Newly discovered photographic collages by early-twentieth-century photographer Karl Blossfeldt. Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity—an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to (...) generate teaching material for his students.The publication of this book is the result of an extraordinary event—the 1997 discovery in Blossfeldt's estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some, Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colors. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a Lecturer at the Zurich University of the Arts. Not for sale in France, Germany, Switzerland, Belgium, and Austria. (shrink)

Slavoj Zizek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of today's spirituality--New Age gnosticism and deconstructionist-Levinasian Judaism--and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is (...) explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book--with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy--is certain to stir controversy. (shrink)

One of our most daring intellectuals offers a Lacanian interpretation of religion, finding that early Christianity was the first revolutionary collective. Slavoj Žižek has been called "an academic rock star" and "the wild man of theory"; his writing mixes astonishing erudition and references to pop culture in order to dissect current intellectual pieties. In The Puppet and the Dwarf he offers a close reading of today's religious constellation from the viewpoint of Lacanian psychoanalysis. He critically confronts both predominant versions of (...) today's spirituality—New Age gnosticism and deconstructionist-Levinasian Judaism—and then tries to redeem the "materialist" kernel of Christianity. His reading of Christianity is explicitly political, discerning in the Pauline community of believers the first version of a revolutionary collective. Since today even advocates of Enlightenment like Jurgen Habermas acknowledge that a religious vision is needed to ground our ethical and political stance in a "postsecular" age, this book—with a stance that is clearly materialist and at the same time indebted to the core of the Christian legacy—is certain to stir controversy. (shrink)

With my research, I wish to contribute to the discussion of post-traumatic psychopathologies from a phenomenological perspective. The main question I pursue is to what extent PTSD can be understood as an intersubjective psychopathology and which implications this view might have. In this paper, I argue that the mode of perception allowing for intersubjective experience is vulnerable to disruptions through traumatic events. I begin with a short elaboration on what intersubjectivity entails before proceeding to illustrate how it can be impaired. (...) Then, I focus on the concept of empathy as a mode of perception: I propose that due to a disruption of the ability to empathize an individual suffering from PTSD may cease to experience the other as another subject that offers possibilities for interaction. The traumatized individual is thus unable to establish meaningful connections with others. I offer some implications this view might entail for thinking about trauma treatment. (shrink)

In a spirit of collegial support, this paper argues that Beckett and Hager’s theoretical justification and empirical exemplifications do not do full justice to the complexity of group or team learning. We firstly reaffirm our support for the theoretical argument Becket and Hager make, though expressing some reservations about Complexity Theory, to explain the taken-for-granted assumptions that learning by an individual is the paradigm case of learning and that context plays a minimal role in this process. Drawing on our joint (...) and separate work, we demonstrate that Becket and Hager’s argument is less radical than it may initially seem because it is predicated on: (i) cognitive-bounded rather than “distributed” or “extended” conception of mind; (ii) material rather than a “immaterial” conception of activity; and (iii) co-present rather than a “fractional” or “connective” conception of ontology. Despite making this critique, we conclude by making the case that we are adding further substance to Becket and Hager’s overarching argument and, in doing so, encouraging them to be more radical about how they conceptualise the complexity of learning. (shrink)

This paper examines the connection between Kierkegaard’s philosophy of existence and Graham Harman’s object-oriented ontology. The claim is that Harman’s position provides a conceptual apparatus that can beneficially address some basic ontological points in Kierkegaard about actuality, the self and the reality of individual subsisting mind-independent entities. On the other hand, Kierkegaard’s emphasis on the human self as a place situated in existence can provide a supplement to Harman’s realism which implicitly relies on topological notions. If we define an entity, (...) in a broad sense of the term, as something in its own right irreducible to its being-in-a-relation, but we do not want to end up in a frozen universe of isolated monads, we must revisit the notion of relationality in terms of vicarious causation (Harman) or indirect communication (Kierkegaard). (shrink)

