In this posthumous collection of writings, Cornelius Castoriadis (1922-1997) pursues his incisive analysis of modern society, the philosophical basis of our ability to change it, and the points of intersection between his many approaches to this theme. His main philosophical postulate, that the human subject and society are not predetermined, asserts the primacy of creation and the possibility of creative, autonomous activity in every domain. This argument is combined with penetrating political and social criticism, opening numerous avenues of critical thought (...) and action. The book’s wide-ranging topics include the core worldview of ancient Athens, where the idea of self-creation and self-limitation made democracy possible; the wealth of poetic resources; a deconstruction of the so-called rationality of capitalism and of the current conception of democracy, along with a discussion of what a radical, revolutionary project means today; the role of what he calls the radical imagination in the creation of both societal institutions and history; the roots of hate; a psychoanalytic view of human development torn between heteronomy and autonomy; the role of education in forming autonomous individuals; and notions of chaos, space, and number. (shrink)

Book synopsis: This volume contains nine previously unpublished papers which were originally given at the conference «Thought and Ontology» held in the Centro di Studi sulla Filosofia Contemporanea in Genova.The general theme is the relation between thought and the world.Must we regard thought and world as distinct categories? Might there be quite different conceptual schemes? Can either the content of thought or the way thought is justified be independent of the world? Is truth some kind of match between thought and (...) world, or could the relevant relation be identity? Does the distinction between veridical and illusory perception lie wholly outside the subject? Is language, the main vehicle of thought, just a natural phenomenon, or does its special involvement with normativity place it in a special category? What lesson can be drawn from our use of language to refer? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Logos and Alogon: Thinkable and Unthinkable in Mathematics, from the Pythagoreans to the Moderns by Arkady PlotnitskyNoam CohenPLOTNITSKY, Arkady. Logos and Alogon: Thinkable and Unthinkable in Mathematics, from the Pythagoreans to the Moderns. Cham: Springer, 2023. xvi + 294 pp. Cloth, $109.99The limits of thought in its relations to reality have defined Western philosophical inquiry from its very beginnings. The shocking discovery of the incommensurables in Greek mathematics (...) not only reintroduced these limits with greater force but also instigated two different forms of coping with the unthinkable in Western philosophy, mathematics, and science. As Arkady Plotnitsky sets forth, in response to the incommensurability crisis in the ancient Greek intellectual world, there appeared two different attitudes toward the alogon, that is, the unthinkable or irrational. Plato and his followers sought to overcome the unthinkable, of which the incommensurables in mathematics are only an example, through philosophy. In contrast, the Pythagoreans continued to hold on to mathematics as the primary means of knowing the world, but put a larger emphasis on geometry. Plotnitsky [End Page 359] claims that by not putting aside the primacy of mathematics, the Pythagorean shift from arithmetic to geometry established in Western thought a certain tolerance toward the unthinkable within the realm of the thinkable, “a possibility of the alogon in the logos.” Until modern times this remained no more than a possibility. However, in modern mathematics and mathematical physics Plotnitsky identifies a certain fulfillment of this potential, a “radical Pythagorean mathematics.” In his comprehensive and thought-provoking study, Plotnitsky recounts the development of such radical modern Pythagoreanism, not only to tell its history but also to suggest that the unthinkable is a condition of possibility for thought, and that a proper recognition of this role it plays is crucial for the advancement of mathematical thinking and thinking in general.Plotnitsky begins by portraying in broad strokes the two defining characteristics of radical Pythagorean mathematics: the presence of the unthinkable within mathematical thought itself, and the interplay of algebra and geometry. Relying on an extensive knowledge of the history of modern mathematics and physics, in the first two chapters of the book Plotnitsky gradually demonstrates the key role that the alogon plays in some theories of modern mathematical thought, such as Gödel’s incompleteness theorems and quantum mechanics. He also presents and clarifies his own conception of the history of Western thought as a creative process of concept-forming. By creating rather than discovering concepts, great mathematicians break new ground for thinking. The book as a whole argues in length for these two main theses.In chapter 3, the author addresses the thought of Bernhard Riemann to make the case that Riemann’s mathematical thought puts an emphasis on creative conceptual thinking and is not defined merely by calculations or logic. Such thinking is problem-posing rather than axiomatic. Riemann’s central innovation in this respect is the concept of manifold (Mannigfaltigkeit), which enabled him to think anew space and geometry in a radical non-Euclidean fashion, implying an infinite number of possible geometries. Plotnitsky argues—borrowing Deleuze and Guattari’s terminology—that this opened up a “plane of immanence,” which is to say that Riemann created a concept-generating movement of thought. However, we cannot grasp the generation of concepts in modern mathematics without giving proper attention to the interplay of algebra and geometry that defines it. Chapter 4 demonstrates this interweaving of the two fields by recounting the history of the idea of the curve in modernity, from the analytic geometry and calculus of Fermat and Descartes to its modification in the concept of a Riemann surface, up to its more recent developments in the algebraic geometry of Weil and Grothendieck. It gives a historical account of the algebraization of the curve that at the same time brings into relief the irreducible geometrical aspect, continuity, of all modern mathematical conceptualizations of the curve.The next two chapters provide further case studies. Chapter 5 expands and solidifies the argument of chapter 2. It discusses three examples of mathematical practice, each displayed by a pair of important [End Page 360] mathematicians: Abel and Galois, Lobachevsky and Riemann, Weil and Grothendieck. Each case... (shrink)

