In this paper, building on these previous works, we propose to go deeper into the understanding of crowd behavior by proposing an approach which integrates ontologi- cal models of crowd behavior and dedicated computer vision algorithms, with the aim of recognizing some targeted complex events happening in the playground from the observation of the spectator crowd behavior. In order to do that, we first propose an ontology encoding available knowledge on spectator crowd behavior, built (...) as a spe- cialization of the DOLCE foundational ontology, which allows the representation of categories belonging both to the physical and to the social realms. We then propose a simplified and tractable version of such ontology in a new temporal extension of a description logic, which is used for temporally coupling events happening on the play- ground and spectator crowd behavior. At last, computer vision algorithms provide the input information concerning what is observed on the stands and ontological reasoning delivers the output necessary to perform complex event recognition. (shrink)

PurposeSpectators have a significant impact on match performances in soccer, but to what extent crowd support contributes to the technical and physical performances remains unclear. This study aimed to investigate the differences in terms of technical and physical performances with and without spectators; and identify the key factors differentiating between win and loss when playing with and without the presence of an audience.MethodsOur study examined 794 performance records from 397 matches during the 2019–2020 seasons in the Chinese Soccer Super (...) League. The least absolute shrinkage and selection operator -logistic regression was utilized to select significant predictors. Using an independent t-test and the Mann–Whitney non-parametric test explores the difference between matches with and without spectators. Key factors between win and loss were explored using univariate and multivariate logistic regression analyses.ResultsOur study found that cross, shots, and shot accuracy displayed decreasing trends whereas sprint distances presented an increasing trend without spectators comparing with the crowd support. Moreover, the above three technical variables were the main factors differentiating between wins and losses. Similarly, team and opponent quality remained important potential factors affecting the match outcome.ConclusionMatch outcome or team performance is determined by a myriad of factors, but there are clear differences in technical and physical performances between matches with and without the presence of an audience. Similarly, our study provides a better explanation for the impact of crowd support on match performances whereby coaches can deploy players and adjust match strategies for ultimate success. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fellini's Crowds and the Remains of ReligionAndrew Mckenna (bio)The fascist parade in Federico Fellini's Amarcord enables us to take the measure of the director's analytic and inteve genius. It begins amid swirls of dust and smoke emanating from the town train station, as if attributing the successful spread of Italian fascism to a failure of perception. The party is, as the saying goes, blowing smoke in our face, producing (...) a cultural climate favorable to murky thinking. The haze connotes the inability to properly envision phenomena with any mental or moral clarity, to distinguish matters clearly, such as the difference that the film suggests in a later scene, with comic irony, between a real military victory and shooting a gramophone out of a bell tower because it is playing the communist Internationale.But we cannot get away with anything like blaming fascism only on the weather, moral or physical. Far more revealing is the next sequence of shots, in which local party officials and members, all in uniform, are shown running a little breathlessly in loose formation, while exchanging remarks that express gleeful admiration of their leader and his party. They hustle up some stairs in the same loose formation and stand facing the camera, medium close-up, in order to acclaim the party slogans booming from loudspeakers. They shout in unison before, we note, the slogans are fully pronounced, so that we are made aware that they are not really listening to what is being said, but only acting in concert. Their acclamation is comically out of sync—with reality, perceptual and, by implication, social. This image of the bersaglieri running in unison is familiar to spectators at political rallies and from newsreels at the time, and to historians since then. But Fellini has moved the camera in closer than it has ever been before, combining two or three characters in a head-shot as they trot up the street. It is a classic gesture of defamiliarization, as the Russian formalists called it when identifying art-work, that makes this phenomenon available to deeper understanding. [End Page 159]We have just viewed a penetrating analysis of group action, a symbolic discourse on crowd behavior as it concerns organized political activity. The running here is not natural to such a group; it must mean something. It isn't dictated to them as orders; it must obey the dictates of the phenomenon that Fellini is revealing to us. This brilliantly orchestrated scene prompts the question: why, when, for what reason does a crowd run? The answers, typically, are two: in fear, in panic, as from fire or flood; or in rage, in fury, as against an abhorred enemy culprit—to the Bastille, or the gallows, or the nearest tree or lamppost that can serve as such. Though it is closer to the second case, Fellini's gang of fascists fits neither of these models precisely, and we have to step back a bit and reflect upon what he is representing to us about crowd behavior and organized political activity of a certain kind, of the kind that can only succeed, perhaps, amid a hazy climate of moral perception. We need to probe further the logic of this phenomenon, to explore the meaning of what appears before our eyes, as the philosophers do when they say they are doing phenomenology. We can do this by further considering alternative models of behavior.In a military parade, we have an organized crowd of a certain specific type, in which a group is massed in rigid formation and everyone moves in lock-step order to the regular beat of the drum or to a repeated count of numbers. Fellini gives us an example of this in the fascist youth athletic exercises performed by uniformed groups of boys and girls who move their rifles and hoops to a steady eight-count beat. So we know the director of Amarcord is thinking about mass movements of all sorts. Moreover, his film also provides us with a crowd phenomenon at the opposite end of the social spectrum. At the beginning of the film, we witness the nightly passagiata, the evening town stroll still very... (shrink)

