This book redefines religious studies as a field in which a plurality of disciplines interact. A social science when understood as a body of knowledge, religion is also marked by discovery, appreciation, orientation, and application--an interplay of the arts and sciences. Teaching religious studies involves the question of the occupation of territories and disentangling occupation from violence.

Le sens du toucher s'étend au corps entier qui, en chacune de ses parties, éprouve la sensation de présence ou de résistance ; mais c'est évidemment la main, avec ses doigts flexibles, qui montre l'aptitude supérieure à lier le tact et la prise, à agir en puissance ou en délicatesse. 'Cette main est philosophe,' notait Valéry, 'ce qu'elle touche est réel.' La main vaque au plaisir, comme elle teste la réalité qui nous entoure, conjuguant sans les confondre les deux principes (...) de la vie psychique. Tantôt elle loue la positivité de l'existence des objets qu'elle perçoit, tantôt elle tire jouissance d'être touchée en touchant, de profiter d'une espèce d'alliance énigmatique, éprouvée en partenariat avec un autre être, entre altérité et intimité. Le présent livre propose une phénoménologie du toucher, prolongée par l'examen des destins de la touche, selon qu'elle agit dans le dessin, la peinture et l'écriture, dont sont ici retracées les évolutions matérielles et technologiques."--Page 4 of cover. (shrink)

Before explaining what we understand by the philosophy of touching in the thought of Jacques Derrida, it is perhaps necessary to say that Derrida's thought presents at its core one of the last great philosophies of the animal, namely, of non‐human life. Our thesis is that there can be no question that Derridean deconstruction is a philosophy that concerns the animal, that is, it is a thought that not only reflects on the animal, but which more originally is reflected in (...) it. the pharmacological reading of life is what defines the singularity of Derrida's philosophy of the animal, the consequences of which are considerable for taking the interests of animals into account. By interiorization, as a process that is carried out by touch, one must also hear the fact that for the animal touch becomes a self‐touching: touching is firstly a being touched by oneself. (shrink)

Ever since ›Die Kunst der Entzweiung‹, one can detect a certain Lubitsch touch at work in Martin Seel’s books: subtlety, wit, finesse, elegance, nonchalance. In a general typology that tentatively orders philosophy in its relation to comedy, Seel accordingly belongs to the wellknown type of irony and humour. However, this type can only show its strength when it absorbs the unsettling intensity of experiences and the sting of indissoluble opposites, a synthesis for which Billy Wilder stands cinematically.

If a man born blind were to gain his sight in later life would he be able to identify the objects he saw around him? Would he recognise a cube and a globe on the basis of his earlier tactile experiences alone? This was William Molyneux's famous question to John Locke and it was much discussed by English and French empiricists in the eighteenth century as part of the controversy over innatism and abstract ideas. Dr Morgan examines the whole history (...) of this debate: Locke's own (negative) answer to the question, the contributions of Berkeley, Condillac, Diderot and Voltaire and the factual accounts of early cataract operations and modern laboratory studies. He shows how this debate is involved in the development and eventual separation of philosophy and experimental psychology after the eighteenth century and considers why the original question is effectively still unanswered. This is one problem-area with its intricate cluster of connected conceptual and technical difficulties which suggests the need for some reunion or at least collaboration between the two subjects. (shrink)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chre;tien are discussed, as are Rene; Descartes, Diderot, Maine de Biran, Fe;lix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida’s deliberations (...) makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy’s essay “Deconstruction of Christianity,” devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on “the flesh,” as treated by Merleau-Ponty and others in his wake. Derrida’s critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida’s death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida’s death, is an added feature. (shrink)

This essay explores Aristotle’s discovery of touch as the most universal and philosophical of the senses. It analyses his central insight in the De Anima that tactile flesh is a “medium not an organ,” unpacking both its metaphysical and ethical implications. The essay concludes with a discussion of how contemporary phenomenology—from Husserl to Merleau-Ponty and Irigaray—re-describes Aristotle’s seminal intuition regarding the model of “double reversible sensation.”.