In this paper, I enquire into the nature of the influence culture has on the experience of trauma. I begin with a brief elaboration of the dominant conceptualisation of post-traumatic experiences: the diagnostic category of PTSD as it can be found in the DSM. Then, I scrutinise the nature and extent to which cultural factors may influence the phenomenology of the experience of certain events as traumatic and subsequent symptoms of post-traumatic stress. It seems that cultural circumstances alter the way (...) in which trauma is experienced; it is not clear whether there is in fact a core pathology of PTSD, as the DSM assumes, or whether the structure of the experience of trauma is too multifaceted to be summarised in one diagnostic category. Finally, I show that phenomenological enquiry promises to identify the structural similarities that would justify the delineation of a distinct diagnostic category. (shrink)

In this article, we explore Beauvoir’s account of what she claims is an alienated relation to our ageing bodies. This body can inhibit an active engagement with the world, which marks our humanity. Her claims rest on the binary between the body-for-itself and the body-in-itself. She shares this binary with Sartre, but a perceptive phenomenology of the affective body can also be found, which works against this binary and allows her thought to be brought into conversation with Levinas. For Levinas, (...) the susceptibility of the body is constitutive of our subjectivity, rather than a source of alienation. If we develop Beauvoir’s thought in the direction of his, an ontological structure is suggested, distinct from Sartre – a structure which makes room for her pervasive attention to affectivity. (shrink)

How do the pictures Wittgenstein and his relatives took during his life relate to his philosophical work? The exhibition at the Leopold Museum in Vienna in 2021 demonstrated a complex network of resemblances, overlaps, and cross-references between Wittgenstein’s way of working and the pictures he collected. In this essay, the network is used as an example to argue that a combination of philosophy and artistic sensibility might be a fruitful enrichment for a philosophical practise.

What do we mean by ‘reality’? Merging philosophical insights with contemporary art, Tine Wilde lets us consider and contemplate who and what we ‘really’ are. Working on artists’ book Zero Point, the article presents a brief overview of her thoughts, relating a spatial-geometrical perspective to the quest for self-knowledge, and subsequently extrapolating the findings to the notion of unknown knowledge.

The spate of popular books attacking religion can be seen as a manifestation of the recoil against the idea of multiculturalism. Religious identities are also cultural identities, and no meaningful form of multiculturalism is possible that leaves religion outside the sphere of public recognition. This paper argues that ‘aggressive atheism’ undermines its appeal to reason by refusing to see anything of value in religion. It also risks exacerbating cultural differences at a time when reconciliation is needed. The critique focuses on (...) the contribution of Richard Dawkins and examines a number of tensions within the aggressive atheism of his best-selling book The God Delusion. The second part of the paper introduces an alternative, a framework of reconciliatory dialogues, between atheism and religion and within religious communities, operating not just at a formal or institutional level but also in cultural expressions and in the practices of everyday life. (shrink)

How does a coloured bird end up on a TUGboat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam (NL). In order to write her dissertation, she had to learn the LaTeX typesetting programme. Many years later, she still makes art and still writes down her thoughts in LaTeX, with the Memoir class and XeLaTeX as first choice. Always trying to stretch the limits of the programme to (...) her convenience. -/- This essay is not a technical article written by a developer conjuring up ingenious innovations to the LaTeX programme. By contrast, it discusses the relationship between LaTeX, art (photography) and the concept of 'measurability' from the perspective of a philosophising artist. (shrink)

Der Beitrag nimmt die Kontroverse zwischen Jürgen Habermas' Nachmetaphysisches Denken und Dieter Henrichs Replik Was ist Metaphysik - was Moderne? auf und diskutiert deren unterschiedliche Prämissen. Nach einem kurzem Blick auf die Geschichte der Metaphysik und auf ihre Kritik seit der Antike bis in die Gegenwart wird erkennbar, daß eine Bedrohung der Metaphysik niemals von seiten des vermittelten Wissens kommt, mag es sich um das notwendige wissenschaftliche oder um das kontingente historische Wissen handeln, sondern allenfalls von seiten des unmittelbaren Wissens. (...) Dieses letztere in seinen diversen Möglichkeiten: 1. als Wissen des Konkreten bzw. "wildes Denken", 2. als ästhetische Erfahrung, 3. als praktisch-pragmatisches Wissen gilt es daher zu überprüfen. Es wird gezeigt, daß selbst im Falle der Bedrohung der Metaphysik von dieser Seite es nicht zu deren Absetzung kommt, da die genannten Bereiche allenfalls die Grundlage denkender Auseinandersetzung bilden, nicht aber deren Substitut. (shrink)

