Nicholas Makins argues persuasively that medical decisions should be made with consideration for patients’ higher order risk attitudes.1 I will argue that an understanding of risk attitudes in medical decision-making is incomplete without critical engagement with emotions and affects (feelings associated with something good or bad). The primary aim of this commentary is to emphasise that clinical decisions are often emotionally charged, and it is crucial to engage closely with emotions and affects that shape these decisions, (...) particularly when navigating complex and uncertain situations. In the face of uncertainty, emotions such as fear, sadness or anxiety play a significant role in risk attitudes and medical decisions. I contend that recognising risk as a feeling is crucial to respecting patients’ values, preferences and decisions in light of the substantial body of research on risk perception and attitudes that suggests individuals make decisions based not only on what they think, but also on how they feel. In recent years, scholars have begun to acknowledge the value of emotions in understanding medical decisions and healthcare decision-making processes,2 especially under uncertainty. Furthermore, some philosophers and social scientists in field of risk research acknowledge emotions as both affective and cognitive in nature, and influence risk perceptions and attitudes.3 Risk …. (shrink)

The notion of emotion in phenomenology involves the centrality of the concept of “value.” This general assumption is here articulated in three theses. The first thesis concerns the public, expressive and behavioral nature of emotion. The second thesis relates to its corporeal and material nature. The third maintains that the structure of emotion is essentially temporal. Each of these arguments converges in emphasizing the irruption of an impersonal dimension into human consciousness, and in particular into emotional consciousness. The objective of (...) this essay is to probe this sub-categorical, or inter-corporeal, dimension from the dual viewpoint of phenomenology and psychoanalysis.La notion d’émotion en phénoménologie implique la centralité du concept de « valeur ». Cette supposition est ici articulée en trois thèses. La première concerne la nature publique, expressive et comportementale de l’émotion. La seconde se rapporte à la nature corporelle et matérielle de l’émotion. La troisième soutient que la tructure de l’émotion est essentiellement temporelle. Ces trois arguments permettent de souligner l’irruption d’une dimension impersonnelle au sein de la conscience humaine, et en particulier dans la conscience émotionnelle. L’objectif de cet essai est de sonder cette dimension sous-catégorique, ou inter-corporelle, à partir du double point de vue de la phénoménologie et de la psychanalyse. La nozione di emozione in fenomenologia implica la centralità del concetto di “valore”. Nel presente articolo, questo assunto generale è articolato secondo tre tesi. La prima concerne l’aspetto pubblico, espressivo e comportamentale dell’emozione. La seconda ha a che fare con la sua natura corporea e materiale. La terza afferma il carattere essenzialmente temporale dell’emozione. Queste argomentazioni convergono nel tentativo di mettere in luce l’irruzione di una dimensione impersonale nella coscienza umana, e in particolare nella coscienza emozionale. L’obiettivo di questo studio è esaminare questa dimensione sub-categoriale, o inter-corporea, dal duplice punto di vista della fenomenologia e della psicoanalisi. (shrink)

In this brief comment on a target article by Koelsch et al., I argue that emotions are more sensitive to context than other affective states.

The theory of emotions as affective position-takings (PT) is investigated from the perspective of a computational model of the belief-desire theory of emotions (CBDTE) proposed by the author. Both theories assume that a core subset of typical emotion episodes are the products of an evaluation process in which cognized states of affairs are evaluated for their congruence with the person's desires; and that emotions are, on the conscious level, feelings of pleasure and displeasure. However, according to PT (...) the evaluation is a concern-based construal and emotional feelings are intrinsically object-directed, whereas according to CBDTE, the evaluation is performed by a hardwired mechanism that produces nonintentional feelings. Furthermore, CBDTE suggests that hedonic feelings are simultaneously reactions to the detection of value, and representations of the detected value. (shrink)

As an alternative to using the concepts of emotion, fear, anger, and the like as scientific tools, this article advocates an approach based on the concepts of core affect and psychological construction, expanding the domain of inquiry beyond “emotion”. Core affect is a neurophysiological state that underlies simply feeling good or bad, drowsy or energised. Psychological construction is not one process but an umbrella term for the various processes that produce: (a) a particular emotional episode's “components” (such as facial movement, (...) vocal tone, peripheral nervous system change, appraisal, attribution, behaviour, subjective experience, and emotion regulation); (b) associations among the components; and (c) the categorisation of the pattern of components as a specific emotion. (shrink)