It is a popular view thatpractical deliberation excludes foreknowledge of one's choice. Wolfgang Spohn and Isaac Levi have argued that not even a purely probabilistic self-predictionis available to thedeliberator, if one takes subjective probabilities to be conceptually linked to betting rates. It makes no sense to have a betting rate for an option, for one's willingness to bet on the option depends on the net gain from the bet, in combination with the option's antecedent utility, rather than on the offered (...) odds. And even apart from this consideration, assigning probabilities to the options among which one is choosing is futile since such probabilities could be of no possible use in choice. The paper subjects these arguments to critical examination and suggests that, appearances notwithstanding, practical deliberation need not crowd outself-prediction. (shrink)

This article discusses the integrative function frequently assigned to festive events by scholars. This function can be summed up in a proposition: experiencing similar emotions during collective gatherings is a powerful element of socialization. The article rejects this oft-developed idea according to which popular fervor could be an efficient tool to measure civic engagement. It raises the following question: what makes enthusiasm “civic”, “patriotic”, “republican” or simply “political”? Based on a study of French presidential tours in France from 1888 to (...) 2007, this article casts a different light on the topic. The enthusiasm of the crowds interacting with the successive French presidents is not civic because an inquiry may find “patriotism” into participants’ minds. It can be called civic simply because the forms and meaning of the festive jubilation, which may be summarized into the formula: “if spectators applaud, it means they support,” necessarily preexist its multiple manifestations. (shrink)

Emotions play an important role in both sport and games, from the pride and joy of victory, the misery and shame of defeat, and the anger and anxiety felt along the way. This volume brings together experts in the philosophy of sport and games and experts in the philosophy of emotion to investigate this important area of research. The book discusses the role of the emotions for both participants and spectators of sports and games, including detailed discussions of suffering, shame, (...) anger, anxiety, misery and hatred. It also investigates the issues of collective emotions in relation to sport such as the shared joy of a football crowd when their team scores a goal. In addition, this volume examines the role of pretence and make believe in emotional reactions to sport. In so doing, it makes important contributions both to the philosophy of sport and to the philosophy of emotions, which will be of interest to researchers and students in both fields. (shrink)

Philosophos Agonistes: Imagery and Moral Psychology in Plato's Republic RICHARD PATTERSON THE COMPETITIVE IMPULSE in its simplest, first and best expression -- be best and first in everything, as Peleus advised Achilles -- seems foreign to the spirit of philosophy for a number of reasons. The most important of these finds metaphorical expression in a "Pythagorean" gnome of uncertain provenance: "Life, said [Pythagoras], is like a festival; just as some come to the festival to compete, some to ply their trade, (...) but the best people come as spectators, so in life the slavish go hunting for fame or gain, the philosophers for the truth" . Plato's celebrated tripartite soul of the Republic provides a psychological underpinning for these observations about the festival crowd, and in particu- lar the distinction between the agonistes -- the competitor hunting victory and fame -- and the philosophical seeker after truth. Bk. IV distinguishes a reason- ing, a spirited, and an appetitive part or aspect of the soul, each having its own proper function and the three together providing a basis for Socrates' discus- sion of the virtues of wisdom, courage, sophrosyne, and justice. Bk. IX is explicit about all three parts having their own particular and natural pleasures and desires: the two lower parts, "spirit" and "appetite," appear respectively as lovers of victory and glory, on the one hand, and money, food, drink, and sex, on the other;.. (shrink)

During a showing of the video Some Everybodies, which observes tourist behaviour at a non-tourist site in Bath, the work will be discussed as evolving through non-dualist processes of film-making (enabled through new technology), whilst also attempting to create a non-dualist filmic experience for the spectator. Shot with a fixed-frame camera at a corner scene (which is the site of a minor accident), the film does not possess a traditional narrative structure or design, and has been described as a (...) moving painting. There is no central character (people are viewed more as moving bodies), and the momentum (rather than linear progression of scenes) has been made entirely in the editing suite, rather than on-site through a directorial eye. Dialogue from the site has been included as a multivalent communal poem that scrolls as subtitles beneath the images. Here the traditional understanding of subtitles is, once again, questioned, and they no longer exist as semiotic colonizers of othered national experiences, but evolve as asides from the passers-by themselves. Time-as-intervention will be discussed through the bleached colouration of the pictorial image, reminiscent of old postcards. This visual sense of well-worn familiarity is juxtaposed against a soundtrack that has been slowed down, creating primal groans and utterances. The significance of still-images within film-making will be explored, as the narrative freezes whilst the tourists themselves freeze, or snap, their own narratives. These mementos are also included on postcards and posters as part of a larger installation. The walk-through, yet high-walled cross design of the installation creates corners (said to be the places where people meet), and optimal viewing points a tourist leit-motif. The site is designed to illustrate the dislocation of time and place, where images of the video site (as posters and postcards) are seen before the video itself. Reference will be made to film-maker Joseph Robakowski, artist Barbara Kruger, the scientist Dirk Helbing (with particular reference to dynamical flow and pilgrim crowd behaviour at Mecca) and film theorist and film-maker Professor Laura Mulvey. (shrink)