Climate change is one of the greatest collective action problems ever faced. The social and cultural barriers to intersubjectively motivating concern and agency are sweeping. It seems all but impossible to imagine politically viable solutions commensurate with the realities of the problem, and likewise find visionary ways of framing this problem to inspire meaningful solutions. One therefore perceives an abyss between ‘problem’ and ‘solution,’ as expressed in irreconcilable debates between problem-driven and solution-driven strategies for motivating climate action. Drawing on Merleau-Ponty’s (...) dialectical phenomenology of motivation and class consciousness in particular, I argue that his call for a “thinkable politics” can help activists bring problem-driven and solution-driven motives for climate response into productive relation. (shrink)

In this posthumous collection of writings, Cornelius Castoriadis pursues his incisive analysis of modern society, the philosophical basis of our ability to change it, and the points of intersection between his many approaches to this theme. His main philosophical postulate, that the human subject and society are not predetermined, asserts the primacy of creation and the possibility of creative, autonomous activity in every domain. This argument is combined with penetrating political and social criticism, opening numerous avenues of critical thought and (...) action. The book’s wide-ranging topics include the core worldview of ancient Athens, where the idea of self-creation and self-limitation made democracy possible; the wealth of poetic resources; a deconstruction of the so-called rationality of capitalism and of the current conception of democracy, along with a discussion of what a radical, revolutionary project means today; the role of what he calls the radical imagination in the creation of both societal institutions and history; the roots of hate; a psychoanalytic view of human development torn between heteronomy and autonomy; the role of education in forming autonomous individuals; and notions of chaos, space, and number. (shrink)

The present paper is guided by the belief that Edmund Husserl’s concept of noema can be significantly enriched when considered in light of extreme epistemological instances. These include the phenomena of the absurd and nonsense, but also intentional conflict and cases of consciousness directed to contradictory objects. The paper shows that the noema, when experienced in such a context, exhibits interesting characteristics that are rather difficult to note in other circumstances. The paper consists of five sections. The first interprets and (...) relates concepts from Logical Investigations to those from Ideas I. The second section discloses the noematic ability to assemble senses for which there is no corresponding object. The third section stresses that the noema must, in some instances, be able to comprise two separate structures of senses through which two different objects are meant. In the fourth section, all of these characteristics are shown to be restricted by the concept of nonsense and the laws of meaning-compounding. In this way, the noema is clarified as “possibly thinkable content.” Finally, in Sect. 5, this idea is brought into dialogue with the most significant interpretations of the noema. (shrink)

Porpora offers an a priori argument for the conclusion that there are infinitely many thoughts that it is physically possible for us to think. That there should be such an a priori argument is astonishing enough. That the argument should be simple enough to teach to a first-year undergraduate class in about 20 min, as Porpora’s is, is more astonishing still. Porpora’s main target is Max Tegmark’s recent argument for the claim that if current physics is right, then there are (...) mental duplicates of us in far flung regions of the Universe. His argument is directed against Tegmark’s assumption that mental facts supervene upon physical facts. So, if Porpora’s argument is sound then not only is Tegmark’s argument unsound, but physicalism is also false. So, Porpora’s argument is powerful indeed. Who would have thought that a simple a priori argument, together with the physical facts, could solve the issue of whether physicalism is true?. Not I. In this paper I take a closer look at Porpora’s argument and show that it is fallacious. I also consider the other reasons Porpora gives for thinking there are infinitely many thinkable thoughts and find them similarly lacking. (shrink)

This issue of Diogenes is devoted to questions of bioethics. This subject was chosen not because bioethics is fashionable but rather because the purpose of this journal is to explore the timely and timeless questions of our era in order to understand what is at stake and to share this knowledge with our readers.I have chosen to call my piece “Bioethics: Between the Plausible and the Thinkable” to highlight at least three themes that are taken up either directly or indirectly (...) in the articles that follow. (shrink)

Philosophers tend to presuppose a close relationship between language and thought. They express and defend this conviction in different ways. I shall focus on the relation between the thinkable and the expressible, as stated in the Inexpressibility Thesis.