Emotion is traditionally described as a phenomenon that dominates the subject because one does not choose to be angry, sad, or happy. However, would it be totally absurd to conceive emotion as behaviour and a manifestation of the spontaneity and liberty of consciousness? In his short text, Esquisse d''une theorie des émotions, Sartre proposes a phenomenological description of this psychological phenomenon. He distinguishes between constituted affectivity, which gives rise to emotions, and an original affectivity lacking intentionality, and tied closely (...) to bodily processes. It appears that emotion is first and foremost a magical attitude toward the world, an attitude freely adopted by the subject. Against what is often written, this thesis doesn''t mean that emotion would be a pure comedy but only that, in spite of appearances, this behaviour isn''t a matter of what Descartes calls soul''s passions. (shrink)

How to distinguish emotions such as envy, disgust, and shame from sentiments such as love, hate, and adoration? While the standard approach argues that emotions and sentiments differ in terms of their temporal structures (e.g., Ben-ze’ev, 2000; Deonna & Teroni, 2012; Frijda et al., 1991), this paper sketches an alternative approach according to which each of these states exhibits a distinctive intentional structure. More precisely, this paper argues that emotions and sentiments exhibit distinct forms of affective intentionality. (...) The paper begins by examining the temporal criteria of duration, etiology, and phenomenology widely employed to distinguish between both states. It demonstrates that none of them provides a clear-cut distinction between emotions and sentiments. Next, it presents the intentional approach as an alternative. To this end, it discusses what I call the axiological account (De Monticelli’s 2006; 2020), before introducing my version of the intentional approach according to which emotions and sentiments exhibit different forms of affective intentionality. The main findings are summarized in the conclusion. (shrink)

This paper explores substantive accounts of emotional phenomenology so as to see whether it sheds light on key features of emotions. To this end, we focus on four features that can be introduced by way of an example. Say Sam is angry at Maria’s nasty remark. The first feature relates to the fact that anger is a negative emotion, by contrast with positive emotions such as joy and admiration (valence). The second feature is how anger differs from other (...) emotions such as sadness, fear and joy (individuation). The third concerns the objects of anger and the sense in which anger discloses the significance of Maria’s remark to Sam (intentionality). Finally, there is anger’s relation to behaviour (motivation). Does focussing on emotional phenomenology encourage specific accounts of these features? We shall see that there are reasons to think it does. Still, are these reasons of sufficient import to dispel the scepticism of those who think that nothing of consequence plays out at the personal level of emotional experience? Given the role of emotional experience in our evaluative practices, we shall conclude that they are. Our discussion is structured as follows: section 1 focuses on feeling approaches to phenomenology, section 2 on componential approaches, section 3 on perceptual approaches and section 4 on attitudinal approaches. Section 5 concludes with some observations regarding the significance of emotional phenomenology. (shrink)

This article shows how theorising the entanglement of securitisation and education can be enhanced by attending to the power of affect and emotion. The author proposes a methodological and theoretical framework that offers the potential of a rich and promising research agenda which includes the role of affects and emotions in exploring securitisation in education. It is argued that this framework would have to do two important things. First, it would have to show how biopolitical techniques emerge from (...) historicising securitisation processes to shape an understanding of the ways in which bodies are entangled with the invisible affective infrastructures of securitisation in educational institutions. Second, this framework would have to trace the capacities of educators and students for affecting and being affected in their engagements and negotiations with securitisation processes, and specifically how these capacities become normalised or enable counter-practices of interruption. The value of this framework is in its capacity to generate empirical work that extends beyond conventional securitisation theory’s focus on language and discourse analysis. As such, what this article offers is both new ways of researching affect and emotion in educational contexts of securitisation and some insights about the pedagogical consequences of this framework of research and theorisation. (shrink)

