We show how Berry phase can be used to construct a precision quantum thermometer. An important advantage of our scheme is that there is no need for the thermometer to acquire thermal equilibrium with the sample. This reduces measurement times and avoids precision limitations. We also discuss how such methods can be used to detect the Unruh effect.

We describe a new class of experiments designed to probe the foundations of quantum mechanics. Using quantum controlling devices, we show how to attain a freedom in temporal ordering of the control and detection of various phenomena. We consider wave–particle duality in the context of quantum-controlled and the entanglement-assisted delayed-choice experiments. Then we discuss a quantum-controlled CHSH experiment and measurement of photon’s transversal position and momentum in a single set-up.

Buddhist Character Analysis. Robert Mann and Rose Youd. Aukana, Bradford-on-Avon 1992. 130 pp. £6.95.

The common view is that insider trading is always unethical and illegal. But such is not the case. Some forms of insider trading are legal. Furthermore, applying ethical principles to insider trading causes one to conclude that it is also sometimes ethical. This paper attempts to get past the hype, the press reports, and the political grandstanding to get to the truth of the matter. The author applies two sets of ethical principles – utilitarianism and rights theory – in an (...) attempt to determine when, and in what circumstances, insider trading is ethical. The views of Henry Manne, an early proponent of insider trading, are critically examined, as are the major arguments against insider trading. Is insider trading good for the company if it is used as a form of executive compensation which makes it possible to pay lower salaries than would otherwise be the case? Does insider trading cause the stock market to work more efficiently? If insider trading does increase efficiency, is that sufficient to call for its total legalization, or are there other things to be considered? Several arguments against insider trading have been put forth over the last few decades but there are problems with all of them. One of the main arguments is the fairness argument. The problem with this argument is that different people have different definitions of unfairness. A closely related argument is the level playing field argument, which advocates wider dissemination of information so that it is less asymmetric. One problem with the level playing field argument is that it is better applied to sporting competitions than to trading in information. Some economists argue that forcing the disclosure of nonpublic information can actually result in more harm than good and must necessarily involve the violation of property rights. Other arguments examined in this chapter include the fiduciary duty argument, the problem of outside traders, the misappropriation doctrine and the restrictions that insider trading laws place on freedom of speech and press. The article concludes by setting forth some principles or guidelines to determine when insider trading should be punished and when it should not. (shrink)

First published in 1918, Ernst Bertram's _Nietzsche: Attempt at a Mythology_ substantially shaped the image of Nietzsche for the generation between the wars. It won the Nietzsche Society's first prize and was admired by luminous contemporaries including André Gide, Hermann Hesse, Gottfried Benn, and Thomas Mann. Although translated into French in 1932, the book was never translated into English following the decline of Nietzsche's and Bertram's reputations after 1945. Now, with Nietzsche's importance for twentieth-century thought undisputed, the work by (...) one of his most influential interpreters can at last be read in English. Employing a perspectival technique inspired by Nietzsche himself, Bertram constructs a densely layered portrait of the thinker that shows him riven by deep and ultimately irresolvable cultural, historical, and psychological conflicts. At once lyrical and intensely probing, richly complex yet thematically coherent, Bertram's book is a masterpiece in a forgotten tradition of intellectual biography. (shrink)

The Second Creation is a dramatic--and human--chronicle of scientific investigators at the last frontier of knowledge. Robert Crease and Charles Mann take the reader on a fascinating journey in search of "unification" with brilliant scientists such as Niels Bohr, Max Planck, Albert Einstein, Erwin Schrödinger, Richard Feynman, Murray Gell-Mann, Sheldon Glashow, Steven Weinberg, and many others. They provide the definitive and highly entertaining story of the development of modern physics, and the human story of the physicists who (...) set out to find the "theory of everything.". (shrink)

