"Mark Wilson aims to reconnect analytic philosophy with the evolving practicalities within science from which many of its grander concerns originally sprang. He offers an alternative history of how the subject might have developed had the insights of its philosopher/scientist forebears not been cast aside in the vain pursuit of 'ersatz rigor'"--.

IMITATION is a matter of such familiarity to us all that it goes usually unattended to: so much so that professed psychologists have left it largely undiscussed. Whether it be one of the more ultimate facts or not, suppose we assume it to be so; let us then see what we can explain by it, and where we may be able to trace its influence in the developed mind.

Abstinence from meat has been a subject of much controversy and friction from the dawn of Christian history. Relatively widespread in the early Church, it was praised when it formed part of a temporary ascetic fasting regimen, but condemned if it amounted to a permanent rejection of animal flesh, as it would be associated with heretical ideas found in various dissident groups, gnostic sects, and pagan philosophical schools. Nevertheless, several patristic authors put forth a number of compelling arguments in (...) defense of a meatless diet, all of which would be revisited by future generations of Christian thinkers. Laying the emphasis upon the ethical incentives for abstaining from animal flesh, as well as upon enduring ambivalent attitudes toward vegetarian dietary practices, this article offers a brief overview of abstinence from meat throughout Christian history. (shrink)

First published in 1999, this book brings together the extensive modern evidence for innate imitation in babies. Modern research has shown imitation to be a natural mechanism of learning and communication which deserves to be at centre stage in developmental psychology. Yet the very possibility of imitation in newborn humans has had a controversial history. Defining imitation has proved to be far from straightforward and scientific evidence for its existence in neonates is only now becoming (...) accepted, despite more than a century of enquiry. In this book, some of the world's foremost researchers on imitation and intellectual development review evidence for imitation in newborn babies. They discuss the development of imitation in infancy, in both normal and atypical populations and in comparison with other primate species, stressing the fundamental importance of imitation in human development, as a foundation of communication and a precursor to symbolic processes. (shrink)

Le désir d'imiter Dieu n'est pas nécessairement sous-tendu par un délire ou une dérisoire présomption. Il met plutôt en tension deux réalités irréductibles. D'un côté, la réalité d'une vocation de l'humain à répondre à plus haut que lui et à trouver la voie de son accomplissement dans la reconnaissance d'un don qui le transforme. De l'autre côté, l'irréductibilité du statut créaturel, et donc de la finitude qui implique une distance toujours maintenue, même si, par instants, certains spirituels sont convaincus de (...) vivre une union allant jusqu'à la coïncidence de l'âme et de Dieu même. C'est cette tension que ce livre explore en considérant spécialement le christianisme occidental sur la longue durée, mais en jetant également des coups de sonde du côté du platonisme et du néoplatonisme, du judaïsme et du christianisme oriental. À travers cette tension se joue toute la question de la relation entre le fini et l'infini"--Page 4 of cover. (shrink)

In IVP50S, Spinoza claims that “one who is moved to aid others neither by reason nor by pity is rightly called inhuman. For (by IIIP27) he seems to be unlike a man” (IVP50S). At first blush, the claim seems implausible, as it relies on the dubious assumption that beings will necessarily imitate the affects of conspecifics. In the first two sections of this paper, I explain why Spinoza accepts this thesis and show how this claim can be made compatible with (...) his account of representation. In the third and final section I offer an auxiliary defense of the thesis, showing that, according to Spinoza, to be human is to sociable, and sociability depends on the imitation of the affects. (shrink)

