Results for 'Boundaries in art. '

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  1.  14
    The Boundaries of Art and Social Space in Rome: The Caged Bird and Other Art Forms by Frederick Jones.Timothy M. O’Sullivan - 2018 - Classical World: A Quarterly Journal on Antiquity 111 (2):267-268.
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  2.  20
    The Boundaries of Art and Social Space in Rome: The Caged Bird and Other Art Forms by Frederick Jones.Michael Squire - 2018 - American Journal of Philology 139 (1):161-165.
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  3.  79
    The boundaries of art.David Novitz - 1992 - Philadelphia: Temple University Press.
    Hailed by Lingua Franca as a "breakthrough book in aesthetics," this lucid and persuasive work explores unnoticed relations between art and everyday life. In a revised and expanded edition, David Novitz proposes a new and refreshingly different direction for the study of the philosophy of art.
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  4.  5
    Unsettled boundaries: philosophy, art, ethics east/west.Curtis L. Carter (ed.) - 2017 - Milwaukee, Wisconsin: Marquette University Press.
    For readers looking for insights into key issues linking current Eastern and Western views on the arts, aesthetics, and philosophy, Unsettled Boundaries offers fresh and insightful perspectives on current issues as seen by leading Chinese and Western scholars. Represented in the volume are previously unpublished essays of Nöel Carroll, Garry Hagberg, Richard Shusterman, and Jason Wirth alongside writings of Chinese peers Gao Jianping, Peng Feng, Liu Yuedi, Wang Chunchen and Cheng Xiangzhan. The essays in this volume draw attention to (...)
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  5. The Semantics-Pragmatics Boundary in Philosophy.Maite Ezcurdia & Robert J. Stainton (eds.) - 2013 - Peterborough, CA: Broadview Press.
    The boundary between semantics and pragmatics has been important since the early twentieth century, but in the last twenty-five years it has become the central issue in the philosophy of language. This anthology collects classic philosophical papers on the topic, along with recent key contributions. It stresses not only the nature of the boundary, but also its importance for philosophy generally.
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  6. David Novitz, The Boundaries of Art Reviewed by.Ira Newman - 1993 - Philosophy in Review 13 (5):253-255.
     
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  7. Transitions: Crossing Boundaries in Japanese Philosophy.Leon Krings, Francesca Greco & Yukiko Kuwayama (eds.) - 2021 - Nagoya: Chisokudō.
    The tenth volume of the Frontiers of Japanese Philosophy focuses on the theme of “transition,” dealing with transitory and intermediary phenomena and practices such as translation, transmission, and transformation. Written in English, German and Japanese, the contributions explore a wide range of topics, crossing disciplinary borders between phenomenology, linguistics, feminism, epistemology, aesthetics, political history, martial arts, spiritual practice and anthropology, and bringing Japanese philosophy into cross-cultural dialogue with other philosophical traditions. As exercises in “thinking in transition,” the essays reveal novel (...)
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  8.  18
    Art, space and cognition in Rome. F. Jones the boundaries of art and social space in Rome. The caged Bird and other art forms. Pp. XII + 196, ills. London and new York: Bloomsbury academic, 2016. Cased, £85. Isbn: 978-1-4725-2612-0. [REVIEW]Katharine T. von Stackelberg - 2018 - The Classical Review 68 (1):239-240.
  9. David Novitz, The Boundaries of Art. [REVIEW]Ira Newman - 1993 - Philosophy in Review 13:253-255.
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  10.  17
    Theatrum Scientiarum - English Edition, Volume 2, Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century.Jan Lazardzig, Ludger Schwarte & Helmar Schramm (eds.) - 2008 - De Gruyter.
