Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the _body_ to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. Perhaps above (...) all, Merleau-Ponty's insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

First published in 1945, Maurice Merleau-Ponty’s monumental _Phénoménologie de la perception _signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers. _Phenomenology of Perception _stands in the great phenomenological (...) tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty’s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one’s situation and experience within the world. Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty’s discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator’s Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty’s references to now available English translations. Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty_ _by Claude Lefort. Translated by Donald A. Landes. (shrink)

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

What makes this work so important is that it returned the body to the forefront of philosophy for the first time since Plato.

This volume offers the first substantial study of Heidegger’s phenomenology of perception, focusing on perception as capacities that can be developed in learning processes, notably in ways befitting ontological mindfulness. The author proposes new interpretations of Heidegger’s five most important key words.

_Phenomenology of Perception: Theories and Experimental Evidence_ presents an interpretation of phenomenology as a set of commitments to discover the immanent grammar of perception by reviewing arguments and experimental results that are still important today for psychology and the cognitive sciences.

_Phenomenology of Perception: Theories and Experimental Evidence_ presents an interpretation of phenomenology as a set of commitments to discover the immanent grammar of perception by reviewing arguments and experimental results that are still important today for psychology and the cognitive sciences.

Challenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. (...) Perhaps above all, Merleau-Ponty's insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Merleau-Ponty's «Phenomenology of Perception» suggests perception to be the primary level of the giveness of the world. Perception appears as always an incomplete synthesis of the plural, bringing together bodily and material aspects. Such the simplest interpretation of perception as rendering a contact within the dyad «body-world» is a preliminary axiom for explaining the rest of the process of noematic sense formation. At the same time, Merleau-Ponty’s theoretical intuitions clearly presuppose more, and perception is (...) also thought of as the final point where sense is already given by some way. Thus, in Phenomenology, the second interpretation of perception presumes it to be sense-giving accompanied by the tacit cogito. Merleau-Ponty suggests that these interpretations are compatible with each other, but the transition between them seems really problematic. In the research author shos that the limit of the initial synthesis of perception - some sense of the perceived (exemplyfing meanings as «this horse», «the green density that rushed towards me») - is unattainable from within perception itself and by its means. Perception is itself mediated by other faculties, such as memory, reflection, and imagination. Argumentation for this thesis is carried out in several ways; the relations in the perception/imagination pair show us the most characteristic case, where Merleau-Ponty, judging by later works, himself comes close to recognizing the limitations of the hypothesis of «the world of perception», to the need for a phenomenological development of the topic of faculties. Based on the application of the phenomenological method and the analysis of the conceptual constructions of Merleau-Ponty, we can conclude the following: «the world of perception» does not exist, but the phenomenology of faculties is demanded. (shrink)

In Aspiration, Agnes Callard examines the phenomenon of aspiration, the process by which one acquires values and becomes a certain kind of person. Aspiring to become a certain type of person involves more than wanting to act in certain ways. We want to come to see the world in a certain way and to develop the dispositions, attributes, and skills that allow us to seamlessly and effectively respond to situations. The skilled athlete or musician, for example, has developed the muscle (...) memory and the perceptual equivalent to naturally see what a situation requires and to respond well, whether playing a Rachmaninoff concerto or returning a tennis volley. -/- I use Merleau-Ponty’s Phenomenology of Perception to flesh out the process of becoming, through which aspired-to values, skills, and characteristics become part of one’s embodied being-in-the-world. Although some rightly focus on Merleau-Ponty’s efforts to avoid over-intellectualizing skillful action, without appreciating his distinction between habitual actions and human (or personal) acts, we overlook an important aspect of robust human agency—the way “a human act becomes dormant and is continued absent-mindedly as a reflex” (90). Merleau-Ponty’s account of habit and its relation to personal acts offers a rich and phenomenologically sensitive picture of aspiration. (shrink)

Maurice Merleau-Ponty's _Phenomenology of Perception_ is widely acknowledged to be one of the most important contributions to philosophy of the twentieth century. In this volume, leading philosophers from Europe and North America examine the nature and extent of Merleau-Ponty's achievement and consider its importance to contemporary philosophy. The chapters, most of which were specially commissioned for this volume, cover the central aspects of Merleau-Ponty's influential work. These include: Merleau-Ponty’s debt to Husserl Merleau-Ponty’s conception of philosophy perception, action and the (...) role of the body consciousness and self-consciousness naturalism and language social rules and freedom. Contributors: David Smith, Sean Kelly, Komarine Romdenh-Romluc, Hubert Dreyfus, Mark Wrathall, Thomas Baldwin, Simon Glendinning, Naomi Eilan, Eran Dorfman, Francoise Dastur. (shrink)

