Is there really an atmospheric turn? The concept of “atmosphere” as a qualitative-emotional prius of sensory experience seems today to have encouraged the convergence of many interdisciplinary studies focused on the qualitative aspects of our “surroundings”. Based on the neo-phenomenological theory of atmospheric perception as a first pathivc impression and a felt-bodily communication, this paper explores and synthesises the relationship between atmospheres and expressive qualities. It thus clarifies the key features of a general “pathic” aesthetics. It considers perceivers as beings (...) who are touched by atmospheric feelings in emotional and tactile ways. These are widespread and vary in their modulation of lived space. They are also ontologically rooted in things and quasi-things of the lifeworld. By realising how they (especially in an unintentional way) expose themselves to what happens, perceivers turn out not to be “subjects of something” but rather “subjects to something”: that is, human beings who are only “sovereign” when they are free, at least in their daily experience, from the dogma of rational and methodological autonomy imposed by Western Modernity. (shrink)

Moving from a phenomenological theory of the lived body, the text outlines its constitutive role in human experience but especially in aesthetic perception. Against every reductionist and introjectionist objectification of the lived experience, every explanatory hypothesis of associationist and projectivist type, a pathic aesthetics ‒ that emphasizes the affective involvement that the perceiver feels unable to critically react to or mitigate the intrusiveness of ‒ is an adequate investigation of the felt body as sounding board of outside atmospheres and Stimmungen. (...) By means of its specific dynamics and lived “isles”, in fact the felt body feels what happens in the surrounding area without drawing on the five senses and the perceptual body schema. Felt-bodily isles turn out exactly to be both a tool for sensing the affective radiation provoked by atmospheres and quasi-things, and “places” that, communicating with each other and with our consciousness, are themselves quasi-things. (shrink)

In this paper we describe the Curry-Howard-De Bruijn isomorphism between Higher Order Many Sorted Intuitionistic Predicate Logic PREDω and the type system λPREDω, which can be considered a subsystem of the Calculus of Constructions. The type system is presented using the concept of a Pure Type System, which is a very elegant framework for describing type systems. We show in great detail how formulae and proof trees of the logic relate to types and terms of the type system, respectively. Finally, (...) we discuss some consequences of the isomorphism with respect to the relation between the systems discussed in this paper. (shrink)

The boom in new theories of resonance is most certainly due to an intellectual atmosphere closely linked to the so-called “affective turn” in the humanities. The paper compares some theories of resonance or responsivity such as Thomas Fuchs’ phenomenological-psychopathological analysis of resonance and Bernhard Waldenfels’ phenomenology of responsivity with a sociological research on resonance by which Hartmut Rosa aims at contrasting the capitalist dictatorship of the growth-acceleration-innovation triad and the resulting loss of bodily resonance in the modern age, and above (...) all with Hermann Schmitz’s phenomenology idea of felt-bodily communication. My aim is to show that by providing a neophenomenological approach to atmospheric perception – viewed as an affective and pre-reflexive bodily communication triggered by a spatial feeling whose sounding board is our Leib – a pathic aesthetics can assign both a diagnostic and a therapeutic value to the concept of resonance. This furthermore means that a sociology also attentive to the bodily and pre-linguistic dimension and a phenomenology also attentive to situative and historical-collective dimensions, both being able to focus on the pathicity of everyday life, may find an unexpected but promising point of contact. (shrink)

Dual task is known to affect postural stabilty in children. We explored the effect of visual tasks on postural control in dyslexic and in age-matched non-dyslexic children. Thirty dyslexic children (mean age: 9.80 ± 0.28 years) were compared with thirty non-dyslexic children (mean age: 9.92 ± 0.35 years). All children underwent ophthalmologic and optometric evaluation. Eye movements were recorded by a video-oculography system (EyeBrain ® T2) and postural sway was recorded simultaneously by a force platform (TechnoConept®). Both groups of children (...) performed fixations, pursuits, pro- and anti-saccades tasks. Dyslexic children showed significantly poor near fusional vergence ranges (convergence and divergence) with respect to the non-dyslexic children. During the postural task, quality of fixation and anti-saccade performance in dyslexic children were significantly worse compared to non-dyslexic children. In contrast, the number of catch-up saccades during pursuits and the latency of pro-and anti-saccades were similar in both groups of children examined. Concerning postural quality, dyslexic children were more unstable than age-matched non-dyslexic children. For both groups of children tested we also observed that executing saccades (pro- and anti-saccades) reduced postural values significantly in comparison with fixation and pursuit tasks. The impairment in convergence and divergence fusional capabilities could be due to an immaturity in cortical structures controlling the vergence system. The poor oculomotor performance reported in dyslexic children suggested a deficit in allocating visual attention and their postural instability observed is in line with the cerebellar impairment previously reported in dyslexic children. Finally, pro- or anti-saccades reduce postural values compared to fixation and pursuit tasks in both groups of children tested, suggesting a different influence of visual tasks on postural control according to their attentional demand. (shrink)

