In this book, ten essays examine the contributions made to the issue of the philosophical significance of grammar by Frege, Russell, Bradley, Husserl, Wittgenstein, Carnap and Heidegger.

The idea of Hellenism : what the Greeks created -- The ideal of Homer and the ideas of the philosophers -- Cities and citizens : a gazetteer.

Between 1903 and 1918 Russell made a number of attempts to understand the unity of the proposition, but his attempts all foundered on his failure clearly to distinguish between different senses in which the relation R might be said to relate a and b in the proposition aRb: he failed to distinguish between the relation as truth-maker and the relation as unifier, and consequently committed himself again and again to the unacceptable consequence that only true propositions are genuinely unified. There (...) is an anticipation of this confusion in the writings of the fourteenth-century philosopher Richard Brinkley. (shrink)

At "Categories" 12b5-16 Aristotle appears to regard the referents of declarative sentences, such as "Socrates is sitting," as what later writers were to call "complexe significabilia," i.e., items such as that Socrates is sitting. Simplicius' discussion of this passage in his commentary on the "Categories" clearly shows the influence of Stoic philosophy of language; but, if we follow the text printed by Kalbfleisch, Simplicius' commentary is seen to be a muddle of Stoic and Aristotelian elements, neither properly understood. It is (...) possible, however, by making a crucial emendation to the text, to preserve the Aristotelian integrity of Simplicius' theory of meaning. On that line Simplicius would be adopting the view that a declarative sentence refers to a thought in the first instance and a "complexe significabile" in the second instance. This view is plausibly the upshot of combining the "Categories" text with the first chapter of "De Interpretatione.". (shrink)

We analyse Reach's puzzle, according to which it is impossible to be told anyone's name, because the statement conveying it can be understood only by someone who already knows what it says. We argue that the puzzle can be solved by adverting to the systematic nature of mention when it involves the use of standard quotation marks or similar devices. We then discuss mention more generally and outline an account according to which any mentioning expressions that are competent to solve (...) Reach's puzzle – and in particular those consisting of standard quotation marks and their fillings – have a descriptive analysis: we rebut the usual objections to this account, and show how it is superior to some of the alternatives in the literature. We conclude by briefly connecting the foregoing discussions with semantic theory. (shrink)

David Hume is one of the most provocative philosophers to have written in English. His Dialogues ask if a belief in God can be inferred from what is known of the universe, or whether such a belief is even consistent with such knowledge. The Natural History of Religion investigates the origins of belief, and follows its development from polytheism to dogmatic monotheism. Together, these works constitute the most formidable attack upon religious belief ever mounted by a philosopher. This new edition (...) includes Section XI of The Enquiry Concerning Human Understanding and a letter by Hume in which he discusses Dialogues. (shrink)

Business Ethics: A European Review, EarlyView.

This volume, including sixteen contributions, analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking. It sheds new light on classical theories and examines neglected sources, both Greek and Latin.

Richard Gaskin analyses what is distinctive about sentences and the propositions they express--what marks them off from mere aggregates of words and meanings respectively. Since he identifies the world with all the true and false propositions, his account has significant implications for our understanding of the nature of reality.

Richard Gaskin presents a work in the philosophy of language.

Preliminaries: Terminology and Notation We may make a distinction between temporally definite and temporally indefinite sentences. ...

This book defends a version of linguistic idealism, the thesis that the world is a product of language. In the course of defending this radical thesis, Gaskin addresses a wide range of topics in contemporary metaphysics, philosophy of language, philosophical logic, and syntax theory. Starting from the context and compositionality principles, and the idea of a systematic theory of meaning in the Tarski-Davidson tradition, Gaskin argues that the sentence is the primary unit of linguistic meaning, and that the (...) main aspects of meaning, sense and reference, are themselves theoretical posits. Ontology, which is correlative with reference, emerges as language-driven. This linguistic idealism is combined with a realism that accepts the objectivity of science, and it is accordingly distinguished from empirical pragmatism. Gaskin contends that there is a basic metaphysical level at which everything is expressible in language; but the vindication of linguistic idealism is nuanced inasmuch as there is also a derived level, asymmetrically dependant on the basic level, at which reality can break free of language and reach into the realms of the unnameable and indescribable. Language and World will be of interest to scholars and advanced students working in metaphysics, philosophy of language, and linguistics. (shrink)