This book offers a critical re-appraisal of what is perhaps Merleau-Ponty’s most widely read text, the Preface to his Phenomenology of Perception. Although open and enigmatic text, the Preface is still often used to introduce phenomenology in general and Merleau-Ponty’s work specifically to students, scholars in disciplines other than philosophy, and art practitioners. Taking advantage of the fact that many of his course notes have been posthumously published in the last few decades, this book situates the Preface (...) to the Phenomenology of Perception in the context of Merleau-Ponty's later work and shows how it contains many of the threads on which Merleau-Ponty would later pull. In doing so, the book chapters elaborate key themes in the Preface: “Phenomenology and its Paradoxes,” “Phenomenology and its Method,” “Phenomenology and its Incompletion,” “Phenomenology and Non-Phenomenology." Readers will learn about the radicality of Merleau-Ponty’s early articulation of phenomenology, how much it already suggests the profound transformation of phenomenology usually associated with his more mature work. (shrink)

This volume of collected papers, with the accompanying essays by the editors, is the definitive source book for the work of this important experimental psychologist. Originally published in 1991, it offered previously inaccessible essays by Albert Michotte on phenomenal causality, phenomenal permanence, phenomenal reality, and perception and cognition. Within these four sections are the most significant and representative of the Belgian psychologist's research in the area of experimental phenomenology. Extremely insightful introductions by the editors are included that place (...) the essays in context. Michotte's ideas have played an important role in much research on the development of perception, and his work on social perception continues to be influential in social psychology. The book also includes some lesser-known aspects of his work that are equally important; for example, a remarkable set of articles on pictorial analysis. (shrink)

Summary The paper presents the result of a collective reflection inspired by the individual suggestions of 30 researchers working in different research areas. They are all familiar with the Experimental Phenomenology of Perception, and are aware of the importance that this approach might represent nowadays in their specific research field. The picture that emerges from this ‘mosaic’ stimulates us to consider the potential future developments of this approach if we accept that we need to push its borders beyond (...) the traditional aims of the study of perception (as masterfully developed by the historic Italian Maestri of this approach). If we take this broader view, the Experimental Phenomenology of Perception can extend its perimeters from an analysis of strictly perceptual aspects to an analysis of cognitive and metacognitive aspects (such as aesthetic evaluations, the perception of risk, the experience of certainty/uncertainty in a reasoning process, the perception of proximity to/distance from the solution to a problem and meaning-making in language). The cognitive and metacognitive aspects referred to are grounded in and modelled on the perceiver’s experience of a given situation. (shrink)

Ideally, psychological and phenomenological studies of visual experience should be mutually informative. In that spirit, this article outlines parts of Maurice Merleau-Ponty's phenomenological view of visual experience as a kind of independently active opaque bodily synthesis, and uses those views to (a) help ground and extend Alva Noë's rejection of the “snapshot” theory of visual experience in favor of a more enactive view of visual content, (b) critique a failing of Noë's account, and (c) show how the assumptions underlying more (...) internalist and Cartesian views of visual experience can illegitimately creep in even when they are being carefully criticized. (shrink)

This is an advanced introduction to and original interpretation of Merleau-Ponty's greatest work, Phenomenology of Perception. Timothy Mooney provides a clear and compelling exposition of the theory of our projective being in the world, and demonstrates as never before the centrality of the body schema in the theory. Thanks to the schema's motor intentionality our bodies inhabit and appropriate space: our postures and perceptual fields are organised schematically when we move to realise our projects. Thus our lived bodies (...) are ineliminably expressive in being both animated and outcome oriented through-and-through. Mooney also analyses the place of the work in the modern philosophical world, showing what Merleau-Ponty takes up from the Kantian and Phenomenological traditions and what he contributes to each. Casting a fresh light on his magnum opus, this book is essential reading for all those interested in the philosophy and phenomenology of the body. (shrink)

