Heidegger considère l’histoire de l’Europe et la globalisation qui en découle comme liées à l’histoire de la pensée métaphysique et à sa logique, qui culmine dans la technique moderne. La possibilité d’un surgissement de l’être semble anéantie au profit de la domination de tout étant sous la forme de sa disponibilité générale comme fonds. Le ménagement d’un second commencement exige toutefois, selon Heidegger, le retour à ce regard des tous premiers commencements de la Grèce, regard pénétrant dans le croisement de (...) l’ouverture de l’être dans l’étant et de son retrait simultané. Le « Logos » (de l’être) d’Héraclite, auquel l’être humain tente dans son legein de correspondre, vaut comme un tel croisement pluridimensionnel. Ce croisement, pour son aboutissement, est renvoyé à un èthos dans une modalité spécifique du « séjour », et se voit ici interprété à l’aide de la pensée du chiasme de Merleau-Ponty. (shrink)

Etrange parcours que celui du Logos qui, de Heraclite a nos jours, tend a s'effacer, dans ce monde actuel, tout entier voue a la science, au tout numerique. Cette vision heracliteenne de la totalite s'est estompee, transformee qu'elle fut deja des les premiers siecles de notre ere dans sa postulation religieuse, puis dans la modernite, et s'est perdue dans un monde ou, science et technique prenant leur envol, l'homme avait comme horizon de " devenir comme maitre et possesseur de la (...) Nature ". Michel Blay analyse cet etat qui nous laisse de plus en plus en desherence ; et dans un monde ou " Dieu est mort, et c'est nous qui l'avons tue ", comment ne pas sombrer dans cette illusion d'un homme tout-puissant, dans lequel meme le psychique est traite a l'aune des neuro-sciences ou l'homme a perdu sa completude et ne pense meme plus a la chercher? Ne serait-ce pas la poesie, elle seule, " dans ces temps de detresse " qui offrirait une voie pour retrouver sa voix? Certes " Il n'y a pas de paradis " nous dit Andre Frenaud. " Etait-ce l'aube, ou le soir deja perce? Qu'avions-nous espere que nous allons cherchant? ". (shrink)

The paper is concerned with the role of the logos in the sophistic thought. The author argues that the importance of logos is a result of the conviction that according to the Sophists human reality is somehow „created” through words in the process of constant communication and interpretation. This idea inspires the Sophists to research on the particular conditions of the process of persuasion and to analyze the factors which determine the persuasive power of speech. This interest in the power (...) of "logos" leads the Sophists such as Protagoras, Gorgias, Antiphon to develop the techniques which aim at increasing the persuasive power of speech by addressing both rational and emotional part of the soul. (shrink)

This essay explains the appearance of tragic narrative patterns and motifs in the Croesus logos not as a passive manifestation of "tragic influence," but as a self-conscious textual strategy whereby Herodotus makes his narratives familiar and engaging while also demonstrating the distinctive traits of his own innovative discourse, historie. Herodotus' purposive appropriation and modification of tragic technique manifests the critical engagement with other authors and literary genres that is one of the defining features of the Histories. Herodotus embellishes the story (...) of Atys and Adrastus with numerous formal and thematic features of Attic tragedy. Uniquely in the Histories, the story traces the full arc of a tragic drama, from the king's ominous dream of Atys' death to catastrophe, lament, and burial. The celebrated climactic description of Adrastus' suicide, however, transcends Herodotus' dramatic model. In describing Adrastus as the most unfortunate man "of all that he himself knew," Herodotus introduces an idiom used elsewhere in the Histories to portray the activity of the histor, and thus places the unmistakable stamp of his own genre upon tragic narrative. In a fully mimetic episode that lacks the author's characteristically intrusive "voiceprint," Herodotus seems to suggest that he could beat the dramatists at their own game if he chose to play it. Two other episodes make similar use of tragic motifs on a smaller scale. In the story of Gyges and Candaules Herodotus adapts the Aeschylean motif of the decision made under duress to focus attention on human causation and socio-political issues of fundamental interest to him. Finally, the tragic stylization of Croesus' pyre scene allows Herodotus to manipulate audience expectations while subtly demonstrating, through the use of indirect discourse, the interest in source criticism that sets Herodotean historie apart from the poetic tradition. (shrink)

Boethius’ adaption of the myth of Circe and Odysseus (cons. 4 carm. 3) is an anthropologically based manifesto for self-assertion. Following the example of the ars vivendi, which is established in the text, a human being who is in distress can harden himself against inner (mental) anguish by keeping outer (physical) dangers at a distance. However, a poetic transformation is needed to convey this technique: It is only through the poetic treatment of the disenchanted myth that the world order which (...) is out of joint is restored and the human being regains his place in the cosmos. In this poem, Boethius expresses in figurative language how a narrated myth functions as a rational means of establishing order. Thus, he sets the genuinely aesthetic powers of poetry apart from the modes of display used in philosophical prose. (shrink)

A complexa cultura contemporânea faz emergir expressões através deinúmeras dinâmicas midiáticas, revelando o entretenimento não apenas comoconteúdo de distintas indústrias – música, cinema, literatura, games etc – mas como linguagem que permeia, agora, toda a sociedade. Assim, mesmo aquelessetores que pareciam os mais avessos ao entretenimento – como a educação, apolítica e a religião, por exemplo – passam agora a adotá-lo para tornar maiseficiente seus processos comunicacionais. É dentro dessa perspectiva, com oobjetivo de explorar a hibridização entre cultura, entretenimento e (...) práticasmidiáticas, que o presente número da Logos propõe o dossiê Comunicação eEntretenimento: Práticas Sociais, Indústrias e Linguagens. (shrink)

Against a remarkable hardware oblivion in discussions of algorithmic intelligence, this article insists that algorithmic thought, or abstract computation, cannot be separated from its technological implementation. It requires a material medium for an abstract mechanism to become a procedural event. Temporality is both the condition and the limiting (and irritating) factor in the computational function. ‘Radical’ media archaeology is proposed as a method for such an analysis, and the neologism of techno lógos to describe some aspects of algorithmic reason which (...) only unfold in the moment of its techno-processual coming-into-being. Some core operations, such as the time-discrete rhythm of actual computing algorithms, are discussed, where the ‘tempoReal’ flashes up in computing. In a wider sense, the time-discreteness of digital computing is related to an aesthetics of existence which acknowledges the machine element within human reasoning itself, while at the same time re-actualizing previous cultural techniques of non-narrative chronology. Turing the ‘man’ himself, in the sense of the Turing machine, can be addressed ‘itself’, in its archival sense as a sequence of expressions by symbols. (shrink)