Public and professional debates have come to rely heavily on a special type of reasoning: the argument-from-ignorance, in which conclusions depend on the _lack_ of compelling information. "I win my argument," says the skillful advocate, "unless you can prove that I am wrong." This extraordinary gambit has been largely ignored in modern rhetorical and philosophical studies. Yet its broad force can be demonstrated by analogy with the modern legal system, where courts have long manipulated burdens of proof with skill and (...) subtlety. This legal, philosophical, and rhetorical study by Richard H. Gaskins provides the first systematic treatment of arguments-from-ignorance across a wide range of modern discourse—from constitutional law, scientific inquiry, and moral philosophy to organizational behavior, computer operation, and personal interaction. Gaskins reviews the historic shifts in constitutional proof burdens that have shaped public debate on fundamental rights and, by analogy, on the fundamental status of intellectual and cultural authority. He shows how similar shifts have dominated polemical battles between scientific and ethical modes of authority, affecting both academic and popular discussion. Finally, he discovers the philosophical roots of default reasoning strategies in the arguments of Kant and nineteenth-century Kantian schools. Concluding that shifting proof burdens are inescapable in a world of scientific and moral uncertainty, Gaskins emphasizes the common strategic ground shared by dogmatic and skeptical reasoning. Using Hegelian strategies, he describes a more pluralistic temper that can move critical thinking beyond polemics and strengthen our capacities for common discourse. (shrink)

John McDowell's "minimal empiricism" is one of the most influential and widely discussed doctrines in contemporary philosophy. Richard Gaskin subjects it to careful examination and criticism, arguing that it has unacceptable consequences, and in particular that it mistakenly rules out something we all know to be the case: that infants and non-human animals experience a world. Gaskin traces the errors in McDowell's empiricism to their source, and presents his own, still more minimal, version of empiricism, suggesting that a (...) correct philosophy of language requires us to recognize a sense in which the world we experience speaks its own language. (shrink)

Richard Gaskin offers an original defence of literary humanism, according to which works of imaginative literature have an objective meaning which is fixed at the time of production and not subject to individual readers' responses. He shows that the appreciation of literature is a cognitive activity fully on a par with scientific investigation.

If we make the basic assumption that the components of a proposition have reference on the model of proper name and bearer, we face the problem of distinguishing the proposition from a mere list' of names. We neutralize the problem posed by that assumption of we first of all follow Wiggins and distinguish, in every predicate, a strictly predicative element (the copula), and a strictly non-predicative conceptual component (available to be quantified over). If we further allow the copula itself to (...) conform to the basic assumption, a regress ( Bradley's regress') arises: the referent of the copula will be instantiation, the instantiation of instantiation etc. To avert the regress, Wiggins simply legislates that the basic assumption is to fail for the copula. But we are entitled to regard the regress as constitution not a difficulty, but the solution: the infinitism it imports (capturable in a finitistic theory of meaning) is just what the unity of the proposition "is". (edited). (shrink)

Is there an explanation of why the state of x's bearing the non-symmetric binary relation R to y is different from its differential opposite, the state of y's bearing R to x? One traditional view has it that the explanation is that non-symmetric relations hold of objects in an essentially directional way, ordering the relevant relata. We call this view ‘directionalism’. Kit Fine has suggested that this approach is subject to significant metaphysical difficulties, sufficient to motivate seeking an alternative analysis. (...) He considers two such alternative explanations, which he labels ‘positionalism’ and ‘anti-positionalism’. Of these he endorses the latter. We argue that anti-positionalism fails to provide a coherent explanation of the distinction between differential opposites, and that one should simply hold the minimalist position that there is no explanation for this metaphysical difference. (shrink)