The longawaited translation of one of the most important philosophical works of our time. Merleau-Ponty's reflections upon perception, "the only absolute for philosophy," expand in a continuous way to the wider issues of human being: scientific knowledge, history, art, sexuality, the use of signs, learning processes, solitude and community, freedom, etc. Smith's translation is excellent, and his occasional notes are helpful. One only wishes there had been more of them; for Merleau-Ponty, more than most philosophers, relies crucially upon poetic (...) nuances, allusions, connotations, and echoes of other thinkers --aspects which cannot be translated textually, but which could be brought out in notes. Smith is obviously sensitive to these difficulties, and is to be congratulated for overcoming so many of them. Translation too, as a part of the philosophical enterprise, is "une tâche qui reste toujours à faire."--C. D. (shrink)

This second volume of David Kleinberg-Levin’s study of Heidegger’s phenomenology of perception sheds light on how Heidegger works, both critically and constructively, with seeing and hearing. The author explores how these capacities address the ills illuminated by Heidegger’s critique of metaphysics and the nihilism devastating the Western world.

This paper focuses on the concept of the "intentional arc" in Merleau-Ponty, who maintains that perception comes into play within, and is nourished by, an already established relation between the person and the world. That obscure relation, the intentional arc, is the "genesis" of perception, and this paper argues that in it resides the proper theme of a psychological phenomenology of perception. A study of the intentional arc shows that perception is not a passive, causal, (...) impersonal process. On the contrary, perception is active in that it requires the perceiver's free consent to the solicitations stemming from the world; it is thus only motivated or beckoned, but not caused; and it rests on a personal foundation, which is to say that it depends on the entire psychological life of the perceiver. A subsequent paper will enrich and develop the implications of this thesis by taking up the phenomenology of hallucinations. (shrink)

In this essay, which draws on a set of interrelated issues in the phenomenology of perception, I call into question the assumption that Buddhist philosophers of the Dignāga-Dharmakīrti tradition pursue a kind of epistemic foundationalism. I argue that the embodied cognition paradigm, which informs recent efforts within the Western philosophical tradition to overcome the Cartesian legacy, can be also found– albeit in a modified form–in the Buddhist epistemological tradition. In seeking to ground epistemology in the phenomenology of (...) cognition, the Buddhist epistemologist, I claim, is operating on principles similar to those found in Husserl’s phenomenological tradition. (shrink)

The chapter on time is one of the central investigations in Merleau-Ponty's Phenomenology of Perception. Throughout preceding chapters of that work one meets the claim that theoretical difficulties raised by the type of description of the perceiving subject that Merleau-Ponty offers are to be resolved in the investigation of time. For example, in describing perception, it begins to seem that the perceiving subject is neither a pure for-itself, nor an in-itself, but rather belongs to some category intermediate (...) between these two. How is such an ambiguity to be understood? Merleau-Ponty tells us that:On the level of being one will never understand that the subject must be at once naturans and naturatus, infinite and finite. But if we rediscover time beneath the subject, and if we relate to the paradox of time those of the body, the world, the thing and the other, we shall understand that there is nothing to understand beyond this. (shrink)

I discuss the limits of Ingarden’s phenomenology of perception from a naturalistic perspective. Ingarden did not propose any proper method of the realization of the applied theory of perception (critics of perception). This situation enables to apply empirical data from cognitive neurosciences. The applied procedure shows that basic components of the phenomenology of perception are not valid.

In this essay, which draws on a set of interrelated issues in the phenomenology of perception, I call into question the assumption that Buddhist philosophers of the Dignāga-Dharmakīrti tradition pursue a kind of epistemic foundationalism. I argue that the embodied cognition paradigm, which informs recent efforts within the Western philosophical tradition to overcome the Cartesian legacy, can be also found– albeit in a modified form–in the Buddhist epistemological tradition. In seeking to ground epistemology in the phenomenology of (...) cognition, the Buddhist epistemologist, I claim, is operating on principles similar to those found in Husserl’s phenomenological tradition. (shrink)

Two key phenomena of Merleau-Ponty's _Phenomenology of Perception are habit and inhabiting. Their chief characteristics, respectively, are generalizing actions and actively familiarizing. They are essentially and reciprocally related: inhabiting consists of being in habits and habitual actions are a way of inhabiting. The article focuses on three aspects of Merleau-Ponty's discussions: habit as simultaneously motor and perceptual, the interplay of sedimentation and spontaneity, and the body's inhabiting of space and incorporating of expressive spatiality. Merleau-Ponty's typist example and four examples (...) of the author illustrate that the relationship of habit and inhabiting is a basic structure of being-in-the-world. (shrink)

The question I am asking in this paper is whether Husserl adequately distinguished between the intentionality of speech acts, or what he called judgments, and that of perceptual acts. ...I am asking ... whether there is a change in H's theory of perception...

