This chapter contains sections titled: ‘The Breath of Possibility’: Imaginative Education and Jungian Motifs Gnostic Jung and Esoteric Iterations In Search of Sophia : TheWay of the Lost Goddess Conclusions References.

The way in which mathematics relates to experience has deeply engaged philosophers from the scientific revolution to the present. It has strongly influenced their views on epistemology, mathematics, science, and the nature of reality. Kant's views on the nature of mathematics and its relation to experience both influence and are influenced by his epistemology, and in particular the distinction Kant draws between concepts and intuitions. My dissertation contributes to clarifying the role of intuition in Kant's theory of mathematical cognition. (...) It focuses in particular on Kant's theory of magnitudes. This theory explains the applicability of mathematics to experience while bridging his philosophy of mathematics and his philosophy of science; it is therefore central. Kant's views on magnitudes, however, have been neglected. ;The dissertation divides into four parts. It begins by analyzing Kant's concept of magnitude and the closely related concepts of quanta, quantitas, quantity and number. These clarifications lay the groundwork for reconstructing and evaluating Kant's views. ;Understanding Kant's theory of mathematical cognition requires understanding how the quantitative forms of judgment and the categories of quantity are employed in mathematics. I argue for an interpretation that reflects the influence of 18$\sp{\rm th}$ Century metaphysics on Kant's thought, and reveals Kant's attempt to find a place for a mathematical conception of the world within that metaphysics. ;I also examine Kant's arguments for two fundamental properties of space--infinite divisibility and unlimited extent. I argue that intuition plays a perceptual role that can only be understood within the context of Kant's theory of imagination. ;Finally, I argue that according to Kant, a homogeneous manifold in intuition is required to represent composition and a mathematical version of the part/whole relation. The dissertation uses a modern understanding of the properties of relations to analyze the part/whole relations Kant refers to in his logic, and contrast them with the part/whole relations in his theory of magnitudes. Modern measurement theory aids in identifying Kant's insights into the conditions for the applicability of mathematics to experience. Kant's insights constitute an important part of his views on the role of intuition in mathematics. (shrink)

Beauty, or at least natural beauty, is famously a symbol of the morally good in Kant's theory of taste. Natural beauty is also, we argue, a symbol of the systematicity of nature. This symbolic connection of beauty and systematicity in nature sheds light on the relation between the principles underlying the use of reflecting judgement. The connection also motivates a more general interpretive proposal: the fact that the imagination can symbolize ideas plays a crucial role in the theory (...) of taste; it is the mechanism that underlies pure judgements of taste, the operation by which the imagination ‘schematizes without a concept’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:372 THE ROLE OF REASON IN HUME'S THEORY OF BELIEF Much has been written on Hume's theory of belief, yet problems of interpretation remain as serious as ever. The most pervasive and persistent problem relates to the role reason plays in Hume's conception of belief. When Hume says that belief is a matter of feeling, does he mean to say that reason has nothing to do with (...) it, or that belief is not a matter of choice? Does he imply that one cannot be blamed for believing as one does? The view that belief is unavoidable and not a matter of choice, and its implication, seem counter-intuitive, if not drastic. Are there grounds for attributing such a view to Hume? There is indeed a tendency to interpret Hume as saying that reason plays no role, not just in the moral sphere, but in the understanding as well. Thus, Barry Stroud claims that "in Hume's hands the denigration of the role of reason and the corresponding elevation of feeling and sentiment is generalized into a total theory of man." Elsewhere I have argued against this view insofar as it relates 2 to Hume's moral theory. But the dismay at Hume's (alleged) denigration of reason is even greater in the case of belief. For instance, Antony Flew considers Hume's view that belief is "a species of natural instincts, which no reason or process of the thought and understanding is able either to produce or to prevent" as a "drastic and disastrous conclusion." According to Flew, one drastic and disastrous consequence of such a view is that "insofar as belief really is necessary and unavoidable we can neither criticize others for the irrationality of their convictions nor retain any 4 confidence about the rationality of our own." 373 In a more sympathetic reading of Hume, J. A. Passmore has cited evidence to show that Hume acknowledges that belief can be a matter of choice, 5 and thus there can be an ethics of belief. However, in doing so Passmore presents an inconsistency in Hume's view of belief, and does nothing to account for this inconsistency. Barbara Winters also sees inconsistencies, or paradoxes, in Hume's treatment, not only within Book I of the Treatise, but also between it and the other two Books (and between the Enquiries). Her resolution of the paradox is the suggestion that there are two conceptions of reason in Hume, the "traditional" and the "naturalistic," the former "plays no role in our acquisition of fundamental beliefs," and the latter is such that we do indeed "arrive at our beliefs through reasoning." In this paper I wish to argue that there are no inconsistencies, or paradoxes, in Hume's treatment of belief, and that his view is neither drastic nor disastrous. I wish to show that there is no 'denigration' of reason, " and that while belief is a matter of feeling, it is also, to an important degree, a matter of choice. In promoting the "undoubted truth, that belief is nothing but a peculiar feeling," Hume does write in such a way as to encourage the interpretation that he subordinates the role of reason to feelings (or sentiments, or passions), or worse, that he denigrates the role of reason. He tells us that belief is not "some new idea, such as that of reality or existence, which we join to the simple conception of an object" (T 623). If it were, "it wou'd be in a man's power to believe what he 374 pleas 'd" (T 624), as the mind can mix or join any two ideas. Hume tells us that we can easily "discover by experiments" that belief "arises immediately, without any new operation of the reason or imagination" (T 102). The widely quoted sentence is the following: "When the mind... passes from the idea or impression of one object to the idea or belief of another, it is not determin'd by reason..." (T 92). These and other statements clearly encourage the interpretation that belief does not arise from reason, or indeed that reason has nothing to do with belief. Depending on how far one sees the... (shrink)

