Noli me tangere - Ne me touche pas : c'est une scène singulière de l'évangile de Jean, et c'est une parole emblématique pour des situations de violence ou de désir. C'est aussi, et d'abord, le rappel lapidaire d'un tabou majeur de toutes les cultures : celui du toucher. Or Marie-Madeleine, à qui cette parole est adressée par Jésus, a connu dans l'hagiographie un destin bien particulier : amante tantôt physique et tantôt mystique du Christ, double féminin et sensuel (...) de l'incarnation que son Seigneur est censé représenter, pécheresse dont le repentir poursuit la volupté, son personnage est fait pour troubler aux deux sens du mot la légende religieuse. Comment donc interpréter la scène, et la " résurrection " qu'elle veut annoncer? Comment les peintres l'ont-ils interprétée? Que nous font-ils voir entre ces deux corps levés l'un vers l'autre, qui se frôlent et qui s'écartent? (shrink)

Christian parables have retained their force well beyond the sphere of religion; indeed, they share with much of modern literature their status as a form of address: "Who hath ears to hear, let him hear." There is no message without there first being--or, more subtly, without there also being in the message itself--an address to a capacity or an aptitude for listening. This is not an exhortation of the kind "Pay attention!" Rather, it is a warning: if you do not (...) understand, the message will go away.The scene in the Gospel of John in which the newly risen Christ enjoins the Magdalene, "Noli me tangere," a key moment in the general parable made up of his life, is a particularly good example of this sudden appearance in which a vanishing plays itself out. Resurrected, he speaks, makes an appeal, and leaves."Do not touch me." Beyond the Christ story, this everyday phrase says something important about touching in general. It points to the place where touching must not touch in order to carry out its touch (its art, its tact, its grace). The title essay of this volume is both a contribution to Nancy's project of a "deconstruction of Christianity" and an exemplum of his remarkable writings on art, in analyses of "Noli me tangere" paintings by such painters as Rembrandt, Dürer, Titian, Pontormo, Bronzino, and Correggio. It is also in tacit dialogue with Jacques Derrida's monumental tribute to Nancy's work in Le toucher--Jean-Luc Nancy.For the English-language edition, Nancy has added an unpublished essay on the Magdalene and the English translation of "In Heaven and on the Earth," a remarkable lecture he gave in a series designed to address children between six and twelve years of age. Closely aligned with his entire project of "the deconstruction of Christianity,'" this lecture may give the most accesible account of his ideas about God. (shrink)

John Meier distinguishes ‘the real Jesus’ from ‘the historical Jesus’. Meier claims that whatever happened to the real Jesus after his death, his resurrection cannot belong to the historical Jesus because that event is in principle not open to the observation of any observer. But why think that the resurrection is not observable in this way? Meier finds justification in Gerald O'Collins' view that although the resurrection of Jesus is a real event, it is not an event in space and (...) time and hence should not be called historical, since a necessary condition of historical occurrences is that they are known to have happened in our space‐time continuum. Is this a good argument for the resurrection's being in principle excludable from the historical Jesus? A close examination of the argument reveals that it is not and that Meier's adoption of such a procedure contradicts Meier's own historical methodology. (shrink)

In their Noli me tangere images from the Northern Renaissance, Albrecht Dürer and Hans Holbein the Younger depict the encounter between Mary Magdalene and the risen Christ. They provide us images of the holy in humanity, and the human in the holy, in all their dimensions.

In their Noli me tangere images from the Northern Renaissance, Albrecht Dürer and Hans Holbein the Younger depict the encounter between Mary Magdalene and the risen Christ. They provide us images of the holy in humanity, and the human in the holy, in all their dimensions.