A great deal of philosophical work has explored the complex conceptual intersection between ethics and epistemology in the context of issues of testimony and belief, and much of this work has significant educational implications. In this paper, I discuss a troubling example of a case of testimony that seems to pose a problem for some established ways of thinking about these issues and that, in turn, suggests some equally troubling educational conclusions.

RésuméConsidérons la «thèse d'inexprimabilité» : un locuteur incapable de formuler dans ses propres mots la pensée que p est incapable d'avoir cette pensée. On peut remettre en question la TI, puisqu'un locuteur peut se servir des mots d'autrui pour exprimer des pensées qu'il serait sinon incapable d'exprimer. La première partie de cet article montre qu'en faisant ressortir la pratique jusque-lè négligée consistant à utiliser les mots d'autrui, on met au jour une ambiguïte fondamentale de la théorie causale de la référence. (...) Dans la seconde partie, je me sers de cette ambiguïte pour démontrer que les craintes sceptiques traditionnelles face à la théorie causale de la référence peuvent être reformulées et que le scepticisme implicite dans le réalisme métaphysique résiste à l'argument de bon sens de Putnam selon lequel nous ne sommes pas des cerveaux dans une cuve. (shrink)

Sentences that are ungrammatical and yet intelligible are instances of what I call perfectly thinkable thoughts. I argue that the existence of perfectly thinkable thoughts is revealing in regard to the question of why syntactic islands should exist. If language is an instrument of thought as understood in the biolinguistics tradition, then a uniquely human subset of thoughts is generated in narrow syntax, which suggests that island constraints cannot be rooted in narrow syntax alone and thus must reflect interface conditions (...) imposed on the output of the computational system and its mapping to external systems. (shrink)

It is a venerable slogan due to David Hume, and inherited by the empiricist tradition, that the impossible cannot be believed, or even conceived. In Positivismus und Realismus, Moritz Schlick claimed that, while the merely practically impossible is still conceivable, the logically impossible, such as an explicit inconsistency, is simply unthinkable. -/- An opposite philosophical tradition, however, maintains that inconsistencies and logical impossibilities are thinkable, and sometimes believable, too. In the Science of Logic, Hegel already complained against “one of the (...) fundamental prejudices of logic as hitherto understood”, namely that “the contradictory cannot be imagined or thought” (Hegel 1931: 430). Our representational capabilities are not limited to the possible, for we appear to be able to imagine and describe also impossibilities — perhaps without being aware that they are impossible. -/- Such impossibilities and inconsistencies are what this entry is about... (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

Narrative ethics holds that if you ask someone what goodness is, as a basis of action, most people will first appeal to various abstractions, each of which can be defined only by other abstractions that in turn require further definition. If you persist in asking what each of these abstractions actually means, eventually that person will have to tell you a story and expect you to recognize goodness in the story. Goodness and badness need stories to make them thinkable and (...) to translate them into individual and collective actions. Yet after more than two decades of considering the issue, I do not believe that a collection of stories can by itself guide actions in ways that are sufficient to respond to ethical troubles in institutional settings. The question will always remain open for me, but my present belief is that narrative bioethics is always hyphenated, in the sense that guidance from stories needs to be allied with other ethical guidance. Each side of the hyphen qualifies the other side. The hyphenation I will argue for in this essay is “narrative-deontology.”. (shrink)

This book considers the emergence of dialectic out of the spirit of dialogue and traces the relation between the two. It moves from Plato, for whom dialectic is necessary to destroy incorrect theses and attain thinkable being, to Cusanus, to modern philosophers—Descartes, Kant, Hegel, Schleiermacher and Gadamer, for whom dialectic becomes the driving force behind the constitution of a rational philosophical system. Conceived as a logical enterprise, dialectic strives to liberate itself from dialogue, which it views as merely accidental and (...) even disruptive of thought, in order to become a systematic or scientific method. The Cartesian autonomous and universal yet utterly monological and lonely subject requires dialectic alone to reason correctly, yet dialogue, despite its unfinalizable and interruptive nature, is what constitutes the human condition. (shrink)