In this article, we explore the role that art can play in ethical reflection on risky and controversial technologies. New technologies often give rise to societal controversies about their potential risks and benefits. Over the last decades, social scientists, psychologists, and philosophers have criticized quantitative approaches to risk on the grounds that they oversimplify its societal and ethical implications. There is broad consensus amongst these scholars that stakeholders and their values and concerns should be included in decision-making about technological (...) risks. It has also been argued that the emotional responses of people can shed important light on the ethical aspects of risk and uncertainty. However, people’s emotions can be narrowly focused and biased. This article therefore assesses the role that technology-inspired artworks can play in overcoming such biases, by challenging our imagination and providing us with different perspectives on possible technological developments and their implications for society. Philosophers have not yet studied such artworks, so this constitutes an entirely new field of research for scholars of risk and moral theory. In particular, we focus on the case of BNCI technologies and related artworks. These technologies and artworks touch on questions of what it means to be human, thereby raising profound ethical and philosophical challenges. We discuss the experiences of artists, scientists, and engineers who are directly involved with BNCI technologies, and who were interviewed during a Hackathon at Amsterdam’s Waag Society in June 2016. Their views are analyzed in light of philosophical and aesthetic theories, which allows us to consider relevant ethical and conceptual issues as well as topics for further investigation. (shrink)

_The Politics of Imagination_ offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination. What role does our capacity to form images play in politics? And can we define politics as a struggle for people’s imagination? As a result of the increasingly central place of the media in our lives, the political role of imagination has undergone a massive quantitative and a qualitative change. As such, there has been a revival of interest (...) in the concept of imagination, as the intimate connections between our capacity to form images and politics becomes more and more evident. Bringing together scholars from different disciplines and theoretical outlooks, _The Politics of Imagination_ examines how the power of imagination reverberates in the various ambits of social and political life: in law, history, art, gender, economy, religion and the natural sciences. And it will be of considerable interest to those with contemporary interests in philosophy, political philosophy, political science, legal theory, gender studies, sociology, nationalism, identity studies, cultural studies, and media studies. (shrink)

In this book Jane Kneller focuses on the role of imagination as a creative power in Kant's aesthetics and in his overall philosophical enterprise. She analyzes Kant's account of imaginative freedom and the relation between imaginative free play and human social and moral development, showing various ways in which his aesthetics of disinterested reflection produce moral interests. She situates these aspects of his aesthetic theory within the context of German aesthetics of the eighteenth century, arguing that Kant's contribution (...) is a bridge between early theories of aesthetic moral education and the early Romanticism of the last decade of that century. In so doing, her book brings the two most important German philosophers of Enlightenment and Romanticism, Kant and Novalis, into dialogue. It will be of interest to a wide range of readers in both Kant studies and German philosophy of the eighteenth and nineteenth centuries. (shrink)

In his recent work, ‘Sport, Aesthetic Experience, and Art as the Ideal Embodied Metaphor’, Tim L. Elcombe explores links between sport and art from a pragmatically informed conception of aesthetic experience. However, Elcombe's work does not highlight the role of the imagination in the interpretation of the aesthetic something Michael Polanyi claims to be the ‘cornerstone of aesthetic theory’. With the backdrop of an increased interest in the aesthetics, phenomenology, and epistemology of sport, this discussion essay seeks to (...) defend the usefulness and value of definitional demarcation debates between sport and art, to use Polanyi’s distinctions among technical, scientific and artistic problems to support the claim that sport is not art, and to offer an account of how sport contributes in its own way to human flourishing and why it is no less valuable experientially than art. (shrink)

In this chapter I will argue against both of these interpretations and will begin to develop an alternate account of imagination in experience. Against those who minimize imagination’s role, I will highlight the distinctive contribution of the imagination to experience. In particular, I will foreground the specific role that the imagination plays in making possible the distinct mental act, intermediate between intuition and experience, that Kant calls “perception [Wahrnehmung]” as the “empirical consciousness [Bewußtsein]” of (...) appearances (cf. B207). Because perception involves images essentially (cf. A120), and because Kant understands experience itself to be a “synthesis of perceptions” (cf. B218), this strongly suggests (against minimalists) that experience, too, will incorporate images into the manner in which it allows us to cognize physical objects. By highlighting the contribution of imagination prior to experience, my own account, therefore, overlaps in part with the readings that seek instead to maximize the role of imagination. Against maximalists, however, I will argue that imagination contributes only in (and after) the transition from intuition to perception, rather than already being at work in the stage of intuition itself. More specifically, I will argue that Kant takes the activity of imagination to make perception possible by acting on already-formed intuitions in order to bring about the consciousness of them, rather than to bring the intuitions about in the first place. I will also argue that this synthesis of intuitions should be kept distinct from the activity of understanding. (shrink)

Peter Auriol argues that sensation and intellection are both passive and active. They are passive insofar as they involve the reception of species or impressions of extra-mental objects. They are active insofar as both senses and intellect process these species and produce an intentional object. The way in which the senses and the intellect receive and process their own impressions is quite different, though. While perception is beyond our control, Auriol claims that the imagination, and the activity of the (...) agent and possible intellect depend on an act of the will. His idea is that the will pushes the intellect to focus on one of the impressions it receives from external objects, so that the corresponding impression is allowed to be imprinted in the intellect itself and the relevant concept formed. This paper examines the role that Auriol attributes to the will in our intellectual cognition, inasmuch as it is able to determine both (i) what kind of impressions can be picked and then embedded into the mind and, (ii) consequently, which concepts the intellect will form. My view is that, by envisioning the intellect and the will as already interacting during the process of concept formation, and not just during that of choice-making, Auriol provides an account of the intellect and the will strongly integrated with one another, thus offering a unitary vision of our cognitive life. (shrink)