The study subjected to scrutiny the context of Rizal’s novel Noli Me Tangere and Hugo’s novel, Notre Dame de Paris in the search for confluence through the two novels’ use of rhetorical devices and imagery. It utilized Kolb’s Experiential Method, Phenomenology, and Interdisciplinary Approach. Primarily, a connection between Hugo and Rizal is established since no studies relating the two writers existed. Gathered evidences proved the historical and biographical connections: the phenomenology of both writers’ existence in the same Romantic (...) milieu, and of Rizal’s diary and bibliographic entries on Hugo. Thereafter, a focus on the two novels’ literary elements by character, setting, point of view, and conflict, as well as theme, confirmed textual confluence. Moreover, Hugolian symbols and rhetorical devices in Noli Me Tangere are conclusive in the establishment of confluence. Furthermore, evaluation of the Notre Dame de Paris as a historical novel, a poetic novel, a novel of ideas, and a dramatic novel are evident in Rizal’s Noli Me Tangere. Finally, a sharp phenomenology of confluence between Victor Hugo’s Notre Dame de Paris and Jose Rizal’s Noli Me Tangere is concluded. Further studies on the novel Noli Me Tangere are recommended to take into account the influence of Victor Hugo. Keywords - Hugo, Rizal, France, Philippines, novel, phenomenology, imagery, criticism. (shrink)

In his philosophical project of a “deconstruction of monotheism,” Jean-Luc Nancy explores the hypothesis that the historical roots of secularization should be traced back to the beginnings of the monotheistic traditions. The secular is not exclusively a feature of modern culture. The complex connections and tensions between secularity and religion in recent decades can only be analyzed effectively if one rethinks the notion of the secular along these historical lines. The author offers a brief introduction into Nancy’s project, before focusing (...) on a theme that is central to one of the monotheistic traditions, Christianity: that of the resurrection. He reads and comments on parts of Nancy’s essay Noli me tangere, an innovative interpretation of John 20.11–18. In dialogue with Nancy he then develops a new view on the resurrection, in which paradoxically death is given a central meaning. This also involves a new insight in the immanence of transcendence. In the resurrection, it is death itself that resurrects. The idea is criticized that death would be vanquished into a life after death – as dominant approach in Christian doctrine has it, thereby expanding the modest little epilogue that the tale of the “empty tomb” actually is in the gospels, to a massive foundation of Christian redemption. Resurrection is affirmed as a life in death as well as a death in life. The resurrection of the mortal, earthly and vulnerable God that Christ is, invites an affirmation of the here and now, of humanity and of the human body: a “yes” to the world, not to an afterworld. Parallel to this analysis, the author takes up Nancy’s suggestion that the resurrection, and in fact the entire gospel, is a parable, and that its “truth” is a parabolic truth: playing with the impossible and the miraculous, in which truth and falsehood become entangled with each other. (shrink)

The article deals with four forms of power grabs through the conceptual connection between touch and power, focusing on four structural breakthroughs that show the changing process that this relation underwent, from the secularisation of the sacral via profane materialism until contemporary vulgar-materialism: Christian _Noli me tangere; _monarchic _King’s Evil; _materialistic _Warenfetischismus_; and profane _Grab-’em-by-the-pussy. _.

This text begins by considering the phrase ‘digital haptology’ as suggested by the closing pages of Derrida's Le Toucher. It suggests that this moment in telecommunications presents a model of ‘tele-haptology’. The text goes on to consider Jean-Luc Nancy's ‘Noli me tangere’ as a response to Le Toucher. In particular it is concerned with Nancy's hypothesis on Modern literature and art as having an essential link to the gospel parables. Through a reading of Nancy's text and the gospels, (...) this hypothesis is placed in doubt. Notably, the argument is made that once again Nancy's discourse on touching leads him to make a too hasty fore-closure of otherness within his intended deconstruction of reading and his account of Mary Magdalene. In response to Nancy's formulation of literature as parable, an alternative consideration of literature as tele-haptology is proposed. (shrink)

O presente trabalho parte do pressuposto de que determinadas experiências de escrita se propõem não apenas como estéticas, mas como modos de compromisso que, por meio da forma, talvez reconhecida como artística, perseguem a abertura e a inauguração, no mundo e na realidade, de novas possibilidades de vida, ainda que, como realização, sejam inéditas. Para tal, ele se desenvolve em três movimentos: no primeiro, partimos da consideração de que, no texto de Maria Gabriela Llansol, há uma aposta na união entre (...) _liberdade de consciência_, ou elemento ético, e _dom poético_, ou elemento estético, que pode ser afirmada como uma aspiração pela ressurreição. No segundo, realizamos um percurso por compreensões a respeito da ressurreição, de encontro com dois textos bíblicos – _Lazare, veni foras _e _Noli me tangere_ – que marcam reflexões a respeito da ressurreição em relação com a literatura. Por fim, procuramos compreender como, em Maria Gabriela Llansol, tais considerações se fazem presentes pela “continuidade de problemáticas”, conforme é possível reconhecer na figura de Thomas Müntzer. (shrink)