When considering a paradigm shift in higher education, it is imperative to focus on removing obstacles against maintaining integrity in academia. One such obstacle is contract cheating sites that have mushroomed disproportionately during the 18 months of emergency distance learning threatening graduate quality and university reputations. It was sharply brought to focus in 2015 due to a mass-scale scandal involving 16 universities and more than 1000 students leading to a subsequent law making such services illegal in Australia. Contract cheating is (...) a mushrooming industry that is constantly targeting often unsuspecting students under the guise of legitimate help. Moreover, these services in turn began black mailing students after delivering services. It is therefore vital to explore the existence and number of such websites that target students in UAE, sometimes using university logos to show legitimacy to understand the extent of the problem. This is primarily because an accurate measure of the extent does not currently exist. Curtis et al. have reported on self-reported cases from students which can be varied and often under-reported. This study is an attempt at using Boolean search technique to count unique and organic websites that have manifested. Coded analysis was used to collate the websites and count the total number of searches. For a total of 34 unique and organic websites, 29 showed a z score higher than the mean value 2.94, at standard deviation of 1.89, positing that the probability of appearance of these 29 websites across different search engines, different browsers and across separate search keywords was significant. This demonstrates the aggressive nature of these sites and their considerable efforts to offer a service that is harmful and detrimental to the students and education sector. This study is a milestone towards developing a nation-wide understanding of contract cheating in the UAE. It is also positioned as a proposal for higher education sustainability in the nation to look to ban services that offer to write assignments for students with or without a fee as a top-down approach to tackling the issue. (shrink)

We study some aspects of the emergence of _lógos_ from _xáos_ on a basal model of the universe using methods and techniques from algorithmic information and Ramsey theories. Thereby an intrinsic and unusual mixture of meaningful and spurious, emerging laws surfaces. The spurious, emergent laws abound, they can be found almost everywhere. In accord with the ancient Greek theogony one could say that _lógos_, the Gods and the laws of the universe, originate from “the void,„ or from _xáos_, a picture (...) which supports the unresolvable/irreducible lawless hypothesis. The analysis presented in this paper suggests that the “laws„ discovered in science correspond merely to syntactical correlations, are local and not universal. (shrink)

The article deals with the formation of understanding and interpretation of the phenomenon of memory in the European philosophical tradition. The historical-cultural and linguistic-semantic connections of the ideological paradigm of Ancient Greek thinkers and philosophers are researched. In article revealded a peculiarities of the main philosophical categories of Plato’s philosophy in the context of explaining the phenomenon of memory and memories. We realized a distinction for better understanding of the phenomenon of memory for ancient culture into two branches: 1) memory (...) as a natural property of man and 2) memory as a technique, as a skill for perfection, as an instrument. We emphasize that ancient categories: eidos, logos and cosmos are the central of the theory of memory of the western tradition, which we can also observe in the treatises left by Plato. Also we analyzed the connection between the Platonian theory of memory and the development of knowledge about memory paradigm. Memory for Plato is determined by a metaphysical character, like immortal knowledge, it is a way of human transcendence. An intelligent soul for Plato is the translator of eternal knowledge of things through which we learn not only the world, but also receive knowledge about ourselves, our true perceptual perception, and represent our ideas in real forms. The soul of man for Plato, due to memory, connects human existence from outside the physical space and time, where there is simultaneously the past, present and future, which at the metaphysical level are united into a concrete conceptual design of memory. Thus, the Platonic theory of memory as a reproduction of knowledge can not relate to the development of the art of memory, but has a direct connection with the development of the paradigm of knowledge about memory and allows us to understand the concept of memory as a philosophical and cultural phenomenon. We noted that the theory of Plato’s memory resembles the same categories as the art of memory, it is a category of “place” bearing memory-reflection in the memory of the soul and “image” of true knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Love of Country and Love of God: The Political Uses of Religion in MachiavelliBenedetto Fontana*This paper will discuss the place of religion in Machiavelli’s thought. 1 The traditional and generally accepted interpretation presents Machiavelli’s religion as a belief system whose value is determined by its functional utility to the state. In this he is said to resemble Cicero, 2 Montesquieu, 3 and Tocqueville, 4 among others. This view is (...) based on the proposition—one that is now fundamental to a modern understanding of Machiavelli—that his political theory develops a politics without moral, theological, and religious foundations (what Benedetto Croce 5 calls the “autonomy of politics” and Sheldon Wolin 6 the “autonomy of political theory”). Students of Machiavelli who ascribe to him an instrumentalist theory of religion rest their interpretation on this conception of politics: a distinction is established between religion viewed as religio, and religion conceived as fides, where the former is used to develop and cement social bonds and the latter is a faith based on a transcendent “truth.”A reading of the texts shows that Machiavelli discusses various kinds of religion. He refers, for example, to multiple forms of Christianity, such as “primitive” [End Page 639] or original Christianity, 7 official, medieval Christianity, the ecclesiastical principality of the papacy, as well as to ancient Judaism, 8 paganism, and to Islam. 9 However, it is possible to discern in Machiavelli two principal or distinctive types. One is based on the opposition Machiavelli sees between the religion of the Romans (which instills virtù) and the religion of the post-classical and post-Roman Christian world (which teaches humility and passivity). The other is prophetic religion, in which Machiavelli contrasts the prophet armed to the prophet unarmed. Thus, we have prophetic religion and non-prophetic religion; the former is either armed or unarmed, and the latter is either immanent (natural) or transcendent. 10Machiavelli’s stress on the importance of virtù (whether of the prince or of the people) suggests that religion is not simply religio—that is, a political technique to rule and to control the masses. Rather, it presupposes a concern for a moral fides which, though certainly not transcendent, is nevertheless necessary to the construction of a political order based on virtù. His concern with civil and military virtue links the armed prophetic religion with that of the ancient Romans, such that ancient Judaism, Islam, and a reformed Christianity (a kind of Lutheranism ante litteram) all stand opposed to primitive and post-classical Christianity.Machiavelli anticipates in theory the national, anti-papal, and anti-imperial movements that were later realized in history by the Lutheran and Calvinist Reformations. He attempts to infuse the corrupt and decadent Christian conception of the world with a new, innovating spirit, one opposed to the prevailing medieval and scholastic conception of the world. In the past Christian philosophers and thinkers revised the classical notions of virtus and arete, transforming them into Christian concepts of value. Machiavelli attempts a similar “transvaluation of values” (Nietzsche), but for different ends and in a different direction: he reinterprets the Christian religion in order to assimilate it into his conception of virtù and his vision of a vivere civile.In the first part of this paper the relation Machiavelli establishes between “speaking with God” and the founding and/or reforming of states is explored. Parallels between Christian and pre-Christian (pagan and biblical) rulers reveal a basic ambiguity in Machiavelli’s belief that religion—that is, the claim of having spoken with God—is necessary to effective rule. In the second part [End Page 640] Machiavelli’s teaching (“new ways and methods”) is compared to Christ’s message of the “good news.” The contrast between the two is presented in terms of an opposition between different “ways of living,” each with its specific moral claims and political consequences. The opposition is not, the section argues, between logos and kratos, ethos and kratos, but rather between diverse ways of understanding logos and ethos. The final section argues that Machiavelli uses biblical, pagan, and Christian forms of religious symbols and metaphors in order to reevaluate the concepts of patria and amore. In so doing... (shrink)