    Dieser Band versammelt originäre Beiträge am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von Falluntersuchungen zum 17. Jahrhundert trägt er zum Verständnis der Rolle bei, die Instrumente im Schnittfeld von Wissenschaft und Kunst spielen. Die Beiträge verfolgen dabei die Hypothese, dass die Entwicklung und Gestaltung von Instrumenten wesentlich zur Eröffnung neuer Felder des Wissens, zur Entstehung neuer kultureller Praktiken, aber auch zur Abgrenzung bestimmter Genres, Methoden und Disziplinen beiträgt. Diese Perspektive führt die Beiträge dieses Bandes dazu, auf (...)
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  11.  5
    The norm and deviation boundaries in the subcultural aspect.Yulia Kuzovenkova - 2020 - Sotsium I Vlast 4:47-55.
    Introduction. The article examines the role of youth culture (in particular, counterculture and subculture) in reformatting the modern sociocultural space. As long ago asin the 1970s. the researchers pointed out that young people, showing their active position, change the realities of the socio-cultural space in which their parents lived. The research is based on the materials of the graffiti and street art subculture, as an informal artistic practice. The graffiti subculture emerged among African American teenagers in the 1970s in New (...)
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  12.  15
    Hard Boundaries and the Marginalization of the Arts in American Education.Claire Detels - forthcoming - Philosophy of Music Education Review.
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  13. Arthur Danto’s Andy Warhol: the Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - forthcoming - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  14.  16
    ‘Skin Portraiture’ in the Age of Bio Art: Bodily Boundaries, Technology and Difference in Contemporary Visual Culture.Heidi Kellett - 2018 - Body and Society 24 (1-2):137-165.
    In this article, I consider ‘skin portraiture’: a mode of representation that privileges quasi-anonymous, fragmented, magnified and anatomized images of skin. I argue that this mode of representation permits a heightened awareness of embodied experiences such as reflexivity, empathy and relationality. Expanding understandings of difference through its engagement with haptic imagery and visuality, skin portraiture reorients the boundaries between ‘I’/‘not I’ and subject/object – often through touch – and challenges the cultural commitment to traditional notions of bodily autonomy. By (...)
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  15. Cognitive Values in the Arts: Marking the Boundaries.Peter Lamarque - 2006 - In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell. pp. 127--39.
  16. “Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design.Larry Shiner - 2012 - Philosophy Compass 7 (4):230-244.
    Art world talk of “blurred boundaries” and “hybrids” between art and craft, suggests that the philosophy of art needs to rethink the concept of craft. This can best be done by adopting four strategies: first, distinguish between craft as a set of disciplines, and craft as a process and practice; second, keep in mind the differences among craft practices such as studio, trade, ethnic, amateur, and DIY; third, recognize that craft’s relationship with design is as important as its relationship (...)
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  17. From Immanent Transcendence to Cross-Bordering in Arts-Metaphor, Narrative and Existence.Vincent Shen & Chia-Hsun Chuang - 2006 - Philosophy and Culture 33 (10):21-36.
    People's desire not to limit the meaning of Hancang driving force, continuous development and self-transcendence, which is people from within and beyond the root driving force. The so-called "inner beyond" is not a process of idealism, which began with the desire, from the bottom of the body, and go up on the layer by layer through the heart of the development process裡and mental flexibility, and would therefore have to enhance and transform. We regard the body as I desire the presence (...)
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  18.  26
    Iconoclasm: The loss of iconic image in art and visual communication.Nagla Samir - 2013 - Technoetic Arts 11 (3):335-341.
    Why is the urge to lose the iconic image relevant to reformation and modernism? A question so central in a society built more than ever on visual media dependency. Is that relevant to sceptical questioning of the essence of reality, and if the image is a reflection of reality in the era of new technology of image creating and manipulating? As iconoclasts began deliberately destroying images at the alter as a sign of reformation, modern art was no longer bound by (...)
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  19. Commentarij Collegij Conimbricensis Societatis Iesu, in Libros de Generatione Et Corruptione Aristotelis Stagiritae Hac Secunda Editione Graeci Contextus Latino È Regione Respondentis Accessione Auctiores.Colégio das Artes, Manuel de Goes, Franciscus Vatablus, Joannes Albinus & Aristotle - 1599 - In Officina Typographica Ioannis Albini.