Due to restrictions against the COVID-19 pandemic, spectators were not allowed to attend soccer matches at the end of the 2019/2020 season. Previous studies suggest that the absence of a home crowd changes the home field advantage in terms of match outcomes, offensive performance, and referee decisions. However, because of the small sample sizes, these changes may be random rather than meaningful. To test this, we created 1,000,000 randomized samples from the previous four seasons with the exact same number (...) of matches played behind closed doors in Europe’s four most elite soccer leagues at the end of the 2019/2020 season. We found that across countries, performance indices and referee decisions indeed changed to the detriment of the home team beyond the level of chance. However, this overall pattern could be ascribed to specific countries. Most importantly, the proportion of points won by the home teams declined significantly only in Germany, which was accompanied by a meaningful increase in the proportion of goals scored by the away teams and the proportion of yellow cards given to the home teams. We conclude that the home field advantage may indeed be lost when spectators are absent. However, in future studies, more detailed behavioral analyses are needed to determine the robustness and the behavioral determinants of this phenomenon across leagues and countries. (shrink)

Several years ago, in a brilliant contribution to the Collection Archives Series, Michel de Certeau wove together a large number of seventeenth-century documents pertaining to the famous episode of demonic possession among the Ursuline nuns of Loudun.1 One of the principal ways in which de Certeau organized his disparate complex materials into a compelling narrative was by viewing the extraordinary events as a kind of theater. There are good grounds for doing so. After all, as clerical authorities came to acknowledge (...) the incidents of possession and treat them accordingly, they ceased to be isolated, private events occurring inside the convent walls and were transformed instead into public spectacles performed for a populace deeply divided between Catholics and Huguenots. Once or twice a day the nuns were taken from their needlework or tranquil meditations and led in small groups through the streets of the town to a church or chapel, where spectators had already gathered. At first these spectators were local townspeople, many of whom must have been acquainted with or even related to the nuns, but, as word of the possession spread, crowds of the curious arrived not only from the region but from all over France and from as far away as England and Scotland. The inns of the town were filled with these visitors who traveled to Loudun expecting to witness events there that were at once beyond nature and yet performed on schedule: repeatable, predictable, and—in their bizarre way—decorous.At the appointed times, beneath the expectant gaze of the crowd, the possessed women would ascend a scaffold, be loosely tied to low chairs, and begin to manifest their symptoms. From within each of the tormented bodies, a particular devil would arise and be constrained by the exorcist to identify himself. If a nun were possessed by more than one demon, the exorcist could dismiss one supernatural voice and demand that another come forth and occupy the tongue of the writhing woman. If the demon refused to cooperate in the interrogation, the presiding priest would solemnly remove the Holy Sacrament from the pyx and hold it up to the mouth of the possessed while the priests and spectators would assist by chanting the Salve Regina. This would provoke screams and violent contortions. Submitting to irresistible spiritual pressure, the devil would then be compelled to speak, confirming the Christian mysteries and the power of the Catholic church. “On stage,” writes de Certeau, “there are no longer human beings; in this sense, there is no longer anyone—only roles” . And these “roles” in turn are revealed to be the hidden truths that underlie the masks of ordinary life; more accurately, the ceremony has the power to convert ordinary life into mere masks, precisely so that these masks may be stripped away to reveal the inward drama of spiritual warfare. The demons appear at first to dominate that drama, forcing their wretched and unwilling hosts to manifest the power of darkness, but a spectacular ecclesiastical counterforce transforms the tragedy into a comedy in which the devil confesses that he has been vanquished by Jesus Christ. 1. See Michel de Certeau, La Possession de Loudun, Collection Archives Series, no. 37 ; all further references to this work, abbreviated PL, will be included in the text . On the relationship between exorcism and theater in this period, see also Henri Weber, “L’Exorcisme à la fin du seizième siècle, instrument de la Contre Réforme et spectacle baroque, » Nouvelle revue du seizième siècle 1 : 79-101. Stephen Greenblatt, the Class of 1932 Professor of English at the University of California, Berkeley, is a founder and editor of Representations. His most recent book, Renaissance Self-Fashioning: From More to Shakespeare, received the British Council Prize in the Humanities. He is presently completing a study of Shakespeare and the poetics of culture. “Marlow, Marx, and Anti-Semitism,” his previous contribution to Critical Inquiry, appeared in the Winter 1978 issue. (shrink)

The Crowd: A Study of the Popular Mind (French: Psychologie des Foules; literally: Psychology of Crowds) is a book authored by Gustave Le Bon that was first published in 1895. In the book, Le Bon claims that there are several characteristics of crowd psychology: "impulsiveness, irritability, incapacity to reason, the absence of judgement of the critical spirit, the exaggeration of sentiments, and others. Le Bon claimed that "an individual immersed for some length of time in a crowd (...) soon finds himself - either in consequence of magnetic influence given out by the crowd or from some other cause of which we are ignorant - in a special state, which much resembles the state of fascination in which the hypnotized individual finds himself in the hands of the hypnotizer. (shrink)