In his recent work, ‘Sport, Aesthetic Experience, and Art as the Ideal Embodied Metaphor’, Tim L. Elcombe explores links between sport and art from a pragmatically informed conception of aesthetic experience. However, Elcombe's work does not highlight the role of the imagination in the interpretation of the aesthetic something Michael Polanyi claims to be the ‘cornerstone of aesthetic theory’. With the backdrop of an increased interest in the aesthetics, phenomenology, and epistemology of sport, this discussion essay seeks to (...) defend the usefulness and value of definitional demarcation debates between sport and art, to use Polanyi’s distinctions among technical, scientific and artistic problems to support the claim that sport is not art, and to offer an account of how sport contributes in its own way to human flourishing and why it is no less valuable experientially than art. (shrink)

Reforms surrounding the teacher’s role in fostering students’ social competences, especially those associated with empathy, have moved to the forefront of global higher education policy discourse. In this context, reform in higher education teaching has been focused on shifting teachers’ practices away from traditional lecture-style teaching—historically associated with higher education teaching—towards student-centred pedagogical approaches, largely because of how the latter facilitate students’ social learning, including the development of students’ abilities connected to empathy, such as intercultural understanding. These developments towards (...) learner-oriented higher education teaching may offer promising opportunities; however, a central problem within these current policy recommendations is that the connection between cultivating empathy and cultivating imagination is not explicitly foregrounded. Against this background, I turn to Dewey’s notion of imagination to show how imagination is indispensable to all learning, and therefore has a role to play in teaching. In this article, I show how imagination is not only deeply connected to empathy, but also critical for gaining intercultural understanding and is a condition for the possibility that, as human beings, we can learn with and from others. On this basis, I argue that Dewey’s notion of imagination provides significant insight on how to rethink what is needed to create inclusive classrooms in higher education, especially under conditions of cultural, linguistic and religious diversity. First, I consider Dewey’s concept of learning and the indispensable role of imagination in learning. Second, drawing on the work of Martha Nussbaum, I examine how teaching through the narrative arts in higher education cultivates the imagination and helps us engage the lives of others. I use an example from my own teaching to illustrate how the narrative arts can foster dialogue across difference through the development of what I call ‘third voice’—a different or other ‘position’ that productively mediates reflective interaction between participants, including teacher and learners. In closing, I consider the implications of my discussion for present and future higher education policy on the evaluation of ‘quality teaching’. (shrink)

This article reviews recent developments within a number of academic disciplines pointing toward an increasing importance of imagination for understanding morality and cognition. Using elements from hermeneutics and metaphor theory, it works toward a framework for a more context-sensitive understanding of human agency, especially focusing on moral deliberation and change. The analytic framework is used to analyze the story of a patient making tough decisions in the context of prenatal diagnosis. We show how a relatively stable outlook on the (...) world, here called the “baseline of choice,” is challenged by unexpected events and how imaginative processes enter into the active creation of a new moral order. The ensuing interpretation is then placed within a broader philosophical landscape. John Dewey’s notion of “dramatic rehearsal” is put forward as one particularly promising way of understanding moral imagination, deliberation, and decision-making. (shrink)

: In this essay, I argue that Kierkegaard endorses a “grace model” of ethical transformation – that radical normative change is not a function of agent-choice, rational or otherwise. After showing how grace functions in Kierkegaard’s account of religious transformation, I go on to argue that he offers a parallel account in the case of ethical conversion, the latter drawing from a description of transformation detailed in Kierkegaard’s Repetition. There we find an example of ethical transformation that challenges received interpretations (...) of the mechanics of Kierkegaard’s aesthetic-to-ethical transition. In the same way that God’s love is said to transform the heart of the Christian, Kierkegaard thinks that certain ethical encounters transform the desires and commitments of the aesthete. (shrink)

Thought experiments are fictional narratives that widen our cognitive horizons both in the sciences and in philosophy. In the present paper we argue that they can perform this function by bringing one’s perspective into view. Despite being traditionally conceived as devices that transmit true propositions to their readers, thought experiments are also particularly apt to express a specific theoretical perspective through the use of imagination. We suggest that this is a significant epistemic feature that is often overlooked in the (...) debate. After presenting our analysis of thought experiments (Section 2) and of the role that imagination plays in them (Section 3), we revisit Galileo Galilei’s use of imaginary cases in light of our account (Section 4). We show that the main aims of Galileo’s thought experiments are to highlight how different perspectives endorsed by fictional characters affect imagination and to invite readers to actively engage in perspectives that are different from their own. This results in a clash of perspectives which plays a crucial epistemic role (Section 5). Readers of thought experiments do not passively absorb information, but critically assess the other’s perspective. In the final part of the paper, we individuate different ways in which readers can react to thought experiments. (shrink)