This paper examines the sophistic practice of antilogikê or antilogic, which consists in, as G. B. Kerferd described, “causing the same thing to be seen by the same people now as possessing one predicate and now as possessing the opposite or contradictory predicate.” Although, since Plato, antilogic has been cast in a cloud of suspicion, understood primarily as the dubious practice of making the weaker argument stronger, I explore a contrary interpretation that antilogic was a technique for pursuing the suspension (...) of judgment, or epochê. In this paper, I define the practice of antilogic through the tale of Corax and Tisias and the surviving fragments of Protagoras and Gorgias. In so doing, I hypothesize that antilogic was a method for averting the natural tendency of language to assign stability and durability to being. Through the perpetual displacement of one logos by another, antilogic grants thought access to the ceaseless flux and becoming of nature. As it barred language from assigning stability to being, so too did it provide a “way out” of the inexorable human drive captured in the opening line of Aristotle’s Metaphysics: “All humans naturally desire to know.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Rhetoric of Parody in Plato's MenexenusFranco V. TrivignoIn Plato's Menexenus, Socrates spends nearly the entire dialogue reciting an epitaphios logos, or funeral oration, that he claims was taught to him by Aspasia, Pericles' mistress. Three difficulties confront the interpreter of this dialogue. First, commentators have puzzled over how to understand the intention of Socrates' funeral oration (see Clavaud 1980, 17–77).1 Some insist that it is parodic, performing an (...) essentially critical function (e.g., Loraux 1986); while others claim that it is serious, in particular as an expression of Plato's political ideal (e.g., Kahn 1963).2 Adherents on both sides seem to think that the options are mutually exclusive.3 Second, commentators have had difficulty understanding why Plato would have Socrates attribute his entire oration to Aspasia (e.g., Coventry 1989, 3; Pownall 2004, 60). Most agree that this move is ironic and that it has something to do with the alleged target of the dialogue's criticism. But scholars have differed over whether the Aspasia reference is meant to implicate Pericles' funeral oration (Monoson 1998), rhetoric in general (Pownall 2004), Athens (Loraux 1986), or even Aeschines (Clavaud 1980).4 Third, scholars have struggled to make sense of the dialogue's "deliberate and fantastic anachronism" (Dodds 1990, 24). In the funeral oration, Socrates relates the history of Athens up to the King's Peace in 386 B.C., a full thirteen years after he has died. This problem has generated the least consensus, with some scholars restricting their analysis [End Page 29] to dating considerations (e.g., Dodds 1990) and at least one speculating that Socrates speaks in this dialogue as a ghost (Rosenstock 1994).5It is the contention of this article that, by understanding the rhetoric of parody in the Menexenus, one can resolve these difficulties and come to a coherent and unified understanding of the philosophical intentions of the dialogue.6 More specifically, I will show that the anachronism is a consequence of a particular parodic strategy, that of amplification; that the dialogue's parody targets not only Pericles' funeral oration in particular but funeral oratory, rhetoric, and Athens as well; and that the parody has serious philosophical implications.7 Further, I claim that the serious philosophical content is both critical and constructive. Plato subverts the civic identity and understanding of virtue encouraged by the genre of funeral oration, and he challenges its praise-based model of political discourse. At the same time, Plato's parodic criticism is not entirely negative, for it relies on alternative paradigms of civic identity, virtue, and political discourse.I. The Rhetoric of ParodyBefore turning to the Menexenus itself, I want to clarify what I mean by parody. For a working definition, I suggest that parody is "an imitation that distorts a target text, author, or genre."8 In order to make some general observations about the rhetoric of parody, I will look briefly at an exemplar of parody from Aristophanes' Frogs. I do so for three reasons: to display two strategies of parodic distortion, to show that parody can have multiple targets, and to argue that parody can have both serious and complex intentions.9In the Frogs (1331–63), Aristophanes uses at least two techniques of parodic distortion, inversion and amplification, in his extended parody of Euripides' monodies or single-actor odes.10 Parodic inversion, broadly speaking, upsets or overturns the target text by distorting the original in a way that reverses the stylistic effect or semantic intention. Parodic amplification hones in on one aspect of the target text and amplifies it to absurdity, often exposing its artificiality as a literary trope.The parodic scene features a woman who awakens, hysterical and terrified, from a god-sent dream, which has conveyed disturbing news. We find in this passage a particular kind of parodic inversion: bathos, the unexpected introduction of the vulgar, ordinary, or mundane, which undermines an otherwise somber tone.11 Consider the following excerpt:Attendants, set alight a lamp for me,Collect the dew of rivers in pitchers [End Page 30] And heat the water,So that I may wash away the god-sent dream.Oh god of the sea... (shrink)

