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Carl Plantinga [17]Carl Rendit Plantinga [1]Carl R. Plantinga [1]
  1. What a Documentary is, After All.Carl Plantinga - 2005 - Journal of Aesthetics and Art Criticism 63 (2):105–117.
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  2. The Routledge Companion to Philosophy and Film.Paisley Livingston & Carl Plantinga (eds.) - 2008 - Routledge.
    _The Routledge Companion to Philosophy and Film_ is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The _Companion_ features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. (...)
  3.  17
    Film and Phenomenology: Toward a Realist Theory of Cinematic Representation.Carl Plantinga - 1993 - Journal of Aesthetics and Art Criticism 51 (3):511-513.
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  4.  55
    “I Followed the Rules, and They All Loved You More”: Moral Judgment and Attitudes Toward Fictional Characters in Film.Carl Plantinga - 2010 - Midwest Studies in Philosophy 34 (1):34-51.
  5.  30
    Film Theory and Aesthetics: Notes on a Schism.Carl Plantinga - 1993 - Journal of Aesthetics and Art Criticism 51 (3):445-454.
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  6. . Notes on Spectator Emotion and Ideological Film Criticism.Carl Plantinga - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. pp. 327--393.
    This chapter focuses on an explanation of the neglect of investigating and understanding emotional response to films. It argues that the kind of emotional experience a film offers is a proper target of ideological investigation. This chapter aims to suggest how emotions should be understood in ideological criticism. There is characterization of spectator emotion with a view toward conceptual clarification. This chapter examines two families of screen emotions: sentiment and sentimentality, and the emotions which accompany screen violence. Drawing on work (...)
     
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  7. Moving Pictures and the Rhetoric of Nonfiction: Two Approaches.Carl Plantinga - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 308--324.
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  8.  15
    Cognitive Theory of the Moving Image.Carl Plantinga - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 381-408.
    This chapter provides an overview of cognitive theory of the moving image, considering it as an approach rather than a methodology. It traces the history and institutional affiliations of cognitive theory, then focuses on the kinds of experiences the moving image media afford viewers, and the design elements that foster those experiences. It distinguishes between “cold” and “hot” cognition and discusses the sense in which cognitive theory can be said to be naturalistic. The chapter goes on to discuss narrative comprehension, (...)
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  9.  70
    Eternal Sunshine of the Spotless Mind Edited by Grau, Christopher.Carl Plantinga - 2010 - Journal of Aesthetics and Art Criticism 68 (4):418-420.
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  10. Blurry Boundaries, Troubling Typologies, and the Unruly Nonfiction Film.Carl Plantinga - 1994 - Semiotica 98 (3-4):387-396.
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  11. Barbara Foley, Telling The Truth: The Theory and Practice of Documentary Fiction.Carl Plantinga - 1987 - Journal of Aesthetics and Art Criticism 45 (3):316-317.
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  12.  33
    A Naive Reply to MacLennan and Raskin.Carl R. Plantinga - 1998 - Film-Philosophy 2 (1).
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  13. Rethinking Affects, Narration, Fantasy, and Realism. Rethinking Affects, Narration, Fantasy, and Realism. Trauma, Pleasure, and Emotion in the Viewing of Titanic: A Cognitive Approach.Carl Plantinga - 2009 - In Warren Buckland (ed.), Film Theory & Contemporary Hollywood Movies. Routledge.
  14.  18
    Halsall, Francis, Jansen, Julia & O'Connor, Tony.Noel Carroll, Lester H. Hunt, Richard Eldridge, Carl Plantinga, Stephen Prickett, Benami Scharfstein, Terry Smith, Okwui Enwezor & Nancy Condee - 2009 - British Journal of Aesthetics 49 (3):315.
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  15.  14
    Review of Berys Gaut, A Philosophy of Cinematic Art[REVIEW]Carl Plantinga - 2010 - Notre Dame Philosophical Reviews 2010 (7).
  16. Frame Shifters.Carl Plantinga - 2009 - In Noël Carroll & Lester H. Hunt (eds.), Philosophy in the Twilight Zone. Wiley-Blackwell.
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  17.  1
    William Paul, Laughing Screaming: Modern Hollywood Horror and Comedy.Carl Plantinga - 1995 - Journal of Aesthetics and Art Criticism 53 (3):332-334.
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  18.  1
    Moving Pictures.Carl Plantinga - 2016 - Forum for European Philosophy Blog.
    Carl Plantinga explores how new approaches to cognition are changing how we understand film.
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