Results for 'Boundaries in art. '

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  1.  14
    The Boundaries of Art and Social Space in Rome: The Caged Bird and Other Art Forms by Frederick Jones.Timothy M. O’Sullivan - 2018 - Classical World: A Quarterly Journal on Antiquity 111 (2):267-268.
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  2.  20
    The Boundaries of Art and Social Space in Rome: The Caged Bird and Other Art Forms by Frederick Jones.Michael Squire - 2018 - American Journal of Philology 139 (1):161-165.
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  3.  79
    The boundaries of art.David Novitz - 1992 - Philadelphia: Temple University Press.
    Hailed by Lingua Franca as a "breakthrough book in aesthetics," this lucid and persuasive work explores unnoticed relations between art and everyday life. In a revised and expanded edition, David Novitz proposes a new and refreshingly different direction for the study of the philosophy of art.
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  4. Transitions: Crossing Boundaries in Japanese Philosophy.Leon Krings, Francesca Greco & Yukiko Kuwayama (eds.) - 2021 - Nagoya: Chisokudō.
    The tenth volume of the Frontiers of Japanese Philosophy focuses on the theme of “transition,” dealing with transitory and intermediary phenomena and practices such as translation, transmission, and transformation. Written in English, German and Japanese, the contributions explore a wide range of topics, crossing disciplinary borders between phenomenology, linguistics, feminism, epistemology, aesthetics, political history, martial arts, spiritual practice and anthropology, and bringing Japanese philosophy into cross-cultural dialogue with other philosophical traditions. As exercises in “thinking in transition,” the essays reveal novel (...)
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  5.  5
    Unsettled boundaries: philosophy, art, ethics east/west.Curtis L. Carter (ed.) - 2017 - Milwaukee, Wisconsin: Marquette University Press.
    For readers looking for insights into key issues linking current Eastern and Western views on the arts, aesthetics, and philosophy, Unsettled Boundaries offers fresh and insightful perspectives on current issues as seen by leading Chinese and Western scholars. Represented in the volume are previously unpublished essays of Nöel Carroll, Garry Hagberg, Richard Shusterman, and Jason Wirth alongside writings of Chinese peers Gao Jianping, Peng Feng, Liu Yuedi, Wang Chunchen and Cheng Xiangzhan. The essays in this volume draw attention to (...)
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  6. The Semantics-Pragmatics Boundary in Philosophy.Maite Ezcurdia & Robert J. Stainton (eds.) - 2013 - Peterborough, CA: Broadview Press.
    The boundary between semantics and pragmatics has been important since the early twentieth century, but in the last twenty-five years it has become the central issue in the philosophy of language. This anthology collects classic philosophical papers on the topic, along with recent key contributions. It stresses not only the nature of the boundary, but also its importance for philosophy generally.
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  7. David Novitz, The Boundaries of Art Reviewed by.Ira Newman - 1993 - Philosophy in Review 13 (5):253-255.
     
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  8.  5
    The norm and deviation boundaries in the subcultural aspect.Yulia Kuzovenkova - 2020 - Sotsium I Vlast 4:47-55.
    Introduction. The article examines the role of youth culture (in particular, counterculture and subculture) in reformatting the modern sociocultural space. As long ago asin the 1970s. the researchers pointed out that young people, showing their active position, change the realities of the socio-cultural space in which their parents lived. The research is based on the materials of the graffiti and street art subculture, as an informal artistic practice. The graffiti subculture emerged among African American teenagers in the 1970s in New (...)
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  9.  18
    Art, space and cognition in Rome. F. Jones the boundaries of art and social space in Rome. The caged Bird and other art forms. Pp. XII + 196, ills. London and new York: Bloomsbury academic, 2016. Cased, £85. Isbn: 978-1-4725-2612-0. [REVIEW]Katharine T. von Stackelberg - 2018 - The Classical Review 68 (1):239-240.
  10. Arthur Danto’s Andy Warhol: the Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - forthcoming - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  11.  17
    Theatrum Scientiarum - English Edition, Volume 2, Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century.Jan Lazardzig, Ludger Schwarte & Helmar Schramm (eds.) - 2008 - De Gruyter.
