Authors
Sherri Irvin
University of Oklahoma
Julian Dodd
University of Leeds
Abstract
We discuss how analysis of contemporary artworks has shaped philosophical theories about the concept of art, the ontology of art, and artistic media. The rapid expansion, during the contemporary period, of the kinds of things that can count as artworks has prompted a shift toward procedural definitions, which focus on how artworks are selected, and away from definitions that focus exclusively on artworks’ features or effects. Some contemporary artworks challenge the traditional art–ontological dichotomy between physical particulars and repeatable entities whose occurrences are physical particulars. And nontraditional techniques and materials employed in contemporary art violate the boundaries of conventional media, prompting a rethinking of what artistic medium might be.
Keywords artistic medium  contemporary art  conceptual art  artist's sanction
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DOI 10.1111/jaac.12412
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References found in this work BETA

Ethics: Inventing Right and Wrong.Fred Feldman & J. L. Mackie - 1979 - Philosophical Review 88 (1):134.
An Essay Concerning Human Understanding.John Locke - 1979 - Revue Philosophique de la France Et de l'Etranger 169 (2):221-222.
Ontological Realism.Theodore Sider - 2009 - In David Chalmers, David Manley & Ryan Wasserman (eds.), Metametaphysics: New Essays on the Foundations of Ontology. Oxford University Press. pp. 384--423.

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Conceptual Art.Elisabeth Schellekens - 2010 - Stanford Encyclopedia of Philosophy.

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