En dépit de témoignages explicites d'auteurs anciens, auxquels des historiens modernes ont fait confiance, la date tardive du Phèdre ne fait plus de doute. Ce résultat est dû aux études stylistiques bien plus qu'aux travaux d'exégèse. Quand il s'agit de définir le sens et le but du dialogue ou de démêler les liens qui le rattachent aux autres dialogues ou à des écrits contemporains, on est loin d'aboutir à un accord. Platon veut-il simplement établir le programme d'une rhétorique philosophique pour (...) faire pièce à l'action envahissante des écoles de rhétorique ? Vise-t-il plus spécialement telle ou telle doctrine rhétorique ? Vu les points de contact avec des écrits d'Isocrate, d'Alcidamas et d'autres, a-t-il peut-être voulu trancher certaines questions brûlantes, intervenir en conciliateur ou en arbitre ? Le fait est que l'examen dialectique se termine à la p. 272b par la récapitulation et la réponse définitive à la question posée p. 258d et reprise p. 259e. Alors que le débat portait sur le logos en tant que discours écrit ou prononcé, Socrate introduit dans la finale la notion du logos de l'âme pour répondre aux objections de Phèdre. Alors qu'il a prouvé (261e-262b) la nécessité de la connaissance de la vérité, peu importe de quel genre de discours il s'agit, il revient en arrière pour discuter à nouveau la théorie de la vraisemblance de Tisias appliquée au seul genre judiciaire. Pourquoi, après chacune des objections (273d-274a, 278bc) répéter la conclusion finale et reprendre coup sur coup le problème de l'œuvre écrite, qu'il avait expédié en passant, p. 257d-258d ? Au terme de cette dernière diversion, Socrate oppose à la philosophie les techniques spéciales qui lui sont subordonnées : législation, poésie, éloquence. Est-ce peut-être dans ce message destiné à Lysias et doublé d'un message analogue à Isocrate que Platon a voulu nous donner la clef de l'œuvre ? Le Phèdre été conçu comme un drame parfait axé sur la mission et la condamnation de Socrate et cette structure lui donne son sens et son unité. Le cœur, c'est la péripétie et cette „reconnaissance” dans laquelle le daimonion ouvre les yeux de Socrate. Ecoutant son daimonion, il embrasse ses dieux à lui, son Eros, et dès lors sera traité d'impie par le jury. Les politiques, les poètes et les orateurs impuissants à appuyer leurs paroles (par la philosophie) (273c) deviendront ses accusateurs, et c'est Socrate qui, ignorant leur éloquence, sera impuissant à se défendre. On lui reprochera de corrompre la jeunesse. C'est que son discours ici se termine par cette prière significative : „Accorde-moi... d'être, plus encore qu'à présent, en crédit auprès des beaux garçons” (257a trad. Robin). Bref, la scène du Phèdre est le prélude, ou, si l'on veut, la contre-partie du drame de 399. Quel est le rôle de Lysias ? Exactement le même que dans la République et le Clitophon. Contrairement à son frère Polémarque (257b) il ne pense que politique et barreau, une politique qui en définitive adopte les principes de violence de Thrasymaque (Rép. I et Phèdre 266c). Dans une soi-disant Défense de Socrate, il a répondu à Polycrate en ramenant toute l'affaire sur le plan purement politique et en reniant le verdict de 399, imputable à l'absence d'une défense efficace. Soucieux du relèvement de la démocratie, il désire reléguer à l'arrière-plan l'affaire de 399, faire oublier les griefs religieux et peut-être tendre la main aux Socratiques, pour, ainsi, passer à l'ordre du jour. Or, se prêter à cette manoeuvre, pour Platon, c'est renier son maître. Que reproche-t-il à Lysias ? De tourner le dos à la Philosophie en médisant d'Eros. Et nous apprenons en finale, pour mettre fin à toute équivoque, qu'Isocrate n'échappe pas à ce même reproche. Mais tout cela se situe à l'arrière-plan. Dans la trame du Phèdre, celui qui est directement accusé d'impiété, celui qui s'accuse lui-même, c'est Socrate. S'il n'y avait vu clair, s'il avait quitté ce lieu sacré après un succès oratoire sur un thème imposé par Lysias, il aurait renié ses daimonia ; il aurait trouvé grâce auprès des hommes, mais serait justiciable des dieux (242d). Dans ce cas le drame, le vrai drame du Phèdre, n'aurait pas eu lieu et Socrate aurait échappé à son arrêt de mort. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato on the Rhetoric of Philosophers and SophistsMichael SvobodaPlato on the Rhetoric of Philosophers and Sophists by Marina McCoy New York: Cambridge University Press, 2008. vii + 212 pp. $74.00, hardcover.With her new book, Marina McCoy, an assistant professor of philosophy at Boston College, succeeds in opening up new lines of inquiry into Plato’s formative engagement(s) with rhetoric: first, by involving other Platonic dialogues in the ongoing interrogations (...) of the Gorgias and Phaedrus and, second, by patiently considering the implications of the different accounts of sophists and philosophers that result. These new investigations are aided by the diverse disciplinary voices with which Marina McCoy herself converses—works by classicists, critics, philosophers, political theorists, and rhetoricians, works taken from a wide range of journals. In her interpretation of the Gorgias, for example, one encounters the names one would expect from a thorough and up-to-date review of these different literatures: Arieti, Dodds, Fussi, Gordon, McComiskey, Nightingale, Saxonhouse, and Yunis. Thus, Plato scholars from both rhetoric and philosophy will find much of interest in this book.McCoy provides a clear overview of her project in her introduction (1–22). In separate readings of the Apology, Protagoras, Gorgias, Republic, Sophist and Theaetetus, and Phaedrus, three interrelated claims are presented and developed: first, consistently distinguishing the philosopher from the sophist was a difficult challenge for Plato—and for the ancient Athenians; second, Plato’s conception of philosophy includes “important rhetorical dimensions,” and third, Plato ultimately differentiates the philosopher [End Page 191] from the sophist on the basis of character (3). To substantiate these claims, the dramatic and historical elements of Plato’s dialogues are interpreted in tandem with their explicit arguments. McCoy notes that the experience of reading the dialogues often reproduces the psychological tensions captured by them. In other words, Plato uses rhetorical techniques to cause his readers both to question philosophy and to engage in it as they do so (7). At the same time, McCoy recognizes that the terms of these discussions were hotly contested: “The Greek mindset at the time of Plato is one of passionate interest in the nature, power, and danger of logos : terms such as philosophia, rhetorike, sophist, and rhetor become part of the weaponry in the battle” (11). By attending to these elements in the seven dialogues examined in the following six chapters, McCoy seeks to show that philosophy is better defined as an interaction of souls than as a collection of analytical techniques, that the approach of Plato’s Socrates “relies more on phronesis and kairos than techne ” (15).These broad claims are immediately tested in the second chapter of the book, “Elements of Gorgianic Rhetoric and the Forensic Genre in Plato’s Apology ” (23–55). Here McCoy further develops two observations about the Apology. First, Socrates’ claims to the contrary, the Apology actually incorporates a number of elements common in forensic speeches at the time of his trial: a standard speech structure, arguments from probability ( eike ), and portrayal of character ( ethopoioa ) (26, 40). But perhaps more provocatively, second, in the Apology Plato seems to allude to Gorgias’ In Defense of Palamedes ; both speeches portray their speakers as public benefactors who cannot have committed the crimes of which they are accused but who nonetheless cannot defend themselves effectively under the conditions of their trial (32–39). When McCoy then calls our attention to the historical elements in the Apology —the life and death of Chaerophon, the role played in Athenian culture and politics by the oracle at Delphi, and the rules governing testimony—we must consider the possibility that Socrates may successfully be using rhetorical techniques, not to win his juror’s favor but to confuse and challenge them. Thrown off their moral balance, McCoy argues, his jurors might be led to question themselves. “Socrates’ risky choice to appeal to the oracle story forces each juror to make a choice: he must decide whether Socrates’ philosophical activity is a moral and even religious virtue” (51). In and through the Apology, Plato may be doing something very similar for his readers: “If Gorgias’ Encomium of Helen is a forensic piece disguised as [an] encomium, perhaps Plato’s Apology... (shrink)