    Dieser Band versammelt originäre Beiträge am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von Falluntersuchungen zum 17. Jahrhundert trägt er zum Verständnis der Rolle bei, die Instrumente im Schnittfeld von Wissenschaft und Kunst spielen. Die Beiträge verfolgen dabei die Hypothese, dass die Entwicklung und Gestaltung von Instrumenten wesentlich zur Eröffnung neuer Felder des Wissens, zur Entstehung neuer kultureller Praktiken, aber auch zur Abgrenzung bestimmter Genres, Methoden und Disziplinen beiträgt. Diese Perspektive führt die Beiträge dieses Bandes dazu, auf (...)
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  12. David Novitz, The Boundaries of Art. [REVIEW]Ira Newman - 1993 - Philosophy in Review 13:253-255.
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  13. “Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design.Larry Shiner - 2012 - Philosophy Compass 7 (4):230-244.
    Art world talk of “blurred boundaries” and “hybrids” between art and craft, suggests that the philosophy of art needs to rethink the concept of craft. This can best be done by adopting four strategies: first, distinguish between craft as a set of disciplines, and craft as a process and practice; second, keep in mind the differences among craft practices such as studio, trade, ethnic, amateur, and DIY; third, recognize that craft’s relationship with design is as important as its relationship (...)
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  14.  15
    Hard Boundaries and the Marginalization of the Arts in American Education.Claire Detels - forthcoming - Philosophy of Music Education Review.
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  15.  16
    ‘Skin Portraiture’ in the Age of Bio Art: Bodily Boundaries, Technology and Difference in Contemporary Visual Culture.Heidi Kellett - 2018 - Body and Society 24 (1-2):137-165.
    In this article, I consider ‘skin portraiture’: a mode of representation that privileges quasi-anonymous, fragmented, magnified and anatomized images of skin. I argue that this mode of representation permits a heightened awareness of embodied experiences such as reflexivity, empathy and relationality. Expanding understandings of difference through its engagement with haptic imagery and visuality, skin portraiture reorients the boundaries between ‘I’/‘not I’ and subject/object – often through touch – and challenges the cultural commitment to traditional notions of bodily autonomy. By (...)
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  16. From Immanent Transcendence to Cross-Bordering in Arts-Metaphor, Narrative and Existence.Vincent Shen & Chia-Hsun Chuang - 2006 - Philosophy and Culture 33 (10):21-36.
    People's desire not to limit the meaning of Hancang driving force, continuous development and self-transcendence, which is people from within and beyond the root driving force. The so-called "inner beyond" is not a process of idealism, which began with the desire, from the bottom of the body, and go up on the layer by layer through the heart of the development process裡and mental flexibility, and would therefore have to enhance and transform. We regard the body as I desire the presence (...)
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  17.  26
    Iconoclasm: The loss of iconic image in art and visual communication.Nagla Samir - 2013 - Technoetic Arts 11 (3):335-341.
    Why is the urge to lose the iconic image relevant to reformation and modernism? A question so central in a society built more than ever on visual media dependency. Is that relevant to sceptical questioning of the essence of reality, and if the image is a reflection of reality in the era of new technology of image creating and manipulating? As iconoclasts began deliberately destroying images at the alter as a sign of reformation, modern art was no longer bound by (...)
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  18. Cognitive Values in the Arts: Marking the Boundaries.Peter Lamarque - 2005 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Malden, MA: Wiley-Blackwell. pp. 127--39.
  19.  51
    Integrative art education in a metaverse: ground.Elif Ayiter - 2008 - Technoetic Arts 6 (1):41-53.
    Virtual learning environments (VLEs) present us with unprecedented opportunities in bringing together students and educators from widely disparate geographical locations, as well as diverse cultures and backgrounds to participate in a learning experience that should take into cognizance the affordances of these novel arenas in the design of both content and the environment(s) in which this content is to be implemented/enacted. While VLEs do seem to address the requirements of well-structured learning endeavours, the boundaries of which are clearly defined, (...)
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  20.  28
    Art+science: An emerging paradigm for conceptualizing changes in consciousness.Claudia Jacques - 2012 - Technoetic Arts 10 (2-3):221-227.