This paper discusses the role of Law and Legal Thinking in Critical Theory with specific reference to the arguments that Michael Hardt and Antonio Negri offer in their book Commonwealth. The core idea is that Critical Theory is no less radical, but much more concrete, when it is performing not only an external, but also an internal critique of the Law. It shows that the role of the law in critical theory emerges as a problem when the latter (...) claims that ‘there is no outside’ and that ‘the legal base of the system structures our lives.’ It then discusses optimistic and pessimistic strategies to overcome the problem, and argue for a demanding strategy which consist in articulating the external and the internal critique of the law. To make this point, the paper goes back to the epistemic context in which critical attitudes are deployed (the ‘Conflict of the Faculties’), describes the four theoretical moves constitutive of the historical moment in which, at the end of the 18th Century, modern law as we know it was conceived of and founded; and sketches the key moments of the history of the internal critique of the law. It then illustrates the demanding strategy with examples taken from the field of Intellectual Property, and concludes that the Law is malleable and open enough to allow the thinking and practicing of radical alternatives from within the legal system and also that alternatives spoken in the language of the law are no less radical, but certainly, more concrete than others. (shrink)

We contribute to the empirical debate on whether we understand and predict mental states by using simulation (simulation theory) or by relying on a folk psychological theory (theory theory). To decide between these two fundamental positions, it has been argued that failure to predict other people's choices would be challenging evidence against the simulation view. We test the specific claim that people prefer the rightmost position in choosing among equally valued objects, and whether or not this position bias can be (...) correctly predicted. A series of experiments shows that the bias appears only in a specific spatial arrangement and that it can be correctly predicted given adequate imaginative input. In concert with other recent findings on the correct prediction of choices these findings do actually strengthen, rather than challenge, the simulation account on the prediction of mental states. (shrink)

We contribute to the empirical debate on whether we understand and predict mental states by using simulation (simulation theory) or by relying on a folk psychological theory (theory theory). To decide between these two fundamental positions, it has been argued that failure to predict other people’s choices would be challenging evidence against the simulation view. We test the specific claim that people prefer the rightmost position in choosing among equally valued objects, and whether or not this position bias can be (...) correctly predicted. A series of experiments shows that the bias appears only in a specific spatial arrangement and that it can be correctly predicted given adequate imaginative input. In concert with other recent findings on the correct prediction of choices these findings do actually strengthen, rather than challenge, the simulation account on the prediction of mental states. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:HUME'S THEORY OF IMAGINATION* Historians of philosophy seem increasingly to agree with the view that David Hume is the greatest philosopher ever to have written in English. This high esteem of the Scottish empiricist, however, is a phenomenon of the last decades. As late as 1925 Charles W. Hendel could write "that Hume is no longer a living figure." And Stuart Hampshire reports that in the Oxford of (...) the Thirties the results of Humean philosophizing were regarded as "extravagances of 2 scepticism which no one could seriously accept." A cursory glance at the Hume bibliography edited by Roland Hall demonstrates that it has become standard practice in the English-speaking world to seek an understanding of Hume's arguments when analysing philosophical problems. Critical literature nevertheless continues to neglect the majority of his arguments. It is sufficient, I think, to mention Hume's remarks on space and time, his theory of emotions, his inquiries into the problem of justice, his economic writings and those on the psychology of roliqion. Dut 3 even in the frequently quoted passages of the Treatise Hume's central notion is not, in my opinion, at the heart of the analysis. Here I refer to Hume's remarks on the phenomenon of imagination (fancy). Although he mentions this curious faculty of our cognition on almost every page, there are only a few sporadic attempts at an interpretation of this "supreme Humean faculty." This may be due to the fact that until quite recently the 'problem of imagination' has hardly even belonged to the marginal topics of modern philosophy. This paper therefore attempts to demonstrate not only that Hume dealt with the phenomenon of imagination, but also that an analysis of this concept is of paramount significance for the understanding of his entire philosophy. In the first three sections three different faculties or functions of the imagination will be distinguished. Not only the artist's - 91 92. works, but also the insights of the scientist and the illusions of metaphysicians are, according to Hume, decisively based on this very cognitive faculty. Section 4 contains a brief discussion of the sceptical arguments of the Treatise, particularly of the Humean analysis of causation. Their impact on Hume's reflections on the problem of imagination is the topic of Section 5. I hope to prove that in the Enquiry Hume interprets these sceptical arguments differently than in the Treatise. While in his early work he feels himself exposed to Pyrrhonian doubts, he assumes the position of an 'academic sceptic' in the Enquiry. The concluding section eventually tries to determine which motives may have been decisive for Hume's change of opinion. I shall defend the thesis that in his late work Hume developed an 'ethics of belief on the basis of natural beliefs, in which the artistic capacity of the imagination assumes a decisive role in justifying philosophical and scientific propositions. 1. The Metaphysical Faculty of the Imagination In the Introduction to the Treatise Hume describes his endeavour as developing a propaedeutic basic science which should provide a better understanding of all products of the human mind (science, mathematics, metaphysics, ethics, aesthetics, politics). In the Abstract he calls his early work "a system of the sciences" (?7). Besides this empirical interest Hume saw the importance of justifying the choice of method, i.e. to extoll the experimental procedure as the only rational one. Metaphysical approaches are interpreted as products of a blind imagination. Beginning with the Introduction to the Treatise it has been a constant motive of Hume's philosophy to constrain metaphysics in order to make way for science. In the sections Of the effects of other relations and other habite (T106-117), Of unphilosophiaal probability 93. (T143-155), Of scepticism with regard to the senses (T187218 ), Of the antient philosophy (T219-225) Hume specifies those beliefs which, in his opinion, are based on figments of our imagination. He "had ^en that all the errors of philosophy arose from the fact that imagination determined men much more than they recognized - there could be no secure truth for him, then, until he had explored this aspect of the nature of man." He compares imagination to a ship which, having... (shrink)

