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  1.  24
    Atmosphere and Aesthetics: A Plural Perspective.Tonino Griffero & Marco Tedeschini (eds.) - 2019 - Springer Verlag.
    This book provides a presentation of the concept of “atmosphere” in the realm of aesthetics. An “atmosphere” is meant to be an emotional space. Such idea of “atmosphere” has been more and more subsumed by human and social sciences in the last twenty years, thereby becoming a technical notion. In many fields of the Humanities, affective life has been reassessed as a proper tool to understand the human being, and is now considered crucial. In this context, the link between atmospheres (...)
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  2.  7
    Adolf Reinach: la fenomenologia, il realismo.Marco Tedeschini - 2015 - Macerata: Quodlibet.
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  3.  4
    Introduction.Serena Feloj & Marco Tedeschini - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
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  4.  6
    Introduction.Serena Feloj & Marco Tedeschini - forthcoming - Lebenswelt: Aesthetics and Philosophy of Experience.
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  5.  7
    L'essere dopo la metafisica moderna.Riccardo Pozzo & Marco Tedeschini (eds.) - 2021 - Milano: Mimesis.
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  6.  10
    A Danger to a Just Society? A Holistic view on Disgust.Marco Tedeschini - 2020 - Lebenswelt. Aesthetics and Philosophy of Experience 15:90-113.
    In this paper, I consider the relationship that obtains between disgust and the idea of a just society. _Contra_ Martha C. Nussbaum, who argues that disgust poses dangers to a just society, I contend that disgust can either damage or promote the construction of a just society. In fact, I largely agree with Nussbaum’s perspective on disgust, except for this point: disgust, I think, is not necessarily dangerous for a just society, but can also be useful and constitute an important (...)
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  7.  4
    B. Riado, Le je-ne-sais-quoi.Marco Tedeschini - 2012 - Lebenswelt: Aesthetics and Philosophy of Experience 2:219-221.
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  8.  8
    Creatività, grammatica, eutopia. Su Alessandro Bertinetto, Estetica dell’improvvisazione, Il Mulino, Bologna 2021, pp. 200.Marco Tedeschini - 2022 - Studi di Estetica 22.
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  9.  4
    C. Malabou, Changer de différence. Le féminin et la question philosophique.Marco Tedeschini - 2011 - Lebenswelt: Aesthetics and Philosophy of Experience 1:183-187.
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  10.  4
    Daniel Mourenza, Walter Benjamin and the Aesthetics of film Amsterdam University Press, Amsterdam, 2020, pp. 258.Marco Tedeschini - 2021 - Studi di Estetica 19.
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  11.  6
    D. Seron, Ce que voir veut dire.Marco Tedeschini - 2012 - Lebenswelt: Aesthetics and Philosophy of Experience 2:222-226.
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  12. From Phenomenology to Formal Ontology: How Barry Smith and Kevin Mulligan Made Husserl’s Descriptive Psychology into a Form of Realism.Marco Tedeschini - 2015 - Archivio Di Filosofia 83 (3):177-188.
    In this paper I will discuss Barry Smith’s and Kevin Mulligan’s revision of Husserl’s phenomenology, starting from the fact that many Italian scholars seem to follow them in a sense, by dealing with phenomenology as a sort of a priori ontology. Therefore, I will first reconstruct Smith’s and Mulligan’s attempt and its objectives, then I will show how it is rooted in the school of Brentano and, in particular, in Husserl’s phenomenology. Finally, I will provide some arguments against this attempt (...)
     
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  13.  3
    Il conflitto estetico: teoria del disgusto.Marco Tedeschini - 2018 - Roma: Lithos.
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  14.  4
    Il mostro è un paradosso.Marco Tedeschini - 2021 - Studi di Estetica 20.
    What is a “Monster”? In the first part of my paper, I answer this question by delving into the historical changes that the concept of “monster” underwent in Western culture along with centuries. I claim that what we call “monster” had been the object of an “integral gaze” since its origin, while, during the 19th Century, it has become the object of a “disintegrated gaze”. What I mean with “integral gaze” is that we look at and understand something in one (...)
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  15.  5
    Il ripugnante: oltraggio e contraddizione.Marco Tedeschini - 2022 - Lebenswelt. Aesthetics and Philosophy of Experience 17.
    For the past twenty years, the relationship between politics, morality and disgust has been resolved into a denunciation of the injustices perpetrated in the name of this emotion. However, no compelling reasons have been brought forward to release the suspicion that the condemnation is merely a corollary of the dominant liberal ideology. I will exemplify this weakness by analysing the theory of disgust proposed by Debra Lieberman and Carlton Patrick in 2018. I will offer a different empirical basis for articulating (...)
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  16.  5
    J. Rancière, Le spectateur émancipé.Marco Tedeschini - 2011 - Lebenswelt: Aesthetics and Philosophy of Experience 1:188-191.
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  17.  9
    On the good life of disgust. L’ésthetique du stercoraire and the postmodern society.Marco Tedeschini - 2013 - Lebenswelt: Aesthetics and Philosophy of Experience 3:200-225.
    Starting from a debate which took place at the beginning of the twenty-first century between Jean Clair and Arthur C. Danto, we will focus on the link between art and disgust, because we wish to show what art is now ‘doing’ with disgust. Our hypothesis is that art is part of the general process of self-reshaping that is underway in today’s capitalist societies. Therefore, by commenting Aurel Kolnai’s phenomenological analysis of disgust, we will gain the tools to try to show (...)
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