Formal implication is usually represented by symbolization such as ‘ φx ⊃ Ψx,’ which may be read, “for all values of ‘x’, φx implies Ψx.” If the values of the variable ‘x’, in ‘φx’ and ‘Ψx’ be ‘x1’ ‘x2’ ‘x3’, etc., then … ‘φx’ formally implies ‘Ψx’ if and only if, whatever values of ‘x’, ‘xn’, be chosen, ‘φxn’ materially implies ‘Ψxn’ …However, this still leaves it doubtful which of two possible interpretations of expressions having the form ‘ φx ⊃ (...) Ψx’ is to be taken as correct. … It means one thing to say, “Every existent having the property φ … has also the property Ψ,” and it means quite a different thing to say, “Every thinkable thing which should have the property φ must also have the property Ψ.” The second of these holds only when having the properly φ logically entails having the property Ψ; when ‘Ψx’ is deductible from ‘φx’. … The first of them, however, holds not only in such cases … but also in every case where among existent things, one property is universally accompanied by another. (shrink)

This article characterizes aspect-perception as a distinct form of judgment in Kant's sense: a distinct way in which the mind contacts world and applies concepts. First, aspect-perception involves a mode of thinking about things apart from any established routine of conceptualizing them. It is thus a form of concept application that is essentially reflection about language. Second, this mode of reflection has an experiential, sometimes perceptual, element: in aspect-perception, that is, we experience meanings—bodies of norms. Third, aspect-perception can be “preparatory”: (...) it may help us to decide what linguistic norms to develop and how to conceptualize—make the world thinkable. Fourth, the article discusses the forms of justification for which aspect-perception allows—the necessity and normativity involved in employing this form of judgment. (shrink)

This paper explores the political potential of digital failure as a refusal to work in service of today’s dataveillance society. Moving beyond criticisms of flawed digital systems, this paper traces the moments of digital failure that seek to break, rather than fix, existing systems. Instead, digital failure is characterized by pesky data that sneaks through the cracks of digital capitalism and dissipates into the unproductive; it supports run-away data prone to misidentifications by digital marketers, coders, and content moderators; and it (...) celebrates data predisposed to “back-talk” with playful irreverence toward those that seek to bring order through normative categorization and moderation. I call these data entropic, fugitive, and queer and explore their mischievous practices through three case studies: the unaccountable data in identity resolution, public shaming of the ImageNet training data, and reading practices of sex worker and influencer, @Charlieshe. Together these case studies articulate the political potential of digital failure as a process of unbecoming the good data subject by pushing past the margins of legibility, knowability, and thinkability, to reveal what is made illegible, unknowable, and unthinkable to data’s seeing eye. As predictive analytics, automated decision-systems, and artificial intelligence take on increasingly central roles in public governance, digital failure reveals how data itself is a flawed concept prone to political abuse and social engineering to protect the interests of the powerful, while keeping those marginalized over-surveilled and underrepresented. (shrink)

Kearns (2021) reconstructs Berkeley’s (1713) Master Argument as a formally valid argument against the Materialist Thesis, with the key premise the Distinct Conceivability Thesis, namely the thesis that truths about sensible objects having or lacking thinkable qualities are (distinctly) conceivable and as its conclusion that all sensible objects are conceived. It will be shown that Distinct Conceivability Thesis entails the Reduction Thesis, which states that de dicto propositional (ordinary or distinct) conceivability reduces to de re propositional (ordinary or distinct) conceivability. (...) While Kearns (2021) set out to avoid the confusion of a de re claim with a de dicto claim, which Prior (1955) accused Berkeley of, Kearns can be accused of making a similar conceptual confusion. (shrink)

I want to promote what I shall call ‘the identity theory of truth’. I suggest that other accounts put forward as theories of truth are genuine rivals to it, but are unacceptable. A certain conception of thinkables belongs with the identity theory’s conception of truth. I introduce these conceptions in Part I, by reference to John McDowell’s Mind and World; and I show why they have a place in an identity theory, which I introduce by reference to Frege. In (...) Part II, I elaborate on the conception of thinkables, with a view to demonstrating that the identity theory’s conception of truth is defensible. Part III is concerned with the theory’s relation to some recent work on the concept of truth: I hope to show that the identity theorist not only has a defensible conception of truth, but also, in the present state of play, has appropriate ambitions. (shrink)

This book presents and evaluates the late philosophy (Spätphilosophie) of F. W. J. Schelling (1775-1854) across a wide range of issues, ranging from relation between pure thinking and being, to the philosophy of mythology and religion, to the philosophy of history, to questions concerning the philosophy of nature and freedom. Simultaneously, it discusses Hegel's treatment of similar issues, and systematically compares the two thinkers. This is the first time, in an English-language publication, that these two major German Idealists have been (...) compared in such detail along such a broad front. The book begins with three chapters exploring the development of Schelling's thinking concerning transcendental philosophy, nature and teleology, human freedom, and the theory of history, from his earliest publications up to his middle years. Against this background, the book then presents Schelling's distinction between "positive" and "negative" philosophy, the defining mark of his late philosophy. It explores his theory of pure a priori thinking (negative philosophy), and his account of the transition from negative to positive philosophy. The major components of Schelling's positive philosophy, including his conception of "un-pre-thinkable being", and his theories of mythology and revelation, are then discussed. Throughout, a comparative assessment of Hegel's approach similar issues is sustained. Schelling emerges as a philosopher who traced his own highly distinctive path through the thicket of problems bequeathed by Kant, and whose systematic responses to these problems still merit serious consideration as alternatives to those of Hegel. (shrink)