It is often held to be definitive of consciousness that there is something it is like to be in a conscious state. A consensus has arisen that ‘is like’ in relevant ‘what it is like’ locutions does not mean ‘resembles’. This paper argues that the consensus is mistaken. It is argued that a recently proposed ‘affective’ analysis of these locutions fails, but that a purported rival of the resemblance analysis, the property account, is in fact compatible with it. Some of (...) the implications of this argument are briefly explored: it is suggested that the meaning of ‘what it’s like’ does not, in itself, have any special bearing on consciousness, and that the implications for the so-called ‘hard problem’ of consciousness are deflationary. (shrink)

The paper contains a general argument for linguistic idealism, which it approaches by way of some considerations relating to the unity of the proposition and Tractarian metaphysics. Language exhibits a function–argument structure, but does it do so because it is reflecting how things are in the world, or does the relation of dependence run in the other direction? The paper argues that the general structure of the world is asymmetrically dependent on a metaphysically prior fact about language, namely that it (...) exhibits subject–predicate structure. (shrink)

Dr Ian Ramsey has made considerable use of the word ‘disclosure’ in what he has to say about religion and in his attempts to give an account of the meaning of religious language. He sometimes speaks of ‘discernment’ or ‘insight’ but ‘disclosure’ is the word he normally favours. In what follows I shall ask: what a disclosure is, to what extent Dr Ramsey's use of the notion leads to confusions, and what questions have to be faced in order to resolve (...) these confusions. (shrink)

Hume's doctrine of natural belief allows that certain beliefs are justifiably held by all men without regard to the quality of the evidence which may be produced in their favour. Examples are belief in an external world and belief in the veracity of our senses. According to R. J. Butler, Hume argues in the Dialogues that belief in God is of this sort. More recently John Hick has argued that for some people it is as natural to believe in God (...) as to believe in an external world. I shall first inquire what Hume understands by reasonable belief and by natural belief. I shall then use the results of this investigation to argue, against Butler, that belief in God is not a natural belief; and against Hick, more briefly, that his thesis is not viable in as far as it depends upon Hume's doctrine of natural belief. These discussions are important to the philosophy of religion since by means of natural beliefs it could be urged that belief in God is something justifiable without reference to reason or evidence: a position which would be of immense value to the theist. (shrink)

Bruno Snell has made familiar a certain thesis about the Homeric poems, to the effect that these poems depict a primitive form of mindedness. The area of mindedness concerned is agency, and the content of the thesis is that Homeric agents are not agents in the fullest sense: they do not make choices in clear self-awareness of what they are doing; choices are made for them rather than by them; in some cases the instigators of action are gods, in other (...) cases they are forces acting internally on the agent and over which he has no control. Homeric heroes act in the way Descartes thought an animal acts: agitur, non agit. Such agents ‘handeln nicht eigentlich , sondern sie reagieren’. The model of the agent which we nowadays have is roughly of a self which determines, rather than is determined to, action; the self arrives at this determination by considering available reasons for action in the light of its overall purposes, and it moves to action in full self-consciousness of what it is doing, and why. This model of action, Snell claims, is not met in Greek literature before the tragedians. I think anyone ought to concede that there is some difference between the way Homer portrays decision-making and the way it is portrayed in tragedy ; but has Snell located the difference in the right place? I shall argue in this paper that he has not. (shrink)

In an article in Philosophy R. G. Swinburne set out to argue that none of Hume's formal objections to the design argument ‘have any validity against a carefully articulated version of the argument’ . This, he maintained, is largely because Hume's criticisms ‘are bad criticisms of the argument in any form’ . The ensuing controversy between Swinburne and Olding 1 has focused upon the acceptable/unacceptable aspects of the dualism presupposed in Swinburne's defence of the design argument; upon whether any simplification (...) is achieved by reducing scientific explanation to agent explanation; and upon the problems which arise from taking a man's acting upon his body as the analogy for understanding a disembodied agent acting upon matter. In this article I shall refer to the Swinburne-Olding controversy when appropriate but my main concern is to return to Swinburne's original article and argue, seriatim , that Hume's individual criticisms of the design argument are for the most part a great deal more powerful than Swinburne allowed. I shall contend that cumulatively they destroy the design argument as any sort of rational foundation for theistic belief. But first I shall indicate briefly the character of the argument together with one or two of the distinctions and refinements in terms of which it has been found helpful to carry on the discussion in recent years. (shrink)