A Touch of Doubt traces the theme of touch in the evolution of skepticism through Platonism, German idealism, Continental philosophy and psychoanalysis. Haptic Scepticism, the field of ethics emerging from this study, explores the grasp-ability of contradiction. Contradiction is a haptic marvel. We can cup it in our palms, press it against our lips, dip our toes into its coolness, and, if we are not careful, we may even burn ourselves on its surface.

本文旨在说明德国哲学与王阳明哲学之间有着某种共通性以及此种融通何 以可能。雅斯贝尔斯与阳明的生平和哲学思想存在很多相似之处,构成某种跨文化 的链接点而促成两者的融通。此外,雅斯贝尔斯了解阳明的哲学,其晚期哲学思想 受到儒家思想的极大影响。更为重要的是,本文提出了在不同文化哲学(如雅斯贝 尔斯哲学与王阳明哲学)之间进行相互比较研究的初步模式,德国哲学家与中国哲 学家之间可以进行跨文化比较和讨论。[The purpose of this paper is to show that there is a certain degree of common ground between German philosophy and Wang Yangming's philosophy, and how such an affinity is possible. There are many similarities between Jaspers and Yangming in terms of their life and philosophical thought, which constitute some kind of transcultural linkage and lead to the compatibility of their philosophies. In addition, Jaspers was aware of Yangming's philosophy, and his late philosophical thinking was (...) greatly influenced by Confucianism. More importantly, this paper proposes a preliminary model of comparative study between philosophies of different cultures (e.g., the philosophies of Jaspers and Wang Yangming), so that cross-cultural comparisons and discussions can be conducted between German philosophers and Chinese philosophers on such a basis.]. (shrink)

This chapter contains sections titled: The Three Wheels Exercise Teaching Asana in a Philosophy Class Mountain Pose (Tadasana) Tree Pose (Vrikshasana) General Remarks on Philosophy and Asana Western Philosophy: 2500 years of Pratyahara? Where Now?

This book continues the classical Newtonian theory in both its initial spirit and the spirit of general relativity. It throws a bridge between classical Newtonian theory of forces and some contemporary concepts of the atomic, nuclear and particle theories. This book takes the Skyrme theory of nuclear matter mainly from the point of view that it allows the initial analogy between the atomic edifice and the solar system in all details. Especially important is the detail that the atomic nucleus works (...) exactly like the Sun, and they can be described in the same way. Based on this unitary description, the authors go further on, in showing that the Skyrme theory is the only theory naturally suited for the explanation of structure of nuclear matter. Thus it should be actually a classical theory, inasmuch as it simply carries over into microcosmos the very Newtonian theory of forces extracted from the planetary Keplerian synthesis of celestial motions. By this the problem of structure of the nucleus becomes actually a problem of classical physics. (shrink)

Canʹt touch this -- How sight is not touch -- The medium of sight -- The problem of tactility -- The commonalities of the senses -- Photios and the unfolding of perception -- Has the mind seen?: the language of effluxes -- Has it grasped?: apprehending the object -- Has it visualized?, I: the grasp of the imagination -- Has it visualized?, II: the problem of fantasy -- Then it has effortlessly...: judgment and assent -- Mediation, veneration, remediation (...) -- Medium and mediation -- Tactility and veneration -- Synaesthesia and remediation -- Tempted to touch. (shrink)

In 1925, David Katz published an influential monograph on touch, Der Aufbau der Tastwelt, which was translated into English in 1989. Although it is called “the world of touch,” it also discusses the thermal and the nociceptive senses, albeit briefly. In this chapter, we will follow this approach, but we will speak about “somatosensory senses” in general in order to remind ourselves that perceptions of temperatures and pains should also be considered together in this context.