At the opening of the first volume of his Deconstruction of Christianity, Nancy argues that “The much discussed ‘return of the religious,’ which denotes a real phenomenon, deserves no more attention than any other ‘return’” (1). This statement may seem paradoxical in light of Nancy’s extensive study of the logic of the return – including, of the divine – in texts such as “Of Divine Places,” Noli me tangere, Dis-Enclosure and Adoration. Nancy does pay considerable attention to something (...) that, according to him, deserves none. In this paper, I examine Nancy’s critique of the “return of religion” in detail and argue that it would be a mistake to assume that Nancy’s understanding of the logic of the “return” is limited to the – largely uninteresting and even dangerous, indeed – return of the Same, just as it is a mistake to assume that the phenomenon known as the “return of religion” merely consists of the dialectical resurgence of a past religious fervour, a step backwards in history. According to Nancy, religion today returns in a way that radically breaks with the logic of the return of the Same and testifies to an eternal return of difference which, paraphrasing Nancy, opens religion to the limitlessness that constitutes its truth. It does, therefore, deserve our attention, yet only insofar as, paraphrasing Nancy, it opens religion to the limitlessness that constitutes its truth (Dis-Enclosure 1), thereby providing us with new resources to think religion in the singular-plural today. (shrink)

The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianity (“This is my body” or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the “exposed body (corps ex-peausé)”: a demonstration of the surface of the skin (peau) and an exposition of the self to the other in the sense of a “staging” (Corpus). In (...) my work, the concept of the “spread body,” situated between Descartes’ “extended body” and Husserl’s “lived body,” is also one of a confrontation with the “This is my body” of Christianity (The Wedding Feast of the Lamb). In confronting one with the other, it is a matter of seeing how my expansion of the body, says something different than, or articulates differently, Jean-Luc Nancy’s exposition of the body, this time drawn from the biological side though nevertheless without ceasing to be intentional. It is certainly a matter of philosophy, but also of ethics, in the possibility of describing such a body, especially in the suffering situation of palliative care (Ethics of the Spread Body). (shrink)

The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianit...

Festschrift for Maḍiniyavela Śrī Mēdhaṅkara, Sri Lankan Buddhist monk; contributed articles chiefly on economic and ethical aspects of Buddhism.

[1] Ḥeleḳ ha-moʻadim -- [2] Ḥeleḳ parashiyot ha-Torah -- ḥeleḳ 3. Be-ʻinyene midot.

Si l'art n'est pas d'abord considéré en tant que production d'objets mais comme manière d'être au monde, intéressant tout homme et toute société, si la foi n'est pas considérée en tant qu'adhésion intellectuelle aux vérités de la foi, mais comme acte capable d'illuminer et transformer le monde, alors, loin d'être uniquement en rapport d'interaction, d'interdépendance, ou de ressemblance, l'art, la foi et le politique sont une unique réalité vivante. En ce sens, chacune des trois entités sera d'autant mieux comprise et (...) pensée qu'elle sera vue comme l'une des modalités de la même dynamique. Cette thèse se développe en trois étapes éclairant successivement les présupposés de sa démonstration, son effectivité dans la personne individuelle comme dans la société, enfin sa portée programmatique : le monde n'aura d'avenir qu'en assumant le ressort poétique qui le constitue et l'anime depuis le commencement. (shrink)

