langsamen In-Erscheinung-Treten der Bilder steht die Plötzlichkeit gegenüber, mit der sie auftauchen und wieder verschwinden. Sie bannen einzelne Augenblicke, wirken dadurch oft schockhaft, traumatisch, überfordernd; selbst in filmischen Sequenzen tritt dieses Plötzliche auf, in Momenten der Montage (...)
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  47.  9
    Il n'y a qu'un seul droit de l'homme précédé de Nous réfugiés.Emmanuel Alloa & Hannah Arendt (eds.) - 2021 - Paris: Payot.
  48.  39
    Lisibilité / Lesbarkeit.Emmanuel Alloa & Muriel Pic (eds.) - 2012 - MSH Paris - Trivium. Revue franco-allemande de sciences humaines et sociales.
    Seit über 30 Jahren gibt es in den deutschen wie französischen Kultur- und Geisteswissenschaften das Bestreben, den Begriff der »Lesbarkeit« von seiner engen Bindung an den geschriebenen Text zu emanzipieren. Die vorliegende Ausgabe von Trivium lässt einige der maßgeblichen Stimmen in dieser Debatte zu Wort kommen. Auf der gemeinsamen Schnittfläche von Mikrohistorie, Semiologie, Psychoanalyse, Kulturgeschichte, Physiognomie und Mantik zeichnet sich ein neues und zugleich altes Verständnis des Lesens ab. Wenn sich in der Moderne die Frage nach dem Lesen von Spuren (...)
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  49. La résistance du sensible. Merleau-Ponty critique de la transparence, avec une préface de Renaud Barbaras.Emmanuel Alloa & Renaud Barbaras - 2014 - Kimé.
     
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  50. La resistencia de lo sensible. Merleau-Ponty, crítico de la transparencia.Emmanuel Alloa - 2009 - Buenos Aires: Nueva Visión.
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