A crise dos modelos de representação fundadas em unidades coerentes e ordenadas parece ter como um dos traços o que Bruno Latour (1993) chamou de “híbridos”(1). Os híbridos são a figura da multiplicidade que não cabe em categorias e que a modernidade “varia para baixo do tapete”. Atualmente, assistimos ao “retorno dos que nunca foram”, que interpelam de forma contundente nossas formas de vida, fortemente apoiadas na técnica. Mas como apreender os fluxos de discursos e práticas mediatizadas que nos atravessam (...) sem cair nas armadilhas do tecnicismo? Que configurações poderiam hoje assumir práticas e discursos críticos? Que agenciamentos propor? Tentar compreender o estatuto do tecnológico, do político, do artístico, do urbano e do banal como “artes do fazer” parece-nos uma tarefa urgente e necessária. Gilles Deleuze (1977), em “Kafka, por uma literatura menor” (2), deixa-nos uma importante pista, ao afirmar, em sua definição de agenciamento, que “a técnica é antes de tudo social”. A direção nos permite avançar para além das concepções instrumentalistas e dicotômicas da técnica e percebê-la enquanto processo complexo de mediação. De fato, como também afirmava Simondon (1989), os objetos técnicos sempre foram gerados por mediação e geradores de mediação(4). O presente número da Revista Logos traz justamente contribuições para fomentar esse debate e para compor o já vasto quadro das cartografias sobre tecnologia e sociabilidade no Brasil, no campo das possibilidades de mediação sociotécnica. Trata-se de um número especial, organizado dentro da parceria PPGC-Uerj e Centre d’Etudes sur l”Actuel et lê Quotidien (CEAQ) - Paris V, com a colaboração do Professor Stéphane Hugon, coordenador do GRETECH, grupo de pesquisa sobre Tecnologia e Quotidiano. Se, por um lado, o conjunto de artigos compartilha determinados referenciais teóricos, por outro, acolhe também visões próprias, forjadas a partir de diferentes experiências sociais e em distintos contextos culturais. Em comum, todos partem de certa forma da percepção de que as mediações presentes nos processos de sociabilidade podem colaborar nos processos de negociação com as regras e códigos sociais vigentes para inventar outros possíveis. Todos, de certa forma, dão a ver, em seu conjunto, que entramos numa arena onde os diversos elementos que constituem o social interagem e ganham novos contornos: o político não dialoga apenas com o “ideológico”, mas também com o cultural, o subjetivo, o artístico. Da mesma forma, a arte, por exemplo, não diz respeito apenas ao cânone, mas também ao político, ao urbano, ao sensual e ao banal. Com isso, também a noção de tecnologia se amplia e, entendida como “máquina social”, pode ajudar-nos a melhor apreender as dimensões dos fenômenos culturais e de comunicação hoje. Os onze textos reunidos neste número apontam exatamente para o momento singular em que vivemos sob alguns de seus mais diversos ângulos. Stéphane Hugon da Universidade René Decartes-Paris V/CEAQ discute a importância dos processos de apropriação da tecnologia no quotidiano; João Maia e Eduardo Bianchi, da UERJ, abordam a sociabilidade de jovens adolescentes de uma favela carioca como forma criativa de cidadania; Vicenzo Susca, da Universidade René Decartes-Paris V e da Università di Lingue e Comunicazione de Milão, aborda o aspecto subversivo das tecnologias, através de uma perspectiva transpolítica; Beatriz Bretas da UFMG apresenta estudos de caso sobre modos de organização de redes sociais virtuais no Brasil; Fabio Larocca discute como as tecnologias alteram nosso olhar sobre as dinâmicas sócio-espaciais no contexto das cidades; Florian Dauphin faz uma análise do sofware livre na França, país com uma das mais fortes tradições de organização social desse movimento na Europa; José Pinheiro Neves, da Universidade do Minho, recupera a contribuição de Simondon para uma análise da percepção das imagens nas telas dos computadores; Shangsub Choi, do Korea Information Society Development Institute, aborda as mudanças propiciadas pela internet no quotidiano de pessoas e empresas e as possibilidades de contra-poder; a arquiteta e urbanista Julieta Leite aposta na integração das tecnologias digitais aos tecidos da cidade para a construção de novas experiências espaciais coletivas; Maria da Luz Correia analisa a recuperação da comunicação por cartões postais nos dias atuais. Finalmente, Hedi Zamouri faz uma etnografia da Brigada Anti-Pub, movimento contra o abuso da publicidade nos espaços públicos de Paris e José Cláudio Castanheira resenha o último livro de Shetyl Turkle, “História íntima dos objetos”. A Logos 29, edição especial, chega assim aos leitores com uma gama variada de proposições e de lugares de observação, brindando-nos com novas pistas para a análise de questões que compõem a pesquisa atual no campo da comunicação. Desejamos a todos uma boa leitura. Fernando Gonçalves Editor temático desta edição especial da Logos. Professor adjunto da Faculdade de Comunicação Social da Uerj e membro do Grupo de pesquisa Comunicação, Arte e Cidade, do PPGC-Uerj, onde leciona a disciplina “Tecnologias e Formas de Vinculação Social”. Notas 1 Latour, Bruno. Jamais fomos modernos. Rio de Janeiro: Ed. 34, 1994. 2 Deleuze, Gilles. Kafka, por uma literatura menor. Rio de Janeiro: Imago, 1977. 3 Simondon, Gilbert. Du mode d’existence des objets techniques. 4eme Édition. Paris: Aubier, 1989. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Daoism, Practice, and Politics:From Nourishing Life to Ecological PraxisEric S. Nelson (bio)I. Daoism's Multiple ModelsManhua Li, Yumi Suzuki, and Lisa Indraccola have offered evocative insights, questions, and alternatives in their contributions concerning the arguments of Daoism and Environmental Philosophy: Nourishing Life (Nelson 2021). The present brief response and sketch of the book will not address every point in their essays, but I will strive to reply, directly and indirectly, (...) to their primary concerns.First, it should be noted that I take a pluralistic conception of 'Daoisms' as my point of departure. This is necessary since Daoist studies have been hampered by overly ahistorical and one-sided definitions that prioritize one philosophical or religious moment (such as skepticism or mysticism) in historically complex and varied transmissions that encompass a multiplicity of texts and perspectives. Due to the fact of the plurality of incompatible kinds of Daoism in Chinese antiquity and in subsequent history, my text considers a range of early Daoist and Daoist-related perspectives in the context of their potential consequences for environmental philosophy, ethics, and politics. Consequently, my approach is primarily philosophical without limiting any text to being exclusively philosophical, religious, or rigidly committed to one perspective, which would be untrue to the sources themselves.Second, examining distinctive tendencies (modifying Graham 1989 and Liu 1994) in the Daodejing 道德經, the Zhuangzi 莊子, and related texts enables us to articulate distinctive and conflicting ecological, ethical, and political paradigms. In place of constructing a mythologizing ideological construction of 'Chinese culture' and Daoism as intrinsically 'Green', a familiar essentializing tendency that has provoked skepticism regarding the very possibility of Daoist environmental philosophy, my book provides a different 'critical Daoist' strategy. This alternative entails that Daoist exemplars can be deployed as therapeutic models in the present, while at [End Page 792] the same time confronting their ideological codifications and uses. Early Daoist sources have roamed on long intercultural journeys. The Daodejing and the Zhuangzi have provided elements for European thinking about civilization, technology, and nature from Martin Buber and Martin Heidegger (Nelson 2017) to Peter Sloterdijk's 'Euro-Taoism' (Sloterdijk 1989) to contemporary progressive Green movements (Joshi 2022) and even ecofascism (Lubarda 2020). Similarly, in the current Chinese context, Green Daoism has both critical and authoritarian ideological functions in visions of 'ecological civilization' (shengtai wenming 生態文明) (Schönfeld and Chen 2019) and fears of a 'green leviathan'. Accordingly, it is not accidental that my anarchistic and participatory democratic interpretation of one key thread, which I call 'ziranist' and clarify below, in early Daoist and Wei-Jin mysterious-learning (xuanxue 玄學) discourses, has led to the most intense discussions and controversies about this book. These include the contributions by Li, Suzuki, and Indraccola that propose questions and alternative possibilities concerning agency and responsiveness, authority and self-determination, freedom and fate, and adaptation and intervention, as well as purposive techniques and anti-purposive uselessness.Third, this hermeneutical strategy points toward the tertiary aspect of our preliminary definition of Daoism. It does not primarily name a philosophical theory or a religious worldview. It concerns shifting, overlapping, and diverging ensembles of discourse and practice. This is not the vague ahistorical idea of 'a way of life' but rather refers to how philosophy is enacted through a specific configuration of—to adopt early Greek expressions—logos as dis-course (e.g., argumentation, hermeneutics, logic, rhetoric), ethos (e.g., comportment, orientation, a way of dwelling), and praxis (practices of the self, with others, and with things and nature). Thus, the Laozi 老子 and Zhuangzi collections can be analyzed textually and conceptually as having multiple threads (drawing on a variety of authors and sources) that form constellations in the received texts with better and worse historical, practical, and conceptual readings. My interpretive strategy in this discussion, which does not exclude other approaches, is that these texts express forms of practical instead of merely speculative philosophy. They are suggestive of an ethos of relational freedom, irreducible to rules and techniques, which dismantles hypostatized experiential and linguistic fixations, including moralistic fixations, in order to freely encounter the myriad things and enact and practice the dao in one's own singular way.'Critical Daoism', therefore, serves as a pluralistic, diagnostic, and practical designation... (shrink)