Contrary to Block's assertion, “identity-crowding” does not provide an interesting instance of object-seeing without object-attention. The successful judgments and unusual phenomenology of identity-crowding are better explained by unconscious perception and non-perceptual phenomenology associated with cognitive states. In identity-crowding, as in other cases of crowding, subjects see jumbled textures and cannot individuate the items contributing to those textures in the absence of attention. Block presents an attenuated sense in which identity-crowded items are seen, but this is irrelevant to the debate about (...) phenomenal experience of an object in the absence of object-attention. Finally, even unconscious object perception in identity-crowding likely involves an attention-like selective process. (shrink)

One of the most important topics in current work on consciousness is what relationship it has to attention. Recently, one of the focuses of this debate has been on the phenomenon of identity crowding. Ned Block has claimed that identity crowding involves conscious perception of an object that we are unable to pay attention to. In this article, we draw upon a range of empirical findings to argue against Block's interpretation of the data. We also argue that current empirical evidence (...) strongly supports an interpretation of the data that emphasises cognitive inference over conscious perception. (shrink)

This volume is the second installment in Stefan Jonsson’s epic study of the crowd and the mass in modern Europe, building on his work in A Brief History of the Masses, which focused on monumental artworks produced in 1789, 1889, and 1989.

‘Crowded places’ have recently been problematized as objects of terrorist attacks. Following this redefinition of terrorism, crowds have been reactivated at the heart of a security continuum of counter-terrorism, emergency planning and policing. How does the crowd referent recalibrate security governance, and with what political effects? This article argues that several subtle reconfigurations take place. First, counter-terrorism governance derives the knowledge of crowds from ‘generic events’ as unexpected, unpredictable and potentially catastrophic. This move activates 19th-century knowledge about crowds as (...) pathological, while the spatial referent of ‘crowded places’ reconfigures workplaces as crowded places and workers as crowds. Second, new guidance for emergency planning and policing deploys a more rational approach to crowds, put forward in recent psychosocial approaches. These modes of knowledge derive ‘generic crowds’ from normal social relations rather than extraordinary events. Generic events and generic crowds effectively depoliticize crowds, as they exclude a more radical generic politics, in which crowds are not derivable, but negate determination. (shrink)

The purpose of crowd counting is to estimate the number of pedestrians in crowd images. Crowd counting or density estimation is an extremely challenging task in computer vision, due to large scale variations and dense scene. Current methods solve these issues by compounding multi-scale Convolutional Neural Network with different receptive fields. In this paper, a novel end-to-end architecture based on Multi-Scale Adversarial Convolutional Neural Network (MSA-CNN) is proposed to generate crowd density and estimate the amount of (...) crowd. Firstly, a multi-scale network is used to extract the globally relevant features in the crowd image, and then fractionally-strided convolutional layers are designed for up-sampling the output to recover the loss of crucial details caused by the earlier max pooling layers. An adversarial loss is directly employed to shrink the estimated value into the realistic subspace to reduce the blurring effect of density estimation. Joint training is performed in an end-to-end fashion using a combination of Adversarial loss and Euclidean loss. The two losses are integrated via a joint training scheme to improve density estimation performance.We conduct some extensive experiments on available datasets to show the significant improvements and supremacy of the proposed approach over the available state-of-the-art approaches. (shrink)

Formal and empirical work on the Wisdom of Crowds has extolled the virtue of diverse and independent judgment as essential to the maintenance of ‘wise crowds’. In other words, com-munication and imitation among members of a group may have the negative effect of decreasing the aggregate wisdom of the group. In contrast, it is demonstrable that certain meta-inductive methods provide optimal means for predicting unknown events. Such meta-inductive methods are essentially imitative, where the predictions of other agents are imitated to (...) the extent that those agents have proven successful in the past. Despite the (self-serving) optimality of meta-inductive methods, their imitative nature may undermine the ‘wisdom of the crowd’, since these methods recommend that agents imitate the predictions of other agents. In this paper, I present a replication of selected results of Thorn and Schurz, illustrating the effect on a group’s performance that may result from having members of a group adopt meta-inductive methods. I then expand on the work of Thorn and Schurz by considering three simple measures by which meta-inductive prediction methods may improve their own performance, while simultaneously mitigating their negative impact on group performance. The effects of adopting these maneuvers are investigated using computer simulations. (shrink)

This article explores the remaking of classical liberal rights in digital spaces, with a focus on property rights in artificial intelligence (AI) crowds. The rise of crowds in digital and technological spaces has created new opportunities for users, but their accumulated contributions create added value for the platforms and manufacturers that manage the crowd, leading to a curtailment of individual autonomy. The article identifies two parallel processes that characterize individuals’ involvement in digital crowds: manufacturers construct the property rights of (...) individual users as crowd-based rights, while also working to de-crowd users in other contexts. The article compares crowd-based rights to potential group rights and individual rights in non-digital spheres, exposing the weakness of manufacturer-constituted crowd-based rights. The article concludes by discussing possible legal conceptions of the crowd and its governance. (shrink)

A range of seemingly unrelated problems at the forefront of controversy about consciousness, language, and vision, among others, have a deep connection with one another that has gone unnoticed. This book suggests that this mistake arises not from what is put into a theory but rather from what is missing.