Descartes's philosophy has had a considerable influence on the modern conception of the mind, but many think that this influence has been largely negative. The main project of The Subject's Point of View is to argue that discarding certain elements of the Cartesian conception would be much more difficult than critics seem to allow, since it is tied to our understanding of basic notions, including the criteria for what makes someone a person, or one of us. The crucial feature of (...) the Cartesian view defended here is not dualism--which is not adopted--but internalism. Internalism is opposed to the widely accepted externalist thesis, which states that some mental features constitutively depend on certain features of our physical and social environment. In contrast, this book defends the minority internalist view, which holds that the mind is autonomous, and though it is obviously affected by the environment, this influence is merely contingent and does not delimit what is thinkable in principle. Defenders of the externalist view often present their theory as the most thoroughgoing criticism of the Cartesian conception of the mind; Katalin Farkas offers a defence of an uncompromising internalist Cartesian conception. (shrink)

In this article, conviviality is examined as a constitutive part of human life. On the basis of (ethnographic) examples and discussion, it is maintained that it is a fundamental good, necessary for the valuation of most other goods. The role and function of conviviality, however, are often obscured in theory. Aristotle’s view of the virtues still allowed room for it. Most modern scientific and philosophical approaches ascribe a thinkable motive to interactions that stimulate our spontaneity and faith in life, such (...) as the motive of solving problems that can be construed in objective terms (as in neo-Darwinism), or of seeing reality correspond to reflexive representations of life (as in hermeneutics). Maurice Blondel’s critique of intellectualism and his view of tradition are invoked. By accepting conviviality as a prerequisite for human spirituality, we can focus on aspects of Christianity – like a respect for concrete traditions – that tend to disappear into the background when we frame its teachings and promises in intellectual terms. The argument also points to dangers connected with the fact that instrumental logic largely determines the shape of modern life: we easily forget one of the key conditions for experiencing human life as fulfilling and worthwhile. (shrink)

Methodology and ethics: these two terms have only recently begun to be linked organically in scientific thought, especially when the discussion is about man as the subject and object of knowledge. It is not as if this situation had not been anticipated in the history of thought. Suffice it to mention Kant's perspicuity: his analysis of "the conditions of the thinkability" of an object of knowledge is combined with ideas about man as an end in itself, as self-sufficient, and about (...) man's freedom, his ability to set goals in general. Crudely put, for Kant ethics is primary, it "anticipates" direct knowledge. (shrink)

It might seem paradoxical to present Schelling's thought by emphasizing the practical dimension of his work when so many commentators are challenging the reality of this practical dimension. When one considers Schelling's position within modern European philosophy, or when one attempts to underline the importance and the contemporary nature of his thought, several themes repeatedly come to the fore: the existence of freedom (which asserts itself in the face of the system and of closure), positivity and factuality (which are irreducible (...) to the self‐movement of thought), and, lastly, creative temporality, the system of time, the organic nature of which is destined to make possible and thinkable the new beginnings that stem from an initial decision. I wish to propose that the problem of freedom – that is the freedom to do good and evil, as well as the metaphysics of evil which is introduced by this problem – constitutes the crux of Schelling's thought, capable of opening up a line of thought in classical German philosophy which deserves to be pursued again today, even if it is muddled by the theo‐cosmological speculations of the later Schelling. (shrink)

"TAKE A LINE cut in two unequal sections, one for the kind that is seen, the other for the kind that is thought, and go on and cut each section in the same ratio". In order to follow this request, not only must one know geometry, which treats linear magnitudes; one must also know the relations between geometry and the art which treats kinds. The problem of the first cut in the line is the problem of determining what ratio of (...) two parts of a line is the same as the ratio of the two kinds: visible and thinkable. In order to solve this problem, a procedure seems to be needed for deciding when a ratio of magnitudes, a geometric ratio, is the same as a ratio of kinds, or at least what ratio of magnitudes is the same as the ratio of visible to thinkable. (shrink)