The study is carried out in five chapters, with the first two offering a reconsideration of the function of the imagination in the Transcendental Deduction and Schematism of the first Critique. The last three follow the order of topics discussed by Kant in the third Critique in regard to judgments of taste, the sublime, and teleology; they conclude with an interpretation of "productive imagination" as a "model for the ideal of intellectual intuition". The comparison between "human and divine (...) spontaneity" is introduced in the first chapter, where Gibbons notes that while we have "Kant's explicit and repeated emphasis on the difference" between these, "in considering the similarity of these types of spontaneity," she wishes "to correct a possible imbalance in Kant's exposition": there are, she suggests, "formal similarities between these types of spontaneity". The main thrust of the first chapter is to respond to a particular reading of Kant—namely, to those unsympathetic interpreters who see in the Deductions an "imaginary subject of transcendental psychology" and also to those who give a "sympathetic reading" but do so in terms of an identification of "all aspects of synthesis with concept application," thereby reducing the "role of the transcendental synthesis of the imagination to that of unifying a manifold of intuition under a concept". Gibbons holds instead that the "theory of synthesis... focuses on the nature of human cognition and what is required for us to know anything about objects" and, further, that it presupposes "the broader function of the imagination as grounding the possibility of concept-application in the first place". (shrink)

Heidegger’s early project aims to articulate the form of our being as Dasein, and he says that for this usually hidden form to become accessible, a certain kind of “mood” is required of the philosopher. This “ground-mood” he identifies in Sein und Zeit as anxiety. He also, however, presents anxiety as a mood anyone, philosopher or not, experiences when there is some significant breakdown in the living of her life. I argue here that there are largely unrecognized problems with this (...) conflation of methodological and “existential” moods, but that there is nevertheless a compelling methodological account of anxiety that can be teased apart from the existentialist one: methodologically understood, anxiety is a self-affected state of the ontologist, one that results from her asking ontological questions of herself, and, by imagining crisis or breakdown, withdrawing from her determinate situation to a position where she can see the form of her own activity as questioner and imaginer. I draw out some consequences this has for how we should understand the place of ontological understanding in living one’s life, and I conclude by briefly showing how my reading helps us see Heidegger as developing key elements in the work of Descartes and Kant. (shrink)

In this paper I make four claims. First, there is an apparent contradiction in Spinoza’s theory of justice. On the one hand, in the Tractatus Theologico-Politicus (1670), he argues that justice is entirely conventional and depends on the ruler’s decision. On the other hand, in the later and unpublished Tractatus Politicus (1677), he claims that man really is a social animal and that we can articulate ideal forms of justice on that basis. Second, to address this apparent inconsistency, we need (...) to look at Spinoza’s use of early modern scholastic metaphysics. Although he rejects scholastic natural law theory, he has adopted another concept from the scholastics that is crucial for his theory: the notion of a ‘being of reason’ (ens rationis). Third, if we consider justice as a kind of being of reason, then we can resolve the apparent contradiction in Spinoza’s approach. I shall argue that concepts of justice are imaginative ‘beings of reason.’ They are products of convention that are not derived from general features of the world but from a particular set of circumstances. Fourth, Spinoza’s social ontology of political concepts like justice has some distinct advantages for contemporary theory. This approach shows how we might be able to provide a framework to integrate politics and natural science without reducing one to the other. (shrink)

This article examines Michael Oakeshott's peculiar understanding of religion and its connection to politics and public affairs in democratic societies. It considers Oakeshott's views on both the prominence of religion as an expression of practical life, and the conciliatory role of the religious imagination in human existence. Upon inspection, Oakeshott's notion of a reconciled form of religiosity appears to be devised to speak to problems of religious enthusiasm in liberal democracies. Oakeshott's response to challenges of religious enthusiasm is (...) insufficient and problematic, however, as is the conservative disposition he advocates for individual persons in democratic polities. (shrink)

How do we know the degree of imagination involved in knowing a reality? This is essentially an epistemological question. This essay discusses first the role of imagination in Polanyi’s epistemology since it is used here as the basis of integrative reality. The essay then discusses the degree of imagination involved in three types of integrative reality that are found respectively in technology, science, and humanities. It concludes with a discussion on the role of imagination (...) in education. (shrink)

Paul Ricoeur uncovered the creative aspect of language in his theory of metaphor. The metaphor is a special combination of words that as a clash of distant semantic fields forces the reader to interpret the sentence in a new way and see things in a new light. It is a process in which the imagination plays an important role. Ricoeur compares the metaphor to the Kantian schema which is a procedure to provide an image to a concept. The (...) image helps in the process of assimilating distant elements and thus to achieve a new interpretation. To change perspective the suspension of reference is also needed. The aim of this essay is to analyze the imaginative functions which are operative in the metaphor and look for an answer to the question about the role of the imagination as a productive power as well as a power of internal intuitions. (shrink)

This book departs from much of the scholarship on Kant by demonstrating the centrality of imagination to Kant's philosophy as a whole. In Kant's works, human experience is simultaneously passive and active, thought and sensed, free and unfree: these dualisms are ofen thought of as unfortunate byproducts of his system. Gibbons, however, shows that imagination performs a vital function in 'bridging gaps' between the different elements of cognition and experience. Thus, the role imagination plays in Kant's (...) works expresses his fundamental insight into the complexity of cognition for finite rational beings such as ourselves. Gibbons begins with an interpretation of synthesis which shows it to be a broader activity than most accounts suggest. Examining the first Critique, she presents a reading of the Transcendental Deduction and the chapter on Schematism that spells out the extraconceptual activities of imagination essential to cognition. This account of imagination is built upon in the Critique of Judgment, where Kant elaborates its role in characterizing the subjective conditions of judgement. Throughout, the cooperation of imagination and reason is highlighted; Gibbons shows that on Kant's account, human beings pursue reason's ideal ends through the provisional and continuing attempt to articulate them. This attempt involves an appeal to a shared social and historical imagination - thus, a full characterization of the subjective conditions of judgement must include the role of imagination. (shrink)