This paper highlights the evolutionary biological epistemology in Freud psychoanalytic theory. The concepts of aggressive and sexual drives are fulcrum of the psychoanalytic epistemological system, concerning the motivational/emotional roots of mental functioning. These biological roots of mental functioning, especially with regard to aggressive drive, have gradually faded away from psychoanalytic epistemology, as we show in the paper. Currently, however, Neurosciences, and in particular Affective Neuroscience (Panksepp 1998), can contribute to increase the knowledge of the biological roots of human mental functioning. (...) The motivational/emotional systems studied by Affective Neuroscience can give a new epistemological foundation to the aggressive drive concept in psychoanalytic theory. Over the course of human evolution motivational/emotional systems have assumed the role of organizers of social relationships and also of mental functioning. In this regard, among the various types of aggression (ANGER in Panksepp taxonomy 1998), that we consider in our paper is inter-male aggression, also named Dominance motivational/emotional system, which regulates social interactions between sexually mature adults. This type of aggression acts in complementary connection with FEAR motivational/emotional system, that regulate Submissive behaviour and Social defeat, the latter one of the more important stressors. The interaction between aggressiion and FEAR motivational/emotional systems gives rise to Agonistic behaviour or Dominance/Submission motivational/emotional system, as we propose in our paper. There is now a large literature that identifies in the dynamic of Agonistic behaviour one of the main factors of mental illness. When social interactions activate the Agonistic behavior, the subject can perceive himself as "destined to victory" or "destined to defeat", activating either behaviours and emotions connected to the Involuntary Defeat Strategy or Involuntary Dominant Strategy, that we can find in many types of mental disorders, e.g. mood disorders or anxiety disorders. (shrink)

Climate change and loss of biodiversity are advancing rapidly, making a transition to a more sustainable society one of the most pressing tasks facing humanity. This special section shines a spotlight on how emotions shape and are shaped by the climate and biodiversity crises, and how they intersect with pro-environmental behavior. To this end, leading sustainability scholars and policy makers articulate what they believe are the most important questions that emotion research should answer to support a sustainable societal transition. (...) Here, we first provide an overview of the articles in the special section, which include a wide range of topics including global analyses of distress related to climate change and biodiversity loss, case studies on emotional experiences toward locally specific instances of climate change consequences and adaptation or mitigation efforts, discussions of the motivational functions of emotions and their potential to drive pro-environmental action, and reflections on how we can make affective science more salient to policy makers in the sustainability domain. In the second part, we summarize the emerging overarching themes that point to promising research objectives and questions for affective sustainability science. Finally, we discuss how the study of sustainability can also be beneficial for the affective sciences. Our hope is that this special section will put sustainability on the research agenda of emotion researchers and stimulate more research in affective sustainability science. (shrink)

This article develops a new way of understanding the integration of emotions in practical life and the practical appraisal of emotions, drawing on insights from both J-P. Sartre and R. G. Collingwo...

Gaslighting is a form of manipulation that undermines a target’s confidence in their own cognitive faculties. Different forms of gaslighting can be distinguished according to whether they undermine a target’s confidence in their emotional reactions, perceptions, memory, or reasoning abilities. I focus on ‘emotional gaslighting’, which undermines a target’s confidence in their emotional reactions and corresponding evaluative judgments. While emotional gaslighting rarely occurs in isolation, it is often an important part of an overall gaslighting strategy. This is because emotions (...) can help us to understand the evaluative aspects of our situation and thus put us in a position to protest wrongs, which is a context in which gaslighting frequently occurs. I argue that affective empathy constitutes an important antidote to emotional gaslighting. Affective empathy can lead to endorsement of a target’s emotional reaction as appropriate to their situation and agreement with the corresponding evaluative judgment. When it leads to endorsement, affective empathy can counteract the effects of emotional gaslighting because it reassures a target in their ability to make evaluative judgments based on their emotional reactions. Because of its opposing effects, affective empathy with the victim thus constitutes an important intervention to emotional gaslighting on the part of third parties. (shrink)

It is a familiar feature of our affective psychology that our moods ‘crystalize’ into emotions, and that our emotions ‘diffuse’ into moods. Providing a detailed philosophical account of these affective shifts, as I will call them, is the central aim of this paper. Drawing on contemporary philosophy of emotion and mood, alongside distinctive ideas from the phenomenologically-inspired writer Robert Musil, a broadly ‘intentional’ and ‘evaluativist’ account will be defended. I argue that we do best to understand important features (...) of these affective shifts – which I document across this paper – in terms of intentional and evaluative aspects of the respective states of moods and emotion. At same the time, the account is pitched at the phenomenological level, as dealing with affective shifts primarily in terms of moods and emotions as experiential states, with respect to which it feels-like-something to be undergoing the relevant affective experience. The paper also applies the intentional-evaluative model of affective shifts to anxiety in more detail, developing the idea that certain patterns of affective shift, particularly those that allow for a kind of ‘emotional release’, can contribute to a subject’s well-being. (shrink)