Since Aristotle, touch has been found especially hard to define. One of the few unchallenged intuition about touch, however, is that tactile awareness entertains some especially close relationship with bodily awareness. This article considers the relation between touch and bodily awareness from two different perspectives: the body template theory and the body map theory. According to the former, touch is defined by the fact that tactile content matches proprioceptive content. We raise some objections against such a (...) bodily definition of touch and suggest, as an alternative, to revive the proposal according to which touch is essentially a sense of pressure. According to the body map theory, tactile sensations are localized within the frame of reference provided by the mental representation of the space of the body. We argue that this approach of the location of bodily sensations fares better that the Local Sign theory that denies intrinsic spatiality to touch. (shrink)

Francis Bacon's "Inquiry Touching Human Nature" is an engagement at a fundamental level with the political and philosophic thought of one of the founders of modernity, Francis Bacon. Bacon had a comprehensive vision of the human situation. And because he saw the costs or dangers of modern life as clearly as he predicted its achievements and boons, Bacon is a thinker who addresses directly and deeply our own perplexities.

Therapeutic touch, a healing technique based upon the laying‐on of hands, has found wide acceptance in the nursing profession despite its lack of scientific plausibility. Its acceptance is indicative of a broad antiscientific trend in nursing. Adherents of this movement use the jargon of postmodern philosophy to justify their enthusiasm for a variety of mystically based techniques, citing such postmodern critics of science as Derrida and Michel Foucault as well as philosophical forerunners Heidegger and Husserl. Between 1997 and 1999, (...) 94 articles in nursing journals referred to postmodernism, according to a database search. This paper criticizes the postmodern movement for abandoning the biological underpinnings of nursing and for misreading philosophy in the service of an antiscientific world‐view. It is also suggested that nursing can retain its tradition of ‘caring’ without abandoning the scientific method. (shrink)

Seeing one’s laptop to be missing, hearing silence and smelling fresh air; these are all examples of perceptual experiences of absences. In this paper I discuss an example of absence perception in the tactual sense modality, that of tactually perceiving a tooth to be absent in one’s mouth, following its extraction. Various features of the example challenge two recently-developed theories of absence perception: Farennikova’s memory-perception mismatch theory and Martin and Dockic’s meta-cognitive theory. I speculate that the mechanism underlying the experience (...) is a body schema that has failed to update itself. (shrink)

In recent philosophy of mind, a series of challenging ideas have appeared about the relation between the body and the sense of touch. In certain respects, these ideas have a striking affinity with Husserl’s theory of the constitution of the body. Nevertheless, these two approaches lead to very different understandings of the role of the body in perception. Either the body is characterized as a perceptual “organ,” or the body is said to function as a “template.” Despite its focus (...) on the sense of touch, the latter conception, I will argue, nevertheless orients its understanding of tactual perception toward visual objects. This produces a distorted conception of touch. In this paper, I will formulate an alternative account, which is more faithful to what it is like to feel. (shrink)

Touch requires that one move in concert with one's tactile object. This provokes the question how joint movement of this sort yields perception of tactile qualities of the object vs. tactile qualities of an object-augmented body. Phenomenological analysis together with results of dynamic systems theory (in psychology) suggest that the difference stems from 'resonant' vs. 'reverberant' modalities of body-object movement. The further suggestion is that tactile movement is itself a form of discriminative intelligence, and that the peculiar intimacy of (...) touch and movement can shed light on a general role of movement in perception, subject-object relations, and intelligence. (shrink)

Block (Trends Cogn Sci 7:285–286, 2003) and Prinz (PSYCHE 12:1–19, 2006) have defended the idea that SSD perception remains in the substituting modality (auditory or tactile). Hurley and Noë (Biol Philos 18:131–168, 2003) instead argued that after substantial training with the device, the perceptual experience that the SSD user enjoys undergoes a change, switching from tactile/auditory to visual. This debate has unfolded in something like a stalemate where, I will argue, it has become difficult to determine whether the perception acquired (...) through the coupling with an SSD remains in the substituting or the substituted modality. Within this puzzling deadlock two new approaches have been recently suggested. Ward and Meijer (Conscious Cogn 19:492–500, 2010) describe SSD perception as visual-like but characterize it as a kind of artificially induced synaesthesia. Auvray et al. (Perception 36:416–430, 2007) and Auvray and Myin (Cogn Sci 33:1036–1058, 2009) suggest that SSDs let their users experience a new kind of perception. Deroy and Auvray (forthcoming) refine this position, and argue that this new kind of perception depends on pre-existing senses without entirely aligning with any of them. So, they have talked about perceptual experience in SSDs as going "beyond vision". In a similar vein, MacPherson (Oxford University Press, New York, 2011a) claims that “if the subjects (SSD users) have experiences with both vision-like and touch-like representational characteristics then perhaps they have a sense that ordinary humans do not” (MacPherson in Oxford University Press, New York, 2011a, p. 139). (shrink)