We are living in an increasingly complex world. How are we able to cope with this complexity and the difficulties that arise from it? Can philosophy and art, classified as the two utmost useless and pointless disciplines, have any (positive) influence on the urgent and pressing problems at hand? And, related to this, if the two have more than just their uselessness in common, how, then, are philosophy and art related? In this article, I will argue that although ‘useless’ disciplines (...) such as philosophy and art have no direct influence on our complex world, they are nonetheless the most important ones, because those working within them practice their insights in an indirect way. Indirect influence may take a little longer, but the impact is much stronger, affecting our thinking and our attitudes from within, as it were. This indirect approach has everything to do with the sort of questions philosophers and artists occupy themselves with. I will show how both address, albeit each in their own way, fundamental questions, and thereby make use of thought experiments. Intuition and imagination play a decisive part in the creative processes that are involved in thought experiments and thinking. It is argued that we all are able to learn a ‘delayed unconscious thinking’ that leads to an artistic attitude; one that will activate an artistic turn. (shrink)

De onmacht van deskundigen om de crisis te bezweren komt voort uit een deficiënte benadering van de problemen. Volgens kunstenaar en filosofe Tine Wilde is een Artistieke Wending nodig om complexe vraagstukken zoals de crisis op te kunnen lossen. In dit artikel pleit zij voor het toepassen van de intuïtieve aanpak die filosofen en kunstenaars hanteren, 'vertraagd onbewust nadenken'. In deze houding ligt de macht vervat, waarover in principe ieder van ons kan beschikken. Dit is een indirecte macht, die (...) langer nodig heeft om zich in een ongelofelijk complexe wereld te laten gelden, maar uiteindelijk veel ‘sterker’ en duurzamer is. (shrink)

What makes us the same person across time? The different solutions to this problem known as personal identity can be divided into two camps: A numerical and a practical approach. While the former asks for the conditions of identity based on the question “what is a person?,” the latter is concerned with what we identify with in everyday life as essential in order to form a narrative of one’s life as a whole based on the question “who am I?” However, (...) by emphasizing the cognitive and/or experiential capacities as the sole condition for self or personhood, both approaches fail to offer an adequate account of birth and death. The one being born is not yet someone with such cognitive capacities and the one who dies is unable to experience his or her own death. By invoking conceptual frameworks of Kierkegaard and Romano, I argue that birth and death must be considered both as events and conditions constitutive of personal identity rather than a set of derivative problems arising from an already established definition of self or person. (shrink)

Perfect Harmony and Melting Strains assembles interdisciplinary essays investigating concepts of harmony during a transitional period, in which the Pythagorean notion of a harmoniously ordered cosmos competed with and was transformed by new theories about sound - and new ways of conceptualizing the world. From the perspectives of philosophy, literary scholarship, and musicology, the contributions consider music's ambivalent position between mathematical abstraction and sensibility, between the metaphysics of harmony and the physics of sound. Essays examine the late medieval and early (...) modern history of ideas concerning the nature of music and cosmic harmony, and trace their transformations in early modern musico-literary discourses. Within this framework, essays further offer original readings of important philosophical, literary, and musicological works. This interdisciplinary volume brings into focus the transformation of a predominant Renaissance worldview and of music's scientific, theological, literary, as well as cultural conceptions and functions in the early modern period, and will be of interest to scholars of the classics, philosophy, musicology, as well as literary and cultural studies. (shrink)

Dit artikel gaat over de gecompliceerde relatie tussen kunst en informatie. Alle kunst is informatie, kunnen we zeggen, maar niet alle informatie is kunst! Of om het anders te zeggen: we willen niet enkel worden geïnformeerd, maar ook geïnspireerd.