In Word and Object, W.V. Quine made thinkable the idea that speech and cognition bear a burden of semantic indeterminacy. On Quine’s account, the upshot of semantic indeterminacy is that meaning and mentalism resist successful naturalization, and thus fail the test of scientific respectibility. For Quine, semantic indeterminacy is a fatal shortcoming.Recent attempts to naturalize meaning in our thought and our talk (e.g. Dretske 1981, Fodor 1987), belonging to a tradition that has thrived in reaction to Quine, have sought to (...) nail down semantic properties in a scientifically respectable fashion, avoiding the scourge of indeterminacy. However, both Quine and the new redeemers of mentalism may have missed the boat. Three case studies offered here will suggest that a thriving theory of visual perception still makes room for some rather striking indeterminacies. (shrink)

Summary The present article is a partly ontological, partly Gestalt-psychological discussion of the thinkability of structures in which parts and whole are interdependent (MI). In the first section, I show that in the framework of E. Husserl’s formal part–whole ontology, the conceptualization of such an interdependence leads to (mereo)logical problems. The second section turns to and affirms the experience of this interplay between parts and whole, exemplified with B. Pinna’s recent research on meaningful Gestalt perception. In the final section, I (...) take the experienceability of MI as a justification to suggest a way of rethinking it. This entails an implementation of the process of foregrounding and backgrounding displayed by reversible figures and originally described by E. Rubin. This can avoid both an identity relation between parts and whole and their mutual exclusion as well as hierarchization due to their apparent differences. It would also guarantee the inherent dynamics of interdependence. (shrink)

The article discusses the specifc reifcation of lived bodiliness in the dispositif of supermodern biotechnologies, biocapitalism, and biopower. The foundations of this reifcation are identifed in the separation of the classical modern unity of life and labor, i.e., in directing capital investment not so much towards the productivity of human labor as towards the productivity of biological life itself and the potentiality to extract so-called “biologically gained time”. But whose is the life that incorporates biologically gained time? The answer to (...) this question is explicitly sought along the boundaries of the thinkable for Marx and Husserl, but also implicitly through a background problematic, namely: the idea of a non-reifable generative time, stemming from the fundamental fact of simultaneous lived experience of non-simultaneous lives, and the reciprocal exchange of gifts of time. (shrink)

Contents: List of Contributors VII; Roberto Poli: Foreword IX-X; Roberto Poli: The Brentano puzzle: an introduction 1; Dallas Willard: Who needs Brentano? The wasteland of philosophy without its past 15; Claire Ortiz Hill: Introduction to Paul Linke's 'Gottlob Frege as philosopher' 45; Paul F. Linke: Gottlob Frege as philosopher 49; John Blackmore: Franz Brentano and the University of Vienna Philosophical Society 1888-1938 73; Alf Zimmer: On agents and objects: some remarks on Brentanian perception 93; Liliana Albertazzi: Perceptual saliences and nuclei (...) of meaning 113; Jan Srzednicki: Brentano and the thinkable 139; Claire Ortiz Hill: From empirical psychology to phenomenology. Edmund Husserl on the 'Brentano puzzle' 151; Serena Cattaruzza: Brentano and Boltzmann: the Schubladenexperiment 169; Karl Schuhmann: Johannes Daubert's theory of judgement 179; Evelyn Dölling: On Alexius Meinong's theory of signs 199; Robin Rollinger: Linguistic expressions and acts of meaning: comments on Marty's philosophy of language 215-225. (shrink)

From its use in literary theory, film criticism and the discourse of games design, Salomé Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible (...) as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by Áine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies ; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call. (shrink)

This is a major work by Ian Maclean exploring the foundations of learning in the Renaissance. Logic, Signs and Nature offers a profoundly learned, compelling and original account of the range of what was thinkable and knowable by learned medics of the period c.1530-1630. This is a study of great significance to the history of medicine, as well as the history of European ideas in general.