Many aspects of The Varieties of Religious Experience found their theoretical background in other books of James psychology or philosophy. In this article I try to connect his theory of imagination in The Principle of Psychology with his supernaturalism regarding religious experience. Both suppose a theory of the “feeling of reality” that explains how, under the working of imagination, abstract ideas or remote ideals can be perceived as real and lively, becoming motives for action, although they may not (...) have anything to do with sense experience. Although imagination is not mentioned in James’s doctrine of the will to believe, it is central in both understanding this doctrine as well as the overall vision of James psychology and philosophy of religion. Similarly, imagination is essential to grasp a better understanding of how ideas and ideals unite with reality in Dewey’s thoughts concerning religion. I find it useful, in order to have a better understanding of James position, to compare it with what Dewey has to say about it in A Common Faith. Contrasting their theories will show that James’s understanding of imagination can only be understood if rooted in a kind of realism about the ‘unseen universe’. (shrink)

Recent literature on social movements assigns a central role to the imagination. One way for activists to further their aims is through dramatic, confrontational acts of protest. I argue that transcendent imagining is key to understanding what protest does qua act of speech. A common approach to protest sees it as a speech act of condemning some feature of the socio-political world and appealing for change. While this is a helpful general template for what vocal dissent is, it (...) is insufficient to explain what gives protests their political power. Specifically, it overlooks the fact that effective protests usually create a theatrical spectacle of norm breaking. Displays of defiance lift a constraint on how we imagine our socio-political world, and so allow us to begin reshaping it. (shrink)

This book departs from much of the scholarship on Kant by demonstrating the centrality of imagination to Kant's philosophy as a whole. In Kant's works, human experience is simultaneously passive and active, thought and sensed, free and unfree: these dualisms are often thought of as unfortunate byproducts of his system. Gibbons, however, shows that imagination performs a vital function in "bridging gaps" between the different elements of cognition and experience. Thus, the role imagination plays in Kant's (...) works expresses his fundamental insight into the complexity of cognition for finite rational beings such as ourselves. (shrink)

The nominalistic ontology of Kotarbinski, Slupecki and Tarski does not provide any direct interpretations of the sets of higher types which play important roles in type theory and in set theory. For this and other reasons I will interpret those theories as descriptions of some finite structures which are actually constructed in human imaginations and stored in their memories. Those structures will be described in this lecture. They are hinted by the idea of Skolem functions and Hilbert's -symbols, and they (...) constitute a finitistic modification of Tarski's concept of a model. They suggest also a form of the evolutionary process which leads to the development of human intelligence and language. (shrink)

This book departs from much of the scholarship on Kant by demonstrating the centrality of imagination to Kant's philosophy as a whole. In Kant's works, human experience is simultaneously passive and active, thought and sensed, free and unfree: these dualisms are often thought of as unfortunate byproducts of his system. Gibbons, however, shows that imagination performs a vital function in "bridging gaps" between the different elements of cognition and experience. Thus, the role imagination plays in Kant's (...) works expresses his fundamental insight into the complexity of cognition for finite rational beings such as ourselves. (shrink)

While refutation is usually related to Plato's early, Socratic, dialogues, this paper is aimed at exploring the link between refutation and dialectic in some of his middle and late dialogues. First, it argues that refutation assumes a constructive role in the Phaedo, where the best logos is the least refutable, and also in the Republic, where the philosopher is invited to fight his way through all elenchoi. Then, it tries to show that the gymnasia of Prm. 130a ff. is (...) aimed at training young Socrates to come to the aid of the theory he embraces preventing it from being refuted. He should travel and explore all the paths, by assuming a hypothesis as well as the opposite one. This methodology paves the way on which Plato advances in the Sophist, where the antinomic structure of the gymnasia gives way to a “constructive” dialectic in which the aporia is solved and a thesis is established by refutation. The last section of this paper is devoted to analysing Sph. 251c-252e, where the positive and constructive function of the elenchus is especially clear. Plato argues for the symploke eidon by exploring all the hypotheses that are open to the search and refuting those that ultimately represent obstacles to his position. The symploke is the truth which remains when all the hypotheses that contradict it have been refuted. The conclusion is that the elenchus does not disappear but is put at the service of the truth, as an essential part of the method for attaining a positive doctrine. (shrink)

On the basis of Buber’s distinction between “I-It” and “I-Thou” relationships, this paper explores the role of sex in intimate relationships by analyzing research in the fields of psychoanalysis and attachment theory. In the “I-Thou” relationship mode, both parties are often able to fully participate in the current sexual behavior and respond wholeheartedly. When there is incoordination in sexual activities, they can negotiate sincerely, and can even repair the relationship if it breaks down. In the “I-It” relationship mode, sex (...) exists more as a tool to achieve a certain purpose, and the intersubjective relatedness is abnormal: either the boundary will be blurred and others become my vassal or I become others’ vassal ; or the relatedness will be cut off, leading to loneliness or false independence. (shrink)