Touch is the first sense to develop in the womb, yet often it is overlooked. The Senses of Touch examines the role of touching and feeling as part of the fabric of everyday, embodied experience. -/- How can we think about touch? Problems of touch and tactility run as a continuous thread in philosophy, psychology, medical writing and representations in art, from Ancient Greece to the present day. Picking through some of these threads, the book ‘feels’ (...) its way towards writing and thinking about touch as both sensory and affective experience. -/- Taking a broadly phenomenological framework that traces the tactility from Aristotle through the Enlightenment to the present day, it examines the role of touch across a range of experiences including aesthetics, digital design, visual impairment and touch therapies. The Senses of Touch thereby demonstrates the varieties of sensory experience, and explores the diverse range of our ‘senses’ of touch. (shrink)

The philosophical relationship that obtains between the work of Merleau-Ponty and Derrida has continued to intrigue and preoccupy many of us despite, or perhaps even partly because of, the fact that Derrida did not accord the work of Merleau-Ponty much attention during his remarkably prolific career. Two relatively recent books of Derrida’s have addressed this gap: Memoirs of the Blind and, more recently, On Touching. However, although Derrida proposes an “entire re-reading” of the later Merleau-Ponty in Memoirs of the Blind, (...) with the clear implication that there are hitherto unaccessed and invaluable resources to be mined in this body of work, I will suggest that the actual reading of Merleau-Ponty propounded in On Touching falls well short of this ambition. While this chapter will raise some critical questions about the interpretation that Derrida offers of Merleau-Ponty in ‘Exemplary Stories of the Flesh: Tangent 3’, including the implication that his work on the senses and intersubjectivity remains mired in theological prejudices, it will also be concerned to examine the transcendental philosophy of time (or philosophy of the contretemps that breaks open time but nonetheless pertains to it) that undergirds and motivates Derrida’s engagement with the philosophies of touch. In this latter respect, I will argue that Derrida’s philosophy is itself ‘touched’ by time, in the peculiar sense of ‘touched’ that connotes affected and wounded. On my reading, his work instantiates an ethics of non-presentist time, an ethics of that time which is the transcendental condition of the present and any event of touch. I ask whether this prevarication on the issue of the transcendental and the ethical is reason to look for a different understanding of both time and the transcendental to Derrida’s, and I end this chapter by once more proposing a dialectic between the disjunctive and conjunctive aspects of time that does not accord any kind of a priori privilege to the one over the other. (shrink)

Based on ten years of research, The Touch of the Past considers how historically traumatic events uniquely summon forgetting and remembrance. Within a specific focus on events of systemic mass violence, Roger Simon examines how testimonies of historic events influence learning as communities struggle with "difficult histories." The Touch of the Past is a serious and compelling contribution to research in education, historical consciousness, and memory/trauma studies.

Things: In Touch with the Past explores the value of artifacts that have survived from the past and that can be said to "embody" their histories. Such genuine or "real" things afford a particular kind of aesthetic experience-an encounter with the past-despite the fact that genuineness is not a perceptually detectable property.

The last decade has seen rise in technologies that allow humans to send and receive intimate touch across long distances. Drawing together platform studies, digital intimacy studies, phenomenology of touch, and ethics of technology, we argue that these new haptic communication devices require specific ethical consideration of consent. The paper describes several technologies, including Kiiroo teledildonics, the Kissenger, the Apple Watch, and Hey Bracelet, highlighting how the sense of touch is used in marketing to evoke a feeling (...) of connection within the digital sphere. We then discuss the ambiguity of skin-to-skin touch and how it is further complicated in digital touch by remediation through platforms, companies, developers, manufacturers, cloud storage sites, the collection and use of data, research, satellites, and the internet. Lastly, we raise concerns about how consent of data collection and physical consent between users will be determined, draw on examples in virtual reality and sex-robotics, and ultimately arguing for further interdisciplinary research into this area. (shrink)