Fission of cellular membranes is ubiquitous and essential for life. Complex protein machineries, such as the dynamin and ESCRT spirals, have evolved to mediate membrane fission during diverse cellular processes, for example, vesicle budding. A new study suggests that non-specialized membrane-bound proteins can induce membrane fission through mass action due to protein crowding. Because up to 2/3 of the mass of cellular membranes is contributed by proteins, membrane protein crowding is an important physiological parameter. Considering the complexity of membrane shape (...) transitions during a fission reaction, spatial and temporal variability in protein distribution, and the abundance of intrinsically disordered regions in proteins on an invaginating membrane, protein crowding can have diverse consequences for fission in the cell. The question is, how and to what extent this mechanism combines with the action of dedicated fission machineries. Membrane fission, which is required for formation of vesicles or cytokinesis, can be carried out by specialized proteins like dynamin and the ESCRT complex. Recent work suggests that fission of cellular membranes, which are densely packed with proteins, can also be induced by protein crowding due to high entropic tension. (shrink)

This paper discusses the implications for public participation in science opened by the sharing of information via electronic media. The ethical dimensions of information flow and control are linked to questions of autonomy, authority and appropriate exploitation of knowledge. It argues that, by lowering the boundaries that limit access and participation by wider active audiences, both scientific identity and practice are challenged in favor of extra-disciplinary and avocational communities such as scientific enthusiasts and lay experts. Reconfigurations of hierarchy, mediated by (...) new channels of information flow, are increasingly visible at the interface between professional and non-professional practice. Setting the scene by surveying the role of the media in defining twentieth-century contexts of lay science, the paper illustrates the appropriation and recuperation of scientific authority being played out in two contemporary models of active public engagement: so-called “citizen science” and varieties of “crowd-sourced science”. Both participatory models are increasingly reliant on information exchange via social media, but may be implemented to support distinctly different societal goals and beneficiaries. (shrink)

In this essay, I first describe Kierkegaard’s understanding of free and responsible selfhood. I then describe one of Kierkegaard’s unique contributions to freedom and responsibility – his perceptual theory of the emotions. Kierkegaard understands emotions as perceptions that are related to beliefs and concerns, and thus the self can—to some extent—freely participate in the cultivation of various emotions. In other words, one of the ways that self takes responsibility for itself is by taking responsibility for its emotions. In the final (...) section, I turn to Kierkegaard’s understanding of social comparison and the role that the “crowd” plays in shaping the self’s beliefs, desires, and emotions. Kierkegaard is clear that envy and social comparison are detrimental to becoming a self, yet envy and social comparison are pervasive social practices. I conclude that Kierkegaard understands both the value and the difficulty of cultivating social courage: the crowd is untruth due to the difficulty of holding fast to one’s values when confronted by crowd. (shrink)

This paper discusses how an interactive artwork, the Crowd-Sourced Intelligence Agency, can contribute to discussions of Big Data intelligence analytics. The CSIA is a publicly accessible Open Source Intelligence system that was constructed using information gathered from technical manuals, research reports, academic papers, leaked documents, and Freedom of Information Act files. Using a visceral heuristic, the CSIA demonstrates how the statistical correlations made by automated classification systems are different from human judgment and can produce false-positives, as well as how (...) the display of information through an interface can affect the judgment of an intelligence agent. The public has the right to ask questions about how a computer program determines if they are a threat to national security and to question the practicality of using statistical pattern recognition algorithms in place of human judgment. Currently, the public’s lack of access to both Big Data and the actual datasets intelligence agencies use to train their classification algorithms keeps the possibility of performing effective sous-dataveillance out of reach. Without this data, the results returned by the CSIA will not be identical to those of intelligence agencies. Because we have replicated how OSINT is processed, however, our results will resemble the type of results and mistakes made by OSINT systems. The CSIA takes some initial steps toward contributing to an informed public debate about large-scale monitoring of open source, social media data and provides a prototype for counterveillance and sousveillance tools for citizens. (shrink)

Plato's antipathy to crowds is a commonplace that reinforces a prevailing portrait of the Socratic method as a practice that centers on individuals, to the exclusion of crowds and the many. This canonical view, however, comes into tension with the tendency of Plato's Socrates to conduct his dialogues in the presence of collective audiences. I argue that Plato's position on crowds is at once more complex and more ambivalent than has been commonly accepted. I distinguish between two distinct lines of (...) critique that Plato develops against crowds: the argument that the incentive structures that move crowds are unconducive to philosophy; and a more ambiguous argument that crowds tend not to be as amenable to control as their portrayal in the Athenian democratic imaginary seems to promise. Plato's depiction of Socratic practice can be understood as an effort to explore an alternative vision of crowd control. (shrink)

Houellebecq’s critical reading of Huxley’s Brave New World in his novel Atomised takes Canetti’s novel Auto da Fe as its template. Houellebecq takes from Canetti the structuring contrast of antithetical brothers and shares his diagnosis of the crisis of Western individualism. Both writers identify the sickness at the heart of Western civilization that presages its coming end as the egotism of the monadic individual, enclosed in a private world of fears and desires. The role of the crowd in Canetti’s (...) novel as the Other of the fallen world of self-interest is taken in Houellebecq by the posthuman vision of social unity beyond division realized through cloning. (shrink)