These essays strip away Nietzsche's flamboyant style, his tragic biography, and his notorious "influence" to reveal him purely as a philosopher, a thinker occupied with problems of justification, value, science and knowledge, truth and God. They discover a profound and very human philosopher who has too long been ignored and distorted by the wrong kinds of admiration and criticism. Contributors include Walter Kaufmann, Arthur Danto, Richard Schacht, Karl Jaspers, Kathryn Pyne Parsons, Max Scheler, Ivan Soll, Thomas Mann, and Herman (...) Hesse. (shrink)

Excerpt from Schopenhauers Philosophie in Seinen Briefen So ungemein an;iehenb nun auch bie 2lufgabe fein wiirbe, alles, was fich an philofophifch, allgemein lierarifch, fulturgefchichtlich, politifch ober perfnlich intereffanten Bemerlungen in ben Briefen bes groen Mannes finbet, in einer umfangreicheren 2lrbeit hifiorifch fritifch 3u beleuchten, fo lann ich hier boch nur ein be fcheibeneres 5iel verfolgen, immerhin ein 5iel, bas nicht gang ohne wichtigleit fr bie Kritif ber Schopenhauer fchen (runblehren fein mchte. About the Publisher Forgotten Books publishes hundreds of thousands (...) of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

European intellectuals diagnosed the end of the nineteenth century as “the sickness of an age.” Schopenhauer's pessimistic books suddenly became popular; Nietzsche announced the “death of god”; and Max Nordeau's Degeneration was an international best seller. To be sure, this mood of despair was initially limited to a handful of poets and philosophers. But once the outbreak of World War I revealed what “the treacherous years were all the while making for and meaning,” the sense that the West had somehow (...) been betrayed by its own most fundamental accomplishments and beliefs was globalized. Thomas Mann's Magic Mountain captured the idea neatly by describing Europe as a tuberculosis sanatorium behind whose walls splendid accomplishment rapidly rotted toward calamity. Spengler's Decay of the West and the early volumes of Toynbee's Study of History argued that decline was inevitable. As Europeans lost faith in their ability to erect The Heavenly City Of The Eighteenth Century Philosophers [Becker, 1932], the era of “enlightenment optimism” gave way to Auden's “Age of Anxiety.” If, as T.S. Eliot put it in East Coker, “the quiet-voiced elders” bequeathed us “merely a receipt for deceit,” then, to cite again W.B. Yeats’ famous poem, it became increasingly obvious that “things fall apart, the center cannot hold.” “[F]ollowing some rough beast” that “slouches toward Bethlehem to be born,” modern civilization began a desperate search for new values that could orient society in an unexpected world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Recuperation of the Theory-Death of the Avant-GardeRobert Radin (bio)Paul Mann. The Theory-Death of the Avant-Garde. Bloomington: Indiana UP, 1991.It is difficult to respond to an essay that so thoroughly lays bare (and thereby challenges) what it is we do when we respond to another writer’s writing. I find it hard to begin, caught somewhere in that terminal state between speech and silence, that moment Beckett captures at (...) the end of the The Unnamable: “I can’t go on, I’ll go on.” Should I follow every word I write with “[sic],” at once quote myself and distance myself from what I have just written, indicate that I am aware of what it is I’m doing even as I’m doing it? I’ll go on.The fact that Paul Mann’s The Theory-Death of the Avant-Garde has received relatively little critical response since its publication in 1991 may in fact be a measure of its success. Nevertheless, this lack of response seems worthy of attention, given that Mann devotes so much of his essay to making the point that art’s (and theory’s) raison d’être is to generate further discourse, to keep the discursive economy going, however resistant to dominant culture that art or theory may appear to be.After repeatedly, painstakingly pointing out the status of his own essay in the discursive economy he describes—the discourse of the avant-garde—Mann anticipates the likely response to his work:It is not difficult to imagine whatever little response this essay is liable to. For the most part dismissals of what will be taken as its nihilism, its cynicism, its defeatism, its adherence to this or that dubious theory, its outmoded obsession with recuperation. But the essay was not written for those who reject an insistence on recuperation only in order to conceal from themselves the extent of their own recuperation.[141]And further on in the same passage: “it [the essay] was also written precisely so that it could be dismissed” [141]. Mann, to varying degrees, has correctly diagnosed the critical reception of his work thus far. When the essay is dismissed in reviews it is because it is seen as both passé and nihilistic. Even in one of the favorable reviews of Mann’s essay the question of nihilism arises. It is this “specter of nihilism” that I want to take up here—after first reviewing some of the more salient features of Mann’s argument—as I think it is a response most readers will have to struggle through (as Mann correctly points out), and it might tell us something about the larger discursive economy of which The Theory-Death of the Avant-Garde is now a part. That Mann’s position is seen as outmoded is less of an issue for me. It may be that his essay was already “old” by the time it was published, [End Page 41] his position already