La question que nous nous proposons de traiter dans cet article concerne le statut de l’événement de la déconstruction en tant qu’image de la raison : Quelle raison trouvons-nous par le biais de la de'construction? Le geste déconstructeur veut dépasser le logos de la métaphysique occidentale sans le de'passer, manifestant l’impossibilité radicale d’un tel dépassement : peut-on parler donc d’un logos déconstructeur? La diffe'rance est-elle coupée du logos ou bien est-elle une autre forme de logos? Quel est son statut lo- (...) gique? Que signifie « logique » pour la rationalité de l’écriture? La diffe'rance peut-elle être formulée logiquement? Nous chercherons à démontrer a) que la déconstruction met en œuvre une logique qui est une logique analogique, et donc b) que l’analogie, conçue dans un sens très technique, b.1) peut non seulement recevoir le statut d’une logique, b.2) mais nous aide aussi à repenser le geste décons- tructeur lui-même. Ainsi la voie est ouverte pour une confrontation entre l’œuvre de Derrida et celle d’Enzo Melandri. (shrink)

La question que nous nous proposons de traiter dans cet article concerne le statut de l’événement de la déconstruction en tant qu’image de la raison : Quelle raison trouvons-nous par le biais de la de'construction? Le geste déconstructeur veut dépasser le logos de la métaphysique occidentale sans le de'passer, manifestant l’impossibilité radicale d’un tel dépassement : peut-on parler donc d’un logos déconstructeur? La diffe'rance est-elle coupée du logos ou bien est-elle une autre forme de logos? Quel est son statut lo- (...) gique? Que signifie « logique » pour la rationalité de l’écriture? La diffe'rance peut-elle être formulée logiquement? Nous chercherons à démontrer a) que la déconstruction met en œuvre une logique qui est une logique analogique, et donc b) que l’analogie, conçue dans un sens très technique, b.1) peut non seulement recevoir le statut d’une logique, b.2) mais nous aide aussi à repenser le geste décons- tructeur lui-même. Ainsi la voie est ouverte pour une confrontation entre l’œuvre de Derrida et celle d’Enzo Melandri. (shrink)

This article tries to highlight the explicit political aim and the importance for our present of the thought of the «late» Michel Foucault. Through the analysis of the role that truth plays in the pagan and Christian techniques of the self, it opposes a truth that we have to discover in ourselves in order to refuse it (Christianity) or to adhere to it (ethics of authenticity) to a truth conceived as a force of transformation of logos into ethos , of (...) the discourse into a way of life. (shrink)

In Plato’s 'Gorgias', Socrates makes pronounced use of ‘rhetorical’ means. While this has often been pointed out, it has rarely been asked which constitutive features are shared by Socrates’ and Gorgias’ discursive practices. This article tackles this question based on the notion of logos that emerges in Gorgias’ Encomium of Helen. It is claimed that Gorgias was not concerned with a rhetorical technique but in fact with a practice of ethical formation. In this practice, or culture of speech, speakers bring (...) virtue to bear by displaying virtuous ways of speaking. Socratic dialectic, as presented in the Gorgias, can be interpreted as bringing this discursive practice to perfection. (shrink)

comes from the Greek o o ( technologia ), which in turn derives from ( technê ), meaning ‘art’ or ‘technique’, and o ( logos ). Modern technology has reached its present advanced level thanks to the pursuit of ever greater efficiency. In other words, technology has achieved its present level of development by changing from the quest for techniques grounded in o to a form of engineering that is devoid of o and merely pursues efficiency. We must not overlook (...) the great danger in this sort of technology. Technology advancing radically and transformed into engineering devoid of o cannot perceive its raison d’être and the meaning of its tasks from the perspective of the overall quest for knowledge; as a result, the process of technological development hurtles ahead blindly without a normal sense of balance. The effects on human society are immense. At this juncture we must return to the spirit of Greek o o and urgently rebuild a technology grounded in awareness of o as the wellspring of all knowledge. This is a task that we must address without delay in order to avoid the destruction of humankind. Key Words: applied ethics • logos • technologia • wellspring of technology. (shrink)

La recente pubblicazione delle note di corso Recherches sur l’usage littéraire du langage sono una conferma del ruolo giocato dal linguaggio poetico in Merleau-Ponty in quell’ambizioso e incompiuto progetto perseguito dal 1951 Sur la phénoménologie du langage. La convinzione che il linguaggio sia la questione cruciale per la fenomenologia avvicina le ricerche di Merleau-Ponty a quelle che Ricoeur svilupperà negli anni Settanta: è nella parola, nel discorso pronunciato, che avviene non solo il rapporto tra soggetti, ma anche quello con le (...) cose. Per entrambi i filosofi la Lebenswelt è una sorta di terra promessa della fenomenologia; un mondo che ci è dato cogliere soltanto in modo mediato. E a rappresentare una forma di mediazione esemplare è la figura retorica della metafora, negazione di ogni tentazione di presa diretta, di trasparenza del linguaggio stesso: nella parola metaforica, non riducibile alla dimensione nominale, viene delineata una ontologia “indiretta” o “abbozzata”. Tecnica stilistica da Merleau-Ponty, a differenza di Ricoeur, più praticata che teorizzata, la metafora poetica, o viva, realizza lo snodo tra pre-categoriale e categoriale, tra mondo sensibile e mondo dell’espressione, tra logos muto e logos pronunciato. Riprendendo l’analogia individuata da Valéry tra danza e linguaggio letterario, Merleau-Ponty traccia una teoria della figura come espressione degli ordini di senso percepiti che può trasfigurare il linguaggio ordinario; teoria molto vicina a quella ricoeuriana di “figurazione” che nel mondo della vita si radica per poi tornarvi.La publication récente des notes du cours Recherches sur l’usage littéraire du langage confirment le rôle joué par le langage poétique chez Merleau-Ponty dans le projet ambitieux et inachevé qu’il engage à partir de 1951 dans l’essai Sur la phénoménologie du langage. La conviction que le langage est la question cruciale pour la phénoménologie rapproche les recherches de Merleau-Ponty de celles que Ricoeur développera dans les années 1970 : c’est dans les mots, dans le discours prononcé, qu’advient non seulement les relations entre sujets, mais aussi nos rapports avec les choses. Pour les deux philosophes, la Lebenswelt est une sorte de terre promise pour la phénoménologie ; un monde qu’on ne peut saisir que de manière indirecte. Et c’est la figure de la métaphore qui représente une forme de médiation exemplaire, comme négation de toute tentative de prise directe, de transparence du langage lui-même. Dans l’expression métaphorique, non réductible à la dimension nominale, une ontologie « indirecte » ou « ébauchée » est esquissée. Technique stylistique chez Merleau-Ponty, plus pratiquée que théorisée à la différence de Ricoeur, la métaphore poétique, ou vivante, réalise la jonction entre le précatégorial et le catégorial, entre le monde sensible et le monde de l’expression, entre logos muet et logos proféré. Reprenant l’analogie de Valéry entre danse et langage littéraire, Merleau-Ponty trace une théorie de la figure comme expression des ordres de la perception qui peut transfigurer le langage ordinaire ; une théorie très proche de celle de Ricoeur de la « figuration » qui, enracinée dans le monde de la vie, y retourne ensuite.The recent publication of the lecture notes Research on the Literary Use of Language confirms the role played by poetic language in Merleau-Ponty’s ambitious and unfinished project that began in his 1951 essay “On the Phenomenology of Language.” The conviction that language is the crucial question for phenomenology in Merleau-Ponty’s work nears the research Paul Ricoeur would develop in the 1970’s: it is in words, in expressed discourse, that we encounter not only relations among subjects, but also our relation to things. For the two philosophers, the Lebenswelt is a sort of promised land for phenomenology, a world that we can grasp only indirectly. And, it is the figure of the metaphor that represents an exemplary form of mediation, as a negation of every attempt toward a direct grasp, of the transparency of language in itself. In the metaphorical expression, which is not reducible to a nominal dimension, an “indirect” or “outlined” ontology is sketched out. In the stylistic technique of Merleau-Ponty, more practiced than theoretical unlike Ricoeur, the poetic or living metaphor constitutes a junction between the pre-categorical and the categorical, between the sensible world and the world of expression, between silent logos and pronounced logos. Referring to Valery’s analogy between dance and literary language, Merleau-Ponty traces a theory of the figure as expression in the orders of perception that can transfigure ordinary language, a theory very similar to that of Ricoeur’s “figuration” which, rooted in the world of life, subsequently returns to it. (shrink)