Using Big Data to better understand urban questions is an exciting field with challenging methodological and theoretical problems. It is also, however, potentially troubling when Big Data is applied uncritically to urban governance via the ideas and practices of “smart cities”. This essay reviews both the historical depth of central ideas within smart city governance —particular the idea that enough data/information/knowledge can solve society problems—but also the ways that the most recent version differs. Namely, that the motivations and ideological underpinning (...) behind the goal of urban betterment is largely driven by technology advocates and neoliberalism rather than the strong social justice themes associated with earlier applications of data to cities. Geosocial media data and metrics derived from them can provide useful insight and policy direction. But one must be ever mindful that metrics don’t simply measure; in the process of deciding what is important and possible to measure, these data are simultaneously defining what cities are. (shrink)

It is a popular view thatpractical deliberation excludes foreknowledge of one's choice. Wolfgang Spohn and Isaac Levi have argued that not even a purely probabilistic self-predictionis available to thedeliberator, if one takes subjective probabilities to be conceptually linked to betting rates. It makes no sense to have a betting rate for an option, for one's willingness to bet on the option depends on the net gain from the bet, in combination with the option's antecedent utility, rather than on the offered (...) odds. And even apart from this consideration, assigning probabilities to the options among which one is choosing is futile since such probabilities could be of no possible use in choice. The paper subjects these arguments to critical examination and suggests that, appearances notwithstanding, practical deliberation need not crowd outself-prediction. (shrink)

Memes have been proposed to explain wide swathes of human culture and language use. I argue that what is really doing the explanatory work in many of these cases is a basic mechanism of information...

In lieu of an abstract, here is a brief excerpt of the content:"The Crowd Is Untruth": A Comparison of Kierkegaard and Girard Charles K. Bellinger University of Virginia The purpose ofthis essay is to provide an introductory comparison of the writings of Soren Kierkegaard and René Girard. To my knowledge, a substantial secondary article or book has not been written on this subject.1 Girard's writings themselves contain only a handful of references to Kierkegaard.2 This deficiency is unfortunate, since, as (...) I hope to show in the following pages, these two authors do share common insights into the psychology ofviolence. Girard's writings usually take the form of a scientific analysis of historical data. He is attempting to frame a theory of culture which takes into account all of the data which he has encountered. It would seem that Kierkegaard's mode of thought is very different, since he is primarily concerned with the meaning of personal existence before God. But 1 Eugene Webb's Philosophers of Consciousness and The Self Between contain discussions ofKierkegaard and Girard, but they are basically parallel sections which do not include a focused comparison of the two authors. David McCracken's The Scandal ofthe Gospels makes reference to Girard and contains a chapter on Kierkegaard, but it also lacks an extended comparison. 2 See Girard 1984, 58; 1986, 173; 1988, 26-7. In his Foreword to Robert HamertonKelly (xi), Girard says, "Mimetic theory is too realistic and commonsensical to be confused with one more nihilistic stepchild ofGerman idealism. And yet, unlike the positivistic social sciences, it is not blind to paradox; it can articulate the intricacies of human relations just as effectively as a Kierkegaard or a Dostoievsky." 104Charles K Bellinger Kierkegaard was in his own way and in his own time a kind of social scientist. He engaged in an extended "anthropological contemplation" (1967-1978, 1:37), in which he attempted to map out the territory of the human spirit. Girard's thought, for its part, occasionally steps outside ofthe methodological atheism of the scientific guild to speak in theological terms. Thus in both realms, the scientific and the theological, there is the possibility of fruitful dialogue between these two authors. I am assuming that the readers ofthis essay are more familiar with the writings of Girard than with the writings of Kierkegaard. My procedure will therefore involve listing certain key concepts in Girard's thought, such as mimetic desire, envy, the social crisis, etc., followed by a search for parallel ideas in Kierkegaard. IfGirard were claiming complete originality for his interpretation of culture, my findings would show that he was in many respects foreshadowed by Kierkegaard. But, of course, he is not claiming this. He claims only to be restating and organizing insights which have already been achieved by great novelists and the Bible. I would argue that Kierkegaard is rightly seen as one of the great "novelists" who sees human culture clearly and penetratingly. It is not a coincidence that Kierkegaard's thought, like Girard's, is rooted in an interpretation ofthe Bible. After this initial survey ofsimilarities between Kierkegaard and Girard, I will outline a few possible differences between their approaches. This will lead to comments on the way in which Kierkegaard's thought can be used as a basis for understanding the motives which underlie political violence. Consequently Kierkegaard's thought can be coordinated with Girard's in such a way that the thought ofeach author is strengthened by the contribution of the other. Mimetic desire Mimetic desire is the main starting point for Girard's theory of personality and culture. Human beings have a basic feeling ofexistential lack that leads them to look to a model who seems to possess a greater fullness of being. The desires of the model are imitated in the hope of acquiring a similar fullness ofbeing. In Girard's words: When modem theorists envisage man as a being who knows what he wants, or who at least possesses an "unconscious" that knows for him, they may simply have failed to perceive the domain in which human uncertainty is most extreme. Once his Kierkegaard and Girard105 basic needs are satisfied (indeed, sometimes even before), man is subject to intense desires, though he may not... (shrink)