The emotions have long been an interest for those studying ancient Greece and Rome. But while the last few decades have produced excellent studies of individual emotions and the different approaches to them by the major philosophical schools, the focus has been almost entirely on negative emotions. This might give the impression that the Greeks and Romans had little to say about positive emotion, something that would be misguided. As the chapters in this collection indicate, there are (...) representations of positive emotions extending from archaic Greek poetry to Augustine, and in both philosophical works and literary genres as wide-ranging as lyric poetry, forensic oratory, comedy, didactic poetry, and the novel. Nor is the evidence uniform: while many of the literary representations give expression to positive emotion but also describe its loss, the philosophers offer a more optimistic assessment of the possibilities of attaining joy or contentment in this life.The positive emotions show some of the same features that all emotions do. But unlike the negative emotions, which we are able to describe and analyze in great detail because of our preoccupation with them, positive emotions tend to be harder to articulate. Hence the interest of the present study, which considers how positive emotions are described, their relationship to other emotions, the ways in which they are provoked or upset by circumstances, how they complicate and enrich our relationships with other people, and which kinds of positive emotion we should seek to integrate. The ancient works have a great deal to say about all of these topics, and for that reason deserve more study, both for our understanding of antiquity and for our understanding of the positive emotions in general. (shrink)

Comprehensive, authoritative, up-to-date, and easy-to-use, The Oxford Companion to Emotion and the Affective Sciences is an indispensable resource for all who wish to find out about theories, concepts, methods, and research findings in this rapidly growing interdisciplinary field.

The nature and consequences of readers’ affective engagement with literature has, in recent years, captured the attention of experimental psychologists and philosophers alike. Psychological studies have focused principally on the causal mechanisms explaining our affective interactions with fictions, prescinding from questions concerning their rational justifiability. Transportation Theory, for instance, has sought to map out the mechanisms the reader tracks the narrative experientially, mirroring its descriptions through first-personal perceptual imaginings, affective and motor responses and even evaluative beliefs. Analytical philosophers, by contrast, (...) have largely focussed on the problems fiction poses for traditional theories of rationality (as in the ‘Paradox of Fiction), challenging fiction’s wider epistemic value. The result has been a theoretical impasse in which the power of fiction to affectively ‘transport’ a reader is at once often lauded (by psychologists) as a privileged route to interpersonal understanding, and condemned (by philosophers) as an abdication of the authority of reason. This chapter surveys some of the central claims on both sides, tracing the source of the debate to competing conceptions of rationality. (shrink)

Comprehensive, authoritative, up-to-date, & easy-to-use, this companion is an indispensable resource for all who wish to find out about theories, concepts, ...

This article argues that attempts by philosophy to think emotions as embodied is caught between the necessity of thinking them as a subjective first-person dimension of experience on the one hand and as an objective biological determination on the other. Philosophy has tended to view these two dimensions, qualitative and quantitative, respectively, as either in a parallelism with each other or alternatively has dispensed with either one or the other. This article draws on Georges Canguilhem’s biological thinking of “sense” (...) as a mode of functional relationality that constitutes the being of organisms as such and brings it into a comparative alignment with Jean-Luc Nancy’s thinking of sense and touch. On this basis it argues that emotions are an extension of a more fundamental affectivity proper to biological life in general. This allows for the qualitative dimension of emotions and the objective knowledge of them in biology to be thought in an ontological continuity with each other. It also allows for a renewed thinking of the fundamental continuity of emotional and affective experience in human and non-human animal life. (shrink)

Unpleasant emotions can be strongly “propulsive,” spurring us to make changes to our situation, perspective, values, and commitments. These changes are often positive, even crucial to our pursuit of the good life. But under what conditions are unpleasant emotions strongly propulsive? I argue that the source of affective propulsion should not be located in the mere unpleasantness of a given emotion, but, rather, in the emotional context in which the emotion arises. Drawing on Martin Heidegger’s comparative analysis of (...) “shallow” and “deep” boredom, I claim that the propulsive quality of an emotion arises not from its intrinsic properties but from the ambivalence generated when two affective states simultaneously influence our sense-making activity in opposing ways. (shrink)

This paper examines two phenomena that are usually treated separately but which resemble each other insofar as they both raise questions concerning the difference, if there is one, between so-called ‘real’ and ‘as if’ emotions: affective memory and imagined emotion. The existence of both states has been explicitly denied, and there are very few positive accounts of either. I will argue that there are no good grounds for scepticism about the existence of ‘as if’ emotions, but also that (...) the existing positive accounts of them are all explanatorily inadequate. Comparing the two phenomena directly, I contend, allows us to defend the existence of both by showing how they essentially involve the same ‘affective bodily imagery’. The final part of the paper offers an original, empirically informed account of the nature of this imagery, the role it plays in ‘as if’ emotions, and how it may help illuminate some important connections between memory, imagination, and emotion. (shrink)

