This volume considers forms of information manipulation and restriction in contemporary society. It explores whether and when manipulation of the conditions of inquiry without the consent of those manipulated is morally or epistemically justified. The contributors provide a wealth of examples of manipulation, and debate whether epistemic paternalism is distinct from other forms of paternalism debated in political theory. Special attention is given to medical practice, for science communication, and for research in science, technology, and society. Some of the contributors (...) argue that unconsenting interference with people’s ability of inquire is consistent with, and others that it is inconsistent with, efforts to democratize knowledge and decision-making. -/- These differences invite theoretical reflection regarding which goods are fundamental, whether there is a clear or only a moving boundary between informing and instructing, and whether manipulation of people’s epistemic conditions amounts to a type of intellectual injustice. The collection pays special attention to contemporary paternalistic practices in big data and scientific research, as the way in which the flow of information or knowledge might be curtailed by the manipulations of a small body of experts or algorithms. (shrink)

In Book 19, chapter 9 of the Nodes Atticae Gellius describes the birthday party of a young Greek of equestrian rank at which a group of professional singers entertained the guests by performing poems by Anacreon, Sappho, ‘et poetarum quoque recentium λεγεα quaedam erotica’ . After the singing, Gellius goes on, some of the Greek συμπόται present challenged Roman achievements in erotic poetry, excepting only Catullus and Calvus, and criticized in particular Laevius, Hortensius, Cinna, and Memmius. Rising to meet this (...) charge, Gellius’ teacher of rhetoric, Antonius Julianus, admits the superiority of the Greeks in what he calls ‘cantilenarum mollitiae’ in general , but to show that the Romans too have some good erotic poets, he recites four early Latin love epigrams, by Valerius Aedituus , Porcius Licinus , and Lutatius Catulus . The same three poets are listed in the same order in Apuleius’ Apology in a list of amatory poets which he provides in order to establish precedents and thus invalidate his prosecutors’ referral to his erotic poems in their accusation . Catulus is also enumerated in Pliny's list of Roman dignitaries who composed ‘uersiculos seueros parum’ like his own , and an amatory epigram of his is cited by Cicero in De Natura Deorum 1.79 . We possess no further evidence connecting the other two with the composition of either erotic or, more generally, ‘light’ verse, but a poem by Porcius Licinus on Roman literary history is attested by several sources including Varro, Suetonius, and Gellius himself. (shrink)

Comparison of literary passages is a critical procedure much favoured by Gellius, and is the main theme in several chapters of his Noctes Atticae: ch. 2.23 is dedicated to a comparison of Menander's and Caecilius′ versions of the Plocium; 2.27 to a confrontation of passages from Demosthenes and Sallust; in 9.9 Vergilian verses are compared with their originals in Theocritus and Homer; parts of speeches by the elder Cato, C. Gracchus and Cicero are contrasted in 10.3; two of Vergil's verses (...) are again compared with their supposed models in ch. 11.4; a segment of Ennius′ Hecuba is contrasted with its Euripidean original in 13.27; Cato's and Musonius′ formulations of a similar sententia are confronted in 16.1; in 17.10 Vergil's description of Etna is compared to Pindar's; the value of Latin erotic poetry is weighed against the Greek in ch. 19.9, in which an Anacreontean poem and four Latin epigrams are cited; and finally in 19.11 a ‘Platonic' distich is set side by side with its Latin adaptation, composed by an anonymous friend of Gellius, though in this case no comparison of the poems is attempted. (shrink)

In the preface to his Nodes Atticae, Gellius explains his choice of title: quoniam longinquis per hiemem noctibus in agro, sicuti dixi, terrae Atticae commentationes hasce ludere ac facere exorsi sumus, idcirco eas inscripsimus Noctium esse Atticarum He then proceeds to enumerate other titles used for miscellaneous works similar to his own, both Greek and Latin, which, he claims, are far more refined and witty than his title . Attractive as Gellius' explanation may be, it raises some serious difficulties2 and (...) should not be taken at face value, especially since it seems to establish a novel type of relation between title and work. None of the titles in Gellius' list seems to have been based on the circumstances of the inception of the work, nor indeed does any other extant title prior to the publication of the Nodes Atticae. There is no reason to deny Gellius the credit for inventing a novel principle of titling, yet titles based on the circumstances of composition rather than on the content of the work fail to perform a primary function of titles, namely an initial direction of the expectations of prospective readers. (shrink)

This volume considers forms of information manipulation and restriction in contemporary society. It explores whether and when manipulation of the conditions of inquiry without the consent of those manipulated is morally or epistemically justified. The contributors provide a wealth of examples of manipulation, and debate whether epistemic paternalism is distinct from other forms of paternalism debated in political theory. Special attention is given to medical practice, science communication, and research in science, technology, and society. Some of the contributors argue that (...) unconsenting interference with or "conceptual engineering" of people’s beliefs and ability of inquire is consistent with, and others that it is inconsistent with, efforts to democratize knowledge and decision-making. (shrink)