ENG: In this brief commentary on Sara Palermo’s article, I highlight several methodological criticisms of the data analysis and hypotheses proposed by the author. I then focus on the relevance of nocebo/placebo studies for the contemporary debate on the mind/body problem. In particular, I show how these phenomena raise questions for dualistic and neurocentric approaches that are still prevalent in philosophy. Finally, I stress the role of expectations in nocebo/placebo models, with reference to a promising theoretical framework: the predictive brain. (...) -/- ITA: In questo breve commento all’articolo di Sara Palermo mi propongo di rilevare alcune criticità relative al metodo di indagine e alla solidità dell’ipotesi suggerita dall’autrice. In seguito mi concentrerò sulla rilevanza dello studio del nocebo/placebo nell’ambito del dibattito sul rapporto mente/corpo e su come questi fenomeni mettano in discussione approcci dualisti e neurocentrici ancora pervasivi soprattutto in campo filosofico. In conclusione, mi soffermerò sul ruolo delle aspettative nella costruzione del modello del nocebo/placebo, riprendendo un contesto particolarmente promettente per l’inquadramento teorico del fenomeno: il cervello predittivo. Parole chiave: Placebo; Nocebo; Meta-analisi; Cervello bayesiano; Elaborazione predittiva. (shrink)

Sleep and dreaming are important daily phenomena that are receiving growing attention from both the scientific and the philosophical communities. The increasingly popular predictive brain framework within cognitive science aims to give a full account of all aspects of cognition. The aim of this paper is to critically assess the theoretical advantages of Predictive Processing (PP, as proposed by Clark 2013, Clark 2016; and Hohwy 2013) in defining sleep and dreaming. After a brief introduction, we overview the state of the (...) art at the intersection between dream research and PP (with particular reference to Hobson and Friston 2012; Hobson et al. 2014). In the following sections we focus on two theoretically promising aspects of the research program. First, we consider the explanations of phenomenal consciousness during sleep (i.e. dreaming) and how it arises from the neural work of the brain. PP provides a good picture of the peculiarity of dreaming but it can’t fully address the problem of how consciousness comes to be in the first place. We propose that Integrated Information Theory (IIT) (Oizumi et al. 2014; Tononi et al. 2016) is a good candidate for this role and we will show its advantages and points of contact with PP. After introducing IIT, we deal with the evolutionary function of sleeping and dreaming. We illustrate that PP fits with contemporary researches on the important adaptive function of sleep and we discuss why IIT can account for sleep mentation (i.e. dreaming) in evolutionary terms (Albantakis et al. 2014). In the final section, we discuss two future avenues for dream research that can fruitfully adopt the perspective offered by PP: (a) the role of bodily predictions in the constitution of the sleeping brain activity and the dreaming experience, and (b) the precise role of the difference stages of sleep (REM (Rapid eye movement), NREM (Non-rapid eye movement) in the constitution and refinement of the predictive machinery. (shrink)

Chief amongst the issues Toshihiko Izutsu broached is the philosophisation of Zen Buddhism in his book Toward a Philosophy of Zen Buddhism. This article aims to critically compare Izutsu’s reconstruction of Zen metaphysics with another metaphysical tradition rooted in Descartes’ cogito ergo sum. Putting Izutsu’s terminological choices into the context of Zen Buddhism, we review his argument based on the subject-object distinction and establish a comparison with the Cartesian cogito. A critical analysis is conducted on the functional relationship between subject (...) and object in Izutsu’s metaphysics of Zen. This is examined step by step from the perspective of Descartes’ Meditations. On the one hand, we focus on prima facie similarities in meditative and reflective methodologies used by the Zen and Cartesian approaches. On the other, we highlight some unequivocal differences in the metaphysical role of the subject: an indubitable foundation for the epistemological access to objective reality, and an introspective apprehension of the egoless void or absolute reality. (shrink)