dismissable under the aegis of other names: Baudrillard, Barthes, Derrida. But that his essay is no longer new, that his position has exhausted its discursive currency, only further makes his point: in the discourse of the avant-garde, and in the discursive economy generally, the new supersedes all other values. More important, Mann’s position in particular must exhaust itself quickly if the discursive economy is to continue to thrive.In The Pleasure of the Text Roland Barthes delineates what he calls the “versus myth”:Art seems compromised, historically, socially. Whence the effort on the part of the artist himself to destroy it.... Unfortunately, this destruction is always inadequate; either it occurs outside the art, but thereby becomes impertinent, or else it consents to remain within the practice of the art, but quickly exposes itself to recuperation (the avant-garde is that restive language which is going to be recuperated). The awkwardness of this alternative is the consequence of the fact that destruction of discourse is not a dialectic term but a semantic term: it docilely takes its place within the great semiological “versus” myth (white versus black); whence the destruction of art is doomed to only paradoxical formulae... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 347-350 [Access article in PDF] Book Review The Sin of Knowledge: Ancient Themes and Modern Variations, The Sin of Knowledge: Ancient Themes and Modern Variations, by Theodore Ziolkowski; xvi & 222 pp. Princeton: Princeton University Press, $29.95. After thirty-five years of teaching and administrating at Princeton University, dozens of books, and innumerable articles, the eminent Germanist Theodore Ziolkowski has turned his attention to a (...) theme appropriate for someone so immersed in the intellectual life: the sorrow and grief that accompany human knowledge. Although Ziolkowski has made great contributions in standard studies of genre (notably the elegy and the twentieth-century novel) and authors (Mann, Hesse, and Broch), he became especially well known for his theorization and implementation of thematic studies, ranging from the sublime--fictionalizations of the life of Jesus--to the humorous--talking animals in literature. The figures whom Ziolkowski has selected for analysis of the sin of knowledge are Adam, Prometheus, and Faust, each of whom he views through both an ancient and a modern lens.All three of these mythic heroes violate "divine prohibitions against the new knowledge" (p. 69). Less heroically, all of these myths treat women misogynistically. Generally, Ziolkowski sees each of these stories as having emerged in a time of crisis, when new opportunities presented humanity with knowledge both alluring and disruptive. Because these are highly elastic myths, able to provide meaning in a variety of contexts, they have all mutated in modern times. Adam's Fall comes to represent the human transition from innocence to consciousness, Prometheus becomes a symbol for socialism's promise, and Faust turns into a representative of the American way of life.Looking at the ancient legend of Adam, Ziolkowski notes that sexuality and wisdom are linked in many of the oldest texts in humanity's recorded history. The emphasis on knowledge, however, is especially strong in the Hebrew myth. While many Near Eastern traditions have stories with similarities to the Biblical account of Adam and Eve, only Hebrew mythology has the Tree of Knowledge. For Ziolkowski, the fact that this story was probably set down during the reign of King Solomon explains this emphasis on knowledge. Because the Age of Solomon was a time of unparalleled wealth and power for the Hebrews, [End Page 347] Ziolkowski argues that the tale of Adam and Eve is the kind of myth "produced by cultures that have reached a certain level of sophistication... and look back with a degree of nostalgia at an imagined simpler, happier existence" (p. 23). According to Ziolkowski, knowledge becomes a sin for the Hebrews as they come to terms with the limitations of everything that their knowledge has brought them even at the height of their power and glory.In the modern era, Ziolkowski continues, the story of Adam has become secularized, representing the transition of humanity from a state of innocence to one of consciousness. He finds references to the Fall in Voltaire's Candide, Kleist's The Broken Pitcher, E. T. A. Hoffmann's The Golden Pot, Melville's Billy Budd, and Hesse's Demian. The overall trend of these representations of the rise of consciousness has been increasingly negative, culminating in sentiments like those expressed by the East German author Günter Kunter, who argues that "our whole present misery and all the problems of industrial civilization" can be linked to "the moment when man used the first firestone as a tool, the Fall" (p. 107). As Ziolkowski concludes: "Two centuries of secularization have brought the modern Adam to a depressing end" (p. 108).Citing Nietzsche, who compared Prometheus to Adam (and Pandora to Eve), Ziolkowski looks first at Hesiod's depiction of Prometheus as a trickster and then to Aeschylus' hero. Unlike the authors of the story of Adam and Eve, though, Aeschylus depicts Prometheus' claim to divine knowledge in a positive light: "Rather than a humankind declining from a glorious golden age to the present deplorable iron age, Aeschylus sees humanity progressing by means of knowledge--the crafts, arts, and sciences--from blindness and ignorance... (shrink)