This research aims to examine the Indonesian Ulema Council’s (MUI) fatwa strategy on COVID-19 vaccination booster, which employed religious narrations and laboratory test evidence to justify its arguments. Religious texts become ideological frames that are legitimate and effective in influencing the human senses. This study uses maqashid al-Qur’an as approach. Hence, the use of text of the Qur’an, hadith, and quotations from various ulema’s opinions elucidates the vaccination aim under Islamic law. Based on the MUI fatwa, the primary purpose of (...) the vaccinations is for the sake of national benefits, whereas, from the perspective of maqashid al-Qur’an, it mainly leads to the preservation of the Indonesian people’s life as a whole. The COVID-19 vaccination carried out in Indonesia is for curative purposes; consequently, this programme is classified into the daruriyah [urgent] category. The results revealed that religious authority plays a crucial role in persuading its adherents.Contribution: This research shows that interpreting the Qur’anic verses using the maqashid theory should also be integrated with a scientific approach for the benefit of humanity. (shrink)

This book offers a unique account of the role imagination plays in advancing the course of freedom's actualization. It draws on Paul Ricoeur's philosophical anthropology of the capable human being as the staging ground for an extended inquiry into the challenges of making freedom a reality within the history of humankind. This book locates the abilities we exercise as capable human beings at the heart of a sustained analysis and reflection on the place of the idea of justice (...) in a hermeneutics for which every expectation regarding rights, liberties, and opportunities must be a hope for humanity as a whole. The vision of a reconciled humanity that for Ricoeur figures in a philosophy of the will provides an initial touchstone for a hermeneutics of liberation rooted in a philosophical anthropology for which the pathétique of human misery is its non- or pre-philosophical source. By setting the idea of the humanity in each of us against the backdrop of the necessity of preserving the tension between the space of our experiences and the horizons of our expectations, the book identifies the ethical and political dimensions of the idea of justice's federating force with the imperative of respect. Paul Ricoeur's Philosophical Anthropology as Hermeneutics of Liberation will be of interest to scholars and advanced students working in hermeneutics, phenomenology, ethics, political theory, and aesthetics. (shrink)

Epicurus holds, in _Key Doctrine_ 31, that what is just according to nature is a _súmbolon_ or sign of the interest there is in neither harming one another nor being harmed. Certain readings of this maxim equivocate this legal sign with other signs found in nature, thereby failing to give sufficient weight to the role of reciprocity in its production. Other readings simply import a legal sense from outside of Epicurean doctrine, thereby failing to explain what makes Epicurean _súmbola_ (...) legal. A final set of readings attempt to find a legal rule as a kind of innate concept or Kantian ‘scheme’. This article identifies new sources for understanding _súmbolon_, drawn principally but not exclusively from Aristotle’s _Eudemian Ethics_. This article offers an original argument that Epicurus adopts Aristotle’s’ image of the tally stick (_symbolon_) as a meeting of often divergent interests which constitutes something new and particularly valuable to the Epicurean: friendship. A theoretical argument is also advanced to support this reading which claims that one person’s reflection on a ‘divine image’ of the end (_telos_) is insufficient to constitute a _súmbolon_; rather real (as opposed to abstract or ideal) individual interests are filtered via the mechanism of the tally, that is via the meeting of two given individuals who together generate a sign (_symbolon_) of reciprocal interest in neither harming nor being harmed. (shrink)

Experiments in cognitive neuroscience build a setup whose set of controlled stimuli and rules elicits a cognitive process in a participant. This setup requires researchers to decide the value of quite a few parameters along several dimensions. We call ‘’contextual factors’’ the parameters often assumed not to change the cognitive process elicited and are free to vary across the experiment’s repetitions. Against this assumption, empirical evidence shows that many of these contextual factors can significantly influence cognitive performance. Nevertheless, it is (...) not entirely clear what it means for a cognitive phenomenon to be context-sensitive and how to identify context-sensitivity experimentally. We claim that a phenomenon can be context-sensitive either because it is only triggered within a specific context or because different contexts change its manifestation conditions. Assessing which of these forms of context-sensitivity is present in a given phenomenon requires a criterion for individuating it across contextual variations. We argue that some inter-level experiments that, within the mechanistic approach to explanation, are required to identify relations of constitutive relevance between a phenomenon and a mechanism, are also necessary for individuating the phenomenon across its contextual variations. We articulate a criterion according to which behavioral variations across contexts indicate different phenomena if and only if the mechanistic activities, components and/or organizational properties recruited in each context are different. We support this approach by showing how it is applied in paradigmatic studies addressing cognitive performance differences resulting from contextual variations of task features, such as stimulus type and response modality. Finally, we address the challenge that a form of context-sensitivity possessed by the so-called ‘multifunctional mechanisms’ is incompatible with our proposal because it entails that the same mechanism can be recruited in different contexts to produce different phenomena. We examine key cases of multifunctionality and argue that they are consistent with our proposal because a single mechanism can have different components, activities and/or organizational properties in different contexts. Thus, these modifications may not affect the identity of a mechanism, and they could explain how it produced different phenomena in those contexts. (shrink)

How do scientists and theologians conceive new ways of mapping the world? Can parallels be found between the images they use, or the models they offer when new questions arise? I will explore Albert Einstein’s views on scientific imagination with the goal of contributing – at least within his own perspective – to answering these questions. Drawing on McGrath, I will first briefly describe Einstein’s desire for a unified vision of reality, the links between science and a ‘cosmic religion’, (...) and his overall ideas on transcendence. I will later further develop Einstein’s fundamental features of a cosmovision that grounds his work in physics, and encompasses his philosophical views on human existence and his general way of seeing the world. I will focus on Ideas and Opinions (1982), which will allow me to set the broad picture of his theory of everything and, at the same time, bring up the central aspects of Einstein’s ideas on the scientific imagination. Finally, I will briefly summarise my conclusions concerning Einstein’s views on the nature of scientific imagination as a mental device, especially regarding its twofold role in what I call ‘visual image play’ and conceptualization. (shrink)