Aristotle’s treatment of tactility is at odds with the hierarchical order of psyche’s faculties. Touching is the commonest and lowest power; it is possessed by all sentient beings; thinking is, on the contrary, the highest faculty that distinguishes human beings. Yet, while Aristotle maintains against some of his predecessors that to think is not to sense, he nevertheless posits a causal link between practical intelligence and tactility and even describes noetic activity as a certain kind of touch. This essay (...) elucidates Aristotle’s analysis of the sense of touch in De anima and argues that tactility provides a paradigm for sensitivity in general and in particular for the reflexivity of sensation whereby the senses disclose not only what they are sensing but also that they are sensing. This feature, it is argued, has epistemological and ontological consequences. The sense of touch testifies to the physical presence of material beings and provides an empirical verification of substance’s essential feature, namely, self-reference. (shrink)

The notion of a harmonious universe was taught by Pythagoras as early as the sixth century BC, and remained a basic premise in Western philosophy, science, and art almost to our own day. In Touches of Sweet Harmony, S. K. Heninger first recounts the legendary life of Pythagoras, describes his school at Croton, and discusses the materials from which the Renaissance drew its information about Pythagorean doctrine. The second section of the book reconstructs the many facets of this doctrine, and (...) the final section shows its influence on Renaissance poetics. Professor Heninger's magisterial work introduces the reader not only to Pythagoras but to a host of other classical, medieval, and Renaissance figures as well--from Plato and Aristotle through St. Augustine and Macrobius down to Sidney and Spenser. (shrink)

Scholars have often recognized the “touch of irony” in Kongzi’s “collected conversations” (Lunyu 論語 or Analects of Confucius). Some interpreters have taken the ironic face as one of his faces. Others have celebrated the ironic Kongzi as the “true” depiction of the Master. This paper presents two seemingly contrasting images of Kongzi – the non-ironic sage and the ironic non-sage – and looks at their assumptions. I then explore the methodological implications of taking the Master’s irony seriously. I argue (...) that, touching upon irony, any interpretation is necessarily touched by it – it renders itself ironic. Finally, I discuss the post-comparative approach as an ironic approach. Post-comparative readings recognize that identity is the necessary condition for the transformation of identity. In this way, Kongzi’s irony is transformed by but also transforms more familiar, non-Chinese discourses on irony. (shrink)

In this paper, based on video recordings of Orientation and Mobility (O&M) lessons for visually-disabled students, I will examine how occasioned maps (Psathas, 1979 ; Garfinkel, 2002 ), drawn in the student’s palm are interactionally traced, felt, and noticed in order to represent the shape of a crossing for all practical purposes. Touching will be examined from the perspective of the live production of "trails" on a specific region of the body, the palm of the hand. We will begin to (...) question how such hand-drawing map episodes occur during O&M courses, stressing how the coparticipants establish a participation framework that facilitates the making of the drawing, hand-map drawings are based on lines that are neither evanescent nor permanent. Their “persistence” is not an intrinsic feature but a systematic multimodal accomplishment. We will show how the drawn lines become depictions of the streets and contribute to producing two contrasting geometrical representations of the layout of a junction. (shrink)

This paper presents a juxtaposition of the understanding of objects in Jean-Luc Nancy’s postdeconstructive realism and Graham Harman’s object-oriented ontology, particularly with reference to their respective notions of touch. Nancy incorporates a tension between the phenomenological accounts of touch and embodiment given by Merleau-Ponty, who focuses on the relationality of the flesh, and Levinas, who focuses more on non-relational alterity. Furthermore, Nancy does not accept the anthropocentric assumptions whereby phenomenology accounts for objects insofar as they correlate to human (...) existence. Following the deconstruction of sovereign humanity, Nancy approaches what Derrida calls “post-deconstructive realism,” accounting for touch with regard to the relationality and alterity of all objects, human and nonhuman. However, abjuring the metaphysical interiority posited by panpsychists, Nancy admits that his philosophy cannot account for the discrete, atomistic differences between beings. Graham Harman agrees with much of Nancy’s philosophy, but he criticizes Nancy on this point, offering a corrective supplement in the form of his object-oriented ontology, which avoids panpsychism while nonetheless accounting for the discrete differences between objects. (shrink)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book _Corpus_ he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chrétien are discussed, as are René Descartes, Diderot, Maine de Biran, Félix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida's deliberations (...) makes this book a virtual encyclopedia of the philosophy of touch. Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy's essay "Deconstruction of Christianity," devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on "the flesh," as treated by Merleau-Ponty and others in his wake. Derrida's critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. _On Touching_ includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida's death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida's death, is an added feature. (shrink)