    Maurits Cornelis Escher’s 1938 lithograph, Cycle, illustrates what mathematical physicist Roger Penrose calls ‘impossible objects’. The illusion of three-dimensionality, the innovative use of tessellation, and the incorporation of traditionally figurative elements induce the viewer to perceive the lithographic print as depicting a visually plausible reality built on the deconstructive metamorphosis of man into cube. It is Escher’s ability to paradoxically combine the radical oppositions of man and cube, landscape and geometric abstraction into an apparently harmonious composition where shapes repeat with (...)
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  21.  9
    Inter-art journey: exploring the common grounds of the arts: studies in honor of Eli Rozik.Nurit Yaari & Eli Rozik (eds.) - 2015 - Chicago: Sussex Academic Press.
    In recent years, inter-medial studies have attracted increasing attention in arts theory. The notion of 'inter-mediality' presupposes that each established art - such as theatre, painting, and cinema - indicates the existence of a particular medium, which preserves its distinct features in translations from art to art and, especially, in its combinations with others in single works. Nonetheless, this field of research is presupposed already in the traditional studies of 'ekphrasis', which focus on the verbal accounts of nonverbal works of (...)
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  22.  28
    Self-awareness of Cultural Spirit in a Boundary Situation --- On Style and Peculiarity of Yuan-Dynasty Painting Arts.Qiuli Yu - 2010 - Asian Culture and History 2 (2):P104.
    Yuan Dynasty was an era with austere political reality and thinking reality. As a result of despisement to ruling of different races, a large majority of scholars in Yuan Dynasty chose seclusion without other choice, but the “internal beauty” they pursued was amazingly unanimous, which was, without doubt, owing to the spirit of the mountains and forests. When they tried to find enjoyment in painting, they put their willpower in it, which was a spontaneous awareness of cultural spirit and was, (...)
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  23.  94
    Art & Otherness: Crisis in Cultural Identity.Thomas McEvilley - 1992 - Recovered Classics.
    "Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which (...)
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  24. In Advance of the Broken Theory: Philosophy and Contemporary Art.Sherri Irvin & Julian Dodd - 2017 - Journal of Aesthetics and Art Criticism 75 (4):375-386.
    We discuss how analysis of contemporary artworks has shaped philosophical theories about the concept of art, the ontology of art, and artistic media. The rapid expansion, during the contemporary period, of the kinds of things that can count as artworks has prompted a shift toward procedural definitions, which focus on how artworks are selected, and away from definitions that focus exclusively on artworks’ features or effects. Some contemporary artworks challenge the traditional art–ontological dichotomy between physical particulars and repeatable entities whose (...)
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  25.  33
    The Climate of Science-Art and the Art-Science of the Climate: Meeting Points, Boundary Objects and Boundary Work.Simone Rödder - 2017 - Minerva 55 (1):93-116.
    This paper reports experiences from an art-science project set up in an educational context as well as in the tradition of placing artists in labs. It documents artists’ and scientists’ imaginations of their encounter and analyses them drawing on the concepts of “boundary object” and “boundary work”. Conceptually, the paper argues to broaden the idea of boundary objects to include inhibitory boundary objects that hinder rather than facilitate communication across boundaries. This focus on failures to link social worlds brings (...)
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  26.  4
    State of the Art: Constructing Identities, Crossing Boundaries What is European in European Literatures?: European Literature as a Eurovision Song Contest.Dubravka Ugreöic - 2003 - European Journal of Women's Studies 10 (4):465-471.
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  27.  15
    Art Subjects: Making Artists in the American University (review).Theodore Gracyk - 2005 - Journal of Aesthetic Education 39 (1):119-122.
    In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Art Subjects: Making Artists in the American UniversityTheodore GracykArt Subjects: Making Artists in the American University, by Howard Singerman. Berkeley, Los Angeles, London: University of California Press, 1999, 296 pp., $19.95 paper.Howard Singerman's Art Subjects is a study of the training of visual artists in American universities from 1912 to the present. More precisely, the book is an account of how two philosophies ofeducation have competed to inform (...)
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  28.  9
    Body shopping: Challenging convention in the donation and use of bodily materials through art practice.Louise Mackenzie, Ilke Turkmendag, Isabel Burr-Raty, WhiteFeather Hunter, Charlotte Jarvis, Miriam Simun, Hege Tapio & Adam Zaretsky - 2020 - Technoetic Arts 18 (2):279-297.