This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres (...) and aesthetics becomes decisive. Nowadays, aesthetics is no longer only a theory of art, but has recovered its original vocation: to be a general theory of perception conceived of as an ordinary experience of pre-logical character. In its four parts, this volume discusses whether atmospheres could take the prominent and paradigmatic position previously held by art in order to make sense of such sensible experience of the world. (shrink)

Quasi things come and go and we cannot wonder where they've been (starting from the wind) -- Quasi-things assault and resist us: feelings as atmospheres -- Quasi things are felt (though not localized): the isles of the felt-body -- Quasi-things are proofs of existence: pain as the genesis of the subject -- Quasi-things affect us (also indirectly): vicarious shame -- Quasi-things communicate with us: from the gaze to the portrait (and back) -- Quasi-things are the more effective the vaguer they (...) are: twilightness. (shrink)

Through an atmospherological approach, primarily inspired by the Aisthetik and the New Phenomenology, the paper investigates the relationship between atmosphere and lived space, defines what kind of perception the atmospheric one is and examines the space we experience in the lifeworld and to which plane geometry turns out to be completely blind. Sketching briefly the history of lived space, we assume that atmospheres function as affordances that permeate the lived space, i.e. as ecological invites or meanings that are ontologically rooted (...) in things and quasi-things. (shrink)

This paper outlines the process of verbal communication of emotion as this occurs through the phases of the referential process, including arousal of an emotion schema; detailed and specific descriptions of images and episodes that are exemplars of emotion schemas; and reflection and reorganization, which may include emotion labels and other types of categorical terms. The concepts of emotion schemas and the referential process are defined in the theoretical framework of multiple code theory which includes subsymbolic sensory, visceral and motoric (...) processes, symbolic images and words. Emotion schemas are defined as clusters of representations of events incorporating similar bodily, sensory and motoric processes activated in relation to different people in different contexts. Through the referential process subsymbolic components of a schema that have been activated in a speaker or writer and that may be connected only partially to words may be evoked in a listener or reader. The concept of the emotion schemas is examined in relation to current work in emotion theory and neuroscience. The unique effects of detailed descriptions of episodes in conveying complex aspects of emotional experience are discussed, as recognized by writers, and as demonstrated in empirical research. Computerized measures of the phases of the referential process are presented, focusing particularly on the central measure, the Weighted Referential Activity Dictionary which identifies points of narrative and imagery. The operation of the function words that dominate the WRAD are examined in relation to the structure of narrative expression underlying the verbal representation of emotion schemas. (shrink)

Le raddoppiamento fonosintattico (RF) induit par l’accent est un processus de sandhi externe qui consiste, dans une séquence [mot1+mot2], à redoubler la consonne initiale du second lorsque la voyelle finale du premier est tonique (ex. : città ppulita vs casa pulita), cf. Loporcaro (1997a), Absalom & Hajek (1998). Ce processus est connu surtout en toscan Chierchia (1986). Ce résumé corrèle le RF induit par l’accent avec un autre phénomène qui, de prime abord, n’entretient aucun rapport avec lui : la réduction (...) à schwa des voyelles atones que l’on observe dans certains dialectes italiens. L’objectif de cet article est de montrer, par la diatopie, que les deux sont incompatibles, i.e. qu’aucun système ne peut les combiner. (shrink)

The essays collected in this volume try to assess the reflection on the mind starting from the genius of Leonardo da Vinci up to the new frontiers of science and technology. Imagining the "future of the mind" also means asking about the features and limits of human nature, the mind-body relationship, the relationship between natural and artificial intelligence and the impact of technology on our relationship with the world.

Treatise on the basic tenets of Viśiṣṭādvaita school in Hindu philosophy as propounded by Ramanuja, 1017-1137, founder of sect.