Cet article se propose de reconstruire la réflexion de Hans Blumenberg sur le mythe en dégageant les ‘principes’ directeurs du mythe tels que Blumenberg les conçoit et en rattachant chacun de ces principes à un mythe considéré alors comme paradigmatique. Il s’agit moins de reprendre la théorie schellingienne selon laquelle le mythe «s’auto-explique» que de montrer la fécondité de l’hypothèse de Blumenberg, celle d’un «travail du mythe» qui se prolonge dans les tentatives mêmes d’explication du sens de la pensée mythique. (...) Ce dépassement en acte de l’opposition logos/mythos confirme l’importance anthropologique du mythe comme technique de mise à distance de l’angoisse et rupture avec ‘l’absolutisme de la réalité’. Mais la réhabilitation théorique du mythe ne saurait déboucher sur un nouveau mythe politique: si le ‘travail du mythe’ de Blumenberg, n’est pas dénué d’effets politiques, comme d’ailleurs celui de Lévi-Strauss, ces effets ne peuvent être qu’indirects, suivant la valorisation du détour qui caractérise toute l’œuvre de Blumenberg. (shrink)

Language is nothing but human subjects in as much as they speak, say and know. Language is something coming from the inside of the speaking subject manifest in the meaningful intentional purpose of the individual speaker. A language, on the contrary, is something coming from the outside, from the speech community, something offered to the speaking subject from the tradition in the technique of speaking. The speech act is nothing but the development of an intuition by the subject thus transforming (...) it in words of a language. It is both individual and social. Since human subjects are free and historical, the study of speech acts is hermeneutics, that is, interpreting speech acts with knowing and the human reality. (shrink)

In its forty years of existence, Artificial Intelligence has suffered both from the exaggerated claims of those who saw it as the definitive solution of an ancestral dream — that of constructing an intelligent machine-and from its detractors, who described it as the latest fad worthy of quacks. Yet AI is still alive, well and blossoming, and has left a legacy of tools and applications almost unequalled by any other field-probably because, as the heir of Renaissance thought, it represents a (...) possible bridge between the humanities and the natural sciences, philosophy and neurophysiology, psychology and integrated circuits-including systems that today are taken for granted, such as the computer interface with mouse pointer and windows. This writing describes a few results of AI that have modified the scientific world, as well as the way a layman sees computers: thetechnology of programming languages, such asLISP-witness the unique excellence of academic departments that have contributed to them-thecomputing workstations-of which our modern PC is but a vulgarised descendant-theapplications to the educational field-e.g., the realisation of some ideas of genetic epistemology-and tointerdisciplinary philosophy-such as Hofstadter's associations between the arts and mathematics-and the use ofAI techniques in music and musicology. All this has led to a generalisation of AI towards Negrotti's overallTheory of the Artificial, which encompasses further specialisation such asartificial reality, artificial life, and applications ofneural networks among others. (shrink)

La question de l’appropriation sociale de la technique dans la vie quotidienne semble d’autant plus entière qu’elle émerge à un moment de notre histoire où dominerait une posture critique faisant de la machine le vecteur de standardisation du temps, des objets et des relations humaines. Il faut pourtant savoir se rendre attentif à des situations autres, dans l’ordre du banal, notamment dans toutes ces technologies de communications, pour lesquelles il faut bien admettre cette capacité de connectivité et de mise en (...) relations, avec ses potentiels sociaux parfois inattendus. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Lyotard and Greek Thought: SophistryJ. Britt HolbrookKeith Crome. Lyotard and Greek Thought: Sophistry. New York: Palgrave Macmillan, 2004. Pp. x + 186. Cloth, $68.00.Caveat lector: this deceptively short work presents an exercise in genre-bending (the sophistical retorsion of the philosophical determination of sophistry) that may leave one's head spinning, particularly if one's acquaintance with the thought of Jean-François Lyotard is not quite up to snuff. One may perhaps (...) take the appearance of such a work—written by a Lyotard scholar for Lyotard scholars—as a sign that Lyotard has finally arrived. (Arrive-t-il? But, Lyotard has already arrived! Didn't you read Keith Crome's book?) Be forewarned: unless you "got" that parenthetical joke, wait to read this book until after you have read (or re-read) at the very least Lyotard's Just Gaming and The Differend.More "sophisticated" readers of Lyotard, however, will warmly welcome this book. Along with a helpful review of secondary literature on Lyotard, the Introduction offers a compelling case for the need for an extended treatment of Lyotard's relation to Greek thought—sophistry in particular. The work sets for itself two goals: (1) to show that Lyotard's engagement with sophistry plays a key role in the development of his notion of the differend; and (2) to show that Lyotard attempts to define the limits of philosophy qua philosophy in terms of its relation to sophistry.It is this second, larger, goal that presents the main problem for the work. Because the argument "attempts to show that Lyotard wrests sophistry from the traditional philosophical understanding it has enjoyed and that by way of this effects a delimitation of philosophy [End Page 676] itself" (10), Part I ("The Place of Sophistry in Philosophy") offers accounts of traditional philosophical interpretations of sophistry from Plato, Hegel, and Heidegger. Essential to the success of Crome's argument is the idea that what all traditional philosophical interpretations of sophistry share is both a refusal to allow sophistry to define itself and a tendency to define philosophy around and against sophistry (83). The "radicality" of Lyotard's interpretation of sophistry, according to Part II ("Lyotard and the Sophistication of Philosophy"), consists in Lyotard's refusal to allow philosophy to define sophistry and a retorsion—a turning against philosophy and for sophistry—of the philosophical tendency to define itself around and against sophistry. Crome's point exceeds the claim that, whereas traditional philosophical interpretations of sophistry have invariably given sophistry a bad rap, Lyotard attempts to redress the balance and to restore the reputation of sophistry. According to Crome, Lyotard's "restoration" of sophistry to itself also puts philosophy in its place, by showing that the traditional philosophical tendency to define philosophy around and against sophistry is merely reactive—in particular, insofar as Lyotard shows that the initial move in the traditional philosophical interpretation of sophistry is motivated by a reaction against Gorgias' nihilistic reading of Parmenides' Poem (129–45).Although some may wish to quibble over individual details, overall Crome's argument is quite successful in showing that Lyotard's engagement with sophistry plays a key role in the development of his notion of the differend. It is with his second, larger goal—to show that Lyotard attempts to define the limits of philosophy as philosophy in terms of its relation to sophistry—that most readers will find something of substance with which to quarrel. Crome's interpretation of Lyotard's analysis of the sophistical "technique" —one might prefer 'manner,' in the Kantian sense—of retorsion (95–100) and its role in the development of the notion of the differend borders on brilliant; yet the insertion into that interpretation of the "ontological significance" of Lyotard's analysis (8–9, 147, 161) seems forced. In order to "broaden the significance" of Lyotard's work amongst critics, is it really necessary to attribute an "ontological significance" to The Differend? Does one really "broaden the significance" of the differend by claiming that it is "the name for a sophistical logos" (162)? Is developing a strategy to bear witness to the differend in itself insignificant? Some will balk.Nevertheless, readers of Lyotard... (shrink)

