- "Shadow-lands": The Suffering Image.Gavin Keeney - manuscriptdetails
- Why Philosophy of Language is Unreliable for Understanding Unreliable Filmic Narration.Marc Champagne - 2022 - Epistemology and Philosophy of Science 59 (2):43-50.details
- Análisis cinematográfico de la película peruana Jarjacha. El demonio del incesto (2000). Perspectivas de Gilles Deleuze y Alain Badiou.Jesús Miguel Delgado Del Aguila - 2022 - Opuntia Brava 13 (3):217-228.details
- La transgresión de lo tradicional y el código ético en Un perro andaluz (filme 1929).Jesús Miguel Delgado Del Aguila - 2021 - Ciencia y Desarrollo 25 (1):27-35.details
- «VI Congreso Internacional de Narrativa Fantástica 2019 (Lima, Perú)» (resumen).Jesús Miguel Delgado Del Aguila - 2021 - Revista Ciencia Multidisciplinaria CUNORI 5 (1):153-162.details
- Accidents Made Permanent: Theater and Automatism in Stanley Cavell, Michael Fried, and Matías Piñeiro.Byron Davies - 2020 - Modern Language Notes 135 (5):1283-1314.details
- The Post-Human Media Semblance: Predictive Catastrophism.Ekin Erkan - 2020 - Rhizomes: Cultural Studies in Emerging Knowledge 36.details
- Remember the Medium! Film, Medium Specificity, and Response-Dependence.Clotilde Torregrossa - 2020 - Dissertation, University of St. Andrewsdetails
- On Levi R. Bryant’s “Dim Media” by Ekin Erkan.Ekin Erkan - 2019 - MediaCommons 5:1-20.details
- L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.details
- Media and Moral Education: a philosophy of critical engagement.Laura D'olimpio - 2018 - London, UK: Routledge.details
- Artistic Medium.Wack Daniel - 2017 - Internet Encyclopedia of Philosophy.details
- Hypertext. Eine Schrift für vernetzte, dynamische Schreibmaschinen (1965).Christian Vater - 2017 - In Christian Vater, Ludger Lieb, Christian Witschel & Michaela Böttner (eds.), 5300 Jahre Schrift. Heidelberg: Wunderhorn. pp. 166-169.details
- Reading Rainer Fassbinder’s adaptation Fontane Effi Briest.Adile Aslan Almond - 2016 - Cultura 13 (2):83-102.details
- L’avance de l’avenir.Anna Caterina Dalmasso - 2016 - Cités 66 (2):169.details
- Versuch über die Veränderung. Zu Breaking Bad.Thomas Khurana - 2016 - WestEnd. Neue Zeitschrift für Sozialforschung 13 (2):25-52.details
- The Camera Movement in Relation to Narration in Animated Films: a Practice-Oriented Study.Hadis Malekie & Mohammad Reza Hosnaee - 2016 - Journal of Dramatic Arts and Music 6 (11):81-95.details
- Abstrakt - Affektiv - Multimodal. Zur Verarbeitung von Bewegtbildern im Anschluss an Cassirer, Langer und Krois.Martina Sauer - 2016 - In Lars Christian Grabbe, Patrick Rupert-Kruse & Norbert M. Schmitz (eds.), Bildkörper. Zum Verhältnis von Bildtechnologien und Embodiment. Kiel, Germany: Büchner-Verlag. pp. 46-71.details
- Screening the Psychological Laboratory: Hugo Münsterberg, Psychotechnics, and the Cinema, 1892–1916.Jeremy Blatter - 2015 - Science in Context 28 (1):53-76.details
- Postnaturalism.Shane Denson - 2014 - Bielefeld: Transcript.details
- Die Wiederkehr der Dinge.Friedrich Balke, Maria Muhle & Antonia von Schöning (eds.) - 2011 - Kadmos.details
- Schon da und noch im Kommen. Zur Zeitlichkeit des Mediums Sinn.Thomas Khurana - 2011 - In Christian Kiening, Alexandra Prica & Benno Wirz (eds.), Wiederkehr und Verheißung. Zürich: Chronos Verlag. pp. 43–64.details
- Movie-games and game-movies: towards an aesthetics of transmediality.Douglas Brown & Tanya Krzywinska - 2009 - In Warren Buckland (ed.), Film Theory and Contemporary Hollywood Movies. Routledge.details
- Medialität und Zeichen.Thomas Pruisken - 2007 - Würzburg: Könighausen & Neumann.details
- Die Form des Mediums: Niklas Luhmann.Thomas Khurana - 2004 - In David Lauer & Alice Lagaay (eds.), Medientheorien. Eine philosophische Einführung. Frankfurt/New York: Campus. pp. 69–88.details
- Cinematic Nature: Hollywood Technology, Popular Culture, and the American Museum of Natural History.Gregg Mitman - 1993 - Isis 84:637-661.details
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