In this paper, we analyze and calculate the crowd density in a tourist area utilizing video surveillance dynamic information analysis and divide the crowd counting and density estimation task into three stages. In this paper, novel scale perception module and inverse scale perception module are designed to further facilitate the mining of multiscale information by the counting model; the main function of the third stage is to generate the population distribution density map, which mainly consists of three columns (...) of void convolution with different void rates and generates the final population distribution density map using the feature maps of different branch regressions. Also, the algorithm uses jump connections between the top convolution and the bottom void convolution layers to reduce the risk of network gradient disappearance and gradient explosion and optimizes the network parameters using an intermediate supervision strategy. The hierarchical density estimator uses a hierarchical strategy to mine semantic features and multiscale information in a coarse-to-fine manner, and this is used to solve the problem of scale variation and perspective distortion. Also, considering that the background noise affects the quality of the generated density map, the soft attention mechanism is integrated into the model to stretch the distance between the foreground and background to further improve the quality of the density map. Also, inspired by multitask learning, this paper embeds an auxiliary count classifier in the count model to perform the count classification auxiliary task and to increase the model’s ability to express semantic information. Numerous experimental results demonstrate the effectiveness and feasibility of the proposed algorithm in solving the problems of scale variation and perspective distortion. (shrink)

The “wisdom of the crowd” phenomenon refers to the finding that the aggregate of a set of proposed solutions from a group of individuals performs better than the majority of individual solutions. Most often, wisdom of the crowd effects have been investigated for problems that require single numerical estimates. We investigate whether the effect can also be observed for problems where the answer requires the coordination of multiple pieces of information. We focus on combinatorial problems such as the (...) planar Euclidean traveling salesperson problem, minimum spanning tree problem, and a spanning tree memory task. We develop aggregation methods that combine common solution fragments into a global solution and demonstrate that these aggregate solutions outperform the majority of individual solutions. These case studies suggest that the wisdom of the crowd phenomenon might be broadly applicable to problem-solving and decision-making situations that go beyond the estimation of single numbers. (shrink)

The paper argues that the act of looking, as defined between the story of Gyges, Candaules, and the offended queen and the story of Solon's visit to Lydia, functions in the first book of Herodotus, and perhaps also elsewhere throughout the Inquiry, as a metaphor for the relation of the histôr to the object of his investigation. Further, by a careful comparison of the Gyges story in Herodotus with the queen's own narration in the enigmatic "Gyges Tragedy" , we can (...) define a Herodotean psychology of spectation that bears a striking resemblance to the specifically tragic psychology manifest in the fragment. Herodotus positions his readers, the paper argues, in the place of Gyges, forcing them to look-in their imaginations-on what does not belong to them, just as the theatai in the Theater of Dionysus must look in imagination on the scene described by the queen. While the tragic audience is protected from the fate of Candaules and of Gyges' descendant Croesus by the constitutive blindness of tragedy that prevents the spectators from seeing what happens in the mukhos, Herodotus' audience must seek some other reassurance that they will not face the voyeur's penalty. This paper finally argues that Solon's theôria, with its crucial purpose of establishing the nomoi of Athens and its crucial ethic of looking not at the object of desire but at the end, installs in Herodotus' historiê the psychology of tragedy: to look desiringly is to lose, but to look inquiringly is to learn. (shrink)

According to self-categorization theory , incidents of crowd violence can be understood as discrete forms of social action, limited by the crowd's social identity. Through an analysis of the riot at Woodstock 1999, this paper explores the uses and limitations of SCT in order to reach a more complex psychology of crowd behavior, particularly those instances that appear unmotivated, irrational, and destructive. Psychological and sociological literature are synthesized to explore the role of communication in establishing social norms (...) within the crowd. Several modifications to current crowd psychology are proposed, including a false consensus effect of motivation and the mediation of personal and social identities. (shrink)

Payment for performance is widely embraced as a key component of any well-designed executive compensation package. There is a price to be paid, however, for the heavy reliance on incentives as a way of controlling agent behavior. In particular, evidence exists demonstrating that incentives can crowd out an agent’s social preferences towards her principal. Social preferences are pro-social tendencies of people to do things for others for reasons such as fairness, reciprocity, altruism, and ethical or moral beliefs. The use (...) of incentives in compensation can result in self-interested agents. When crowding out occurs, in order to elicit the desired level of performance, principals may need to increase the level of incentive employed. Crowding out therefore provides an additional account for rising levels of executive compensation. In addition, crowding theory can provide a helpful explanation for the tension around the U.S. government’s reaction to preexisting banker incentive contracts during the 2008 financial crisis. (shrink)