    The historical context of body and tissue donation is deeply problematic, with patriarchal and colonial narratives. The contemporary context of molecular and genetic biology further complicates issues of bodily donation through narratives of abstraction and extraction. As practitioners working outside the conventional boundaries of scientific study learn the tools and techniques to extract and use bodily materials, they are also learning and challenging the procedures and processes. This article approaches questions of bodily donation through the edited transcript of a (...)
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  29.  30
    The grotesque in Western art and culture: the image at play.Frances S. Connelly - 2012 - Cambridge: Cambridge University Press.
    This book establishes a fresh and expansive view of the grotesque in Western art and culture, from 1500 to the present day. Following the non-linear evolution of the grotesque, Frances S. Connelly analyzes key works, situating them within their immediate social and cultural contexts, as well as their place in the historical tradition. By taking a long historical view, the book reveals the grotesque to be a complex and continuous tradition comprised of several distinct strands: the ornamental, the carnivalesque and (...)
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  30.  6
    Unlimit: rethinking the boundaries between philosophy, aesthetics and arts.Greg Bird, Daniela Calabrò, Dario Giugliano & Jean-Luc Nancy (eds.) - 2017 - Milan: Mimesis International.
    Many voices today call for a profound rethinking of European identity. If we wish to answer their call, however, it is necessary to start with a reconsideration of the notion of boundaries, particularly as they are at work in the Mediterranean region. The knowledge and cultural values of the Mediterranean may be the driving force able to overcome the impasse from which Europe seems unable to free itself. This volume focuses on the opportunity to employ Mediterranean knowledge and cultural (...)
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  31.  42
    Boundaries, Extents and Circulations: Space and Spatiality in Early Modern Natural Philosophy.Jonathan Regier & Koen Vermeir (eds.) - 2016 - Springer Verlag.
    This volume is an important re-evaluation of space and spatiality in the late Renaissance and early modern period. History of science has generally reduced sixteenth and seventeenth century space to a few canonical forms. This volume gives a much needed antidote. The contributing chapters examine the period’s staggering richness of spatiality: the geometrical, geographical, perceptual and elemental conceptualizations of space that abounded. The goal is to begin to reconstruct the amalgam of “spaces” which co-existed and cross-fertilized in the period’s many (...)
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  32.  14
    The Aesthetics of Anarchy: Art and Ideology in the Early Russian Avant-Garde.Nina Gourianova - 2012 - University of California Press.
    In this groundbreaking study, Nina Gurianova identifies the early Russian avant-garde as a distinctive movement in its own right and not a preliminary stage to the Constructivism of the 1920s. Gurianova identifies what she terms an “aesthetics of anarchy”—art-making without rules—that greatly influenced early twentieth-century modernists. Setting the early Russian avant-garde movement firmly within a broader European context, Gurianova draws on a wealth of primary and archival sources by individual writers and artists, Russian theorists, theorizing artists, and German philosophers. Unlike (...)
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  33.  11
    Interpreting Across Boundaries: New Essays in Comparative Philosophy.Gerald James Larson & Eliot Deutsch (eds.) - 1988 - Princeton University Press.
    This volume is a “state-of-the-art‘ assessment of comparative philosophy written by some of the leading practitioners of the field. While its primary focus is on gaining methodological clarity regarding the comparative enterprise of “interpreting across boundaries,‘ the book also contains new substantive essays on Indian, Chinese, Japanese, and European thought. The contributors are Roger T. Ames, William Theodore de Bary, Wing-tsit Chan, A. S. Cua, Eliot Deutsch, Charles Hartshorne, Daya Krishna, Gerald James Larson, Sengaku Mayeda, Hajime Nakamura, Raimundo Panikkar, (...)
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  34.  21
    Views on Roman art and archaeology in the provinces. Alcock, egri, Frakes beyond boundaries. Connecting visual cultures in the provinces of ancient Rome. Pp. XXII + 386, b/w & colour ills, colour maps. Los Angeles: Getty publications, 2016. Cased, us$69.95. Isbn: 978-1-60606-471-9. [REVIEW]Jane Hjarl Petersen - 2018 - The Classical Review 68 (1):234-236.
  35.  55
    Crossing boundaries.Ben Tilghman - 2006 - British Journal of Aesthetics 46 (2):178-191.