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  20. Commentarii Collegii Conimbricensis Societatis Iesu, in Libros de Generatione Et Corruptione Aristotelis Stagiritae.Colégio das Artes, Jesuits, Aristotle & Haeredes Lazari Zetzneri - 1633 - Sumptibus Haeredum Lazari Zetzneri.
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  21. Part IV: Indian Aesthetics. Introduction to Indian Aesthetics.Grazia Marchianò & What is Meant by "Art" in India - 2010 - In Ken'ichi Sasaki (ed.), Asian Aesthetics. Singapore: National Univeristy of Singapore Press.
     
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  22.  4
    State of the Art: Constructing Identities, Crossing Boundaries What is European in European Literatures?: European Literature as a Eurovision Song Contest.Dubravka Ugreöic - 2003 - European Journal of Women's Studies 10 (4):465-471.
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  23.  50
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  24.  23
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  25.  9
    Inter-art journey: exploring the common grounds of the arts: studies in honor of Eli Rozik.Nurit Yaari & Eli Rozik (eds.) - 2015 - Chicago: Sussex Academic Press.
    In recent years, inter-medial studies have attracted increasing attention in arts theory. The notion of 'inter-mediality' presupposes that each established art - such as theatre, painting, and cinema - indicates the existence of a particular medium, which preserves its distinct features in translations from art to art and, especially, in its combinations with others in single works. Nonetheless, this field of research is presupposed already in the traditional studies of 'ekphrasis', which focus on the verbal accounts of nonverbal works of (...)
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  26.  15
    Semiotics of art literature• painting• film.Sémiotique des Arts - 1971 - In Julia Kristeva, Josette Rey-Debove & Donna Jean Umike-Sebeok (eds.), Essays in semiotics. The Hague,: Mouton. pp. 397.
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  27.  6
    Unlimit: rethinking the boundaries between philosophy, aesthetics and arts.Greg Bird, Daniela Calabrò, Dario Giugliano & Jean-Luc Nancy (eds.) - 2017 - Milan: Mimesis International.
    Many voices today call for a profound rethinking of European identity. If we wish to answer their call, however, it is necessary to start with a reconsideration of the notion of boundaries, particularly as they are at work in the Mediterranean region. The knowledge and cultural values of the Mediterranean may be the driving force able to overcome the impasse from which Europe seems unable to free itself. This volume focuses on the opportunity to employ Mediterranean knowledge and cultural (...)
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  28. Cognitive Dynamics: Conceptual change in humans and machines.Eric Dietrich Art Markman (ed.) - 2000 - Lawrence Erlbaum.
     
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  29.  21
    Views on Roman art and archaeology in the provinces. Alcock, egri, Frakes beyond boundaries. Connecting visual cultures in the provinces of ancient Rome. Pp. XXII + 386, b/w & colour ills, colour maps. Los Angeles: Getty publications, 2016. Cased, us$69.95. Isbn: 978-1-60606-471-9. [REVIEW]Jane Hjarl Petersen - 2018 - The Classical Review 68 (1):234-236.
  30.  6
    Commentarii Collegii Conimbricensis Societatis Jesu, in tres libros De anima Aristotelis Stagiritae: Hac quarta editione, Graeci contextus Latino è regione respondentis accessione auctiores & emendatiores, ob studiosorum philosophiae usum, in Germania editi. Cum indice rerum praecipuarum.Colégio das Artes, Aristotle & Haeredes Lazari Zetzneri - 1609 - Sumptibus Hæedum Lazari Zetzneri.
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  31.  33
    The Climate of Science-Art and the Art-Science of the Climate: Meeting Points, Boundary Objects and Boundary Work.Simone Rödder - 2017 - Minerva 55 (1):93-116.