This paper considers whether pictures ever implicitly represent internal spectators of the scenes they depict, and what theoretical construal to offer of their doing so. Richard Wollheim's discussion (Painting as an Art, ch.3) is taken as the most sophisticated attempt to answer these questions. I argue that Wollheim does not provide convincing argument for his claim that some pictures implicitly represent an internal spectator with whom the viewer of the picture is to imaginatively identify. instead, I defend a view (...) on which the external spectator simply imagines herself interacting, psychologically and otherwise, with the depicted scene. I explore some of the consequences of the two positions for pictorial aesthetics, arguing that the view I favour is at least as competent as Wollheim's at accommodating those phenomena we have any reason to think hold. (shrink)

Critics of the gaps in our nation’s health insurance decry the absence of a health insurance “system” and the resulting “patchwork” of private and public insurance that leaves so many Americans unprotected. There is no question that these gaps are unconscionable; but they are also no accident. They are the result of policy and political choices with substantial consequences for those who remain uncovered. In my view, the fundamental political barrier to universal coverage is that our success in insuring most (...) of the nation’s population has “crowded out” our political capacity to insure the rest. This paper will explain how we arrived at the mix of private and public insurance we now have, how that mix impedes efforts to achieve universal coverage, and how “crowd-out” affects strategy for improving coverage in the future. (shrink)

Critics of the gaps in our nation’s health insurance decry the absence of a health insurance “system” and the resulting “patchwork” of private and public insurance that leaves so many Americans unprotected. There is no question that these gaps are unconscionable; but they are also no accident. They are the result of policy and political choices with substantial consequences for those who remain uncovered. In my view, the fundamental political barrier to universal coverage is that our success in insuring most (...) of the nation’s population has “crowded out” our political capacity to insure the rest. This paper will explain how we arrived at the mix of private and public insurance we now have, how that mix impedes efforts to achieve universal coverage, and how “crowd-out” affects strategy for improving coverage in the future. (shrink)

Combining phenomenology and psychoanalysis in highly innovative ways, this book seeks to undo the binary opposition between appearance and Being that has been in place since Plato’s parable of the cave. It is, essentially, an essay on what could be called “world love,” the possibility and necessity for psychic survival of a profound and vital erotic investment by a human being in the cosmic surround. Here, the author takes her cue from Freud’s assertion that the “loss of reality” associated with (...) psychosis is a function of a disturbance not in the capacity to reason or perceive, but rather in the capacity for world love, the libidinal and semiotic circuity by means of which such love actualizes itself. In an implicit challenge to poststructuralist thought, the author claims that this love is always in response to a call issued by the world—that the world has, as it were, a vocation: its beauty ought to be seen. We must think of our own being-in-the world as a response to a primordial calling out to respond to this beauty. We are, the author suggests, at the very core of our being, summoned to what she terms world spectatorship. Drawing on Heidegger’s phenomenological elaboration of care as the being distinctive of human being and the primarily Lacanian conceptualization of the language of desire specific to each human subject, this metapsychology of love attempts to integrate issues in the fields of psychoanalysis, philosophy, visual culture, art history, and literary and film studies. (shrink)

Wilderness and wildness are not related isomorphically. Wildness is the broader category; all instances of wilderness express wildness while all instances of wildness do not express wilderness. There is more than a logical distinction between wildness and wilderness, and what begins as an analytic distinction ends as an ontological one. A more rhetorical representation of this confusion is captured by the notion of synecdoche, where, in this case, wilderness the narrower term is used for wildness the more expansive term. Although (...) this might seem obvious at first glance, I contend that the two concepts are often misused taken as synonyms thus equivocally, setting back the cause of conceptual clarity in environmental philosophy in general, and environmental restoration in particular. One notable outcome has been the unfortunate dichotomy between preservation and conservation resulting in policy choices that needlessly deny integrated alternatives by illicit exclusion. This paper will clarify this confusion by demonstrating instances where the two concepts have been systematically abused—conflated—and show how Henry David Thoreau saw them as importantly separable. Finally, a clearer understanding of the distinctions between the two concepts provides the basis for a viable program of restoration based on an ethics of place. (shrink)

Wilderness and wildness are not related isomorphically. Wildness is the broader category; all instances of wilderness express wildness while all instances of wildness do not express wilderness. There is more than a logical distinction between wildness and wilderness, and what begins as an analytic distinction ends as an ontological one. A more rhetorical representation of this confusion is captured by the notion of synecdoche, where, in this case, wilderness the narrower term is used for wildness the more expansive term. Although (...) this might seem obvious at first glance, I contend that the two concepts are often misused taken as synonyms thus equivocally, setting back the cause of conceptual clarity in environmental philosophy in general, and environmental restoration in particular. One notable outcome has been the unfortunate dichotomy between preservation and conservation resulting in policy choices that needlessly deny integrated alternatives by illicit exclusion. This paper will clarify this confusion by demonstrating instances where the two concepts have been systematically abused—conflated—and show how Henry David Thoreau saw them as importantly separable. Finally, a clearer understanding of the distinctions between the two concepts provides the basis for a viable program of restoration based on an ethics of place. (shrink)

The most surprising conclusion of our analysis is that videogames can be most effective in generating suspense not by highlighting their unique ability to be interactive, but, to the contrary, limiting interactivity at key points, thereby turning players into helpless spectators like those that watch films. Discovering this technique in video games allows us to turn our attention back to film, where we are able to highlight a previously ignored feature of viewer film interaction, namely, helplessness.