In this paper I develop a theory of Weltanschauungen (world- views). A judgment belongs to a Weltanschauung if it represents reality simultaneously in three dimensions: the descriptive- cognitive dimension (true/false), the ethical-practical dimension (right/wrong), and the esthetic-emotive dimension (beautiful/ugly). It is a crucial anthropological function of Weltanschauungen that they coordinate human perception and action in all these three dimensions (this idea goes to Ernst Topitsch). Different Weltanschauungen differ from each other in the weight of importance which they attach to each (...) of these three dimensions. Therefore I suggest to classify Weltanschauungen according to their position within a triangle, the so-called Weltanschauungsdreieck, whose vertices represent these three dimensions. In sections 1-3 my analysis of Weltanschauungen is based on general epistemological and anthropological reections, drawing on the philosophical and scientific literature. My sections 4-6 make use of Robert Musil's impressing novel \The man without qualities", in which Musil explores Weltanschauungen by literary methods: at hand of the major figures of his novel he brings Weltanschauungen into being, lets them develop, reconstructs them, parodises them and finally deconstructs them. In the final section I show how a variety of typical bipolarities of Weltanschauungen (such rational vs. intuitive, passive versus active, etc.) can be analyzed within the Weltanschauungsdreieck. (shrink)

Hölder’s review of Robert Graßmann’s Theory of Number provides the first statement of Hölder’s most significant tenets concerning the distinction between the genetic and axiomatic presentation of mathematics, the mature expression of which is found in Hölder’s book The Mathematical Method of 1924. By translating Hölder’s review into English, I hope to make this unique document known to a wider public. In my introductory note I provide some context to Hölder’s paper and a few other remarks concerning the translation (...) work. (shrink)

In this paper I develop a theory of Weltanschauungen. A judgment belongs to a Weltanschauung if it represents reality simultaneously in three dimensions: the descriptive- cognitive dimension, the ethical-practical dimension, and the esthetic-emotive dimension. It is a crucial anthropological function of Weltanschauungen that they coordinate human perception and action in all these three dimensions. Different Weltanschauungen differ from each other in the weight of importance which they attach to each of these three dimensions. Therefore I suggest to classify Weltanschauungen according (...) to their position within a triangle, the so-called Weltanschauungsdreieck, whose vertices represent these three dimensions. In sections 1-3 my analysis of Weltanschauungen is based on general epistemological and anthropological reections, drawing on the philosophical and scientific literature. My sections 4-6 make use of Robert Musil's impressing novel \The man without qualities", in which Musil explores Weltanschauungen by literary methods: at hand of the major figures of his novel he brings Weltanschauungen into being, lets them develop, reconstructs them, parodises them and finally deconstructs them. In the final section I show how a variety of typical bipolarities of Weltanschauungen can be analyzed within the Weltanschauungsdreieck. (shrink)