According to Martin Heidegger’s The Origin of the Work of Art, the truth of Being is disclosed in artworks. With this as a starting point, one wonders if this (truth of Being) is encounterable given its metaphysical/ontological condensation. We elaborate, one way, in which artworks have been contemplated in the history of the philosophy of art – namely, mimesis. Two possibilities are opened up in this regard: the first (e. g. Aristotle) credits the reproduction of copies/likeness of the original (...) to mimesis, whereas the second (e. g. Kant) does not. Richir stands out for discrediting mimesis of artworks via copies as sufficient means to encounter the truth of Being. This insufficiency is overcome by a phenomenological path, within the context of his revolutionary interpretation of the Husserlian “perceptive” phantasy, of a non-mediated, non-specular, active, affective and bodily access – fromwithin (Mimesis) – to the truth of Being in art works. This renders Heidegger’s intuition fruitful. This article aims to concretize Richir’s position using illustrations from literary works. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Imitation, Mirror Neurons, and Mimetic Desire:Convergence Between the Mimetic Theory of René Girard and Empirical Research on ImitationScott R. GarrelsIntroductionUntil recently, the pervasive and primordial role of imitation in human life was either largely ignored or misunderstood by empirical researchers. This is no longer the case. It is now clear that investigations on human imitation are among the most profound and revolutionary areas of research contributing (...) to the future of a more unified and coherent understanding of the cognitive and social sciences. This ever-growing body of research has profound implications for a better understanding of the development and structure of human psychosocial functioning as well as cultural evolution, yet current applications lack insight into two essential aspects of human imitation: (1) its elemental role in generating uniquely human forms of relational competition, rivalry, and violence; and (2) the historical and anthropological role of religious /cultural beliefs and practices in transforming the effects of human imitation into viable and sustainable communities. Rene Girard's Mimetic Theory offers empirical researchers an already elaborated explanatory model that illuminates the way in which imitation is foundational to these universal human phenomena. Yet astonishingly, there have been no substantial studies concerning the critical question of human imitation that have applied and synthesized recent empirical research with the mimetic theory of human motivation and religious and cultural evolution.The initiation of such a detailed and comparative analysis is essential to understanding not only the historical relationship between culture and religion (and ultimately the evolution of the human species) but perhaps more importantly the pressing and complex relationship between violence, religion, and contemporary society. The mimetic theory of religion helps bring to light the mechanisms of social mimesis that produce the self-other distortions characteristic of behaviors ranging from primitive sacrificial rituals to the abhorred [End Page 47] atrocities of recent history; yet it also fundamentally elucidates the creative and historical role of the religious and cultural insights and practices based on human mimetic dynamics that continue to be indispensable in fostering alternative, nonviolent forms of progress and social cooperation in our contemporary world.The purpose of this article, then, is to advance the interdisciplinary dialogue first embarked on by Jean-Michel Oughourlian (1982), and continued in more detail by Eugene Webb (1993), concerning the convergence between empirical research on imitation and René Girard's theory of psychological mimesis. Psychological mimesis1 is the tendency of human beings to imitate the gestures, behaviors, intentions, and desires of other persons; it is the very cornerstone upon which the entire work of Girard is constructed. From this foundation, Girard has made a number of bold claims about human nature and the resulting origin and structure of human culture and religion. Girard's work is immense in scope and has far reaching implications across such diverse disciplines as anthropology, primitive religion, psychology, literary analysis, theology, and philosophy. Any theory attempting to cover this much ground will undoubtedly draw an enormous amount of criticism, and Girard's work has been no exception. Regardless of this, "Girard's hypotheses about the pragmatics of imitative interaction, and more specifically, about the influence of imitation on motivation, represent a unique and significant contribution that merits a careful examination" (Livingston 1992, xvi).The ability of mimetic theory to effectively address the various disciplines it claims to interpret will depend significantly upon its capacity to clarify and validate the primordial role of mimesis in psychosocial development and functioning. Webb (1993) has emphasized that while Girard's work has many broader anthropological and historical implications, the most essential aspect of his theory is that of psychological mimesis. On this point Webb concluded:Thus there is good reason to think not only that [psychological mimesis] deserves a careful hearing but also that it should prove widely useful for psychologists in providing an explanatory framework for the sorts of systematic relationship that many are currently investigating.(213)While Paisley Livingston (1992) has attempted a systematic presentation of Girard's ideas on mimesis, to my knowledge the "careful hearing" that Webb called for has not taken place through an engagement with the empirical sciences. This is remarkable when one considers the enormous output of imitation research... (shrink)