    This paper reports experiences from an art-science project set up in an educational context as well as in the tradition of placing artists in labs. It documents artists’ and scientists’ imaginations of their encounter and analyses them drawing on the concepts of “boundary object” and “boundary work”. Conceptually, the paper argues to broaden the idea of boundary objects to include inhibitory boundary objects that hinder rather than facilitate communication across boundaries. This focus on failures to link social worlds brings (...)
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  32.  26
    Truth in Myth and Science.Art Stawinski - 2005 - Dialogue and Universalism 15 (1-2):71-78.
    We humans are a curious species. Of all the life forms that inhabit the earth, we alone strive to make sense of the world in which we find ourselves. For thousands of years we understood the world through stories. Our ancestors told stories of how the world began, how our people originated and came to be at this place, and how those people across the river or beyond the mountains came to be where they are. Some stories were of animals (...)
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  33. Synergetics: An Experiment in Human Development.ART COULTER - 1955
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  34.  85
    Stain removal: On race and ethics.Art Massara - 2007 - Philosophy and Social Criticism 33 (4):498-528.
    What role does race play in the moral judgment of character? None, ideally, philosophers insist, contending that the proper assessment of an action requires that we disregard any social values associated with the body performing it. What rightly comes under evaluation, they assert, is the neutral, abstract deed irrespective of the race of the agent. Only under these conditions, presumably, can we gauge true moral worth. Reading together Immanuel Kant and Frantz Fanon on ethics and race, I propose instead that (...)
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  35. The Pastoral Ideal in Martial, Book 10.Art L. Spisak - 2002 - Classical World: A Quarterly Journal on Antiquity 95 (2).
     
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  36.  32
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply his Ethics and Economic Progress to problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public (...)
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  37.  8
    Developing the Clarity and Openness in Reporting: E3-based (CORE) Reference user manual for creation of clinical study reports in the era of clinical trial transparency.Art Gertel, Anna Shannon, Walther Seiler, Debbie Jordan, Tracy Farrow, Vivien Fagan, Graham Blakey, Aaron B. Bernstein & Samina Hamilton - 2016 - Research Integrity and Peer Review 1 (1).
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  38.  93
    Art & Otherness: Crisis in Cultural Identity.Thomas McEvilley - 1992 - Recovered Classics.
    "Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which (...)
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  39.  12
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent formal (...)
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  40.  9
    Throw your stuff off the plane: achieving accountability in business and life.Art Horn - 2017 - Toronto, Ontario: Dundurn.
    Helps individual readers to overcome procrastination and build self-esteem Reveals how to create a culture of accountability, and how to hold someone accountable Gives leaders a step-by-step process for helping team members become more self-responsible Explains commitment reluctance and how to encourage self-responsibility among team members Uncovers why we blame others and shows how to defeat a blame culture Provides an easy read with no consultant-speak In recent years, HORN Training and Consulting was awarded the distinguished Gold Medal by the (...)
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  41. Interpretation in Science and in the Arts.Art as Representation - 1993 - In George Levine (ed.), Realism and Representation. University of Wisconsin Press.
     
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  42.  28
    Art+science: An emerging paradigm for conceptualizing changes in consciousness.Claudia Jacques - 2012 - Technoetic Arts 10 (2-3):221-227.
    Maurits Cornelis Escher’s 1938 lithograph, Cycle, illustrates what mathematical physicist Roger Penrose calls ‘impossible objects’. The illusion of three-dimensionality, the innovative use of tessellation, and the incorporation of traditionally figurative elements induce the viewer to perceive the lithographic print as depicting a visually plausible reality built on the deconstructive metamorphosis of man into cube. It is Escher’s ability to paradoxically combine the radical oppositions of man and cube, landscape and geometric abstraction into an apparently harmonious composition where shapes repeat with (...)
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  43. In Advance of the Broken Theory: Philosophy and Contemporary Art.Sherri Irvin & Julian Dodd - 2017 - Journal of Aesthetics and Art Criticism 75 (4):375-386.