Hölder’s review of Robert Graßmann’s Theory of Number provides the first statement of Hölder’s most significant tenets concerning the distinction between the genetic and axiomatic presentation of mathematics, the mature expression of which is found in Hölder’s book The Mathematical Method of 1924. By translating Hölder’s review into English, I hope to make this unique document known to a wider public. In my introductory note I provide some context to Hölder’s paper and a few other remarks concerning the translation (...) work. (shrink)

Dostoyevsky explained how human being could be the builder who has the power to destroy everything-that-is. Thomas Mann unveiled the deep influence of the unconscious as well as the subconscious: both components of human psyche must be taken into account, when exploring the mystery of human being. Robert Musil’s literary works focused on commonalities between animals and human beings, that is, their similar instincts. Musil was promoting a new morals, as it is grounded on instinctive life. Dostoyevsky, (...) class='Hi'>Mann and Musil agreed that human being is prone to consider himself/herself as an infinite being. Firstly, human being destroys Nature and justifies himself/herself through technocratic, anthropometric, and anthropocentric worldviews. Secondly, human beings forget the situation of nonhuman beings and put the emphasis on their privileged position in the Cosmos. Thirdly, human being looks at language as the supreme quality of living beings and makes human language the ultimate parameter for any other form of language. The way those three aspects of human being and existence are idolized strengthens a mindset focusing on the infinite character of humankind, when compared with the situation of nonhuman beings. (shrink)

The author of this book pursues the objective of treating the whole of pure mathematics [die ganze reine Mathematik] in four sections [Abtheilungen]. One half of the first of these sections is dedicated to arithmetic and is already available. The other half of the first section “A heuristic treatise on number [Zahlenlehre in freier Gedankenentwicklung]” which treats the same discipline is supposed to follow. The author may have opted for such an unusual separation [of the treatment of arithme..

The author of this book pursues the objective of treating the whole of pure mathematics [die ganze reine Mathematik] in four sections [Abtheilungen]. One half of the first of these sections is dedicated to arithmetic and is already available. The other half of the first section “A heuristic treatise on number [Zahlenlehre in freier Gedankenentwicklung]” which treats the same discipline is supposed to follow. The author may have opted for such an unusual separation [of the treatment of arithme...

This study asserts that a philosophical affinity exists between Socrates and Ulrich, the -man without qualities- of Musil's novel. Both figures are characterized by their negativity and their opposition to institutionalized values, and both are considered dangerous to the state. In exploring this relationship, conceptual parallels emerge in both Kierkegaard's and Nietzsche's depictions of the Socratic character. These parallels help to define Ulrich's function in "Der Mann ohne Eigenschaften, " particularly in relation to Musil's understanding of truth and moral (...) value in the world.". (shrink)

Si de la manne tombait du ciel, quelle en serait la juste distribution? Dans une perspective de justice sociale rawlsienne, une telle question théologique paraît vaine, puisqu’elle se situe hors du cadre de la distribution équitable des résultats de la coopération entre des citoyens. Pour autant, deux des plus grands critiques de Rawls, Robert Nozick, du côté libertarien, et Gerald Cohen, du côté socialiste, introduisent le scénario hypothétique de la manne céleste dans leurs objections respectives au principe de différence. (...) Ils le font de manière opposée, le premier pour contester, le second pour accentuer l’égalitarisme de ce principe. Dans cet article, nous nous proposons d’analyser la nature de ces deux objections à la lumière de l’expérience de pensée qu’elles introduisent, afin de comprendre le prolongement donné à ces objections et le sens de la réponse que Rawls leur adresse. (shrink)