The development of modern evolutionary ethics began shortly after the publication of Charles Darwin's On the Origin of Species by Natural Selection. Early discussions were plagued by several problems. First, evolutionary ethical explanations were dependent on group‐selection accounts of social behavior (especially the explanation of altruism). Second, they seem to violate the philosophical principle that “ought” statements cannot be derived from “is” statements alone (values cannot be derivedfrom facts alone). Third, evolutionary ethics appeared to be biologically deterministic, deemed incompatible with (...) the free will required for ethics to be possible. Fourth, social policies based on evolutionary theory (for example, eugenics in the early part of this century) seemed patently unethical. Sociobiology (which coalesced as a field of study with Edward O. Wilson's Sociobiology: The New Synthesis, 1975) addressed several of these problems and provided a rich framework and a new impetus for evolutionary ethics. The lingering problems were the philosophical is‐ought barrier and biological determinism. After tracing the early and more recent development of evolutionary ethics, I argue that the remaining problems can be surmounted and an incipient evolutionary ethics can be defended. Thoroughgoing evolutionaryethics must await theoretical developments in neurobiology and cognitive science. (shrink)

A relevância deste artigo se deve ao fato de ser apriori uma leitura fenomenológica de Jesus, em sua historia singular e universal. A temática do texto apresentado diz respeito às questões relacionadas com o pensamento teológico, no diálogo com a filosofia, enfatizando fenômeno-lógicamente a historicidade de Jesus sob a perspectiva hermenêutica. Portanto, um hori-zonte analítico-filosófico se abre para a fenome-nologia do corpo de Jesus, considerando toda história, do nascimento até seu conflito na cruz, como história de amor, doação e amizade, (...) com-tinuada fenomenológica-mente em seu corpo doado. (shrink)

It is frequently argued that home birth is morally irresponsible because it involves the taking of risks on behalf of the fetus. Against this position, I argue three things. First, the fact that home birth involves risks does not necessarily entail that choosing or attending one is morally unacceptable, irresponsible or wrong. Second, parents have a prima facia prerogative to decide on behalf of their fetuses and children whether risks should be taken. While this prima facia prerogative can be overridden, (...) reasonable and widely accepted criteria for doing so are not met in the case of home birth. Third, since the current attitudes and behaviours of physicians with regard to home birth constitute a de facto morally and socially unjustifiable overriding of an informed parental decision, physician autonomy should be restricted so as to preserve the autonomy of the medical consumer. (shrink)

Several important analyses of the structure of evolutionary explanation have explicitly or implicitly required that historical laws be among the explanans statements. The required historical laws take the form of a generalization which relates some property or event to a developmental sequence of properties or events. The thesis of this paper is that historical laws of this kind are precluded by modern biological theory and, hence, analysis of evolutionary explanation within modern biology that require such laws are defective.

Although mathematical descriptions of the dynamics of system are widely employed in the physical sciences, they are employed infrequently in the biological sciences. The explanation for this usually appeals to the complexity of biological systems. I contend that quite the opposite is true and that such descriptions, in fact, enable complexity to be tamed. Moreover, in those areas in which mathematical descriptions have been used in the biological sciences, they provide a powerful vehicle for expanding our understanding of the systems (...) through an exploration of the mathematical models. Such investigations yield surprising information about the dynamics of the system some of which cannot be discovered through empirical investigation alone. (shrink)

Benton Stidd has defended the position that punctuationists are not wrong about the inadequacy of the synthetic theory of evolution for explaining evolution. The thrust of his defense is that arguments to the contrary by Thompson involve a rational reconstruction along logical empiricist lines, which is insensitive to historical and social forces in a way that the Kuhnian Weltanschauung view that he espouses is not. I argue in this paper that Stidd has entirely misunderstood my arguments, that the soundness of (...) my arguments does not depend on acceptance of logical empiricism , and that Stidd fails to establish that punctuated equilibria is a new "paradigm". (shrink)

Transparency is the following (alleged) property of truth: if one possesses the concept of truth, then to assert, believe, inquire whether it is true that S just is to assert, believe, inquire whether S (and conversely). It might appear (as it did to Frege in 'Thoughts') that if truth ascriptions were transparent, then the truth predicate must be redundant; but the fact that some truth ascriptions are not transparent-for instance, those that quantify over, name, or describe the proposition(s) to which (...) truth is ascribed-shows that the truth predicate could not be redundant. It is argued that the apparent paradox is resolved by treating content as more basic than truth (and arguing, accordingly, that content cannot be explained, even in part, in terms of truth conditions). This strategy is illustrated by three candidate analyses, each of which treats the truth predicate as non-redundant but can, nevertheless, account for transparency. (shrink)