From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society.

The blindness to ontological questioning in feminist theory has left a lacuna in scholarly study that Touching Thought—a study at the intersection of ontological meditation and feminist theorizing on sexual difference—seeks to fill. Ellen Mortensen's new work critiques the language and theoretical pathways of contemporary feminist theorists such as Judith Butler, Rosi Braidotti, Elizabeth Grosz, Luce Irigaray, Theresa de Lauretis, and Donna Haraway to reveal a problematic predilection for technological language at the expense of ontological inquiry. The volume ranges across (...) feminist epistemology and ethics, the politics of performativity, the aesthetics of body/power, and the question of sexual difference and concludes with an examination of the different philosophical and theoretical attempts at undertaking an ontological questioning of sexual difference. This foundational work will serve as preparation for scholars of feminist and queer theory and continental philosophy seeking alternative pathways of feminist thought that encourage fundamental thinking on the subject of individual freedom. (shrink)

A surprising feature of Aristotle’s thought is the fact that he does not offer a single, extended account of truth. He makes passing references to the meaning of truth in various texts, and his comments at times seem hard to reconcile. A preponderance of these comments occur in the Metaphysics, where he seems to adopt two quite different models for thinking about truth: truth is on the one hand a kind of touching or contact, and on the other a matter (...) of joining or dividing subjects and predicates correctly. This paper proposes a reading that reconciles these two models with one another, one that assigns to each model its appropriate place in what Aristotle thinks of as the process of inquiry, a process exemplified by the text of the Metaphysics itself. (shrink)

A surprising feature of Aristotle’s thought is the fact that he does not offer a single, extended account of truth. He makes passing references to the meaning of truth in various texts, and his comments at times seem hard to reconcile. A preponderance of these comments occur in the Metaphysics, where he seems to adopt two quite different models for thinking about truth: truth is on the one hand a kind of touching or contact, and on the other a matter (...) of joining or dividing subjects and predicates correctly. This paper proposes a reading that reconciles these two models with one another, one that assigns to each model its appropriate place in what Aristotle thinks of as the process of inquiry, a process exemplified by the text of the Metaphysics itself. (shrink)

In this paper, I argue for the sense of touch as primary in Aristotle’s account of sensation. Touch, as the identifying and inaugurating distinction of sensate beings, is both of utmost importance to Aristotle as well as highly aporetic on his explanation. The issue of touch and the problematic of flesh, in particular, bring us to Merleau-Ponty’s account of flesh as the chiasmic fold and overlap of subject and object, of self and other, and to an incipient (...) and veiled knowledge present in the body’s orientation to and within the world. (shrink)

Because philosophical reflections on touch usually start from our ability to perceive properties of objects, they tend to overlook features of touch that are crucial to correct understanding of tactual perception. This paper brings out these features and uses them to develop a general reconception of the sense of touch. I start by taking a fresh look at our ability to feel, in order to reveal its vital role. This sheds a different light on the skin's perceptual (...) potential. While it is commonly observed that tactile experiences have two intentional objects, an external object and one's own body, I will advance a more accurate alternative: in tactile experiences, one becomes aware of what one's body undergoes. This alternative not only fits better with tactility's vital role; it is also key to explaining how active touching provides for a unique contribution to our perceptual relation to material objects. By thus connecting tactility's vital role to the way we rely on touch while manipulating objects, this essay offers a cross-sectional survey of our tactile powers that reveals the interplay between sensing and touching. (shrink)