ABSTRACT Review essay of Imitation, a novel by Leonhard Praeg. This analysis addresses the intertextual relationship between Imitation and Immortality (written by Milan Kundera). It focuses on the way the titular notion is examined from both an artistic and existential perspective. The philosophical qualities of the work are discussed in order to exemplify how the form of the novel provides the author with a creative way to acknowledge and explore the complex influence of imitation in the development (...) our personal selves and the invention of original forms. (shrink)

Is that stone genuine? Content Type Journal Article Pages 1-4 DOI 10.1007/s11016-011-9577-6 Authors Marcos Martinón-Torres, Institute of Archaeology, University College London, 31-34 Gordon Square, London, WC1H OPY UK Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796.

Jade products that imitate ancient Chinese art samples are a special kind of objects that, in their form and decor, are close to or likened to more ancient works of arts and crafts. The article explores the artistic form and characteristic features of imitations of ancient jade products of the Qing era, presented in the collections of Russian museums and the Palace Museum of China. The object of the study are objects of Chinese art of jade carving, which are in (...) the collection of the Palace Museum (Beijing), the Museum of Anthropology and Ethnography. Peter the Great (Kunstkamera) of the Russian Academy of Sciences (St. Petersburg) and the State Museum of Oriental Art (Moscow), where the use of imitations of ancient objects was discovered. Artistic analysis of jade imitations allows us to conclude that the works of the Qing era were more complex and diverse in form, decor and carving techniques compared to Han products, while the craftsmen, although they managed to preserve the classical sophistication of objects, lost the severity and solemnity of Han jade. As well as the art history analysis of the works, one can see that the forms and decors of jade objects are the product of aesthetic consciousness. The novelty of this study lies in the fact that the varieties and features of imitations of ancient jade during the Qing Dynasty are summarized, and the huohuan technique in jade processing is confirmed. This may be of interest to researchers in related scientific fields. (shrink)

“?… may we not say in the words of Bacon? — ‘The introduction of new inventions seemeth to be the very chief of all human actions. The benefits of new inventions may extend to all mankind universally, but the good of political achievements can respect but some particular cantons of men; these latter do not endure above a few ages, the former for ever. Inventions make all men happy without either injury or damage to any one single person. Furthermore, new (...) inventions are, as it were, new erections and imitations of God's own works.’”. (shrink)

Humans are uncontroversially better than other species at learning from their peers. A key example of this is imitation, the ability to reproduce both the means and ends of others’ behaviours. Imitation is critical to the acquisition of a number of uniquely human cultural and cognitive traits. However, while authors largely agree on the importance of imitation, they disagree about the origins of imitation in humans. Some argue that imitation is an adaptation, connected to the (...) ‘Mirror Neuron System’ that evolved to facilitate action understanding and the learning of social behaviours. Others argue that imitation is a cultural practice learned in childhood, and that there is no evidence that it evolved genetically. We offer a third alternative that is consistent with both data that the human brain is optimised for imitation, and consistent with its being substantially learned. We hypothesise that at some point in human history humans underwent natural selection for two imitation-relevant abilities – specifically, (i) the tendency to be more attentive to our peers, and (ii) fine motor skill in the manual and oro-facial domains. These changes enabled us to excel at both learning to imitate, and learning by imitating. (shrink)

Imitators of God: Leibniz on Human Freedom JACK DAVIDSON QUESTIONS CONCERNING DIVINE AND HUMAN FREEDOM mattered to Leibniz. He found the problems surrounding these issues important and difficult to solve, at one point writing: "There are two labyrinths of the human mind: one concerns the composition of the continuum, and the other the nature of freedom" : Although there is no unanimity among scholars about the details to his solution to the labyrinth of freedom, most have thought that Leibniz is (...) a compatibilist: Lately, however, some commentators have charged that, appearances to the contrary, Leibniz is actually an incom- patibilist about freedom.3 This new reading is exciting and important because ' All works of Leibniz are cited by page number unless otherwise indicated. The first citation is to a source in the original language. Where they exist, the English translation of the same passage is cited next. I want to thank Robert Sleigh for making available original-language sources not available in libraries, and for his generosity in sharing translations. In this paper I follow his translation of the Confessio Philosophi and of ~Du Franc Arbitre" . I quote more than is customary in a scholarly work because some of the texts are relatively inaccessi- ble and many are not translated into English. 9 I understand causal determinism to be the view that every event has a set of events causally sufficient to.. (shrink)