    There is much talk in the ‘art world’ about boundaries and the blurring of boundaries between art and non-art, art and craft, and various forms within art. What is meant by a boundary is not always clear and this paper tries to make some sense of what may be at stake when deciding on which side of a line something falls. It is suggested that the important thing is how we deal with and react to particular examples rather (...)
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  36.  1
    Art and Beauty in the Middle Ages by Umberto Eco. [REVIEW]Michael Morris - 1988 - The Thomist 52 (1):181-183.
    In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 181 reason that it provides the best arguments available to date against nuclear deterrence, but ultimately the arguments fail because the author takes as an apodictic premise what is actually a prudential judgment that no nuclear weapons could ever be used in a moral and ethical way. Professor Kenny is not only an Absolutist, but also a Determinist. The present reviewers are neither. University of Illinois-Urbana Champaign-Urbana, (...)
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  37.  7
    Mapping the Boundaries of Musical Culture in the International Baccalaureate High School Curriculum.Antía González Ben - 2022 - Philosophy of Music Education Review 30 (1):58-78.
    In recent years, the study of musical cultures has gained popularity as a curricular intervention for increasing cultural diversity in school music curricula. Informed by Michel Foucault’s analytics of power-as-effects, this paper examines some of the underlying epistemic premises of the notion of musical culture as it operates in music curricula. Additionally, it considers how this construct’s discursive effects align with or contradict its presumed contribution to cultural inclusivity. I use the International Baccalaureate high school music curriculum as my exemplar (...)
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  38.  33
    Breaking the disciplines: reconceptions in knowledge, art, and culture.Martin L. Davies & Marsha Meskimmon (eds.) - 2003 - New York: I.B. Tauris.
    In this pioneering book, noted international scholars explore the limits and definitions of knowing, thinking, and communicating meaning as we move into the 21st century. Coming from disciplines as diverse as anthropology, philosophy, literature, aesthetics, and art practice, together they work towards reconceiving the boundaries between entrenched domains of knowledge to great effect.
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  39.  32
    Diagnosing froude's disease: Boundary work and the discipline of history in late‐victorian Britain.Ian Hesketh - 2008 - History and Theory 47 (3):373-395.
    Historians looking to make history a professional discipline of study in Victorian Britain believed they had to establish firm boundaries demarcating history from other literary disciplines. James Anthony Froude ignored such boundaries. The popularity of his historical narratives was a constant reminder of the continued existence of a supposedly overturned phase of historiography in which the historian was also a man of letters, transcending the boundary separating fact from fiction and literature from history. Just as professionalizing historians were (...)
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  40.  2
    Art and sovereignty in global politics.Douglas Howland, Elizabeth Lillehoj & Maximilian Mayer (eds.) - 2017 - Palgrave Macmillan.
    This volume aims to question, challenge, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Several chapters consider the intertwining of modern philosophical currents and modernist artistic forms, in particular those revealing formal abstraction, stylistic experimentation, self-conscious expression, and resistance to traditional (...)
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  41.  10
    The matter of mimesis: studies of mimesis and materials in nature, art and science.Marjolijn Bol & E. C. Spary (eds.) - 2023 - Boston: Brill.
    Mimesis or imitation comes in many forms, from animal and plant mimicry to artistic copies 'from life'. This book offers eighteen essays addressing mimesis from diverse perspectives. From the recreation of galaxies to Iron Age torcs, from counterfeit dragons to modern waxworks, each chapter explores facets of material mimesis from prehistory to the present day. The Matter of Mimesis invites readers to compare practices of imitating, faking, and synthesising materials and objects in nature, art and science, raising questions about skills, (...)
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  42.  16
    The Creative Kingdom: Economic reform and art as a new space of Islamic critique in Saudi Arabia.Danijel Cubelic - 2019 - Zeitschrift für Religionswissenschaft 27 (1):27-47.
    Whilst the field of contemporary art has been impeded until recently by Saudi Arabia’s blasphemy laws and heavy censorship, the last decade has seen a rapid growth of art networks and institutions. Incidents such as the conviction of internationally lauded artist and curator Ashraf Fayadh in 2015 on charges of apostasy show that Islamic authorities still claim to define what is acceptable and not acceptable in the field of cultural production, but several renowned Saudi artists have started to question the (...)