Presents the basis of Merleau-Ponty's ontology, as presented in his book Phenomology of Perception, and shows how it can help provide humans with a foundation ...

RESUMEN Se examinan de modo sistemático las críticas de Merleau-Ponty, en la Phénoménologie de la perception, a la teoría kantiana de la experiencia, atendiendo al papel de los conceptos en la conformación de la experiencia objetiva, la relación entre la sensibilidad y el entendimiento, así como la redefinición del carácter formal de la sensibilidad. Se discuten posibles objeciones a la interpretación merieau-pontiana de la teoría kantiana y se evalúa, así mismo, el alcance relativo de ciertas referencias positivas de Merleau-Ponty (...) a nociones kantianas tales como afinidad, sinopsis e imaginación. ABSTRACT The article carries out a systematic examination of Merleau-Ponty's critiques of the Kantian theory of experience, in Phénoménologie de la perception, taking into account the role of concepts in shaping objective experience, the relation between sensibility and understanding, and the redefinition of the formal nature of sensibility. It discusses possible objections to Merleau-Ponty's interpretation of Kantian theory and assesses the relative scope of some of Merleau-Ponty's positive references to Kantian notions such as affinity, synopsis, and imagination. (shrink)

Maurice Merleau-Ponty is hailed as one of the key philosophers of the twentieth century. _Phenomenology of Perception_ is his most famous and influential work, and an essential text for anyone seeking to understand phenomenology. In this _GuideBook_ Komarine Romdenh-Romluc introduces and assesses: Merleau-Ponty’s life and the background to his philosophy the key themes and arguments of _Phenomenology of Perception_ the continuing importance of Merleau-Ponty’s work to philosophy. _Merleau-Ponty and Phenomenology of Perception_ is an ideal starting point for anyone (...) coming to his great work for the first time. It is essential reading for students of Merleau-Ponty, phenomenology and related subjects in the Humanities and Social Sciences. (shrink)

It is over forty years since Merleau-Ponty published his first major work, Le structure de comportement (‘The Structure of Behaviour’) (1942) and a quarter of a century since he died. He belongs, therefore, with Sartre and Marcel, to the first post-War generation of French philosophers. Like his friend Sartre's, his philosophy may be regarded as dated, passé, of no interest or relevance to truly contemporary thought. In philosophical terms forty years are nothing; in terms of trends, fashions and novelties they (...) are an eternity. But perhaps the work of Merleau-Ponty has not dated because it was never in vogue. He did not write plays and novels, or take part in political demonstrations, though he was involved in politics, or win a Nobel prize and refuse to receive it. He was very much a philosopher's philosopher, eminent in his field, well known in academic circles in France but hardly a household name. In this country he is hardly known even in philosophical circles, except by name. More is the pity, since his philosophical approach and manner of philosophizing have much in common with certain modes of British philosophizing, as I hope to show. (shrink)

It is over forty years since Merleau-Ponty published his first major work, Le structure de comportement (‘The Structure of Behaviour’) (1942) and a quarter of a century since he died. He belongs, therefore, with Sartre and Marcel, to the first post-War generation of French philosophers. Like his friend Sartre's, his philosophy may be regarded as dated, passé, of no interest or relevance to truly contemporary thought. In philosophical terms forty years are nothing; in terms of trends, fashions and novelties they (...) are an eternity. But perhaps the work of Merleau-Ponty has not dated because it was never in vogue. He did not write plays and novels, or take part in political demonstrations, though he was involved in politics, or win a Nobel prize and refuse to receive it. He was very much a philosopher's philosopher, eminent in his field, well known in academic circles in France but hardly a household name. In this country he is hardly known even in philosophical circles, except by name. More is the pity, since his philosophical approach and manner of philosophizing have much in common with certain modes of British philosophizing, as I hope to show. (shrink)

Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to (...) be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world. (shrink)