Robert Musil należy do grona wybitnych pisarzy, którzy zrezygnowali z kariery naukowej na rzecz pisarstwa. Właśnie w twórczości literackiej dostrzegał Musil możliwość wyrażenia tych stanów świadomości, które przekraczają zwykły racjonalizm. Droga, którą podąża Ulrich - główna postać Człowieka bez właściwości - prowadzi poprzez różne płaszczyzny możliwości poznawczych człowieka, które pozwalają ułożyć się w formę hierarchicznego spektrum. Z literaturoznawczego punktu widzenia są to trzy paradygmaty poznawcze o kluczowym znaczeniu dla dzieła pisarza. Pierwszy to paradygmat odzwierciedlenia o charakterze empiryczno-sensorycznym służący wielu (...) pożytecznym celom, jednak mający poważne ograniczenia. Drugi zawiera świadomość, uczucia, nadzieje, lęki itp. W przeciwieństwie do pierwszego, którego właściwością jest monolog, jest paradygmatem realizującym się poprzez dialog. Kluczem do aspektów tej płaszczyzny jest hermeneutyka. Trzeci paradygmat to paradygmat transpersonalnej tożsamości. Płaszczyzna ta jest „niedualistyczna”, co można interpretować jako przekraczanie dychotomii podmiotu i przedmiotu. Dla mistycznych mędrców i filozofów jest to świadomość bezpośrednia i pozajęzykowa. Między tymi poziomami nie ma sprzeczności, odzwierciedlają one zupełnie realne różnice pomiędzy poziomami spektrum świadomości. Realizacja koncepcji „wewnętrznego człowieka” nie dokonuje się samoistnie i bez trudu. Regresywnym aspektem „innego stanu" są preracjonalne tendencje i impulsy. Ponieważ i one leżą poza możliwościami logicznej interpretacji, często mylone są z. progresywnymi tendencjami transracjonalnymi. Autor artykułu używa dla rozróżnienia tych dwóch aspektów Musilowskiego „innego stanu” terminów pozytywnej i negatywnej kontyngencji. (shrink)

The work of Robert Musil Der Mann ohne Eigenschaften is not only considered one of the heights of the twentieth century novel, but also constitutes an essay of deep political theoretical depth on the nation and nationalism in interwar Europe. The crisis of the Austro-Hungarian Empire serves as the reason for the author to develop a deep critique of some of the fundamental theoretical foundations of modern political thought. This article shows how the systematic criticism to which essentialist (...) and racist nationalism is subjected in the work is based on a review of two of the philosophical assumptions that make it possible: the linear conception of time and history, and the metaphysics of the subject. The analysis explores the deep relationship that exists in the work between individual identity and collective identity, between the crisis of the modern unitary subject as an autonomous individual and the difficulties of the construction of a pluralist and democratic concept, inclusive of Nation. (shrink)

A review and comparison of two recent and very different monographs about Aristotle's Categories: W. R. Mann "The Discovery of Things" and Robert Ward's "Aristotle in China".

La obra de Robert Musil Der Mann ohne Eigenschaften no sólo se considera una de las cumbres de la novela del siglo XX, sino que constituye también un ensayo de profundo calado teórico político sobre la nación y los nacionalismos en la Europa de entreguerras. La crisis del Imperio austrohúngaro sirve de motivo al autor para desarrollar una crítica profunda de algunos de los fundamentos teóricos fundamentales del pensamiento político moderno. Este artículo muestra cómo la crítica sistemática a (...) la que el nacionalismo esencialista y racista se somete en la obra se basa en una revisión de dos de los presupuestos filosóficos que la hacen posible: la concepción lineal del tiempo y la historia, y la metafísica del sujeto. El análisis explora las profunda relación que existe en la obra entre la identidad individual y la identidad colectiva, entre la crisis del sujeto unitario moderno como individuo autónomo y las dificultades de la construcción de un concepto pluralista, democrático e inclusivo de Nación. Palabras-clave: Nacionalismo, nacionalidades, Imperio Austro-Húngaro, Robert Musil, identidad colectiva. (shrink)