This book consists of essays exploring aspects of a single theme, philosophy as an effort to transform our vision of, and being in, the world. The first and second essays show that the Christian tradition of "spiritual exercises" is inspired by a similar tradition in pagan philosophy. The first essay indeed argues that ancient philosophy is to be understood in the main, not as a variety of doctrinal systems, but as an attempt to transform the soul by means of techniques (...) which can properly be referred to as "spiritual exercises." For example, Stoicism teaches, not an abstract theory, but a new way of life achieved through training the logos in us. Epicureanism also aims at changing our lives through the use of various exercises. Hadot then points to Socrates' interest in "care of the soul" and to the function of Socratic and Platonic dialogue in training the soul of the participant/reader so as to "turn it around." Hadot concludes this first major essay by noting that to treat ancient philosophies as if they were attempts at system-building is to misunderstand their character. The third essay is an important study of the figure of Socrates as a transformer of souls. The themes of irony and eros in particular are explored and compared to their recurrence in Kierkegaard and Nietzsche. This is followed by another major essay, which shows that Marcus Aurelius' Meditations are not at all the sort of autobiographical journal that they are usually assumed to be. They are in fact a Stoic manual of spiritual exercises. One specific training technique is examined, that of "physical definition." This and two other techniques are shown in the next essay to constitute the organizational principle of Marcus Aurelius' apparently disorganized work and to derive from Epictetus. The following essay establishes the influence Marcus Aurelius' work had on the French historian Michelet. The book concludes with a very general survey of the theme of "conversion," considered from religious, philosophical, social, and psychological points-of-view, and with an essay on the limitations of language in Greek philosophy and in Wittgenstein. Hadot demonstrates in this book a deep and unusually comprehensive knowledge of ancient philosophy and an ability to throw new light on aspects not only of ancient philosophy but also of the Western cultural tradition and indeed of human nature.--Dominic J. O'Meara, Université de Fribourg. (shrink)

Mitos ve Logos kavramları Antik Yunan uygarlığında söz kavramına karşılık gelen sözcükleri karşılamak için kullanılmıştır. Felsefe tarihinin başlangıcı için yapılan tanımlamalarda ise mitos kavramının yerine logos kavramının tercih edilmesi iki kavram arasında bir farklılığı ortaya koymak için yapılmaktadır. Bu ayrımın nedeni ise mitos’un daha çok dinsel içerikle anılması logos’un ise içerisinde bir tür akılsallık barındırması şeklindeki yorumlarda kendini göstermektedir. Ancak söz konusu ayrımın ilk doğa filozofu/ilk felsefeci olarak nitelendirilen Thales için geçerli olup olmadığı geçmişte olduğu gibi günümüzde de halen tartışılmaktadır. (...) Felsefe tarihi yazımlarında ilk sıraya konan Thales’in anılan kavramları gerçekten farklı şekilde yorumlayıp yorumlamadığı bizce de tartışmaya açık bir husustur. Bu açıdan bakıldığında Thales, söz konusu kavramları iki farklı problemler alanı olarak mı görmüştür? Onun düşüncelerinde kendinden önceki mitolojik mirasın izleri bulunabilir mi? O, katışıksız bir rasyonel midir, yoksa henüz felsefenin yeni filizlendiği bir toplumda bir ara basamağı mı temsil etmektedir? Bu makalenin içerisinde tartışacağımız bu sorular, felsefe tarihinin başlangıcına ilişkin kavramsal arka planın ne olduğu hakkında bize katkı sağlayacaktır. (shrink)

"Being and Logos" is... a philosophical adventure of rare inspiration.... Its power to illuminate the text..., its ecumenicity of inspiration, its methodological rigor, its originality, and its philosophical profundity—all together make it one of the few philosophical interpretations that the philosopher will want to re-read along with the dialogues themselves. A superadded gift is the author's prose, which is a model of lucidity and grace." —International Philosophical Quarterly "Being and Logos is highly recommended for those who wish to learn how (...) a thoughtful scholar approaches Platonic dialogues as well as for those who wish to consider a serious discussion of some basic themes in the dialogues." —The Academic Reviewer. (shrink)

This paper provides an account of the development of the logos concept in Heidegger’s writings on language and examines the implications of logos for a philosophy of language. In Being and Time/ Heidegger described logos as prelanguage, a preliminary perception of the world which often finds expression in verbal communication. This view is made clear by Heidegger's account of the act of speaking in which formless prior understanding (logos) is shaped into verbal expression. Heidegger's analysis of the communicative act in (...) Being and Time viewed logos as one of the ways in which man can experience his world. In his later writings, however, logos is the path to Being. Language precedes man and is the "house of Being." By this Heidegger means that man lives in language which is the major force in the creation of his world. Heidegger's view of language, then, is a protest against the modern tendency to view language as a mere tool, thereby stripping it of its value and connotative dimensions. (shrink)

Yamauchi Tokuryū, 2020. Logos et Lemme: Pensée occidentale, pensée orientale 『ロゴスとレンマ』（1974）. Translated by Augustin Berque with the assistance of Romaric Jannel. Paris: CNRS Éditions.

The logos question, one of the most important among the subjects that traverse the Plato's Sophist, has in fact some different aspects: the criticism of father Parmenides' logos, that is unable to speak about the not-being, but also about the being; the relations between logos and its cognates, phantasia, doxa and dianoia; the logos’ complex structure, that is a compound with onoma and rema; the difference between naming and saying, two distinct but inseparable actions; the logical and ontological conditions that (...) make possible to say the truth, or to lie or simply to joke; the necessity of a most flexible logos that allows us to speak about the not-being, and about the being, but at the same time is a logos dangerously similar to the sophist’ one; finally, the identity between the power to produce “spoken images” and the very power to speak. The aim of the present article is giving a systematical view of the matter that grasps all these faces. (shrink)

In this paper, I offer a new solution to the old problem of how best to understand the meaning of the word ‘logos’ in the extant writings of Heraclitus, especially in fragments DK B1, B2 and B50. On the view I defend, Heraclitus was neither using the word in a perfectly ordinary way in these fragments, as some have maintained, nor denoting by it some kind of general principle or law governing change in the cosmos, as many have claimed. Rather, (...) I argue, Heraclitus deliberately traded on the ordinary use of the word in his time (to refer to a written or spoken presentation of things as ‘thus and so’) to denote the world’s constant presentation of itself as ‘thus and so’ to all of us in our experience – a kind of cosmic self-revelation. I show how this captures the sense in which ‘the logos’ is said to be ‘common’ (xunos) and to be the kind of thing most people fail to comprehend even before hearing Heraclitus’ own account, all without detaching Heraclitus’ use of the word from its ordinary contemporary meaning. This interpretation suggests Heraclitus was a thinker more centrally concerned with human (mis)understanding than with speculative cosmology. (shrink)