This article first refines the question of Kant's relation to Hume's skepticism, and then considers the evidence for Kant's attitude toward Hume in three contexts: the A Critique, the Prolegomena, and the B Critique. My thesis is that in the A Critique Kant viewed skepticism positively, as a necessary reaction to dogmatism and a spur toward critique. In his initial statement of the critical philosophy Kant treated Hume as an ally in curbing dogmatism, but one who stopped short of what (...) was really needed: a full critique of reason, to establish the boundaries of metaphysical cognition. Kant found fault with Hume's analyses of cognition and experience, and specifically his failure to see the crucial importance of synthetic a priori cognition in metaphysics. In particular, he held that Hume's empiricist account of cognition could neither explain the synthetic a priori cognition actually found in mathematics and natural science, nor provide a principled account of the limits on what can be known--and what can be thought--through the pure concepts of the understanding. According to Kant, Hume therefore failed in his attempt to determine the limits of metaphysics, whereas Kant succeeded because his transcendental philosophy provided a thorough account of cognition, its structure and limits. In the Prolegomena and the B Critique Kant distinguished his position more sharply from Hume's. He also adopted a more negative attitude toward "skeptical idealism" than before; but he attributed such skepticism to Descartes, not Hume. Prior to the B Critique Kant did not see Hume as attacking natural science or ordinary cognition. In none of the three works was Kant's main aim to "answer the skeptic." His primary aim was what he said it was: to firmly establish the boundary of metaphysics, by discovering the elements of human cognition and fixing its proper domain. His purported discoveries about the limits of metaphysical cognition meant that the traditional objects of metaphysical knowledge, God, the soul, and the world as it is in itself, are unknowable, hence that traditional metaphysics itself is impossible. Besides settling the possibility or impossibility of metaphysics, his findings would also prevent the illegitimate extension of principles of sensibility to God and the noumenal self, an extension that would threaten the metaphysics of morals by incorrectly denying the thinkability of noumenal freedom, and that might otherwise lead to "materialism, fatalism, atheism, and freethinking unbelief" (B xxxiv). (shrink)

In the Pensées, Pascal uses the astonishing phrase “the reality of things” to designate, not the actual existence of things, but the being-thing of all things (in accordance with the meaning of the Latin realitas rerum). It will be established that with this phrase, although it is of Cartesian origin, the analysis of “Disproportion of Man” aims at a criticism of the Cartesian ratio formalis infiniti sive infinitas, which Pascal shows not to be suitable to think God, but only to (...) describe and name nature asthe totality of thinkable objects. (shrink)

This paper reflects on the change of relations among participants in nanotechnology governance through their participation in governance processes such as stakeholder dialogues. I show that policymaking in practice—that is, the practice of coming and working together in such stakeholder dialogues—has the potential for two-fold performative effects: it can contribute to the development of trust and mutual responsibility on the part of the involved actors, and it may bring about effects on the formation of boundaries of what is sayable and (...) thinkable in nanotechnology governance. Three vignettes about the work of the German NanoKommission indicate the development of new relations of trust, recognition and mutual responsibility among actors. It is concluded that governance in practice can assemble new collectives in which relations of trust are the glue holding the complex structure together. While such a consensus-based progress may be favourable for smooth technology development, it can be considered problematic if evaluated against the ideals of deliberative democracy, which often form the premises on which public engagement is based. Stakeholder forums were set in place with the intention of including various actors, but this is Janus-faced: if a dialogue becomes encapsulated in new governance networks, new exclusions can arise. For example, a policing of which information is released to a wider audience can occur. (shrink)

One of the most discussed and disputed claims in John McDowell’s Mind and World is the claim that we should not think that in experience, “conceptual capacities are exercised on non-conceptual deliverances of sensibility.” Rather, “Conceptual capacities are already operative in the deliverances of sensibility themselves.” Such capacities are said to be operative, but not in the same way they are operative when the faculty of assertoric judgment is explicitly exercised. This position preserves the passivity and receptivity necessary for McDowell (...) to defend a picture of our thought as constrained by the world. (“The constraints come from outside thinking, but not from outside what is thinkable.”) And it maintains his Sellarsean criticism of the “Myth of the Given,” such that when we trace justification back we do not reach something that, because non-conceptual, could not play any role in such justification. The fact that the deliverances of sensibility are conceptually shaped (I will take this mean “have a conceptual form”) insures that sensibility can indeed play such a justificatory role in perceptual beliefs. (shrink)

Two major reports in the UK and USA have recently sanctioned as ethically acceptable genome editing of future generations for the treatment of serious rare inherited conditions. This marks an important turning point in the application of recombinant DNA techniques to humans. The central question this paper addresses is how did it became possible for human genetic engineering (HGE) of future generations to move from an illegitimate idea associated with eugenics in the 1980s to a concrete proposal sanctioned by scientists (...) and bioethicists in 2020? The paper uses the concept of a regime of normativity to understand the co-evolution and mutual shaping of technology, imaginaries, norms and governance processes in debates about HGE in the USA and UK. It will be argued that interlinked discursive, institutional, political and technological changes have made proposals for the use of genome editing in the genetic engineering of future generations both “thinkable” and legitimate. (shrink)

The identity conception of truth holds that a thinkable is true just in case it is a fact. As such, it sets itself against correspondence theories of truth, while respecting the substantive role played by truth in respect of enquiry. In this article, I motivate and develop that view, and, in so doing, promote a particular conception of sense. This allows me to defend the view from two substantial criticisms. First, that the identity conception of truth is incoherent in respect (...) of its treatment of objects in the realm of reference, and, second, that it is committed to a view of the world in which ordinary objects have no place. (shrink)