Machine generated contents note: Introduction 9 -- Postmodernism and the End of 'Humanism'? 19 -- Postmodern Ambiguities: -- Out of the Frying-Pan into the Fire 34 -- In Postmodern Disorder: -- The Confused and Confusing World of The Hand that Signed the Paper 40 -- Ethics, the Literary Imagination, and the 'Other': The Hand that Ought, or was Imagined, to have Signed the Paper 47 -- Jew and Anti-Jew in Australian Fiction 58 -- Helen Garner's The First Stone: Ethical Confusions (...) and Contretemps 72 -- Antisemitism and Literature: Robert Manne's The Culture of Forgetting and Anthony Julius' T.S. Eliot, Anti-Semitism and Literary Form 83 -- Abraham Biderman, Daniel Goldhagen,and Telling It as It Was 96 -- Literary Studies as Ethics or Anarchy? 110 -- An Imbrication of Heteroglossic Discourses? Or Plain Speaking? 118 -- The Flowers that Bloom in the Spring, tra-la: Postcolonialism and Other Messiahs 127 -- Postcolonialism and the Exotic 135 -- Perpetually Moralists: Truth, Ethics and The Empire Writes Back 146 -- Towards a New Ethics 159 -- Conclusion 167 -- Index -- 176. (shrink)

L'éthique n'a pas que des sources philosophiques ou religieuses-spirituelles. Elle peut aussi se nourrir des questionnements inscrits dans des oeuvres littéraires. La littérature est peut-être même le lieu privilégié où se donnent à voir et à comprendre doutes existentiels, dilemmes moraux, intuitions philosophiques. Si l'éthique consiste bien dans l'approfondissement de notre connaissance de la dimension morale de la conscience de soi, de la conscience du monde et de la conscience d'exister, elle trouvera dans l'oeuvre de l'écrivain un matériau riche et (...) complexe qui ouvrira la voie à son propre déploiement. C'est ce que propose cet ouvrage en puisant à l'oeuvre de cinq romanciers de la modernité classique allemande du début du vingtième siècle, Rainer Maria Rilke, Thomas Mann, Hermann Hesse, Robert Musil et Stefan Zweig. (shrink)

Robert Musil (1880-1942), the Austrian writer, essayist and author of Der Mann ohne Eigenschaften (MoE), and Max Scheler (1874-1928), the south German realist phenomenologist, shared a number of philosophical convictions and interests. These convictions and interests distinguish them from almost all their contemporaries. They are by no means common today although more common than they were. At the centre of their work stand detailed anatomies of the human heart.

Robert Musil sagt über seinen Roman „Der Mann ohne Eigenschaften“, dieser sei „religiös unter den Voraussetzungen der Ungläubigen“, kritisiert aber Kierkegaards Entweder-Oder ebenso wie Hegels angeblich entscheidungsschwaches Sowohl-als-auch-Denken. Dieses wird hier dargestellt als spekulative Betrachtung der Wahrheit, des Ganzen des Seins, einerseits, als absolute Haltung zur Endlichkeit von allem Seienden, auch des eigenen Subjekts, andererseits, so aber, dass das gemeinsame und dabei indefinit-unendliche Selbst-Bewusstsein zum gemeinsamen Thema aller wahren Religion wird, wie es die Aufklärung aus dem Blick verloren (...) hat. (shrink)

ABSTRACT David Roberts’ History of the Present asks what comes after the grand narratives of European modernity. Progress is over, but without a past and with no assured future, the present remains in conceptual limbo. For Roberts, we are entering a new stage of a global cultural modernity marked by the end of European modernism. Taking a fresh look at the contested endings of the modern, Roberts suggests that an extended concept of contemporaneity might replace the problematic dualism of past (...) and present, modernity and post-modernity at the end of the twentieth century. This review article discusses Roberts’ argument with reference to the work of Budapest School members, Ágnes Heller and György Markus, with reference more broadly to seminal theorists such as Georg Lukács, Walter Benjamin, Theodor Adorno, Alain Touraine and Guy Debord, and to writers including Marcel Proust, Heinrich Mann, Aldous Huxley and Michel Houellebecq, in relation to the questions of cultural modernity. (shrink)