In this chapter, we start by spelling out three important features that distinguish expressives—utterances that express emotions and other affects—from descriptives, including those that describe emotions (Section 1). Drawing on recent insights from the philosophy of emotion and value (2), we show how these three features derive from the nature of affects, concentrating on emotions (3). We then spell out how theories of non-natural meaning and communication in the philosophy of language allow claims that expressives (...) inherit their meaning from specificities of emotions—namely, from being felt, evaluative attitudes toward propositional or non-propositional contents (4). (shrink)

Teacher's emotions have been shown to be highly important in the quality and effectiveness of teaching and learning. There is a recognized need to examine the essential role of teacher's emotions in students' academic achievement. However, the influence of teacher's displays of emotions on students' outcomes in small-group interaction activities, especially in the online environment, has received little attention in prior research. The aim of the present study was to explore the relationship between teacher's different emotional displays (...) and students' perceptions of the teacher's competence, as well as students' collaborative feelings and productivity in online small-group discussions. Using a three-level between-subjects design, 74 participants were randomly divided into four-member groups comprising a teacher and three other participants. All the groups were asked to discuss an open-ended realistic problem using online software, during which the teacher's display of emotions varied. The participants' self-reported questionnaire data and productivity were measured to compare the participants who were exposed to different emotional displays. As expected, the results showed that the participants who received the teacher's positive emotional display reported that they experienced higher levels of pleasure during the task. However, in contrast to our expectations, those under the negative emotional display condition showed a significantly higher level of productivity in the group task. In addition, compared to emotional display, the participants' perceptions of the teacher's competence were rated significantly higher under the neutral condition, and they reported higher levels of collaborative satisfaction and greater willingness to continue collaborating with their group. The findings have the potential benefit of informing educational practice on whether teachers should display their emotions in a small-group discussion or how they should display emotions following adjustment for the relative aim of the teaching activities. (shrink)

How does an audience receive a work of art? Does the experience only affect the viewer or does it have an effect and thus influence his or her actions? It is the cultural philosopher Ernst Cassirer and his successors in philosophy and developmental psychology as well as in neuroscience to this day who postulate that perception in general and perception of art in particular are not neutral in their origins but alive and thus meaningful. They assume that both are based (...) on analogous principles: in the perception of moving forms and spatial forms in the world and rhythms of forms, colors, light and shadow in art. In practice, this means that perception and its felt effects have an effect on the feelings of the viewer and thus help him to inform himself directly and intensively about the world through art. In contrast to this general epistemological aesthetic theory, which philosophers in particular accept, it is to be shown that this assumption must be redefined not with reference to the world, but with reference to art and design. For the latter, the approach will be extended to a semiotic theory. The background is that in contrast to the world, the designed forms and thus the designed intentions of the artist and designer or his client in relation to the chosen theme have an impact on the viewer and thus on culture and its communicative dynamics. (shrink)

"Sympathetic Sentiments develops an innovative interdisciplinary framework to explore the implications of living in a 'culture of feeling' that seems ill at ease with itself, one in which 'sentiments' are frequently denounced for being 'sentimental' and self-indulgent. This is traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy' in which sympathy seems inherently to entail public forms of expression whereby being 'on show' is both a condition of the authenticity of such (...) affects and of their capacity to be masked and simulated -- hence stimulating controversy, but also the exploration of the vicarious dimensions of modern experience so central to modern literature, art and culture. The implications of all this are further explored in the context of current debates over the display of trauma as the language of sympathetic engagement, and the alleged prevalence of 'compassion fatigue' in the era of media sensationalism. Overall, the book uncovers the patterns that both reproduce our capacity for 'sympathetic sentiments' while revealing the inherent underlying tensions."--. (shrink)

ABSTRACTPrevious studies have identified two powerful ways to regulate emotional responses to a stressor: experiencing incidental positive emotions and using cognitive reappraisal to reframe the stressor. Several cognitive and motivational theories of positive emotion support the formulation that incidental positive emotions may facilitate cognitive reappraisal. To test the separate and interacting effects of positive emotions and cognitive reappraisal, we first adapted an established picture-based reappraisal paradigm by interspersing blocks of positive emotion inducing and neutral pictures. Across two (...) pre-registered studies, reappraisal effectively decreased self-reported negative emotions and increased self-reported positive emotions; however, experiencing incidental positive emotions did not facilitate reappraisal success. In another preregistered study, we employed a more powerful positive emotion induction via virtual reality, used a social stress anticipation task, and... (shrink)

In Emotions and Reasons, Patricia Greenspan offers an evaluative theory of emotion that assigns emotion a role of its own in the justification of action. She analyzes emotions as states of object-directed affect with evaluative propositional content possibly falling short of belief and held in mind by generalized comfort or discomfort.