This book defines the attitude of English writers between 1500 and 1625 toward the question of literary property rights, of imitation, of what today is called plagiarism.

An inscription from Scythopolis (Beth Shean/beisan) commemorates the actions of a late fourth-century governor who “in imitation of Hadrian... rebuilt his own mother city.” This paper explores the memory of Hadrian in the Near East. It begins by examining Hadrian’s actions in the Near East, including the period prior to becoming emperor and his visit in 129/30 CE. It finishes with a discussion of Silvanus and Scythopolis and argues that Silvanus was responsible for repairing the odeum in the city (...) which was damaged in the 363 CE earthquake. The inscription implies that there was strong memory of Hadrian as a builder in the late antique Near East. (shrink)

Name der Zeitschrift: Journal of Ancient History Jahrgang: 5 Heft: 2 Seiten: 280-303.

Adopting a functionalist perspective, we emphasize the interest of considering imitation as a single capacity with two functions: communication and learning. These two functions both imply such capacities as detection of novelty, attraction toward moving stimuli and perception-action coupling. We propose that the main difference between the processes involved in the two functions is that, in the case of learning, the dynamics is internal to the system constituted by an individual whereas in the case of communication, the dynamics concerns (...) the system composed by the perception of one individual coupled with the action of the other.In this paper, we compare the first developmental steps of imitation in three populations: typically developing children, children with autism, and robots. We show evidence of strong correlations between imitating and being imitated in typical infants and low-functioning children with autism. Relying on this evidence, the robotic perspective is to provide a generic architecture able not only to learn via imitation but also to interact as an emerging property of the system constituted by two similar architectures with a different history. (shrink)

1. This paper examines the notion of invention within a legal and economic framework. Returning to the early days of the Dutch Republic (c. 1585–1625), it shows how the notion of invention related...

I : PETRARCH'S BRITAIN 1: Piero Boitani: Petrarch and the barbari Britanni II: PETRARCH AND THE SELF 2: Jennifer Petrie: Petrarch solitarius 3: Zygmunt G. Baranski: The Ethics of Ignorance: Petrarch's Epicurus and Averroes and the Structures of the De Sui Ipsius et Aliorum Ignorantia 4: Jonathan Usher: Petrarch's Second Death III: PETRARCH IN DIALOGUE 5: Francesca Galligan: Poets and Heroes in Petrarch's Africa: Classical and Medieval Sources 6: Enrico Santangelo: Petrarch reading Dante: the Ascent of Mont Ventoux 7: John (...) Took: Petrarch and Cino da Pistoia: A Moment in the Pre-history of the Canzoniere IV: PETRARCHISM AND ANTIPETRARCHISM IN ITALY 8: Abigail Brundin: Petrarch and the Italian Reformation 9: Hilary Gatti: Petrarch, Sidney, Bruno 10: Diego Zancani: Renaissance Misogyny and the Rejection of Petrarch 11: Letizia Panizza: Impersonations of Laura in Sixteenth and Seventeenth Century Italy V: PETRARCHISM: ENGLISH AND SCOTTISH CONNECTIONS 12: Michael Wyatt: Other Petrarchs in Early Modern England 13: Stephen Clucas: Thomas Watson's Hekatompathia and European Petrarchism 14: John Roe: The Comedy of Astrophil: Petrarchan Motifs in Sidney's Astrophil and Stella 15: Syrithe Pugh: Sidney, Spenser and Political Petrarchism 16: R. D. S. Jack: Petrarch and the Scottish Renaissance Sonnet VI: PETRARCH AND THE MODERNS: ITALY AND BRITAIN 17: Pamela Williams: Leopardi and Petrarch 18: Ela Tandello: Between Tradition and Transgression: Amelia Rosselli's Petrarch 19: Martin McLaughlin: Nineteenth-century British Biographies of Petrarch 20: Peter Hainsworth: Translating Petrarch. (shrink)

Reality imitation and imagination - critical studies.