First published in 1990. This title, originally a Ph. D. dissertation submitted to the Department of Philosophy at Harvard University in July 1988, grew out of an interest in the foundations of twentieth-century analytic philosophy. Believing that the idea of the primacy of judgment was an important one for understanding more recent issues in analytic philosophy, the author started to think about its historical antecedents. By examining Kant’s _Critique of Judgement_, Ginsborg explores the notion of a judgment of taste, as (...) a judgment which has intersubjective validity without being objectively valid, and therefore bear’s directly on the notion of the primacy of judgment as an aspect of Kant's account of objectivity. This title will be of interest to students of philosophy. (shrink)

The present monograph is devoted to the principal problems of quantum mechanics and is based on the conception first stated in my course on 'Fundamentals of Quantum Mechanics'. The scope and purpose of the above course did not allow some principal questions to be brought out as fully as they deserved, and besides, some important points were only very recently developed to a sufficient extent. This refers especially to the analysis of the action of the measuring instrument, whose dual (...) class='Hi'>role as an analyser of a quantum ensemble and as a detector of individual events was insufficiently elucidated. The reader will find that the present monograph is concerned more with theoretical physics than with philosophy. However, I have never separated Weltanschauung from science (and particularly theoretical physics) so that the philosophical implications are also discussed, justi fying publication in the philosophical series. In conclusion, I should like to thank the publisher and the translator, whose initiative and effort have made it possible for the book to reach the English-speaking reader. (shrink)

Nelson Goodman’s theory of symbol systems expounded in his Languages of Art has been frequently criticized on many counts (cf. list of secondary literature in the entry “Goodman’s Aesthetics” of Stanford Encyclopedia of Philosophy and Sect. 3 below). Yet it exerts a strong influence and is treated as one of the major twentieth-century theories on the subject. While many of Goodman’s controversial theses are criticized, the technical notions he used to formulate them seem to have been treated as neutral tools. (...) One such technical notion is that of the density of symbol systems. This serves to distinguish linguistic symbols from pictorial representations (after Goodman entirely rejected resemblance in that role) and is a crucial part of Goodman’s explanation of what constitutes aesthetic experience (and so indirectly what is art). Thus its significance for Goodman’s theory is fundamental. The aim of this paper is a detailed, logical analysis of this notion. It turns out that Goodman’s definition is highly problematic and cannot be applied to symbol systems in the way Goodman envisaged. To conclude, Goodman’s theory is problematic not just because of its controversial theses but also because of logical problems with the technical notions used at its very core. Hence the controversial claims are not simply contestable, but inaccurately expressed. (shrink)

Does the recent success of Podemos and Syriza herald a new era of inclusive, egalitarian left populism? Because leaders of both parties are former students of Ernesto Laclau and cite his account of populism as guiding their political practice, this essay considers whether his theory supports hope for a new kind of populism. For Laclau, the essence of populism is an “empty signifier” that provides a means by which anyone can identify with the people as a whole. However, the concept (...) of the empty signifier is not as neutral as he assumes. As I show by analyzing the role of race in his theory, some subjects are constituted in a way that prevents their unmediated identification with the people. Consequently, Laclau’s view should be read as symptomatic of the problems with populist logic if its adherents are to avoid reproducing its exclusions and practice a more inclusive politics. (shrink)

Hannah Arendt’s work is notably ambiguous in handling the concept of will. On the one hand, willing appears as an anti-political faculty; on the other, it is named as the spring of political action. This paper asks what does this shift mean to her political theory —hoping that it could also help us to think our current political conflicts. The main argument is that will’s consistency with the plurality of public-political life becomes intelligible only if we have in mind its (...) contentious feature as well as its bonding role among the several faculties that compose a multiple self. However, the anti-political notion of the will as a command that imposes itself as a sovereign decision seems hard to avoid. I conclude by suggesting that Arendt’s reappraisal removes its arbitrary and violent character by means of what she calls the transformation of will into love. (shrink)

In his new book the eminent Kant scholar Henry Allison provides an innovative and comprehensive interpretation of Kant's concept of freedom. The author analyzes the concept and discusses the role it plays in Kant's moral philosophy and psychology. He also considers in full detail the critical literature on the subject from Kant's own time to the present day. In the first part Professor Allison argues that at the centre of the Critique of Pure Reason there is the foundation for (...) a coherent general theory of rational agency. The second part employs this account of rational agency as a key to understanding Kant's concept of moral agency and associated moral psychology. The third part focuses on Kant's attempt to ground both moral law and freedom in the Groundwork and the Critique of Practical Reason. This is a major contribution to the interpretation of Kant which will be of special interest to scholars and graduate students of Kant's moral theory. (shrink)

In this paper, I provide an account of the role of the associative function of the imagination in causal cognition for Kant. I consider, first, Kant’s treatment of the imaginative faculty in the student notes to Kant’s lectures on anthropology in the 1770s, with the aim of working up a more-or-less comprehensive taxonomy of its various sub-faculties. I then turn to Kant’s account of the activity of the imagination, particularly in accordance with the law of association, in (...) the theory of cognition presented in the notes, and show that Kant, apparently in spite of Hume, takes the result of this activity as the basis for causal cognition. I then contend that Kant’s treatment of affinity in the A edition Deduction is animated precisely by his concern to shore up his previous account of causal cognition against Hume’s sceptical challenge. (shrink)