This article investigates the impact of different emotions on trust decisions taking into account the experience of betrayal. Thus, an experiment was created that included one betrayal group and one control group. Participants in the betrayal group experienced more intense feelings governed by negative emotions than participants in the control group did. Moreover, participants in the betrayal group significantly lowered their trust of another stranger. On the other hand, we found some evidence that neuroticism exaggerated the relationship between (...) experienced betrayal and subsequent trust. (shrink)

Aesthetics is a normative domain. We evaluate artworks as better or worse, good or bad, great or grim. I will refer to a positive appraisal of an artwork as an aesthetic appreciation of that work, and I refer to a negative appraisal as aesthetic depreciation. (I will often drop the word “aesthetic.”) There has been considerable amount of work on what makes an artwork worthy of appreciation, and less, it seems, on the nature of appreciation itself. These two topics are (...) related, of course, because they nature of appreciation may bear on what things are worthy of that response, or at least on what things are likely to elicit it. So I will have some things to say about the latter. But I want to focus in this discussion on appreciation itself. When we praise a work of art, when we say it has aesthetic value, what does our praise consist in? This is a question about aesthetic psychology. I am interested in what kind of mental state appreciation is. What kind of state are we expressing when we say a work of art is “good”? This question has parallels in other areas of value theory. In ethics, most notably, there has been much attention lavished on the question of what people express when they refer to an action as “morally good.” One popular class of theories, associated with the British moralists and their followers, posits a link between moral valuation and emotion. To call an act morally good is to express an emotion toward that act. I think this approach to morality is right on target (Prinz, 2007). Here I want to argue that an emotional account of aesthetic valuation is equally promising. There are important differences between the two domains, but both have an affective foundation. I suspect that valuing of all kinds involves the emotions. Here I will inquire into the role of emotions in aesthetic valuing. I will not claim that artworks express emotions or even that they necessarily evoke emotions.. (shrink)

Jerome Neu has been one of the most prominent voices in the philosophy of emotions for more than twenty years, that is, before the field was even a field. His Emotions, Thought, and Therapy (1977) was one of its most original and ground-breaking books. Neu is an uncompromising defender of what has been called the cognitive theory of emotions (as am I). But the ambiguity, controversy, and confusions own by the notion of a cognitive theory of emotion (...) is what I would like to focus on here. In so doing I will indicate some of the way sin which my own theory has developed. (shrink)

The psychosocial impacts of natural disasters are associated with the triggering of negative and positive responses in the affected population; also, such effects are expressed in an individual and collective sphere. This can be seen in several reactions and behaviors that can vary from the development of individual disorders to impacts on interpersonal relationships, cohesion, communication, and participation of the affected communities, among others. The present work addressed the psychosocial impacts of the consequences of natural disasters considering individual effects via (...) the impact of trauma and community effects, through the perception of social well-being, the valuation of the community and the social exchange of emotions. The aim of this study was to assess the relationship between individual reactions (i.e., intensity of trauma) and the evaluation of social and collective circumstances (i.e., social well-being) after the earthquake of 27F 2010 in Chile, through collective-type intervention variables not used in previous studies (i.e., social sharing of emotions and community appraisal). For this purpose, a descriptive,ex postfacto correlational and cross-sectional methodology was carried on, with the participation of 487 people affected by the 2010 earthquake, 331 women (68%) and 156 men (32%), between 18 and 58 years old (M= 21.09;SD= 5.45), from the provinces of Ñuble and Biobío, VIII region, Chile. The measurement was carried out 4 years after the earthquake and the results show that greater individual than collective involvements were found, mainly in the coastal zone of the region. The mediation analysis showed that the relationship between the intensity of the trauma and social well-being occurs through a route that considers social sharing of emotions and community appraisal. These results indicate that the overcoming of individual affectations to achieve social well-being occurs when in the immediate post-disaster phases the affected communities activate shared emotional and cognitive processes, which allow them to jointly face subsequent threats and abrupt changes. (shrink)