The scholarly turn toward visual culture has left in place the sensory hierarchy that subtends Western philosophy. Yet given the commodification of sense experience, an inversion of the sensory hierarchy with the proximal senses of touch, taste, and smell at the top is not necessarily any more conducive to knowledge or justice. I argue that proximal sense experience may be a vehicle of knowledge, beauty and even ethics. Operating at a membrane between the sensible and the thinkable, the proximal senses (...) have an affective dimension that permits an immanent epistemology. My examples and olfactory ‘illustrations’ emphasize the sense of smell, which, I posit, given its intimacy with emotion and memory, gives rise to an ‘olfactory unconscious’. (shrink)

This paper takes off from a growing preoccupation in Western political-social philosophy on the thinkability of the materiality of change, that became most pronounced in Alain Badiou's philosophy of the event. It traces the development of the discourse of radical change tied to a materialist theory of subjectivity beginning from Badiou, down to the strong criticism posed against it by Slavoj Žižek. This is then followed by the discussion of Bruno Bosteels' potent defense of Badiou's philosophy. Finally, the last part (...) takes off from this debate and highlights how this tension in Badiou's philosophy was possible in the first place. Using Adrian Johnston's key insight on pre-evental and post-evental time, this paper argues that Žižek and Bosteels respectively employ pre-evental and post-evental lenses in reading the relation of event to being. Furthermore, these two lenses are themselves the effect of the split readability of the event at the moment of its rupture: the parallax-effect that divides the event into two. This paper asserts that neither of the two is sufficient. Both are fundamental in outlining what sort of sustained disciplines are necessary before and after events take place. (shrink)

Neither the model of homo oeconomicus nor Max Weber’s concept of the ideal type have a good reputation these days - to try to combine the two does not seem a promising idea, therefore. It could result in the attempt to tie two sinking ships together - to borrow a metaphor of Alasdair MacIntyre’s which he used in a different context as a comment on the programme of Analyse & Kritik 30 years ago. But perhaps the reasons for the bad (...) reputation of homo oeconomicus and ideal types are connected so that a common retrieval of their honour could be thinkable. I will contemplate this question in the following considerations that are not very systematical but rather exemplary and fragmentary. (shrink)

Jacques Derrida, Alain Badiou and Sylvain Lazarus have devoted significant consideration to the problem of time and politics, especially in their more recent works. ;For Derrida, the relationship between and time and politics is articulated in his notion of the democracy to come and the undecidability that ensues from the double bind 'folded into' the democracy to come. Sylvain Lazarus argues that in order to think the "interiority" of politics we have to abolish the category of time altogether. Finally, Badiou (...) develops a philosophy of the event. Political events come about through decisive subjective interventions that are described as temporal. Interventions may be seen as representing a theory of subjectivating time. ;Ultimately, my thesis is this: emergent French thought on the nature of politics and time suggests that time conditions politics in such a fashion that time makes accessible the limits of political philosophy/thinking and political decision-making, both as simultaneously possible and impossible . We find ourselves in a state of political undecidability. Yet, this undecidability also brings to light an aporia as evidenced by Derrida's decisive stands on certain political issues. The aporia consists in the fact that in the midst of such undecidability we are called upon or forced to make certain decisive political interventions. Though political situations may be undecidable, we are called to respond to these situations because of their injustice, inhospitality, irresponsibility and terror and violence. Following Badiou, we should think of such decisions as timely interventions that make political events appear and thinkable. Badiou's notion of timely interventions that yield political events can be employed to complete the philosophical account of the aporia. The aporia can never be resolved. It is the philosophical account of the paradoxical situation we find ourselves in and is a philosophical account of the relation that exists between time and politics. This relation is aporetic because it paradoxically brings together two fundamentally human realities, namely, the undecidability of the world we find ourselves in but also the very human reality of decisively thinking politically and making decisive political actions. Yet, such political events are not merely extensions of subjective volition, rather they are also conditioned by a sense of the kairos or extra-subjective or pre-political sense of the "timely" occasion to act. The world may force or elicit us to act, forcing moments to their crisis---a crisis to which the Badiouan subject responds through her interventions. (shrink)

The article deals with various modal versions of the ontological argument from N. Malcolm’s to P. Tichý’s interpretation of Anselm’s second proof. Three key presuppositions of the modal proof are pin-pointed and examined. The principal problem with the proof seems to be the notion of necessary existence attributed to God. More precisely, the question is whether this is not too strong an attribute, for then there would not be a situation, i.e. a possible world, consistently thinkable which precludes the existence (...) of God. However, this seems to be wrong. (shrink)