The imitation game, the recent biopic about Alan Turing's efforts to decipher Nazi naval codes, was showered with award nominations. It even won the 2015 Academy Award for Best Adapted Screenplay. One thing it won't win any awards for, though, is its portrayal of the "imitation game" itself-Turing's proposed test of machine thinking, which hinges on whether a computer can convincingly imitate a person. The Turing test, as it is now called, doesn't really feature in the file. (Given (...) that the movie gets so much of the history wrong, perhaps that's a good thing). (shrink)

Malgré l’avènement de la figure de l’acteur créateur au tournant des XIXe et XXe siècles, les procédés de copie, d’imitation et de réactivation constituent une part non négligeable des outils convoqués dans les exercices spécifiques au jeu. Cette persistance, qui trouve son origine dans le Paradoxe sur le comédien de Diderot, se lit et se décline tout au long de l’histoire des théories du jeu, dans le recours fréquent à un modèle, dont le type varie. C’est cette double continuité, (...) celle des procédés de copie et du modèle dans les théories du jeu auxquelles s’adossent des pratiques et dont découlent des modes de fabrication, qui a nourri une expérimentation pédagogique pratique au sein de La Manufacture – Haute École des Arts de la Scène de Lausanne. Les ateliers élaborés pour les étudiant.e.s consistant à mettre en œuvre ces trois opérations, à leur proposer une histoire sensible, c’est-à-dire éprouvée, du jeu de l’acteur, et à leur faire percevoir l’importance des procédés de copie, d’imitation et de réactivation dans la pensée et dans la pratique du jeu. (shrink)

This book challenges the widespread view of Kierkegaard’s idiosyncratic and predominantly religious position on mimesis. -/- Taking mimesis as a crucial conceptual point of reference in reading Kierkegaard, this book offers a nuanced understanding of the relation between aesthetics and religion in his thought. Kaftanski shows how Kierkegaard's dialectical-existential reading of mimesis interlaces aesthetic and religious themes, including the familiar core concepts of imitation, repetition, and admiration as well as the newly arisen notions of affectivity, contagion, and crowd behavior. (...) Kierkegaard’s enduring relevance to the malaises of our own day is firmly established by his classic concern for the meaning of human life informed by reflective meditation on the mimeticorigins of the contemporary age.​ -/- Kierkegaard, Mimesis, and Modernity will be of interest to scholars and advanced students working on Kierkegaard, Continental philosophy, the history of aesthetics, and critical and religious studies. (shrink)

This essay discusses imitation coral reconstruction workshops based on a recipe from a sixteenth‐century “book of secrets” that took place in three different educational contexts: Columbia University, Nunavut Arctic College, and Universität Hamburg. It reflects on the utility of reconstruction and material literacy as present‐day history of science methodologies in which scholarly textual interpretation meets physical research. It also considers the nature of cultural heritage in shaping material practice through an Inuit cultural context, in which the acquisition and (...) dissemination of knowledge is not rooted in textual traditions, but bodily embedded in oral histories, craft technology, and land stewardship. The essay also presents suggestions for new collaborative practices between humanists, artisans, and scientists that can be facilitated by reconstruction methodology. (shrink)

Tom Huhn’s challenging book provides subtle readings of three philosophers’ aesthetic projects, two of which have been overlooked by many American philosophers. Mimesis is the guiding theme of Huhn’s reading, and it gives him a unique access to certain aesthetic and cognitive theories. While Huhn’s book is relatively short, its themes are vast. I will only discuss what I take to be the heart of Huhn’s project: revealing the relationship between society and aesthetic pleasure.