    We discuss how analysis of contemporary artworks has shaped philosophical theories about the concept of art, the ontology of art, and artistic media. The rapid expansion, during the contemporary period, of the kinds of things that can count as artworks has prompted a shift toward procedural definitions, which focus on how artworks are selected, and away from definitions that focus exclusively on artworks’ features or effects. Some contemporary artworks challenge the traditional art–ontological dichotomy between physical particulars and repeatable entities whose (...)
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  44.  28
    Self-awareness of Cultural Spirit in a Boundary Situation --- On Style and Peculiarity of Yuan-Dynasty Painting Arts.Qiuli Yu - 2010 - Asian Culture and History 2 (2):P104.
    Yuan Dynasty was an era with austere political reality and thinking reality. As a result of despisement to ruling of different races, a large majority of scholars in Yuan Dynasty chose seclusion without other choice, but the “internal beauty” they pursued was amazingly unanimous, which was, without doubt, owing to the spirit of the mountains and forests. When they tried to find enjoyment in painting, they put their willpower in it, which was a spontaneous awareness of cultural spirit and was, (...)
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  45.  3
    Understanding Texts.Art Graesser & Pam Tipping - 2017 - In William Bechtel & George Graham (eds.), A Companion to Cognitive Science. Oxford, UK: Blackwell. pp. 324–330.
    Adults spend most of their conscious life speaking, comprehending, writing, and reading discourse. It is entirely appropriate for cognitive science to investigate discourse especially as transmitted texts or printed media, such as books, newspapers, magazines, and computers. However, there is another reason why text understanding has been one of the prototypical areas of study in cognitive science: Interdisciplinary work is absolutely essential. As cognitive scientists have unraveled the puzzles of text comprehension, they have embraced the insights and methodologies from several (...)
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  46.  6
    Designing experiments informed by observational studies.Art B. Owen & Evan T. R. Rosenman - 2021 - Journal of Causal Inference 9 (1):147-171.
    The increasing availability of passively observed data has yielded a growing interest in “data fusion” methods, which involve merging data from observational and experimental sources to draw causal conclusions. Such methods often require a precarious tradeoff between the unknown bias in the observational dataset and the often-large variance in the experimental dataset. We propose an alternative approach, which avoids this tradeoff: rather than using observational data for inference, we use it to design a more efficient experiment. We consider the case (...)
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  47. Schools and the "hidden curriculum".Art Kleiner - 2006 - In Francis Martin Duffy (ed.), Power, Politics, and Ethics in School Districts: Dynamic Leadership for Systemic Change. Rowman & Littlefield Education.
     
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  48.  42
    Boundaries, Extents and Circulations: Space and Spatiality in Early Modern Natural Philosophy.Jonathan Regier & Koen Vermeir (eds.) - 2016 - Springer Verlag.
    This volume is an important re-evaluation of space and spatiality in the late Renaissance and early modern period. History of science has generally reduced sixteenth and seventeenth century space to a few canonical forms. This volume gives a much needed antidote. The contributing chapters examine the period’s staggering richness of spatiality: the geometrical, geographical, perceptual and elemental conceptualizations of space that abounded. The goal is to begin to reconstruct the amalgam of “spaces” which co-existed and cross-fertilized in the period’s many (...)
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  49.  51
    Integrative art education in a metaverse: ground.Elif Ayiter - 2008 - Technoetic Arts 6 (1):41-53.
    Virtual learning environments (VLEs) present us with unprecedented opportunities in bringing together students and educators from widely disparate geographical locations, as well as diverse cultures and backgrounds to participate in a learning experience that should take into cognizance the affordances of these novel arenas in the design of both content and the environment(s) in which this content is to be implemented/enacted. While VLEs do seem to address the requirements of well-structured learning endeavours, the boundaries of which are clearly defined, (...)
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  50. The Aesthetic Core of the Work of Art: The Boundaries of Its Phenomenological Description in Man Within His Life-World. Contributions to Phenomenology by Scholars from East-Central Europe.J. Szili - 1989 - Analecta Husserliana 27:341-353.
     
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