The paper examines the notion of habits from the perspective of a pathic aesthetics based on the neo-phenomenological theory of Leib (felt body) and its ubiquitous communication. By questioning whether experience should be considered as a confirmation or a failure of expectation, it shows the inextricable intertwining of the unexpected and routine in our involuntary life experience and delves into a well known phenomenological crux: is the lived or felt body what is subject to self-affection and proprioception or rather the (...) “absent” body, which is always transcended in its being-for-other (transitivity)? The assumption then that felt-bodily habits are formed through a motor scheme depending on its being a perfect pre-reflective resonance (especially thanks to its more or less stable “felt-bodily islands”) of outside atmospheric feelings and affordances that also becomes a true “style”, is finally examined by showing the points of both contact and discrepancy between a New Phenomenology (Hermann Schmitz) focused above all on the rediscovery (in a critical function) of the archaic dimension of the Leib and a melioristic Somaesthetics (Richard Shusterman) pragmatically interested in a more creative individual self-stylisation. (shrink)

The paper addresses the issue of dwelling as a powerful way of cultivating atmospheric feelings without the risk of suffering their disturbing aggressiveness, and deals with inclusiveness or immersivity that true dwelling arouses. To avoid the widespread trend to consider every space a dwelling place, it proposes that only a really “lived” place, in so far it radiates a specific and particularly intense-authoritative atmosphere (in kinetic, synesthetic, felt-bodily sense) affecting the perceivers and finding in their body its precise sounding board, (...) makes dwelling in the proper sense possible. Just as there are different types of atmosphere (prototypical, derivative, spurious), there are therefore different types of dwelling and inclusiveness. However, contrary to the today’s projectivistconstructionist explanation and globalized orientation, for a “pathic aesthetics” only a lifewordly qualitative-emotional experience based on an atmosphere of intimacy-familiarity really turns a house into a home. (shrink)

The paper addresses the issue of dwelling as a powerful way of cultivating atmospheric feelings without the risk of suffering their disturbing aggressiveness, and deals with inclusiveness or immersivity that true dwelling arouses. To avoid the widespread trend to consider every space a dwelling place, it proposes that only a really “lived” place, in so far it radiates a specific and particularly intense-authoritative atmosphere (in kinetic, synesthetic, felt-bodily sense) affecting the perceivers and finding in their body its precise sounding board, (...) makes dwelling in the proper sense possible. Just as there are different types of atmosphere (prototypical, derivative, spurious), there are therefore different types of dwelling and inclusiveness. However, contrary to the today’s projectivistconstructionist explanation and globalized orientation, for a “pathic aesthetics” only a lifewordly qualitative-emotional experience based on an atmosphere of intimacy-familiarity really turns a house into a home. (shrink)

This paper aims to examine the very unstable concept of the “uncanny” from an atmospherological point of view. Its official theoretical “sanction” is due to Heidegger, who considered it the latent but fundamental ground of any being-in-the-world, and especially to Freud, who described it as the feeling that arises when something familiar suddenly becomes unfamiliar. Freud claimed to be inspired in this conception by Schelling's definition of unheimlich, which I try to explain to better understand what an uncanny atmosphere is. (...) It seems characterized by elements such as ontological ambiguity-vagueness and paranoid subjectification, alien corporeality and unpredictable situations. The paper ends with a brief analysis of the specific uncanny of houses, both in terms of their transformation from a secure interior to an uncanny place and in terms of the anxiety about materially inheriting a house and thus cohabiting with the past. In the perspective adopted here, the uncanny shows that we are not at home within our own body because we always coexist with an external-foreign and in this sense “monstrous” presence. (shrink)

Nonostante la sua elusività, o forse proprio grazie ad essa, il termine “atmosfera” si è diffuso ampiamente nel linguaggio ordinario contemporaneo. Parliamo di “atmosfere” per descrivere un incontro tra persone, la situazione o il clima politico, l’aria di un certo ambiente architettonico, interno o esterno, ma anche l’aspetto caratteristico di un paesaggio, la tonalità emotiva associata a una marca in una pubblicità o evocata da una messa in scena teatrale o da un film. Atmosfere, clima, ari...

The new phenomenological and aesthetic paradigm of atmospheres, conceived as feelings spread out in the external space and not as private moods, is tested here from different points of view and different disciplines in the context of a full valorization of the so-called "affective turn" in Humanities.