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  43. The Aesthetic Core of the Work of Art: The Boundaries of Its Phenomenological Description in Man Within His Life-World. Contributions to Phenomenology by Scholars from East-Central Europe.J. Szili - 1989 - Analecta Husserliana 27:341-353.
     
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  44.  8
    New science of art of Hans Sedlmayr.Aleksandr Sergeevich Zverev - 2021 - Философия И Культура 12:54-66.
    This article provides a brief systemic analysis of the key concepts of the so-called new science of art developed by the Austrian art historian Hans Sedlmayr. The result of Seldmayr’s pursuits are reflected in creation of his own philosophy of art and culture based on a particular worldview. The cognition of the whole, along with individual and unique, underlies this science. Understanding is the goal of scientific knowledge for Sedlmayr. It suggests not only abstract knowledge, but peculiar existential experience as (...)
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  45. Art and embodiment: from aesthetics to self-consciousness.Paul Crowther - 1993 - New York: Oxford University Press.
    In his Critical Aesthetics and Postmodernism, Paul Crowther argued that art and aesthetic experiences have the capacity to humanize. In Art and Embodiment he develops this theme in much greater depth, arguing that art can bridge the gap between philosophy's traditional striving for generality and completeness, and the concreteness and contingency of humanity's basic relation to the world. As the key element in his theory, he proposes an ecological definition of art. His strategy involves first mapping out and analyzing the (...)
  46.  10
    The Traffic in Culture: Refiguring Art and Anthropology.George E. Marcus & Fred R. Myers - 1995
    "The Traffic in Culture takes us along exciting new avenues in the investigation of art and society, global encounter, and the marketing of culture. These essays will become required reading to scholars in fields as diverse as art history, anthropology, sociology, and cultural studies."--Suzanne Preston Blier, Harvard University "These essays break new ground in charting out a critical ethnography of art. They address the complexities of cultural difference while ceasing to respect the boundary between 'Western' and 'non-Western' art which has (...)
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  47.  31
    Speculative Writing, Art, and World-Making in the Wake of Octavia E. Butler as Feminist Theory.Shelley Streeby - 2020 - Feminist Studies 46 (2):510-533.
    In lieu of an abstract, here is a brief excerpt of the content:510 Feminist Studies 46, no. 2. © 2020 by Feminist Studies, Inc. Shelley Streeby Speculative Writing, Art, and World-Making in the Wake of Octavia E. Butler as Feminist Theory The late great speculative fiction writer Octavia E. Butler often referred to herself as a feminist. In an autobiographical note she revised frequently over the course of her lifetime, now held in the massive archive of more than 8,000 individually (...)
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  48.  14
    Rembrandt and collections of his art in America: An NEH curriculum project.Joseph M. Piro - 2008 - Journal of Aesthetic Education 42 (2):pp. 1-18.
    In lieu of an abstract, here is a brief excerpt of the content:Rembrandt and Collections of His Art in America: An NEH Curriculum ProjectJoseph M. Piro (bio)IntroductionI have asked myself whether the short time given us would be better used in an attempt to understand the whole of the universe or to assimilate what is within our reach.—Paul CézanneThis issue of the Journal of Aesthetic Education features an arts education curriculum project that was designed to use the oeuvre of Rembrandt (...)
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  49. ‘A Lady on the Street but a Freak in the Bed’: On the Distinction Between Erotic Art and Pornography.A. W. Eaton - 2018 - British Journal of Aesthetics 58 (4):469-488.
    How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function (...)
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  50.  9
    Deconstruction in the Neighborhood of Art. The Problem of Painting in the Philosophy of Jacques Derrida.Гайнутдинов Т.Р - 2022 - Philosophy and Culture (Russian Journal) 10:54-65.
    The author analyzes the theme of painting in the philosophy of Jacques Derrida, referring to one of his defining works on this subject: "Truth in Painting". Consistently considering the four-part structure of this book, the author touches on such concepts of deconstruction as "parergon", "passepartout", "cartouche" and others. Of particular interest is the problem of truth in the structure of fine art – this topic is a cross-cutting theme throughout Derrida's work. At the same time, the philosopher rejects the classical (...)
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