We analyse Reach's puzzle, according to which it is impossible to be told anyone's name, because the statement conveying it can be understood only by someone who already knows what it says. We argue that the puzzle can be solved by adverting to the systematic nature of mention when it involves the use of standard quotation marks or similar devices. We then discuss mention more generally and outline an account according to which any mentioning expressions that are competent to solve (...) Reach's puzzle – and in particular those consisting of standard quotation marks and their fillings – have a descriptive analysis: we rebut the usual objections to this account, and show how it is superior to some of the alternatives in the literature. We conclude by briefly connecting the foregoing discussions with semantic theory. (shrink)

He that is to govern a whole nation, must read in himself, not this, or that particular man; but mankind. Leviathan is both a magnificent literary achievement and the greatest work of political philosophy in the English language. Permanently challenging, it has found new applications and new refutations in every generation. This new edition reproduces the first printed text, retaining the original punctuation but modernizing the spelling. It offers the most useful annotation available, an introduction that guides the reader through (...) the complexities of Hobbes's arguments, and a substantial index. (shrink)

The paper offers a disjunctivist solution to the paradox of tragedy. The first part of the paper defends a version of disjunctivism as that doctrine is understood in the epistemology of perception, and contrasts it with its rival, conjunctivism. In the second part of the paper, it is argued that the traditional paradox of tragedy—the question why tragedy gives pleasure—can be solved by adopting a disjunctivist approach to the relevant felt emotions. The tragic audience does not really feel ‘sorrow, terror, (...) anxiety’ (so Hume), but simulacra thereof, emotions which resemble the originals in certain respects but which have quite different connections with action. A conjunctivist approach to the paradox discerns a ‘highest common factor’ in both non-fictional and fictional scenarios: but this is not only phenomenologically implausible; it decouples the agent from the actions that are essentially keyed to particular emotions, and so splits the self. (shrink)

Bruno Snell has made familiar a certain thesis about the Homeric poems, to the effect that these poems depict a primitive form of mindedness. The area of mindedness concerned is agency, and the content of the thesis is that Homeric agents are not agents in the fullest sense: they do not make choices in clear self-awareness of what they are doing; choices are made for them rather than by them; in some cases the instigators of action are gods, in other (...) cases they are forces acting internally on the agent and over which he has no control. Homeric heroes act in the way Descartes thought an animal acts: agitur, non agit. Such agents ‘handeln nicht eigentlich, sondern sie reagieren’. The model of the agent which we nowadays have is roughly of a self which determines, rather than is determined to, action; the self arrives at this determination by considering available reasons for action in the light of its overall purposes, and it moves to action in full self-consciousness of what it is doing, and why. This model of action, Snell claims, is not met in Greek literature before the tragedians. I think anyone ought to concede that there is some difference between the way Homer portrays decision-making and the way it is portrayed in tragedy ; but has Snell located the difference in the right place? I shall argue in this paper that he has not. (shrink)

The doctrine of Middle Knowledge presupposes that conditionals of freedom (statements of the form 'If A were circumstances C, he would perform X') can be true. Such conditions are, where true, not true in virtue of the truth of any categorical proposition. Nor can their truth be modelled in terms of comparative similarity of possible worlds, because the structure of possible worlds is a necessary one, whereas the connection between antecedent and consequent of a conditional of freedom is a contingent (...) one. Lewis and Stalmaker are committed to 'conditional fatalism', the view that things only would go a certain way if they would have to go that way. Although commitment to conditional fatalism does not itself import a commitment to fatalism, it is hard to find a separate motivation for it. (shrink)

This book is an English version of a book published in 1984 in French, the aim of which was to give a reconstruction of Diodorus Cronus's Master Argument, together with a historical analysis of some of the central modal notions on which it draws. In preparing the English text, Vuillemin has made some changes to the logic of his reconstruction of Diodorus's Argument and added an epilogue. The Master Argument consisted of three premises: Every past truth is necessary, The impossible (...) does not follow from the possible, and Something is possible which neither is nor will be true. Diodorus claimed that these premises are inconsistent, and purported to derive the negation of the third premise, which is plausibly to be identified with the principle of plenitude, from the first two premises. (shrink)