What is inequality? In the late 1990s there was an explosion of interest in the subject that yielded a substantial body of formal tools and results for income-distribution analysis. Nearly all of this is founded on a small set of core assumptions - such as the Principle of Transfers, scale independence, the population principle∑ - that are used to give meaning to specific concepts of inequality measurement, inequality ranking and, indeed, to inequality itself. But does the standard axiomatic structure coincide (...) with public perceptions of inequality? Or is the economist's concept of inequality a thing apart, perpetuated through serial brainwashing in the way the subject is studied and taught? In this 1999 book, Amiel and Cowell examine the evidence from a large international questionnaire experiment using student respondents. Along with basic 'cake-sharing' issues, related questions involving social-welfare rankings, the relationship between inequality and overall income growth and the meaning of poverty comparisons are considered. (shrink)

Qu'y a-t-il de commun entre un manuscrit medieval, Les Menines de Velazquez, le Cameraman de Buster Keaton et On connait la chanson d'Alain Resnais? Reponse : la presence d'images inattendues, " enchassees ", telles une porte ouverte au fond de la piece dans le tableau du maitre espagnol, la queue d'un faisan pris au piege debordant largement du cadre d'une enluminure du XIVe siecle, la presence incongrue d'un navire de guerre dans les rues de New York chez Buster Keaton, des (...) meduses mobiles en surimpression a la fin du film de Resnais. Dispositifs et procedes aujourd'hui banalises au cinema et en video, les " images dans l'image " susceptibles, depuis des siecles, aussi bien d'intriguer que de passer presque inapercues aupres du spectateur, sont loin d'etre innocentes. Sous l'oeil attentif de Vincent Amiel, ces " images-secondes " inserees dans une image-englobante, injustement delaissees parfois par les estheticiens du cinema, acquierent un veritable statut theorique qui n'est pas celui d'une simple mise en abyme figee. Les images enchassees demandent a etre vues et pensees au moment ou elles deviennent images, dans l'instant de leur naissance, comme des figures cachees mais dynamiques qui, comme le souligne Amiel, " s'affirment comme monde et comme representation ". (shrink)

Aujourd'hui, des malades atteints de pathologies graves pour lesquelles les alternatives therapeutiques sont limitees ou inexistantes reclament, non plus tant une protection contre les essais cliniques, qu'un droit d'y participer. Cette nouvelle revendication est le point de depart de la presente enquete, a la fois historique, juridique et sociologique, qui montre comment s'est formee, dans les normes et dans les pratiques, du XVIIIe au XXe siecle, la distinction entre l'animal de laboratoire et le sujet humain. Entre les cobayes et les (...) hommes. La premiere partie de l'ouvrage decrit la formation, de part et d'autre du proces des medecins de Nuremberg, d'un consensus normatif international en reponse aux crises sanitaires, accidents et scandales qui emaillent l'histoire des essais medicaux sur l'etre humain. La seconde partie detaille la situation en France, l'emergence d'une legislation sur les recherches biomedicales, les paradoxes qui persistent dans la loi et les realites nouvelles, sociologiques et scientifiques, qu'elle doit affronter. L'ouvrage montre l'urgence d'un nouveau contrat social en matiere de recherche biomedicale, articulant respect de l'autonomie, equite d'acces et protection des personnes. Et il propose des solutions. (shrink)

Refus des philosophies de l'histoire, des " sciences sociales ", de la philosophie politique... c'est à partir d'un événement - " 1933 " - que Hannah Arendt construit, patiemment, rigoureusement, une réflexion sur la politique. Tous ses textes contribuent à cette entreprise cohérente depuis Les origines du totalitarisme. Et cette entreprise même, qui conteste la tradition, s'appuie sur un effort pour la relire à nouveaux frais, depuis les leçons de la démocratie grecque jusqu'à Kant et aux Révolutions américaine et française. (...) Ainsi, s'élabore une pensée de la cité, du mal, du conflit et de la responsabilité. (shrink)

Pour les révolutionnaires américains, Montesquieu est d’abord une figure d’autorité dont on révère les « axiomes ». Mais durant le débat très virulent auquel donne lieu la Constitution fédérale, ce sont les « antifédéralistes » qui invoquent le plus souvent son autorité, pour refuser la possibilité d’une république étendue, revendiquer une stricte « séparation » des pouvoirs, déplorer l’effacement de la vertu, etc. Ils contraignent donc les fédéralistes à une réponse paradoxale. Il s’agit de lire Montesquieu plus finement et d’en (...) assimiler les leçons tout en récusant de plus en plus fermement son autorité, au nom de l’exorcisme de l’héritage historique (tout particulièrement anglais) et de la rumination de l’expérience propre. Montesquieu est d’autant plus présent qu’il est rejeté, ce qui engage un tout nouveau rapport à l’histoire et à la tradition. (shrink)