SOUL SPACE is a poetic photo book about the ways in which God is manifest as a hidden travel advisor. Challenging the existing religious communities, Soul Space announces the birth of the eMigrant - an electronic Deity that will alter our world in an unprecedented manner. -/- Soul Space combines philosophy and photography in an inquiry into religious experience. The book covers the first part of a trilogy aiming to study and elaborate three different perspectives on the nature of God. (...) Soul Space addresses the human perspective, questioning the ways in which God is manifest as a hidden travel advisor and how this forceful phenomenon can be captured photographically. With a focus on the quest for how to live, the ultimate goal is to show that God is a sign of our evolutionary potential. -/- Isbn 978-90-804240-5-0. (shrink)

In this article, I examine the possible link between Nietzsche’s philosophy of the will to power and the new movement in continental philosophy known as speculative realism. Nietzsche is never invoked as a possible (re)source in the war against anti-realism, nor is he identified as a leading officer behind enemy lines but remains in the neutral zone. Although Meillassoux does seem to place Nietzsche in the camp of anti-realists, he is not the main target but only mentioned in a passing (...) remark. In this article, I interpret Nietzsche into the framework of speculative realism and argue that he can be said to occupy a position in-between Graham Harman’s object-oriented ontology and Meillassoux’s speculative materialism. (shrink)

In this article, I examine the possible link between Nietzsche’s philosophy of the will to power and the new movement in continental philosophy known as speculative realism. Nietzsche is never invoked as a possible (re)source in the war against anti-realism, nor is he identified as a leading officer behind enemy lines but remains in the neutral zone. Although Meillassoux does seem to place Nietzsche in the camp of anti-realists, he is not the main target but only mentioned in a passing (...) remark. In this article, I interpret Nietzsche into the framework of speculative realism and argue that he can be said to occupy a position in-between Graham Harman’s object-oriented ontology and Meillassoux’s speculative materialism. (shrink)

Der Band vereinigt die Vorträge der internationalen Vorlesungsreihe “Tierrechte” an der Universität Heidelberg im Sommersemester 2006. Herausgegeben von der Interdisziplinären Arbeitsgemeinschaft Tierethik (IAT) mit ihren gegenwärtigen und früheren Mitgliedern Katharina Blesch, Alexandra Breunig, Stefan Buss, Guillaume Dondainas, Rainer Ebert, Florian Fruth, Nils Kessler, Matthias Müller, Uta Panten, Anette Reimelt, Bernd Schälling, Jürgen Schneele, Adriana Sixt-Sailer, Manja Unger und Alexander Zehmisch, setzt er die mit der Vorlesungsreihe begonnenen Bemühungen um eine unvoreingenommene Vermittlung der tierethischen Forschung fort. Der Band will es Lesern (...) und Leserinnen ermöglichen, von verschiedenen Seiten Einblick in den modernen Tierrechtsdiskurs zu erhalten. Beiträge lieferten: Silke Bitz, Gieri Bolliger, Carl Cohen, Raymond Corbey, Eugen Drewermann, Mylan Engel Jr., Antoine F. Goetschel, Helmut F. Kaplan, Eisenhart von Loeper, Jörg Luy, Renate Rastätter, Tom Regan, Kurt Remele, Hanna Rheinz, Peter S. Wenz, Markus Wild, Hanno Würbel. (shrink)

Co-production, in the field of mental health, aims to bring together academic and clinical researchers and those with lived experience. Often, research projects informed by this methodology involve the meeting of opposing attitudes, whether to the legitimacy of psychiatry, determinants of mental ill health, or the most appropriate interventions. This has meant that whilst some have reported positive experiences of co-production, many people with lived experience of mental ill health, sometimes referred to as ‘experts by experience’ (EbE), report harms which (...) have taken place or been perpetuated during co-produced research projects. In the literature, nearly always, this is understood as a kind of epistemic injustice in Miranda Fricker's sense. In this paper, I argue that whilst Fricker's view does provide a plausible explanation of what's at play, we can gain more insight into the structural factors which exclude EbE by applying a framework of epistemic oppression. By highlighting the systemic and structural factors which work to keep certain knowers and their contributions out of our collective epistemic resources, we begin to understand the enormity of the task required to redress injustices in our knowledge production systems. (shrink)