Deux préjugés ont grevé la réception de l'œuvre d'Arendt, en particulier en France. L'un : que l'étude des " origines du totalitarisme " et de sa nature (comme modèle politique portant bien au-delà du prototype nazi) ne définirait pas seulement le point de départ de ses questions, mais en bornerait les enjeux. L'autre : qu'à travers les étapes et les détours d'une pensée de la politique et de l'histoire contemporaines, elle n'aurait tendu qu'à rejoindre la tradition philosophique (la méditation sur (...) " la vie de l'esprit "). Convoquant tour à tour l'analyse des révolutions, la critique du travail et du mouvement ouvrier, le questionnement sur la publicité, la société du spectacle et la capacité de juger, le présent ouvrage entend restituer ce qui fait l'originalité de la réflexion d'Arendt sur l'histoire et la politique. Il la replace dans la lignée de Machiavel, de Montesquieu et de Tocqueville, dans la confrontation déterminante avec Marx, dans l'opposition constante à la philosophie politique. Justifiant la posture non-philosophique qu'elle n'a cessé de revendiquer. Démontrant par là même quel bénéfice réel la philosophie peut tirer d'une provocation qui l'expose à la puissance sauvage de l'événement, et à l'étonnement qu'il doit susciter. (shrink)

We examine individuals’ distributional orderings in a number of contexts. This is done by using a questionnaire-experiment that is presented to respondents in any one of seven “flavors” or interpretations of the basic distributional problem. The flavors include inequality, risk, social welfare and justice.

Background: Informed consent in clinical research is mandated throughout the world. Both patient subjects and investigators are required to understand and accept the distinction between research and treatment.Aim: To document the extent and to identify factors associated with therapeutic misconception in a population of patient subjects or parent proxies recruited from a variety of multicentre trials .Patients and methods: The study comprised two phases: the development of a questionnaire to assess the quality of informed consent and a survey of patient (...) subjects based on this questionnaire.Results: A total of 303 patient subjects or parent proxies were contacted and 279 questionnaires were analysed. The median age was 49.5 years, sex ratio was 1 and 61% of respondents were professionally active. Overall memorisation of the oral or written communication of informed consent was good , and satisfaction with the process was around 70%. Therapeutic misconception was present in 70% of respondents, who expected to receive better care and ignored the consequence of randomisation and treatment comparisons. This was positively associated with the acuteness and severity of the disease.Conclusion: The authors suggest that the risk of therapeutic misconception be specifically addressed in consent forms as an educational tool for both patients and investigators. (shrink)

The article deals with the concept of “justness” as it is treated by the Genevan psychologist Henri-Fréderic Amiel (1821-1881) in his Journal. Justness has its seat in the domain of “doing” rather than in the domain of “saying” or “thinking”: its non-propositional nature entails that one can “do just” while having false beliefs and vice-versa. The virtue of justness concerns the sphere of interpersonal interactions and goes hand in hand with moderation as virtue concerning the sphere of personal action. (...) In both cases, it is an excess of effort on the part of the will vis-à-vis the intelligence that keeps one away from virtue. This “Taoist moment” in Amiel also implies a critique of the activism of modern Western civilization and of the overweight of rules (“categorical imperatives”) that accompany it. (shrink)

Comment la conscience se rapporte-t-elle au corps? Peut-elle, telle est l’interrogation décisive, s’affranchir de toute dépendance à son égard? Le Journal Intime, au cours de ses plus de quarante années d’écriture (1839-1881), fait de ce questionnement un point central de la philosophie d’Henri-Frédéric Amiel. Le corps, pour lui, ne constitue pas une évidence première. La conscience, en tant que puissance dissociative et critique, le pose comme objet et s’en sépare, s’en reconnaissant diffé...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Catalog of the collection of the Madamkhand Museum of Art, named after the wife of Batzhargalyn Batbai︠a︡r, businessman and member of the Mongolian Khural.

This essay brings psychoanalytic theory on trauma together with film and television criticism on rape narrative in an analysis of Michael Coel’s 2020 series I May Destroy You. Beyond the limited carceral framework of the police procedural, which dislocates the act of violence from the survivor’s history and context, Coel’s polyvalent, looping narrative metabolizes rape television’s forms and genres in order to stage and restage both trauma and genre again and anew. Contesting common conceptions of vulnerability and susceptibility that prefigure (...) a violent breach of autonomy, Coel’s series and her interviews about it invite an ethics of looking that embraces a curiosity in the unknowable and untreatable kernel of subjective experience and defies and resists a policing of the survivor’s thoughts and emotions. By emphasizing and exploring what psychoanalysis calls the “afterwardness” of trauma, Coel foregrounds her main character’s subjectivity prior to her victimization, widens the sphere of consequence beyond the victim and criminal justice system to the survivor’s larger community, and entreats that community to preserve a space for her to look and look again at everything, without judgment. (shrink)

Modern scholars have been concerned with the hostility shown to Alexander by the Hellenistic schools of philosophy. Two literary portraits have been distinguished, the Peripatetic and the Stoic, the former deriving from Theophrastus' book on Callisthenes, or starting with this work the Peripatetics worked out a theory of and applied it to Alexander, in order to belittle his achievements. It was a case of giving sophisticated expression to the kind of crude resentment expressed by Demades.